Film
Reconstruction I: \i O... l('lirlstnller Iine. I)etitiiail\. SWIM \ilailai l.ie Kaas. \laiia Ilnnnexie. Krister IIeiirikssnn H‘ltnin lines pnst iiindeiii
rillllilllllt drama tnllnns the uiiilused Alex iKaasi nii .iii einntinnal iniiiiie} Irnm the LL'II.IIIIIIC\ and \l'lllllill n! his nngning relatiniiship \klIII the piett}. reliahle .-\imee iliniiiiex iei in the clandestine meetings .iiid sulitle seductiniis nl his passinnate allair u itli tlie L'Ill\l\t‘. stiiniiiiigl} heautilul \iinnne talsn Ilniiiieuei l'.\en the ninst hanal ('npenhagen street \CL‘IIL' heenines stillused with a pimeilul ininantit _\eariiiiii.'. hut line's .ippinaeh is alsn kiimsiiigl} .IILII I’aiadnutall} inxnlxiiig and intellectually e\hilai.itiiig li/iii/inim'. lzilililime/i
Santa vs the Snowman 30 it’( it i\'arinus. I'S. lllllli {Imm I.\13\.\ hig screen preseittalinti. /.ll.\,\' [/H'lllll. (i/uxeim.
Saw l IN! C... ilaiiies \\.in. IN.
jtiti.1i('.ir} Izlxs es. I eiin \\ haiineII. Darin} (ilnxei. Ken I eung llllinin Inn men wake up in .i dilapidated hathinnni and realise the} We been kidnapped h} a killer \thn sets traps Int his \ictiins. challenging them tn eninmit murder ni die 'Inld Iaigel} thrnugh IIashhacks. this is an exciting [‘\}LIlitIithI\'.tI thiillei \sith stime surprising [\stsls l(i( ‘ /\’r Ifflr v. .Xll'r'r I. (II/(I\L'I’H. (rlifltitn
Seven Brides for Seven Brothers iii 0... «Stanle} |)nneii. I'S. Will IIii\\.il'tI KL'CI. Jell Rteltatds. Russ 'Iamh|_\ii. ltliniiii (‘Iassic .\l(i.\l all singing allrdaiieing ltltl\IL.iI Innsel) hased nn the /\'rl/’¢' n/ the Sir/tint llnmen Despite its areh s}iiiiiit'ti}. it remains a enlnuilul .iiid \ ignrnus allaii \\IlIl .i ensil} elleetn e senie 'I‘he dancing. chniengiaphed h} \Iiehael Kidd. I\ its strnngest pniiit hut he sure in \\ ear _\nur sunglasses .is it's presented iii glniinus 'I‘eehnienlnui (i/rixeuii I‘ll/II l/ii'iim'. (i/irwnii. l'l/HI/IUHH’. lat/iIi/iure/i.
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Shark Tale it i... rims» Iieigeinii \ ick} .leiisnn Rnh I etteimaii.
I S. IIMIJi \\iI| Smith. Rnheit I)e \itn. Jack Illatk. \lartin Senisese ‘Nlmin ()scal iSniithi is a little tish \xhn Iixes happil} in the NC enii Hut nne da} he gets in del‘t in a \egetaiian shark illlaeki uhnse matinsi latliei Hm I iiin il)e \iini rules the reel. what can he dn tn get himseII nut nt this situatinii ' I i\eI_\. sill} ll it\’\.i\\li‘ll.tII_\ IIat (‘( iI animatinn that is eleail} tising tn hustle in nu lint/rue \r inn teiiitni} It/nt/intiw. It/m/nuelt
Sky Captain and the World of Tomorrow (Subtitled) iI’t ii 000 «Keii_\ (‘niiian. I'S. Still-1i .lude l .m. (i\\}llt'lII I’altinxs. \ngelina .Inlie.
I .tlllL‘llc e ( )Ii\ iei lll"min Ihis ietin Iutuiistie iniiip. \shieh eniiihiiies state nt the .iit digital \\ i/aidi} with a deeidedl_\ HId lasltliitted shit} and .i Innis INII‘IiM ed Iiniii l‘l ills .iiid -llls pulp tietinn and mm ie serials. \sas liliiied eiitiiel} against hlue seieeiis [an 's d.ii‘ede\ il tI_\ iiig ace and I’aIllH“ 's dauntless repnrtei gn nn a glnhetinttiiig. Indiana .lniies-l_\pe quest tn tlmart the .ipne.il_\ptie plans nt e\il seieiitist l)i 'Intenknpl ta iesuseitated ()Ii\ieii It lnnks lahulnus. \\IIII nnstalgie sepia tnnes and e\piessiniiist lighting. hut the aetinii is tlllllt\tiI\ lltg. (i/tixenii li/m I'llt'tl/I't'. (I/ilwim,
Sleepover l H il .0 Lint‘ \usshaum. l'S. Illtl-Ii .-\le\a Vega. \Iika linnrein. .laiie I.}llL‘Il. Sam lliiiitiiigtnii. 30min. .\ hurried [\Iittlttc'iip) nl the lat superinr l.indsa_\ I.nhaii \ehiele .lletm (Hr/s, .lulie i:\Ie\a Vegai and her lnur adnleseeiit eliuins slip ;I\\tl} liniii a sleepin er tn enter a sea\etiger Iititit against a dniiiiiiaiit sehnnl elique. mm the pri/e being in sit heside the lniiiitaiii at luneh hreals. 'I'iresniiie. ('(i( ‘ lx’eii/I't'ii Street. (Hi/\euii, (i/ineiiii.
