I Audio at lit'llttl ’iieihaiix III thiii
*aiii l tee hetnie l lptii, L; attei fillet \iiinnth. xntilttil hntixe Iiniii \titlin lieluxe'x iiiaiiiiiiati .tlitl \l‘L'tlttl :uextx tlll\lltL’ tip ‘tiee xt}le hntlj. iiiuxit'
I Beatsville at the linii ‘Ipiii laiii Li I‘UII \nul. eail} l<.\li. |.i// .tlltl xuit \iith |i\e att l’iextnii l’taii/ tk lhe \eatnii \aiitlx I breakitdown at llt'lit‘}utlltl‘
ltt ittpiii *aiii L“ LII “HM \Itei l'lllll. l)'\nitl aiinthei \niiia ta\ntuite thnpx hx ax \ilitnue \nul tiiale a \\t'l\ttlttt' ietuiii tn the tapital ('het it l‘lt'.ll\lltltl\\ll k“ tilt tni llkl‘xk'l (lt'.ll\. iiiIn aiitl ltt‘\‘-\
I Colours at lhe litiuitl Rnntii lttpiii ‘aiii LIII Itititt \litlillll} luke lull. l’hil ‘\lnniitate' lhniiipxnii. .lniiathaii l.ixle aiitl ,lnii \laiu iiii make up inniii niie at thix Iaige tl.tll\t' pait_\. uhile \iiinke} .tlltl the llaiitlit .llltl \l.ll\l' \iiiith pl.i_\ theii \kaiex iii inniii tun .\ll iii all. it lnnkx like thix ix jJHttlf.‘ In lttt‘lt
I DEFinition at the ( ~ellai liai lttpiu
iaiii L5 itttiet \axt} l’ and l’ St}l/ hnxt a ll|_L'l‘il nt tuiiitahhxiii hip linp Iiniii (‘hile & litiie ax l)l.l iiiitinii lliitlxt'\ itx i’etuiii. \l(‘ thiee pieee lle\ ('nahtinii hnxt theii eail} llallnueeu pail} 'the ( 'ieep Shnu' tpi'i/ex tut UllCl litt lllt' ht'xl tltt'xxt'tl. xii \xell utit’llt making an ellniti
I Diggity at the laxtahhxhiiieiit, liipiii
iaiii {"151 \\eel\|} l),| lahuln/. llai'i‘}
il ). Rien and \l(' l‘lnu pet tlnuii \Hlll theii' hail xelxex. pla_\ iii}: \\lltl\l_\lt' Rtkll. hip linp aiitl xtteet xnul.
I The Egg at \Vee Red Hat I Ipui iaiu. L115“ I t i 5th \\eel\l} Still the hext llll\ nI iiitlie. Nix garage. iini'thei‘ii xnul. \l\il. 70x punk and NC“ \xax e inu’i'e like!) In \lttngL‘l’ aei'nxx .\ \\ ell ll‘\L'tl iiixtittittnii that i'elttxex In t'll.lll_L‘\'
I Fever at laun llpiii 3am. HI) I U tn 'l'axte iiieiuhei'x hetni‘e ll.l5piii; LN Int iiieiiiheix altei‘i li\ti\, 'l'he lnlk at laxte tlzthiihui'yh'x Ul‘llellttl atitl Iniigext i'utiiiuig: net-kl) pa} Ii‘ietitll} itigliti Iautieh a tie“ lllttllllil} \eiitui'e. taking: met a ~Sat night tni‘ thnxe \xhn i’eall} tltl ha\ e In \xni‘k nii .\lnur ’l'axte littllll\l;t_\\ l'l\llt'l & l’i‘iee and Martin \‘aleiituie nu the iiiauitlnni' \xhile the \'ixitni' and Kaupuxx take an ainthiiig gnex attitude iii the ('neteau Inuiiggtn l’i‘e»eluh part} at Planet ()ut ti'niii ‘ipiii I Funkysensual at I’n .\'a .\'a. ‘Ipiii
