I My Electric Love Affair, Norman Lamont 8- the Innocents, Houdini Box .unl Electric Ghosts iilk' l «u hill. *" (lullult' \lit't'l. 3:5 “Ti-1 5pm 3-2 l\uu.xuu lk'ilt'i luutham'i ilHlll wulc ml I iiluluughk lwsl Inacll unllt' .l\i\ kallii illllik' iik'
I Emerganza \ulum; («unpaid m (kl-.nmh'. 335 (7"!) ’5 “lplu lwillglu'x liut' up lut illlik'\ (lmln Int-xi. ‘~‘-.l‘-L". [ilt‘ \:\ \ik'lll turn will i. ( 'm/j. \ lutt'ul ‘Hlkiik' int L l. I, \H «pup puul. 1. (item \halkc} tunuuslrtuuu link l. lilt‘ \inlluu lllliilk". Rn'wi 'lllk'il‘lik Illkilk' im lw
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I The Delgados .lllli The Galipaygos Hulls. Kinetle (‘t-nuc.
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Glasgow
I Razorlight (luling .‘\(£l(iL'IHI\. lZI l'.j._'lulluu Slit't‘l. ll‘lll5 lllll WIN/()KTH ""l jllllll "pm M )I l) ()l "I ()wi' i-i\ \illl“ illiiIk' \lill\ till |Hlll \xllh .‘l IIIUIL‘ [‘k'i\ll;l\l\k' muml llMll lll.lll_\ ul lllt'u [X‘k‘l\ ll _\nu Ilixt' lln' wuml nl \t'u Ynlk ,u‘l punkcix 'l’clt-xlsmu. llml l\
I Fightstar, Sucioperro 41ml Brigade Kin}: 'lul'x \\.ih “uh Hul. 3‘31 \l \ lllt't'lll Sliu'l. Ill 53“). hpln. 8( )ll) ()l l ()wi lhs \illl“. l:\ Huxlt'il (ilk'dllli‘lhli (‘qullc Simpson gels \t'l‘lillh \\ llll lux ‘Iu‘upt'i‘ im'k lxunl. ll} telling: llml [H .l nullull ml illsllglllfglll lt'll )t‘ul' I‘i(i\.
I DJ Format featuring Abdominal 8- D-Sisive \lt'c’u'Slm/y 42! Suuclut'hull Sll’t‘cl. Hill‘lllll, 0.111].
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I Malcolm Middleton, The Mighty Stet uml Canning Town Boys The l‘um-l'xgll. 5" 5‘) Hull] lune. 333 830‘). 8pm. U» .-\l';li‘ Silup luulu Illeruulcnlulm
play umlclmi ilHlll ill\ iwi'Ihtumm; wlu R'it'd‘k'. ~lll‘l‘i'l'lc‘xi h} Dublin-based .mu lwll». \HlL'L'i summarilt'r lllt' Might} \lcl
I Ummagumma [he hit}. ~12 (lulu Plate. lllh‘)?‘ 3h5 5!! \pul L 1" Punk Hind illi‘lliL' shim
I Agent Blue, The People and Stripping Velvets Hull}. 2m ( lulu \lrt't't. “hall ‘lll- H‘W‘l \put :5 Rutl‘ln; qumlt-l 1mm \lukc nu lit-m
I Even in Blackouts and The Dangerfields Halli} tupsldu'xl. 2W (iHh' \ll’t't'l. “5"” W”— “"‘N 5pm [h .itnusllt' punk luck Ill lht' Dashboard ('uult'sxluuul \k'lll
I A Bittersweet Moment, Resident Calling, Rafiki, Civilised and Synthetic ihL' (Xllhuusc. l5 l'ulnu Sll't't'l. 115 (\(illh " illpm L-I 5H l.ul\;ult't'l. L5 ltlmu l. ()xt'i- Us slum lulun punk illlL'rllP.
I Meredith’s Way, The Tracks and Danny Moran Slat-u. Kch ullmugh Slit-cl. 5"“ 5lllh. Spin. {-1 .\cuuxl1c singer/ngurut-rs' cwmn; \\ Ilh cuunll‘} and lnlk lllllt't‘llUlh.
I The Nucleotides 'l’hc l ilil \ult- ('.ilt'. 54) Ml King Slit-cl. 553 Mix ‘lpiu L" \Imlt'l'n \url luxlrulut'nlulles.
I Cold Night Song The (Mu. llx" .'\l'}_.‘} lc Sli‘ct‘l. 357 T V i. Spin l-I't't" (‘lnu‘llt' and Neil lnrlut‘rl} ul .v\\lml urt- lillllt'ti h) .lt‘nu} Rccw and Sluccx Slt'u‘xxnglu ml lht‘ Rt'ludct-i‘ Section [or .i um acoustic night with gum!»
I Sugarman 'l'ht‘ Hull Hui. lhll \Vnmllumls Rugul. i52 ‘N‘lh. 3pm, l’l't'u I Joe Durso Rockers. l~1 \lnlluml Slim-l. 331 (lTZh. 3pm. live.
I Acoustic Night The Vale. 5 Humlux Sli‘t‘t'l. 33300.1(». Rpm. t i.
I Ernest 'l‘ht- Swim. III II»: Sluclmcll Sll‘t'cl. 553 XML-1pm. i‘l'L‘L'. (liivllhpil't'ti originals uml much.