Swades ithei i.-\shutnsh (inuarikei. India. Zilll-Ii Shahrukh Khan. (i;t};tll'l .lnshi. Raia .'\\\;I\IIII. thlmiii. .\lnhaii lihargaui ils'haiii is a swing seieiitist \sni‘kiiig as a prnieet manager lnr .\'.-\S.-\. \shn deeides tn gn nii a quest tn tiiid his ehildhnnd naiiii}, 'l‘he liliii enntrasts the ItlgItI} de\e|nped \snt‘Id til NASA and the \sni‘ld haek hnme iii India. .\lnhaii's quest heenmes the inuriie} that e\er_\ niie nl us makes in seareh nl that eliisi\ e plaee ealled hniiie. Big hudget epie lrnm the dii'eetnr nl IIIr/I'rl/r’i'l. ()(lr'ult .II III/Iv (Jilin. (r/ihuriii. (i/memi ,' It 'I (Yule/NINA. ('lu/e/uui/t.
=2: Team America I Hi oooo i’l'i'e) Parker. [‘8. 300-1) Viitees nl Ire} I’arlset‘. Matt Stniie. Kristen .\li||er. \lauriee l.a.\larehe. l)ai'aii .\'nrris 08min. See
I'L‘\ IC“. page SI). (ii'nem/ I't'lr'tlu'.
T-Rex 3D tl'i tlirett Lennard. l’S. I‘NSi 40min. Ania/mg Innkiiig I.\l.-\.\ inn\ie ahnut a lather and daughter in danger Irnm a \ ieinus earnnnrnus diiinsaiir. (ireat Illll. [WAX 'I'lti'ull'r'. tilt/\eiiii’.
Take my Eyes (Te doy mis ojos) ll5i 0... Menu Bnllain. Spain. ItNHi I.aia Marull. l.uis 'Insar. ('aiidela l’ena. I'eriiaiide/ Luna. lll‘lmiii. I’ilai i.\lai‘ulli Ilees her linine l'rniii her \ inleiit hushand :\lllttlllti i'I‘nsari. 'l‘aking their )nung snii il.unai. she heads lnr salet} \sith her sister .»\na iI’eiiai. hus} preparing lnr her nun marriage In a Sent 1|)a\e Murine} i. l'tiahle tn aeeepl I’il;ii“s departure. .-\ntnnin us ears tn relnriii. e\eii entering therap}. I’ilar is persuaded in return and the iiie\ itahle is set in iiintinn. I’mx erlul award-“inning naturalistie drama that dnes nnt miss a heat. (‘( ‘5‘. (I/tlxetiii.
This Sporting Life I ISi O... il.indsa_\ .'\IItIL‘I'\UII. I'K. I‘Hiii Riehard Harris. Raehel Rnherts. .-\laii Badel. William Ilartnell. l3-lmui. .»\iidersnn's tirst I'nra) iiitn leature Iilmmaking is \er} iiiueh part nl the aiigr} )nuiig man traditinii that rexnlutinnised British Iiliiiinaking in the I‘Ntlls. Based ntt I);i\ Id Shire} 's pins erluI iimel tuliieh Stnre} hiinsell adapted inr the sereeiii It tells the d} speplic‘. hitterl} pessimistie tale nI' lirank .\Iaehiii illarrisi. a mean. tnugh. ainhitinus rugh} pla_\er \shn \\ reaks Itauie and had humnur in his small iinrthern tnun. .-\ stunning debut h} an}nne‘s standards. the film made stars nut nt then _\nutig \Velsh aetnrs Harris and Rnherts. she in partieular lIL'\ er surpassing
the \snik she did here l..":':."‘.'wei: Id": tum." lu’nzi'tireit
30 Mania il nits. l S. Inn‘u .s'tuaii I‘ankiii. I I\lI.i |\I -\\ ill aiiiinatinn hell I‘i‘l lll.I\\‘\Ill\I\ and u‘ltll‘lllk'l tender geeks HIII} I” \\ lh‘i t.‘."r (l.rti\'\'i 'H
Undead i IN C... I\Il\ liael .iiid I’etei Spieiig. -\usti.ili.i. IINIII I'CII\II\ .\lasnn. \Iungn \It I\a_\. Rnh Jenkins. I isa (‘uniiingham ll|~1inin See ie\ie\\. page
< I .\r iftt {r it" lik'r ti'\i
Vanity Faird‘th... i\Iiia \au.