iatu. l-i‘ee hetni'e llpiii; £5attet1\\eek|_\. .\l;tl'l\ ll [‘ltl}\ xueet Iunl} Iinuxe tiitixie tn the i'h}t|uiuea|l_\ atheiitui'nux I Give it Some! at the Itnngn ('luh. llpiii .iaiii. U hetni'e lllltlllllelll U» attei'. I i ()et. l'tllllx. xnul. ia/l. i'ai‘e gi'nm e and iti;i)ht‘ a tilt} hit nt reggae and ()ll\ heat thi'nxxu iii Ini' gnntl iiieaxui'e. all enui‘tex} nt lURL‘tlli I l .t\ L'xelcltt‘t‘x I, I Glitterball at lagn. llpiii 3am. [Ill (LXI, iII ( )etv (ihttet'hall i'etut‘iix aiitl takex nxei a ltt'\\ \eiiue \\ itli i‘exitleiitx Huge} and Jun _\laiieiiu initietl h_\ \ai‘inux guextx. hut \xe‘i'e iint talking: l).|x here. time the ll\ e \ltlL' nt thiiigx \\ itli xa\. pei'euxxinii atul \nealixtx tli'nppiiig h}. lhe} 'i‘e tli‘exxiiig: up the name \\ itli all the ll‘lll\ the name xtiggexlx. xn e\peet a teal xltnu. I Jak-N at lhe \eiiue. llpiii .iaiii. £5 itlli. 33 ()et. .\lniithl_\. 'lithiihui‘gh'x hai'tlext teehiin eluh' eelehi'atex itx tii'xt hu‘thtla} thix iiiniith Rexitleutx Sekntv and MK \ti'l' ai'e ItiIliL'tl l‘) lllL' hit} x \\ ltU hlt‘lxt'tl ll till till litil' them at the tii'xt .lttl\-\ night. .-\eitl (N. .\ paiiit-peelei' nt a night. ll that‘x _\nui' hag. I Jailhouse Rock at in mi RU“ l'llltllli I Ipiii 3am. {5 it: Hi 23 ()et. 'l‘\\eal\. SIM C tttttl (Ril’lltlt‘txlt‘t' \pttt Ultl xlmnl tuck and metal alniig the litiex nt: .v\('~l)('. \lntni‘lieatl. lilaek Sahhath. Seni‘piniix. .r\hee ('nnpei‘ aiitl .lutlax l’i‘text t}nu get the piettii'eh. I Joy, Luvely and Wiggle Drop the Anchor at ()eeaii ’l'ei‘iiiiiial. lttpui 3am. {l3 (l5. _1II()et iiiin litliiihui'gh'x higgext ga} 'ga} t'i‘ieiitll) eltihxiniii t’ni‘eex tni~ thix aliiught} pai't} nt' linuxe and nthet‘ ttuik} heatx. li‘attu‘uig all the l).lx that lllilht‘ thnxe \ei‘} tiightx xn xpeeial iii niie huge axx
I Joy at the Venue | ipiii 3am. U» het'ni'e midnight; [h attei‘. 33 ()et. \lniitlil). l'p- ll't‘lli. dirt} hnuxe gi'nm ex nii the main tlnnr I'i‘niii .-\|aii & Maggie .ln_\ and Brett King In \\Ul'l\ )nu tip iiitn a lather nii the main tlnnr. l’ltix llt‘lltl} \Veiitl} and Sall} li'x cheek}
Versatile isn’t a problem for Jersey’s Sandy Rivera,
who continues to see his star on the rise after a decade in music. Although his sets largely consist of wired house and classic vocal garage, Deep Vision supremo Rivera still manages to indulge a long-time obsession with hip hop and remix work for the likes of Terry Callier under his Kings of Tomorrow alias.
flit (it) ()t Am." [11% ii? (Litigiruf Mini/«z, f
i't).f)‘(I;)/ii (i’i'i'i', I'M ,‘ 7-!
llll\ nt xnul. tuiik and than lit the tlnuiixtaitx xuite \nte that .ln_\ ix a eluh Ini gtt} pL‘tIplL' tttttl lllt‘lt' lt‘tt‘lltlx
I Kinda Loose at the \‘aulix teiiiei' \ ia \ienl lithxai‘tlxi. IIHIIpiu .iaiii. H. 3* ()el. llip hnp aiitl ht‘eak heatx li'niii l)et‘ault aiitl Snlai';i_\e Samurai Il)n|’l:i. itilllL‘tl h} xpeeial guext .\l('x and lix e pei'etixxinu.
