Events are listed by date, then city. Submit listings at least ten days before publication to jules.graham@list.co.uk. Listings are compiled by Jules Graham and Kenny Mathieson.
Thursday 20
Glasgow
I Glasgow Singers Night '| llL'
l lll\i'i\.'il. 5” 5‘) \aiii'hichall laiii'. zl3 \H‘l‘l Kpiii 95 Jim ("Ii-land. Rilllllli' Raw and Ki'ii \lailiii'wii proxidc lllll\l\.il \llllllilll .ii llll\ iii-ii opt-ii iiiii iiighi loi (il.l\_‘,'ll\\ \iiigch ll _\oii .lli' iiiii'ii‘xii'd iii pi'iloiiiiiiig iall l)t'lk'i\ oii ll"‘)"" 5H” l l3
Edinburgh
I Ross Milligan Time Cube lit'lll} \ old/I (It'lldl. 5 \lillll\iill Slit-Cl. ‘l(\—‘ 53”“
H illpm U» (illllgllhl Row \lilligaii lk'dll\ a liwl} iiiiaiici li‘aiiii'iiig Koiii'ad
\\ l\/llli‘\\\l\l on \a\. Ki'iiii} l‘.lll\ oii ham and \l_\ii (‘oxkci oii illlllll\
I Freddie King Quartet \i-kiai. 35i ('ougaic. 557 3730 ‘lpiii iiiidiiighi l-rcc lliaiid llL'\\ ’lliiii‘xda} iiighi ri'xidcni'} loi' ilii' \ocalli .iil\i'llllllilll\ ‘Kiiig oi Scai‘ and i'iiloiiiagi-~
I The Dyad 'l'hi- |.cli Bank. *7 (iiiiliiic Sin-vi. 335 07-1-1 ‘lpiii. \cu a\aiii gai‘dc iiiglii loi \Vilkic lloiixc'x llL'\\ a\aiii gai‘dc it'll Hank hai‘ ax ilii' ll}ad. :\K.-\ ('hi'ix R(l\\. lli‘iiiaiiiiii Si'liogli‘i'. l’aiil KL‘L'HL'. llaxi' R(l\\ and \ii' and Tim .\looic lim- i'li‘t'iioiiii'x “Illl lllllil\;lll\i' lll\ll'llllli‘lll;il
Edinburgh I Hejira lit'lll'} '\ .la/I (char. 3 \lill'l'hilll Siii‘i'i. Jo? 53llll. 3.5mm]. L5. Scwiipiu'c haiid li‘oiiicd h_\ \oi'alixi ('arroii (print-ll} [lL‘l'lill’llllllg' (ll‘lglll;il\ [llll\ \Cl'\lilll\ ol .lill Xi'oii. llci'hic llaiii‘oi'k. ilic .l;iiiic\ 'l'a_\loi‘ ()llill'lt‘l aiid liidia Arid
Paul Towndrow and Konrad Wiszniewski Quintet llt‘lll‘} '\ ,la/x (i‘llal. X \liii'i'lvill Sll'L‘Cl. 4(i7 53”“. N. illpiii. t7. lloi. last and liiiioiix IllililL'l'll ia// coiii‘iiw) ol' l\\ii ol' lii'iiaiii'x llllL‘\l )illlllf: \;l\il[lllillll\l\ \\ ilh \llllllill‘l li'oiii Sicw llaiiiilioii on piano. Mario ('arihc oii haxx and M} ii (‘oxkci' oii ill'lllll\. I Billy Thom Quintet Xll ()ilL‘L‘ll Sii‘cci liar and Ix’cxiaiiraiii. Nil Qllt‘t‘ll Sli'cci‘ 33o 5(l‘l7. ‘lpiii. l-"i‘cc. ‘l'lic Scoliixli di'iiiiiiiicr‘x \uiiigiiig ia/I [Hill I Edinburgh Underground Jazz 'l'lic l.cl‘i Bank. 37 (illllll'lL' Sircci. 335 974-1. (hillplll l‘i‘cc. No“ ia// iiiglii \hoxxcaxiiig ihc ci'caiiw iali‘iiix ol \illllL‘ ol' lidiiihiii‘gh'x llllL‘\l _\oiiiig lllll\lL‘l;lll\. iiii'liidiiig giiiiai'ixi \likc \ixhci and haxxixl Km Iii (ilaxgow
Glasgow I Lynne O’Neill Quartet llrcl. all) 43 .\\lllilll l.aiii‘. 3-13 JUN». 3 (llllll. lice. (ila\go\\ -ha\cd \ocalixi li‘oiii\ llll\ iiiiio\aii\c lillll‘\illllL' \\llll \oiigx no“ and old. I lnstinkt and Beolach ’l‘hc Ari-him. 353 :\l‘1_'}lU Sii‘cci. 505 lll3.“. Xpiii. L'l3.5il. .la// iiillccicd ll;lll\C l);illl\ll iiiiixic li'oiii liixiiiiki ioiiicd h} ('apc lircioii'x licolauli. hr! of ('i'lli'i‘ ('uiim'i lioiix.