l R IN. .‘lNl-li Reese \\ itheispnnii. Rninnla (i.il.tl_ lniiathaii Is’hss \Ieseis. Rh}s Il.itts. (iahiiel Il_\iiie l—llliniii See It‘\ It'“. [‘.l}'k' “I (re Hr ’ttyl“ It)": ii‘H
3}: Vera Drake i I: \I O... I\Ilist‘
I eigh. I Is. .‘INHi Imelda Staiiiitnn. Ix’iehaid ( itaItaitt. I ddie \Iaisaii. \iiiia Isea\eiie} l_‘*min See ie\ lt'\\. page \H .\i‘/¢'i i'i't/ It It NW
A Way of Life I IV C. l \iiiin.i -\saiite. I Is. Still-1i Stephanie .Iaines. ()li\ei Iladeii ‘Nliniii .\'e\eiiteen \eai nld single iiinthei I eigh \Illlt' rlainesi .iiid liei liieiids lat e a seeiniiigl} hnpeless eeniininit tutiiie in then sniith \\a|es tnun. and then ieseiitineiits. Iiiistiatiniis .iiid preludic es spill nut iiitn .i tiagit quaiiel \\IIIl .i \Iusliiii iieighhnui illadeiii. \shnse imtt daughter has slatted seeing I ett'Il .'\Ittlt"\ hinthei Ilespite Janies‘ pn\\ eilul eeiitial peitnimanee. \siitei 'diiettni .'\\.llllt“\ dehut has a small seieeii \isiial sensihilit}. uhile the dialngiie aukuaidh spells nut 'issues‘ and iiinti\atiniis ll/IIl/IIIHH. I i/lIl/Illltf/I
Noise I lit t( it‘itlllt'k X.i\. (‘altada/I ‘K/I '5'. lellfii \Iieliael Kealntt. (‘liaiidra “est. I)ehni.ih Kara l'iigei. laii .\le.\'eiee See pietuie eaptinii. page Si Xt’lt'i Ir't/ It‘lr‘ilu‘
Without a Paddle t I.)x\l O.
iSte\en Iiiill. I'S. Still-li\1.ittlie\s l illaid. Seth (iieeii. litiit I<t‘}ll0ItI\ ‘l‘liiiin .-\ulu| leeii knnek nll nl lie/nutuii e staiiing the I‘L‘\\II\IL‘IC(I aiid heuildeiingl} untalented I.il|ard I<c'}iin|ds makes .iii .ippeaiaiiee as a redneck. (ii'iit'rti/ It'lr’tlu’
Would I Lie to You? (La verite si je mens) 1 III 0.. illinnias (iilnii. I'I‘aIlCC. l‘NTi Riehaid -\neniiina. ICIIt‘ Kaktm. .'\IIIII'.t ('asai Itltimin ’I his
sereu hall enined} lnllnxss a )niiiig diiltei \xithnut a laiiiil} thrnuin a sini_\ nl mistaken ideiiiit} .\ huge hit iii I-iaiiee I’art nl the I‘I'L'IICII I‘IIlII I't‘sll\.‘tI (i/imym l'i/m I'ltt'iim', (i/meuii
Zatoichi i lNi O... i'l'akeshi Kitaiin. Japan. ltltiti Heat 'I'akeshi. \Iiehi}n ()nkusu. 'I'aka (iatarukaiiaru l|(itnin Ilaung reimeiited the enps and salsu/as genre. Kitaiin ttiaises a stab at dnitig Ilist‘\\lse \xith the samurai lilm. and (tilt e agaiii sliees thrnugh ennxeiitinns like a knile thrnugh huttei. Here he hiiiigs his master strnkes tn the 10th century Japanese hern /.atniehi. a hlind s\stiI(IsIllilll made Iamnus iii the Shintann Katsu lilm series \xhieh ran 1%: 3‘) 'l’he new
/utuii In is lu|| nl Kitaiin st}le tniial ehanges hetxseen eniiiie and \ inlent. tendei and graphie Mearmliile. the lights heeniiie e\ er mnre thiiaiiiie as /.atniehi. helpinga remnte mnuntain tnun that‘s heing lerrnrised h} the (iin/n gang. and his nemesis. the iniiiii llattnri i’Iadannliu :\sanni. drass elnser lni the Iiiial hattle lt's eutting edge stull l'i/m/muuz Igr/in/ime/i Zelig iI’(ii C... i\\'nnd_\ Allen. [8. Wait \Vnnd} .-\lleii. Mia I'ttI'Itiu. (iarrett Iirrmn. 79min. Allen's trielser) \sith plintngraph). uhieh places ‘huinaii ehamelenn' Lennard [dig at the heart nl ke} seeties iii the 30th eeritiii}. is iiiiagiiiatne and Inn”). hut hehind it lies an alleeting stnr} ahnut a iinhnd} \xhn'll gn tn desperate lengths tn he liked. 'I he innek-dne leel and use nl iiiiisie are perleet. ('( .l. (i/uxguii.
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