I Messenger Sound System at the “0|th (‘luh I lpiii .iaiii. Ln. 3t)()et. Baxx nt' l\(I\\L‘l-\ltllllllf_' pi'npni‘tiniix ax the might} .\lexxeiig_'ei‘ Snuiitl S}xteui hlaxtx nut the hext iii i'iglitenux i'nntx and tluh reggae.
I Mission at Studin 24. llpiii 3am. [5 1H iiieiiihei'xt. \Veekl}. Night nt' iiietal iiia_\heiii. gnth i‘nek autl iiini‘e ti'niii the tlai‘kxitle a real litliiihui‘gh iiixtitutinti. Still \\ itli a ln}al laiihaxe aiitl ati npeit tinni' pnlie} I'ni' aii_\niie \\ itli a In\ e nt melt and metal. 'l‘hiiigx are eei'taiiil_\ a liml tlnuii .\lixxinii \\a_\ ax their llL'\\ tnp I'lnni' pnlie} kiekx iiitn gear \\ itli the
hem iei‘ than tlinu \'nitl t23 Deli and the (inth l'lnni‘ trill ( )et t.
I Musotica at the Venue. ltipiii 3am. L'll (l4, 3t) ( )et‘ lhe teehiin night ix
jniiietl h} 'l'\\n l.niie Suni‘tlxiiieii \\ itli a
lull |i\ e hand. and \\ltt‘ti \\ e xa} Iull h\ e haiid \\ e mean it. \\ itli gtiitai'x. tll'lllll\ and a eei‘tatti .\ll‘ \Veathei'all nii \nealx u hile Kk‘llll 'lt‘ltltlxutititl lttle‘\ (ttl't‘ Hl llk‘ l‘;t\\. l5nllnxxetl h) a DJ xet Iiniii And} \Veathei‘all hiiiixelt alniigxitle the i‘exitleiitx.
I Nite Flite at the \'au|tx Ietitei‘ \ ia .\'ienl lithxai'tlxi. ltifitipiii 3am, £4, 3” ()et. ’l‘niiight'x pilnt ix niie nt l)eiuiiai'l\'x hnttext e\pni'tx. .\l}xtie .\l(' Iluie} llalttniie Reeni‘tlxi takex )nu nii a inui‘iie} riding the thei‘iiial eui'i'eiitx nt reggae and Llaiieehall.
I Progression at the l.lqllltl Rnnm. Itipiii 3am. UH. 23 (let. Still
teem ei'itig lt'UlIl their tnui‘th hii‘thtla} Iaxt iiiniitli .’ 'l'hnught xn‘ Hut “hen _\nu heat lav» & litixhuaekal ate the guextx nt ehniee thix iiiniith _\nu'i'e_iuxt gniiig tn ha\e tn tln it all met again With a pie- eluh xexxinii at ('it_\ (’at'e ti'niii Spin.
3l/tjtilgli1’ I)"9",‘f' /’ ,/ ‘ . (ll; ,l/
I Saturn at the llniie)uuuh llpiii iaiii (the, 2§()et \lniithl}. \li l)ai'ieii late Intliei‘\\ ixe lain“ ii .ix .ltu'geii \i’iexi ix a hi); uaiiie iii tei'iiix nt iiiteetinux ;tlltl t‘llt'lth'llt' hai‘tl tlaiiee iiiuxie. .llltl he'x pla} Ilth thix «lttlL‘ lt‘ \lttm till lttx \l\lll\ .\ tlt't‘ttlt'tll} large e\eiiiii;_' nii tiie tilex u ill iin tlnuht l'L'\llll.
