The latest club news
A new bridge is being built across the Clyde so the Renfrew Ferry will be making a move to the north side. The actual move of the Ferry won’t take long but they have taken the opportunity for a full refurb that should take until the end of February. In terms of clubbing Vegas! is the main draw and after their post-Christmas/pre- Hogmanay date on 27 December, they won’t be back at the venue until 5 March (though watch out for dates at a temporary Glasgow home over January and February).
Some more good news — Edinburgh's Trouble has been nominated for a Gilles Peterson Worldwide Music Award in the Best Club Night Category. alongside Glasgow's Head's Up. And they are rubbing shoulders with some pretty illustrious names: other nominations include Chibuku Shake Shake. Electric Chair. Mr Scrult’s Keep It Unreal and the Brighton Jazz Booms. Winners. announced on 15 December. are decided by a public vote. Cast yours on www.bbc.co.uldradi01/urban' petersOii/wwawardstM.’ wwuawardsshtml.
Bit of a novel treat for Death Disco fans. The first 100 through the doors for their XXXmas date at the Arches (11 December) featuring Erol Alkan and a ‘mystery’ guest will receive a pair of rather fetching exclusive Death Disco knickers. And if you fancy a pair yourself we have ?? to give away. Send your name and address marked PANTS to promotions@list.co.uk by no later than 16 December.
AS yOLi may well have heard. the Shack and Trash on Bath Street in Glasgow were hit by a massive tire in the early hours of Friday 26 November — the same night they celebrated their fourth anniversaw. While we're veiy pleased to report no-one was hurt. 55 people were evacuated and the future of this A-list building is in d0ubt. At the moment all mid-week Shack nights will be taking place at Bamboo.
48 THE LIST Q i‘e-e
Events are listed by city, day, type then alphabetically by name. Submit listings at least ten days before publication to clubsglasgow©hotmail.com. Glasgow listings are compiled by Johnny Regan.
Glasgow Thursdays
Club
3? Atomic .it ('liih \piillii llptii Kiiii Lil ith \\eekl} llllllll ‘) l)eti lhe} in\ite _\nii ti» thiim \h.ipe\ Hll the tl.ineelliitii .l\ then lL'\l\lk‘lll lllll\l\'.tl new“ hiiililet pieeex tiieetliei .in et let tie llll\ til ptixt masters .inil eniliiitne t'ltl\\lt'\_ \p.innin;_' liiui ilet.iile\ l);ineetilie iliseu .inil eleelin piink. niii'thet'n “‘1” and wine enlilen eie.it\. .ill liit )«iiii‘ eiiiininent
I Club Living .it (‘liih l.l\ in};
‘tpni {.iin. {the \\eek|}. I),l \ntl} i.\l.in.ij_'ei Hl 3 int l’ieeinet i'eeiiitlxi p|.i_\\ it lleil Killltll-\l_\lt‘ llll\ Hl the linest lunk} home .ii‘iiiinil .it llll\ hi.inil \pilllklllfJ neu eliih.
I Evil ill liai'll}. lll. illpni {.iin £3 \Veekl}. (iiith. llltlll\ll'l.’ll. piink .inil inet.il meet .it llll\ hl;iek el.iil happening.
I Fluff on the Needle .it \\ lf._'\\.tlll llpiii .iillll. £5. “eekly ('hi'ix llieiini. /.eii\. \iit’niski. Mark} Mark and Lin \Vhiteltm \pin it up .it llll\ ne\\ llllll\tl.t} ptii't) ill llll\ Suiiehiehgill \eniie,
I Freakmoves .it (iltixgim Seliiml til .\it. llpiii kiln, Li it'll. \\eek|_\, l‘ltin line hip hop night lot the \llltlt'lll\. \\ ith l).l\ l)eni;i iinil .\'iee.
I Instant Access ill Siih ('Iiih. llHllpni i.iin. L31 (fit. \Veekl}. lt'x the lh‘t' .\L'L‘L‘\\ Pill'l}. illlil lllt‘} ll;l\L‘ ilt'elilt‘il to etill ‘) l)ee |,;i}ilt't‘/ Night. Not quite sure ll illl e\elii\iiiiii\t tliiiii pnlie} is in el’leet. but it w. \ih) not it} erth ili‘exxing in order to t'illllll\\‘ the people ill lllt‘ \liiitt".’
I Loaded .it liquid 1 tiiinge.
Illpni .itiin. U (U), \Veekl}. llii'ee lixe l‘illltl\ kiek the night iil'l'. making; \\;i_\ liii‘ .liiL‘ Kttllt' Htl ilt‘i‘kx \\llll \Uttie llllllL'. Iltitil tititl “*1” ill lillll.
I Record Player: ill (iltixgtm Seliiml iil'.-\i‘t. lllfillpin Zfilliini. £3 ili‘ee tell. \Veekl}. In the \ie liar the Reeni'tl l’lti}ei‘/ l).l\ llirl’i Setin .inil llihlipiipp} p|;i_\ to it ptiekeil ei'mul iil ti'.i\heil lil\lllttll junkies .inil liiekeil up liii'eign ilixeii li'etikx 'lihe eliih thtil liltin/ l‘t‘l'illlltittil tillil SL'hMll‘ Sl\lel‘\ appealed ill. lung hel'nt‘e the h}pe tiiiik linhl.
