Visual Art
I TALBOT RICE GALLERY l'riiieixit} ol deiiihurgh. South Bridge. (fill lell 'lue Sal lllarii Rpiii
Naomi Campbell l'riirl Sat ‘1 Dee. riouiid tltllllll \aoiiir ('ariiphell e\plore\ the ioinaiitie iii exerida} aetionx and SllllltlllltlllljJS in IIIIS exliihition ol photograph}. eollage and dratt mg Leonard McComb l'riiil Sat 4 l)ee_ .\ iiiaioi \liou ot \tork h} l.eonard .\le(‘oiiih RA. IIIS lirxt e\hiliitioii in Seotlaiid \IllL'e l‘tH-l. 'l he \eleetion lealurex [titlllllllf_'\ and tliauiiig in tlieiiialie \ei‘ieS ot ai‘eliiteeture. por'tiaitx and hotaiiieal \IlltllL‘S.
I WESTON LINK
National (illllt'l'_\ ol Seotland. 'l'he Mound. ()2-1 ()ihll,
Shelly Ouellet and Jason Bowman Sat (i Not. 3 -lplll. I'ree ('anadiaii artist and lil'lllSlI eiiiator ol the St‘ttIIISIl I’;l\ltttlt. \eiiiee Zillfi tllSt‘tlSS ISStlL‘S ol ill'llSI l'tllt \paeex .iiid [titllllL‘S ot pulilie \paee. (.ltIIL‘L'IHt‘ (iallei') t'\eltl.
The Age of Titian: Drawing Tue 0 Not. l3>l5pttt l'ree. Sir 'l'iiiiotli} ('liltoi'd. dii'eeloi general ot the National (iallei‘iex ol Seoilaritl. f._'l\e\ thrx luriehtiiiie talk. Behind the Scenes: Building the Titian Exhibition Itlt' lli Ntn. |2.-l5piii. l'iee. I:\plaiiiiiig the “Ins and \\ Ilt‘lelitl‘eS ol putting together thix mega \II(l\\,
Private Galleries
I AMBER ARTS
7S .\loiitro\e 'l‘er'raee. .'\hlie}hill. (iol
l lli7.
Vanessa Maurice-Williams 'l‘liti 4 Nov Illam (rpm. ;\li\iraet \Hil‘k based on laiidxeape llllttgt‘S h} tip and coming artist \'aiie\\a Maiii'iee-N‘l'illiaiiix.
I AMBER ROOME
75/7‘) (‘uiiiherlaiid Street. 558 3352. Graham Flack l'ntil 'l'hu IS Nox, llaiii (ipm. Inaugural ediihition tor
WIN
ED RUSCHA TICKETS AND DIES!"
To enter, just tell us:
The List has teamed up with the National Galleries of Scotland to give away five pairs of tickets to the Ed Ruscha exhibition that is showing in Edinburgh from 3 November to 16 January.
The spirit of the cool, modern American West will be captured this autumn when the Scottish National Gallery of Modern Art's Ed Ruscha exhibition provides a comprehensive overview of this consistently inventive artist‘s career. It comprises some 120 paintings, drawings, photographs and books that date from the 19605 to the present day.
Winners will each receive a pair of tickets to the exhibition, an exhibition poster plus a Ruscha book exclusively signed by the artist himself.
What is the name of the artist?
Answers on an email marked ‘ED RUSCHA’ to promotions@|ist.co.uk or on a postcard to
The List, 14 High Street, Edinburgh, EH1 1TE by no later than 18 November 2004. Please include
a daytime telephone number and mailing address.
.-\iiiher Roome PIL‘SL‘IIIIIIEJ large \eale miiiioehroiiiatie portrait \iorkx h} Izdinhurgh arti\t (irahaiii lilaek
I BOURNE FINE ART
(i l)iiiida\ Street. 557' 4H5” .\lon I'fl Illaiii (iprii; Sat llaiii 2pm
John Byrne In 5 Sat 27 Not. latgltl} next \lltilll work on paper h} John li}i'iie
I DANISH CULTURAL INSTITUTE
i Home 'l‘erraee. 325 71S“) .\loii l-i'i
‘lain 5pm; Sat llam 3pm.
Rita Kernn-Larsen l'iitrl \Vt-tl IS I)ee
Speeial eenteiiar} e\hihition ol IIIIS l)aiii\h Slll’l'eitllSl \\ ho studied under leger in l’arix and was a triend ot' I’lCitSSU.