I Sophistifunk at (‘it_\, lathuhui'gh. ltHItpiii iaiii, L5. \Veekly Rexitleiit l)_l .lnhii lluteluxnii p|a_\ x llllllu'll up Rtkll i'eiiii\ex .llltl hnuxe tuiiex In a heautitul t‘l'tMtl
I Tokyo Underground at the (chat tiai ‘lpiii .iaiii. £33)” hetni'e lllltlllllell. “N attet'. Ii .\'n\, .-\ IIL'\\ night hnxteti h_\ the \llltl hehiutl 'l'nltinhlu \\ itli ll\ e peietixxinii tni‘iii l’epe Saiitauiai‘ia .tlltl a xeleetinti nt lneal guextx.
I 2H0! at l-{gnv (>45 W15piii. £5. \Veekl} \eu lllltlL'l Ihx night nt hip linp aiitl tii'haii Rtkll lla\.ix \\ itli Rtehie Ruttniie. l).l l)i//|e. .la). Sniiii}. .h'/ and lziiieee l’i‘ntixee txti‘iet age i‘exti'ietinii nt 1 i l3.
I Stereotype Halloween Berlin. ltlilipm 1am U) t {5 IV ill ( )el \ltittlltl} .\ llallnueeii xpeeial \\llll the lni'tix nt th'akiiexx that aie Huey}. \Vai'iiei l’nueix. Stuart Sentt. .\laxtei ('aii'tl aiitl Ki'ix l.|lltl\;t_\. l)i‘exx tip. \tniilti _\a ’ l'aiie} tli‘exx etiualx lialt pi‘iee eiiti}
I Ultragroove at ('atiai'et \nliaue.
llpiii Jatii. {5 hetni'e lllltlllllell. L [It I LEM altei. 33 ()et latlitihuigh'x peei'lexx teal hnuxe part} xei‘\ ex tip ti'aek} git nu ex. xnultul \nealx aiitl ti‘ihal ttuiex ti’niii i'exitleiit (iai'eth Sniiuiieiw ille ax the} eelehiate theii titth hii‘thtla). lttlllL‘tl h_\ xniiie nt the t'egtilai'x uhn ha\ e made the ltthlll uhat it ix tntla}: (‘nhii (‘nnle \like} Stii'tnii aiiti lutlge l-iiigax
I VEGAS! at l;g_'n. lit illl‘ltt iaiu L III It“ ll 'tahtilntixl_\ tli‘exxetl‘ i. 3‘ ()et \lniithl}. llep tlatlti} xxxitig. entiiiti'} elaxxiex aiitl xlea/_\ ll\lL‘lllll:_' \kllll )nui‘ high-kicking hnxlx' l‘l’ttlllle' Suuiati‘a. Bugx} Seagull. l)iiin .\lartiiii and the xttiiiiiiiig \egax xhnugii'lx (\lltl tin H) In make an ettni't \x itli the tli‘exx entle. eh’ IVelvet at ('niiiiiiple\ ‘ipiii :atti U» It? I. h \n\ \Vntiieii'x night tni §_'a_\ f._'ll'ltL‘\
llt\.tll\.i\l\\t.1it\ i.i\itetlf‘n\ iiiezittx trite“ m y t\ int. .‘Ip .H.‘ “tin \..t.lll. ._..ii. .1\..tii\\t\ .t .1\\\‘ti.’.‘.l.t\\ t\ .1 itl\.\ .ll\‘\t\\. l‘\ \li\ |l\ It; l\‘\. lLle
I Wiggle at l llpiii ‘att‘i 1 1“ t\ \m \laggie t\ \iati in} need tin titlii‘tltteiti‘t‘it1\lli\‘IZ iiightnt eat tau .uttt tznht x teae hex it'x xetniit! hiithtiax lieiith “with anti int: l’leaxetl pia\ tiat Rx that ate a httle hit taiiip a little hit e tittiu; etlee anti «.uhnle lntta ttiii linmixtaiix Ill liaie anti \liehelle \ktll he tleplnxiii;~ RAH, hip hnp. iiithe ‘llltl tltall tuiiex .illtl hn\\ \nultt \\e tnieet the ln\el_\ l'eiiin l’niiixtai nit ll.lll\l tn meet and gieet the puiitetx