I]? The Remix ill the Arehe»
lllfillpin .itiin. [5. ‘) l)ee nnl_\. lziltl}
._. ’ a \k t. Ht-‘ttele V'.’ .1. ."t: k,
leiiiple \li'lli\ h \l \l\ testtlent le‘tlll\e'l. .zntl he's u‘l'ite' tlt‘ from I \‘lltil‘li tn llllellthlll the l.l\l that thn ~.:te.:t lll\llltllli‘ll ‘.\ e.:llil‘1i‘t‘§171\\\‘ll.1lliili‘l.t Illi‘lilll \l.ini. \l.\le.:/"\ .lll\i the lteel.iiiee llelli.ii\ei .zie .ilw .ippe.:iiiie .it lltl\ tine tulik \tt int ..'i n
I Skint .it the (flitliwiixe l lptti ;.'.l'.l :1 til» \\eekl_\ \ night llt.1l ietlettx the ie\uij_'ent .ilteiii.iti\ e \eene .it the moment lx’nek. iiitlie .intl wine twitch elieiiiieal hie.ik\ .intl l‘enlx \\ ith .i i iimtl iiiiieh like the one _\nii \ee \‘lll\l\l\' the (i.illei} wt \liulein \it
I Speakeasy .ll the l lll\t‘l\.il
lllpiii :.tlll liee \\eekl} ll Min leel like .i texi \llll‘lx\ .ittei the pub hiit iliin't \\.llll in _‘_'l‘ i liihhine. \pe.ike.i\} l\ tut yin lhe lllll\l\ .iin't \Hllll‘li‘llll\\‘il, l‘tll the MN l\ eliilleil
I Topform .it the liiill lllpiii :.tlll liee helnie Ill ‘tlpni. L ‘ .iltei \\eekl} I think \\ e h.i\e tn tiiiii in et in luptniiii lllt'lll\L‘l\t'\ tn \lllll tip llll\ new nieht '\n e\ti.i\.i;_'.in/.i nl mime .inil l\\l\lk'\l enteit.nnnient. think the lx’uvil \.iiiet\ l’etliiiiiianee hmtetl h} twin tliiinkexl iliiinken iinele lhiiik entl \‘l the piei. think enil ml the \xnilil. think Ulll wt _\Hlll him" \\ ith lx’.iiliii ( )ne\ ( illl \llll\ .lllll the Wei} Li”. Kenn \lt K.l_\
Chart & Party
I Firewire .it ll.iinhim llpiii Kiln Ll it"! \\eek|_\. (ii.ih.ini l-eieiixtin \pinx Rtkll and thin \'l.l\\l\'\ in [until I. \xhile l).l l0.l\l l\ iii the ieil lititlll [‘l.t}lll;' inilie pup .llltl iiiek In the lounge. lx’iihin H pun .iii eeleetie nii\ iil ilixeii. liink .llltl \ttlll
I Phunky Monkey .it lielii. Spin {.ini l‘i‘ee heluie llpin; L31 it 1t .iltei \\eekl} Setitt (itiiineei’. \'.inee .inil lx’iehie
.\le( film are on \[lllllllllfJ \lllllt'\ .it llll\ ne\\ eliih th.it ltltllx\ like getting e\ en hieeei' lllilll Hahn/.i. l’lent_\ «it tllllllx\ pi'iiinm. liink} .intheinx .inil llimi llllt'l\ niiike it .i “inning; liii'niulii
Glasgow Fridays
Club
I Basura Blanca ill the ltiiiimiiek lliitel lliixenient. Xpin Jinn, L" l);i\iil ()kiiinii llelllill'l .inil 'liini ~\kiniiei lpei’eiixsiiini ilelnei .i lixe iinpi‘m ixeil \et met .liint} Kentiiih I” \kill\, (ilt'dl llt‘\\ eliih iile;i. \\;iteh llll\ \ptiee lni iniiie \lL'lilllN
I Bob’s Emporium .ii The the .lilllll llpiii ~l;iin. U). I" l)ee. \lnnthl}. .\n ii‘i‘e\et'ent neu \entiii‘e li'iini .i hiineli Hl eoek} )iiiiiig ll|‘\l;tl'l\ \\ ith .i hail .ittitiitle 'l'he} ‘i‘e putting out .i tlixi‘expeetliil llll\ lllill l';tllj_‘k‘\ twin \lll‘rltl“ in (‘e (e l’enixtiin, Spi'euil tl\L'l tlii'ee littllll\. the
7 t": u:‘.e xxtl': he heaxlltzzetl ‘\\ \ent].:iiti\ tuteztiuxt .‘, \it‘E‘.tlltlll.:f.11'\'i‘llilll \ti liihieetf (It'l‘ie'lttili‘l‘. li‘lfii'ijj thetti \\lll he lll \.'.'i'.\. .1 tlzz‘.\ t'ill finii: l‘.i::\ \\l‘.i‘-ll