I DOGGERFISHER
I I (ia)lield Square. 55S 7| Ill. \Ved l‘i'i l lam (rpm; Sal noon 5pm.
Sally Osborn tn 5 .\'o\ 'l'liu 33 Dee. liree. Next \Htt‘k h} the (ilaxgou -ha\ed eonteinporar} artist. NE W St l()‘v‘v’
I THE ENGLISH SPEAKING UNION
33 .-\tholl ('i'exeent. 455 5303. Wed Sat llam Spin.
Ben Watt \Ved Ill I'it‘l 3r» Nov l’ltotogt‘apltx taken in litii‘ope and North :\iiieriea.
I INGLEBY GALLERY
(i (‘arllon 'l‘erraee. 550-14“. 'I‘iie Sat lllam 5pm.
=23 Callum Innes Fri S .\'m Sat IS l)ee. ()lllell} _\et inightil} riiedilaiixe. Iltltex painting has pushed his muted itliSll'uellltllS l'iirther and l'tirtlier. lidinhurgh-ha\etl artist u itli international repute exhihitx next uot'k. See llitlixt and Profile.
I INSTITUT FRANCAIS D’ECOSSE I3 Randolph ('t‘exeenl. 335 536d
Mon Wed & l‘ri 0.30am 5.30pm; 'l'hti noon 5.30pm; Sat lLillam 2pm.
Loose Thu 4 Tue It» Nov l-‘ree. .\
TERMS & CONDITIONS: There is no cash altomative. Usual Us! rules apply.
1 12 THE LIST -1» 78 No: 300-2
photograph} e\hihitioii It} I'dinliiiigh ('ollege l‘l :\l’t \Iltdeltl .\l.tlll.i\ Krillte. e\ploriiig the lSSlleS ot reloeatiori and the leeliiigx ol \iiliiei'.ihtlii_\ IIIIS otteii eltlallx l’til'l HI the .SL'iIIIJIILI.\ l’.t\\el\ Ii}. \et‘iex See talpltitlt \l c" I‘lttl IN \Iitll 3‘) \U\ l'iee l:\hihition ol pliologiaplh ol .i pampered l'ieiieh pooeh. lixing the lttSIIIttlt tahiiloux lite-sole IttUSI houndx can onl_\ dream ol. Here he I\ eaiiglit on eaiiiera snuggled tip on the Lil“ ol main .'\-ll\l lloll}\\ood \l.tl\ NE flrr
I KIROH GALLERY
SH \thl'l'eltdet I’at'k Road. :3" Jifo \Ved lirt llaiii 7pm; Sat Illaiii 5pm. Sun llaiii 5pm.
Benjamin Prosser Ilttl 4 Sat I K \o\ .\li\edvinedia e\hil\ition lroiii IIHS t'ttltlelttpttl'dl‘} Iondon liaxed artixi
I MERZ
S7 liroiighton Street. 55S STTS. \Vt-d Sat noon (ipttt.
Skymye Knave l'riirl .\lori S \m, .\n exhibition ol lte\\ \xoi'k h} tiii‘iiiture maker and \tood ear\ er Roland I‘l'.t\el \NltitSC \xork eoinex \\ itliiii the Northern Iiuropeaii tradition ol reliel eai'\ mg, IASI ()llANCl It) St I
I ROXY ART HOUSE
3 Ro\hurgh l’laee. 550 0233. I);tll} llaiii 5pm.
Blindfold Voyage I'ntil Stiii 2S \o\. llaiii 5pm. l’ree. l’aintingx h} Indian artist Siixhil Mangoaiikar.
I SCOTLANDART.COM
3 St Stephen Place. 235 (i357. Mon I‘i'i Illam (rpm; Sat lllaiii (iprii1Suii
noon 5.30pm.
Group Exhibition l'nlil Sun H .\'o\. (iroiip exhihitioii h} Blair 'l'hoiiixoii. l’ats} MeAi'thiir and Alison :\ttldio. Group Exhibtion Iltll IS .\'o\ Thu 3 Dee. New \iorkx h} Reheeea I‘auldtiig. Marion IltttlttSttlt and Helen (ilitSSlUl'tl.
I SOLO GALLERY
4(» l)uiida\ Street. 550 2238. Mon Sat
ll)._il)am (rpm.