I Big Blues Jam Slutliu ()nc. (il'(l\\t‘llHl' iiHIL‘i. (il'mwnm' 'l'ci'rut‘c. MI (35“). 7..~llpm. l’i't‘t'. Hmlcll h} iilL‘ Nu“ lilut‘s Surlt'rs \\ llil t'uulrihulinns lmm Sludiu ()IIL‘ l‘t'gulgu'x such as Rm Um“ :unl lhc \iuuuu Brothers.
Young Willy Mason clearly isn’t your average
teenager. Like Conor ‘Bright Eyes' Oberst and countless other aspiring troubadours, he started early and, at 19, appears old beyond his years. His debut album Where the Humans Eat is a lo-fi blend of flighty, woozy acoustic folk and cunning blues.
iv \4 m, 5. unstlt L1, "/0" Fe!“
I Phil's Sunday Session l ngt' iit'diild. 3‘: “mutilautis Road. 5H1 l5W~ “pm ii‘t‘t‘ Him}; _\uul mm mxuumcul I Acoustic Session \dilllli'] [Mm h" “l \ulmialcl<«».nl.~321'>ll|"
i iL't' ill‘lll ii‘ih 'li‘ li‘tix ii\‘\i‘t'\i \uulllt' ,unl Hint"
I Acoustic Open Mic ll.” lilm. ll“ Hulil \Iit‘t'l. 5‘1 Nth “pm lit't'
I Live Music \illtMult‘h. l: ltuualta Mum-1.3% \5\l “pm I lt't' iilk'k' lms. i‘.lll\i\ In M" tumumctl
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I Stovepipe, ACRid ,mtl Recc li.umcnu.m\ \nltli) \uccl. 55h ‘35-1 “pm {-1 Punk and luck ill\k'\i \\ uh luaxs
I Emerganza Sulma} (impala (N (‘mxgaltz 335 (\"hh. T iill‘lll luillglil’s lun- up Iut'lutlcs Kumut‘kn It‘hccs} [my inckl. lam I ll] ilnlk luck». lllt' Silt-u! Rt'\l‘illill‘ll than} ut'nusllt‘l. \quyicl Ilut'lul l. \h \lct' mil unlic llk‘ix I. (i(‘\i\ ul i'llllllk' \l}!hulug} Isllvut-i [min
I Soundings: Sonic Art Rk'lti (‘uut'ci'l Hull. lztlmluuuh l'mxclxll}. Hille Square. (\hh lel‘l. llult's \.ll} 2" uth nluul k'\L'lli\ (Ill. \wt'kcutl puss it‘. uan uluul mums L’lll. \xt‘ckt'ntl pawl
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I Razorlight (Ruling: .\t'.nlt'ul_\. III liglullnu Slit-cl. (l‘lll5 ()le “NU/lle “I Illllll. ~pm. {I5 ()wr l-lx \ilH“, Sm" Sun (I,
I Willy Mason uml Mara Carlyle King ‘i-lll.\ \Vuh \Vuh Hlll. I‘lu SI \lnt't'nl Sli‘t't‘l. III 527‘), N. iillilll. Sl )ll) ()1 "I. ‘l’ccnugc hlucx \t'nxulmu lmul Martha's \'Int'_\;u'il. \\ ilh unlic appeal.
James Yorkston
I Kalamazoo .uzd Rubix Touch \tcrcn. kt'i\uili.:u_~;ll \tzcct. 57‘ 5l'l\ \g‘m Mountinuu lx'txnziix zip-3h:
I Alex McEwan Ill; l *m \nlcl arc 5Hf\l'i\irz;_'\1:ccl. \ulllxh \mvt'i sanguine! m luc wmlu; \t-u‘. ml [hunch i\'l\\' .lmi I‘m. 1“. ( l:.l\
I The Gus Munro Band \zmm ( mg. (unxwx‘mi llulcl (uuucxtnl [struts ml? lino Rinuik 1lll~51h "l‘fil lzcc lilum
I Acoustic Jam \nc'n‘\lt-.l,~\ if: \.lii\il|\'ii.iii \[lKK'L 1‘; "‘N l" \l‘l Ilcc \\t'cl\l\ \lhmtuxc ii‘l likui wuvxxrzlch
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I Taylor Made Mondays Hit" Hull'.‘ ~ (lilli‘. \il‘l.l\ iii‘llM', :. iil‘i\ll‘i‘ti i\‘\‘ll\i 55\ ‘hlll \i‘ul L.‘ Iilt‘U'
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I Achren, Obscenic .unl Genetik Blue Print Haunt-11mins \nllllx \um'l. 55h ‘351 “pm 11 \lulnl.l_\ urz'lll wl lllk'ldi
Check out the
on page 13
and The Athletes Shipwreckers
Released |4th February 2005 on CD & 7 inch
i
“2, \
lRUGl93CD/RUGI93)
CD features new tracks: “The 'A' of the Oboe" & “Heron (demo version)"
7 inch features new track: “The Route To The Harmonium"
James Yorkston live with special guest KING CREOSOTE 09.02 EDINBURGH Liquid Room
"Shipwreckers" is taken from the album “just Beyond The River" out now "Yorkston has reached a state of grace
that writers can spend for ever trying to attain." 5/5 Peter Paphides THE TIMES
war/"inn
www.13mesyork5ton.co.uk www.domlnorcc0rdco.c0m
" THE LIST 77