Edinburgh
I Jazz©Lunch Xi) QllL‘Cll Sim-i Bar and Rt‘\l;llll‘illll. Sil QllL‘Cll Sii‘cci. 330 5007.
3 5pm. l-‘rcc. l.iiiichiiiiic _ia// “llll ihc .\'il Qllct‘ll Sircci piano irio kidx \\L‘lCillllL‘.
Check out the
onpaqeii
78 THE LIST .‘i‘; Jai‘ 3 Foil 300:5
Saxophonist Denys Baptiste brings his acclaimed Martin Luther King-inspired Let
[Viviflr(}(llf(:, I)!“ .Ii) ijnf".
I Gina Rae llL‘lll} \ .la// (l'lldl. .\ \loi‘rixoii Slim-i. lo" 53”” .\ illpiii L" \li'lloxx. hip halladx \\ iili a L'illllL'lllllllldl} Rikll \[llll [llll\ oi'igiiial t'illlllliHlllillh li’oiii \llL'illhl (iiiia Rilt' and hand.
I 80QSt House Band Ml ()iiccn \iici-i liar and Ri‘xiaiii‘aiii. Nil ()lli'i‘ll Siii‘ci. 33h 5llll7i ‘lpiii iiiidiiighi. l‘l'L‘i‘ \lodcrii |.i// (lawn li'oiii llll\ il_\ll‘.lllll\' liic piccc.
I Rumba Caliente lli'lll'} ‘\ .la/I (char. 8 .\loi‘i'i\oii Sii'cci. 4r," 53llll, iiiidiiiglii L" Si\ piccc haiid lL'tl h} Salxa ('cliii‘a ii‘iiiiipclci' loll} Shippc}. pi‘o\ idiiig ilic lillt'\l lll hoi i‘aiiiii‘h} |.aiiii \illlllil\
Glasgow
I Kenny Paterson Trio \lcrcliani'x (‘oi'iii‘iz IX John Sii'cci. 553 Will. 5 .\piii. l‘i'cc. .-\ llL‘“ iah'iii oii ihc Scoiiixh ia// \u‘iic l’aicrxoii pio\ lilt‘\ \lllilillll \illll and wing mark.
I Big Blues Jam Siiidio ()llL‘. (iroxxciioi‘ 'l'ci‘i‘acc. 34l (i5lo. 7.3llpiii. l'i‘co lloxicd h} ilic .\'i‘\\ llhicx Siii‘lt‘i‘x \iiili L‘illlll'lllllllilllN li‘oiii Siiidio ()llL‘ i'cgiilai'x \uch ax Rm Hot and ihc \iiiiiiiii lli'oilici‘x.
Edinburgh
I 80QSt Piano Trio Ml ()UL‘L‘ll Sirch liar and RL‘\l;illl';illl. Nil ()llL'L‘ll Slit-cl. 33h 5097. 3 5pm. l’rcc. chiilar piano \L'\\iilll prox idiiig laid hack al'lcriioon L‘llli‘l‘ldllllllL‘lll.
I Edinburgh University Big Band llciir} \ Ja/l (char. 8 Morrixon Sircci. in“ 53ilil. 5.5lllllll. u». \liglii} hig hand \iillllil\ ax llll\ grcai \lllilclll hand rciiirii iiiidci‘ ihc dii‘ci‘iioii of anc l’i‘ciiiicc. pla} iiig iiiiim~ l'i'oiii acrim ilic .la// and Big llaiid \pcciriiiii.
I Nexus3 'l'hc l.cii Bank. 3" (iilllll'li' Sli‘cci. 335 07-14 ‘lpiii. l‘i'cc. 'l'i‘io L'illllpl‘hlllg llcii Mai‘lloiiald igiiiiai‘i. Ruin (ilaxgim ill;l\\l and ('hi'ix \Vallau' lill'illll\l \\ ho. in ihcir il\\il \\oi'd\. dcliwi' 'a iiii\iiirc oi' \ iriiioxic hiin ociaiic lll\lilll. and liiiik} and winging _ia// iiiiiiihcrx' aloiigxidc ihcii‘ o“ ii original iiiaicrial.