Sophie McKay-Knight l'iiiil Sat (t
Nov. Young Seottixh artist e\liiliil\
Figurative paintings in her lirxt \olo \lioxt halanee. IASI CHANCI l() SI I
Artist Spaces
I THE BONGO CLUB
Mora} House. 37 llol_\l’ood Road. 558 700-1.
Border States l'iitil Mon S .\'m. Malcolm Bert/ie exliihitx plltiliigt'dpltx taken during a reeent trip to (‘aiiada and Maeriea.
I GAYFIELD STREET LANE
l :\ (iaylield Street I.aiie. ll7‘)«Sl SlNlZo.
Stuckists Punk Victorian Lite If you Can’t Be Bothered to Go to Liverpool l'ritil Wed 2 l-‘eh. l-‘ree. Selected ttl‘ltxlx lit‘ottt the Shim til the Walker (ialler). l.i\erpool ineludirig (’harlex 'I'homson. Iilla (itll‘tl. l’elei' .\le:\rdle. Sexton Ming. l’aiil llai'xe}. Philip Alixolon. lilxa l)a\. I)an Belton. Joe Maehiiieaiid Anne I-‘orte. ('all to make a \ ieu'ing appointment.
I TOTAL KUNST @ FOREST
3 Bi'ixto Place. 220 4538. noon lllpm. Memory Like a Goldfish l'iiiil Sun 7 Not. Work h) artist and eiirator Aaron Me(‘loSke)' that! explores the relationships hemeeii people and their emiroriiiieiit llSllig \etilpture. wall painting. projeetion. digital imaging and \otindxeape. See picture caption. IAST CHANCE TO SEE.
I WASPS STUDIOS
l’atriothall Studios. 48 Hamilton I’laee. Stoekhridge. 235 I239.
Moray Hillary Sat (3 Mon l5 Nov (ilaxgoit -ha\ed artist presents images that e\plore etttrop} the d}naiiiie hem een chaos and order.
Name Callum Innes
1962 Born Edinburgh 1980-1984 Studied at than; School of Art. Aberdeen 1984-1985 Studied at Edinburgh College of Art
1995 Nominated tor the luiiitL-r Prize and for the Jeiwood Prize for Painting
1998 Winner of NatWest Pit/tr tor Painting
2002 Winner of the Jeiwoorr Prize for Painting
2003 Awarded llonarary Doctorate at Aberdeen University Technique Builds ui‘) layer upon layer of paint marks on canvas in specially worked oil colours and then strips away sections; wrtli turpentine or leaves trickles ol thinned paint running through the work.
Favourite colours Brrliant White. Crernnitz White. litianiurn White. Pewter, Vine Black. Charcoal Black, Ivory Black. Brilliant Rose. Vanadiurii Yellow and Dioxazine Mauve.
You should know He otten destroys work that he's not happy with (as much as three quarters of his output).
Influenced by Robert Ryriian, Agnes Martin, Ellsworth Kelly, the Scottish landscape - its; light. Last word 'l'iii not really interested in Clean. clear—cut abstract paintings. pure lormal exercrses. I want emotion but also arnhiguity.‘
I Cal/um Innes, log/(30y Gallery, Ed/nburgh, Thu 4 NoveSt/n I? Dec.
Outside the cities
I DUNDEE CONTEMPORARY ARTS
l5: \elltergale. Ill *3: ‘lll‘l‘lllll.
'l'ue Wed. Sat tk Sun Ill, illaiii S illpiii. 'l‘liti tk I'l'l Ill, illaiii Spin.
1%? Somewhere Everywhere Nowhere 0000 trial Sat 1 l)t-t International eoiitempoiar} ail lioiii the l'reneli Rk'jJIltltttl .-\l‘l (.(tllt'k'lllllh. \t‘t‘tl lor the lirxt time in the IR. lii eollahoration \ktlll I'riiitiiiaiket (i.tllL'l_\. See IIIIIISI and re\ re“
I THE CHANGING ROOM
35 The Stirling Areatle. (MTV) .1“) ml. Wed Sat llain 5pm,
Rings of Saturn Sai I K \m Sat IS l)ee. Next uork h} loiii _\otiiig (ilaxgou haxed ar'tixtS \ideo viork It} .\Iaiii'iee I)oliert_\. \eiilptiiral \xork h} \liek I’etei'. a \etilptural iiiter'xention h} l)“ en l’ipei' and a world pieee and draw. llIfJS h} “and Sherr}. HI SW13.