Edinburgh Sundays
Glut;
I 2 Many DJS at (it_\ llpiii iaiii
L'Iht 3-1 ( )tt ntil_\ lhe legieiitlaix III \lll“ pla} a iaie date at thix latyxe \eiiue \n\\ that lmntlegeiiif.’ hax hetniiie aii nl_\ llll‘lx \l‘Hlli uh} tint thetk nut the rut x that hintieht it In the iiiaxxex'
I <any excuse> at l’iixe ( nuut ll
lttpiii iaiii ltee \\eek|} llatl‘ .‘ \iiiie xt_\ le xetx Iiniii a xelet tinii nt l thtihuig'h ta\nuiitex_ \\hieh tiieaux tuiilxy \ lllllk‘tl. uphttiiijs \ihex l’lux the - aux euuxe- piniiinteix ate alxn illlt'tllt}‘ a tiee 'phniie iii xiek tn \xnik xei\ in" nu \lnii Ituxt axk the HI: \nt xtiipiixiiiy \\heii all thitikx .ue Li
I BootyLUSHous .u \lt‘tllllJ Ittpiu iaiii L.‘ hetnte iiiitliiiyht. iattet “eelh \lnie nt a \tiiitla} \nt ia| than a lull nii j_‘l.tllt‘tll.ttl\\llltl).ll).tlt'lll\lt.\ltlltl1itttt' lilaek .llltl nteaxiniial ;'uext xupaxta'x iiu\iii;' tip lx’t\ll. hip hnp. xniil .llltl quk I Chocolate Sundae .il \ta\\a
I lpiii iaiii L i hetnie iiutliiiyht. ~l .iltei \\eel\l_\ lhe Rt\li .llltl hip hnp \tui xexxinu ietuiiix \xith theii llt'\\ \eiiue u ith DJ Paul 'l'n\_\' l-n\ l‘.l\l\ iii \ haifge
I Cosmic! at the ('ellai liai lttpiii iaiii L3 “eekh l)_l lniii ()lxe p|a_\x lltlll.} lieiieh hnuxe \xith a lllllk h nt \Hx hll\\ h
'l hnuph it tlnex t’ttlltt' \xith a \\.tllltl|j.' ‘xttietl_\ Ini Ilaiiteix'
I Curios Sunday Joint 3pm Iaiu l'tee \\eel\l_\ lt‘x ait e\ei e\nl\ iii}: ( 'uiinx \tniltl \Hlll tllllt'lt‘lll |)lx. lllll\lt taiix .llltl pei'lniiiieix eniiuiij: iii met} Suiitlay In eieate a unique eultuial ltllltl\k ape 'l heie'x taxt} Inntl tiiitil “piii .llltl .i ll.tllii\‘.t‘lt xpet'ial when that paitieulai tl.llt' inllx .lll'llllll
I Mai-Tai at (it) lvtlllll‘lllt‘ll llpiii
iaiu U “all; \iiutla} tlatitiiie \llL‘ll.tlt|j._';ttl\ \\ ith xpeeialx nii \lai lai enektailx aiitl Iiee Ini'tuiie ennlaex .tlltl Rtkli. hntixe anti ehait Iiniii l)_l lttlt_\
I Neo-Gotharn at (it) (‘ate hpiii Iaiii L5 Iiiieiiihetxhip IN 3-1 ()et 'letixh \ ltih Int the iiixaiie'. thix ix jJnthie tletatleiit e all ltllell lniij: \\llll enth. eleetin. iiitluxtiial and IBM .llitl a tetixh theiiie Iiniii l),l.\. Suhlewl i .llltl 'l'lzl'x'lll'l) alniijgxitle the \liiiixti'} nt litii'lextiue autl l',l.tlllt'
l)a\ itlxnii. \leiiiheix niii} .llltl xtiiet
tlt‘t'\\\‘tttlt'
I Polysuper at l’n \a \a‘ llpiii iaiii Ll ("3). \Vt‘t‘lxly l’ttl} xltpt‘l \ltt'lt'ltt‘x tlx \\ lllj.‘\ aiitl lauiiehex a llt’\'. llllell at l’n .\'a \a. a pa} ti'ietitll} iii}_'ht dipping: iiitn the “,tix. Htix. Utix aiitl tntla} 'x hext lllll\lt'
r-i THE LIST 39