I Three in One lluiiiaii llc-lii. 3 .\ \Vwi (‘roxxcauxcuay (m3 \'.\‘(\ll. ‘lpiii. licc \cu iiighi ai ihc Bc lll i'caiuriiig lllL‘ \llliliilll.
\\ cckcnd \illllltl\ oi llll\ cool pianir lid“ and driiiii\ lrio‘
Monday 24
Edinburgh I 8005! Piano Trio Nil Qiiccn Sircci
filo/ii
‘ii
liar and lx’i'xlaiiiaiii. .\ll ()iiu‘ii \iii'i'i. .._ 5ll‘)‘ 3 5pm lici' \i'v \iiii 3‘
I Guest Bands Night \i'kiai. 35% ('mxgaii'. 55" 3".\ll ‘lpiii iiiidiiighi Iii-c lii'aiid iii'ii iiiglii \\llll illllt'li'lll .l.i// l‘.illil\ \lio\\t‘.i\iiig lllL'll l.llt'lll\ L'\t'l_\ neck
I Jam Session Ml ()lli'i'll Slim-i lial .iiid Ri'\lillllillll. Xll ()llCi‘ll Slim-i. 33o 5ll‘l5 ‘lpiii iiiidiiiglii l'i'cc. ()IlL‘ll \L‘\\lilll \iiili llli' l).i\ id l’aiiii'k 'liio ionic and p|.i_\ oi i‘oiiic lo licai .i \iholc load oi iii-ix ialciii
Tuesday 25
Edinburgh
I BOQSt Piano Trio .\ll (‘lllt'k'll ~Sim-i Bai and Ringillliilll. .\ll ()lli'k'll \iii'i'i. 33h 5ll‘l“ 3 5pm l'i'cc. Sci“ Sun 3*
I The Stonetlowers l.cllll loll (lulu. 'l‘ilk' \Illlilflk'. Sillllll lill‘l Slicci. 1‘5 “5|” ".‘llpiii, L5 (‘iowm‘i U'llllll'} |.i// lolk \\llll S}l\ ia RJL' oii \oi‘alx. .ii‘i'oidioii [ll;l}L'l liigi' lllillllvlll. \aiid} \\ iiglii oii giiiiai‘ and piano [ll.i_\i‘l \laiiiii (ili‘i'll Iii-c llliggh. llL'L'|‘\ and l.llllt'\
I Bill Kyle‘s Sh" Hot Jazz Quartet \clxiai‘. 35 i ('o\\gaic. 55" 3"Xil.
‘lpiii iiiidiiiglii i'lL'L' l)llllllllli'l llill Kilt-K lali'xi grouping. li'aiiiiiiig lloiig 'liplad} l\.l\L‘\l. l’aiil Kiih} ipiaiioi .iiid Kcuii (ilaxgou ill.l\\l
I Delta Croft Revue \i‘hldl. 35‘ ('ougaic. 55" 3‘8”. ‘lpiii iiiidiiiglii Iii-i- \Vwii‘rii xiiiiig. lllllL‘\ aiid iolk a lllll} .l\ Smith and l‘.\\;ill do ilicii iliiiig
Wednesday 26
Edinburgh
I 80QSt Piano Trio Ml ()lli'cll \im-i liar and Ri'\l;llll.illl. .\il ()lli'k‘ll Slit-vi. 33'» 50‘)". 3 5pm l'i'i'c Sec \iiii 3‘
I Fire and Ice llciii} \ .la/x (‘i'llar N \lmrmm Sii'cci. Jo“ 53llll «\ “Will to NC“ liw pici'c haiid lroiiii'd h_\ lllk' \ll'lili'lll lL'llill \a\ oi (ioi'doii Mal and ii-aiiiiiiig ilic ialcni~ ol [llt‘llllL'l Icagiic di‘iiiiiiiici' l’aiil \lilh
I Chaos Theory \L'lKldl. 351(‘ovgaiu. 55— 3th) “pm iiiidiiighi. l-iu' (liigiiial liiiik} J piccc pla}iiig liw iiiiproi l\L'il |.i// and \l;illil;il'il\
Glasgow
I Koshka (‘alc (‘oxxathok Rll\\l.iil ('iiliiiral ('ciiirc. lll King Sircci. 551ll'“ ‘)piii. £5. ('oiiigidiiig \iiih ihc rclcaw oi lllL'll iicu alhiiiii \l'ium. ()lcg l’oiioiiiarm.