t‘e l‘lil“_'1il:' .lll‘li}' write l reiteh hip limp sle.:,*\ eleetiti .iiitl .: tiwitpe «it hm hm \‘wu le.iltiii!t_-_' li llzrie liiiii ml the ll.:ll\\‘ll.:li. \tef \l.:e't\eth .ztiil \te\ ie \tllitli‘l\ Uh. .lllti .'. tiee l‘iittet lltl\ . llll‘ iett.ntil_\ \l|‘\‘\ll-i .itlnpt .t "less l\ iiiiit." .ippii~.:.li
I The Buff .tl the lilill
helnie lH it'piir 1‘ .ittei
\itill\ \‘l \
Knit ltee \\eekl\ liltl \eliiml I.l."/ .ll lil.:\;'i~\\ ix :ieuext i.i.'.' \llll‘ ltl\ \l.iik lx’nl‘h .lllil l\e\.iii \te\en\ ilii the tieetllevmik while the l ll\li‘ll l\l‘\'ll\'llet‘ nit\ l.l.'/_ inek .inil '.i \xhule Int wt eitmxe' in .l he l.t\llli‘ll
I Burlyn tlie \iihiw lli iiipiii t.iiii
t lH 1M lH llet \liinthli lltl\ t l.t.'\ LXI} lllL'lll yet\ .i l.ile lit etin'. \i‘ llit‘teK e\ti.i xiiipe ll‘l iilti.i lli‘ill‘llhllt helimtutn like _\i~ii illll\ llllil .it Iiiiilx ICanvas.it \ll.t ilpiii Rim Lihi \\eekl_\ lll \\.iltei pl.i\ \.ll‘li'll1|‘l.ll‘l liiiik. \t'lll .lllil lx’.\ll .it llli\ he.iiitiltil \leii li.int ('iti l‘.tl
I Casafutura .ii the \i. he\
Kiln ttht iltet \lunthli \.iiii hid in \ll‘ it one iiiiiie tiiiie .it the liitiiie lli‘t|\i' telelii.itinn llll\ ie.i|l\ l\ mine «it the lllli'\l home lllll\|\ «in the en lllell nim
I The Cathouse .ll the t Lithium-
ltl ittpiii Knit Ll heliiie llpiii. t, 1 :2, ii .iltet “eekli lx’itline lllz'll «in the nu inet.il \‘..l\ e. llll\ l\ one til the l‘ll\lt'\l niehtx in l\‘\‘.ll lx’ut k. g'tiinee. intlie .llltl .i \l.t\ll Hl l‘lk'.ll\l‘\".ll .l\ ll‘\\ lltli‘i‘ llilitl\ .ll (i|.i\§_'u\\ \ tiip \eniie litl lt‘ekt'H .inil .iltein.iteeii\
I Club Living .ll (‘ltili l i\iii_:'
‘tpin ;.llll l tee heliiie llpin. 95 .ittei \\eekl_\ \l.in \l.ieken/ie plan ietiii el.i\\ie\ .inil \tntt \lut li.ii puts .i l\\|\l intii it \\llll wine line home .ilw I Coded .it \.iii|t llpiii Knit \\eekl} lhe.\'ie linni .i ietnitl \tnie. w the tunes .iie g'uine lll he llt'\ll .llltl liij.,'lil_\ liink_\. .iien't the} ' \ iiit.itin;' lit\lt‘l ul l),l\ .illili.iteil tn .‘ iiil l’ieeinet \iippl} the llitll\t' leil t'lltt|\\'\ ton \.lll tel} «in Stem-ii \lt('ieei_\ |\ the HM!“ man. but the pool nl t.i|ent int lllllk‘\ Hill} Kilkit'. llill} \Mnulx .llltl \iii.iiiil.i l’i'iee
I Fluid .it ll.l\ll llpiii {.iin Lt» 1 Hi \\L‘i‘kl} lik‘dl lllli'x l |\.l l llll\'\\l|tlll. Seiitt \l.iek.'i} .inil l\’.i\\ ll .1“ pl.i} .l\ lk'\|tlt'lll\ .it llll\ i.iiieiiii\ [Ltllf- tip .it the iii.iil entl lll 1min l'tink} lIHll\t'_ uth.in pin and lll.l\l\ ml t'lie.ip him/e ni.ike it .i \\llllllllf_' [\liilttt\lllttll
I Fresh .ii the l’nln I ltllllt'i'
llpiii inn 1* \\k'k'l\l_\ \ll\llk'llk'tlllll \llll_\ he in eh.iij_'e til the llll|\l\.ll tlllllt'\
\piii
Ill illliili
25 till
One of the greatest production collectives in the world joins Paul Cawley’s Heads Up night. A unique approach to modern jazz and broken beats from the six man German DJ/production co-operative as they mash up their influences from hip hop to house.
fl‘ , \O, \0 nl‘/‘ _. y, I,