Freedom Ring! project to Scotland for the first tim
‘I~,\.‘ / iu~ I v_
e, featuring the poetry of Ben Okri.
\ig‘i'l (ink and l i“. \ilax [li'llilllll .i mpg i.i// lll\|i|ll \i-i .l\ paii oi ( i
(it‘ll/ll [It 'I.'\
l iliiiliiii'gli
I BOQSt Piano Trio Ml l‘)lli'i‘ll \iii'i'i liar and lx’i'xiaiiiaiii. Ml (Jili‘i'll \iici'i. 33h 50”" .‘ 5piii l ii-i~ \i-i- \iiii ,‘i
I Paul Harrison’s Organ Scandal lli-iiii '\ l.i// (‘cllar \ \lillll\illl \lli'i'l‘ lo“ 53”” .\ illpiii to |’.iiil |l.iiiiwii iipdaim ilii' i lawn liliii' \oii'. ll.iiiiiiioiid (ligaii \illlllil .ihl_\ .l\\l\l\'\l h} :‘llll.ill\l (il.lk'lll\' \ioii .iiid illlllllllli'l \iiiaii Riii'liii-
I Freddie King Quartet \i‘l.l.il. 35* ('ouflaii'. 55" 34*" "liiii iiiidiiiz'lii
l'li'i' \i‘i' lllll .‘ll
I The Dyad ill\' I i'li Halli. {.(illllllli' \llk'k'li .335 “7‘ ll ‘lpiii \K'i' lliii Ill
Friday 28
Glasgow
I Hans Theessink Band llli' \ii lli‘N 35‘ \igili' \iii'i'l. 5(i5 Ill.“ hpiii lull l)lll\ll llllli‘\lll.ill. llllkk' \aiii llillli'il hj. lo lliddli'}. ill.i\‘-lll:' oii \llli'll\.lll lilill\. llllh .lllil I’ll/l, ill ( i/lli
(it'll/ll [IIII/\
I Konrad Wiszniewski Quintet liaxiiia lilaiiia. lilllll\\‘.li it lloii'l liawiiii'iii. lllii lilllll\\‘.|\ l. \iii'i‘i. 55.3 lllllll .\piii 3aiii \.i\oplioiii\l .illilllxlll‘.‘ \l.il ol ilii' \i'oiiixli |a// \kk'llk' Konrad \\ |\ll|i‘\‘-\hl ll.i\ a iiili \ililllil. lllk' iiadiiioii oi lllt' \.i\ll[lllill|i' f_'l.'illl\ l oi lll\ /ig/ag di'hiii lii'\ lllllli‘il hi \illlli‘ oi \ioilaiid'x lllli'\l |.i// lllll\lil.ill\ iii lllk' \Iiapi' oi Kk"- iii \illk Ki'll/li' lL'illl.il l. l’aiil ll.ill|\illl the} \l. \laiio (Liiihi‘ idoiihlv ll.i\\l aiid ulilllll Rai' lilllll|l\l
iiiilli'il lli
Edinburgh
I BOQSt Piano Trio Mi ()llk‘t'll Sim-i liar and Ri'\l.llll;illl. Ml (‘illk'i‘ll Slim-i. :3“ ill‘)“ 2 §[llll l'li‘L' \i‘i' \llll .3;
I Vente d’Est llciii} K l.i// ('i-llai. \ \lornmn Slicer-1o" Clio x 5llillli L" lit ll'.lll\ll|ll'li'il llaulx io llli‘ oiigiiial lloi ("liih ol l-iaiiic ax :iiiiaiixix lain ('aili-ioii and Graham lligli. ‘-lillllll\l l.ill King and ll;i\\l\l .lL‘l'l'} l'lllilL' UlllllllllL' i lawiu v. iih llk'“ coiiipoxiiioih lllli' io lllL' L'}p\} \\\lllj_' xi}lu
I Jimmy Gimour and Trio Hi ()llL‘L'll Sircci Bar and l(L'\l;illl.illl. Hll ()lli'i'll Sin-cl. 33o 5ll‘)~ ‘Ipiii i'lCL' ‘llic ‘-L'lL'lilll \oi’alixi iiiili a in llll\lL‘ iii lll\ L'_\L' [lL'llilllll\ iii lll\ (l‘.‘.ll iiiiiiiiiahlc xi)li'.