Blending hip hip and contemporary dance styles, the company has a unique cross
generational appeal (THE SCOTSMAN)
Celebrating the sheer energy
and invention of breakdance (THE LIST)
Do yourself a favour: go (THE HERALD)
\
“ same Oct, 8pm
e‘Theatre
‘T" "‘" l .. “Travers Cambridge Street, Edinburgh 9:1;33‘ég28 .1404- 0 www.traverse.co.uk
\ ‘ l '3‘.,‘_." d .-
r“ - "If 6
All the classic Fab Four Hits in one spectacular multi-media show
MONDAY 13 DECEMBER
0131 2281155 STANDING TICKETS AVAILABLE TUESDAY 14 DECEMBER & WEDNESDAY 15 DECEMBER
0141 353 8000
‘Flawless’ - Moio ‘Magically Real’ - NME
80 THE LIST 5»
I Bill Wyman's Rhythm Kings l’la\h~~u\e. l\ I: (llx'k'll5ltlt' l’late. NV“ («15241: 5 :“t‘ttl 1235” luiniei Rnlling Stwiiex l‘tt\\l\l ttl.tkt'\ a ietuiii tn hi~ ttlll\le.il with \\tlll the l\)lt}lllttl lx'ingx [‘la} ing the kind «it |.i// and hluex that lint inxpued hnn all thme _\eai\ agi‘
Glasgow
I Cult of Luna, Alchemist and Textures King lut'x \\ah \\ah llut. :"Za St \ intent Street. Ill 5‘5" “Pin
LS ()xei l-lx \llll\\ \eantlinaxian haidenie heaximit} tinin a hand \xhn eineiged hunt the a\he\ ml l elipxe. and ha\ e \inee tntiied \\lllt the likes «it l’uiwn the \\el| and Dillinger l \eape Plan
I Bob Brozman lltel'eiix.»12('l\de l’laee. lllh‘lS 305 51 l “pm It” l’lllg‘t‘l piekin‘ gtmd \nieiitan guitaiixt \xlime interest in t'lllllillllllSlt’Hlttg} ttt\[‘ttt‘\ llt\ panglnhal wund
I llt‘ ('.tlltittt\t'. l; lillltlll Street. 11.x" (mun. ". ‘llpnt U» ()\t‘t l~1~ \limx. Raging Speedhninratl'iliated inek out eninhu ltitltt (‘uihy \the .ilhuni ('liu/ilt r ()IIt \\a\ auaided ll lll iii U: m/ Hummer. Hit the math. dude.
I Red Brick Tent, Soul Drive and The Passengers Haiti}. :(tll (lute Street. “(Sail ‘lll‘ (NW). Spin. [-1. lueal i'nek line tip.
I Robbie Edmonstone, Mogul attd High Water Stereo. Kehinhaugh Street. 5"!» 5ll|.\'. Spin. (-1. Pop i'nek
I Gum, Big Red, Tempercalm and Statler 'lvllt‘ .'\l'L'ltt'\. .'\l'f_‘} lt' Slt't't'l. 5(i5 Ill)? Spin. U». Slitmeaxe lt'ultll'ttlg‘ the \Ptlt't‘} pup/i'nek til (itlltl. the lunk} i'iiek til Stiller and the nut plain i'nek nl Big Red and 'l'einpei'ealin. . Stu Barratt ’l‘llk‘ lllll \(llk' (itllt‘.
5” (it) King Street. 55‘ HHS. 0pm. [3. Maneunian \lllg‘t‘t/Mlllg'“l'llL'l' and lll\ hand.
I Amy Duncan and Emily Scott (itittl .-\etitl\ltt‘ Stltltla)\. llte (iiigtt. llS7 .-\i'g_\le Street. 357 7373. Split. l~i'ee. Next ehilled—out aeiiuxtie e\ening.
I Engine 't‘lie Senna. It: l H
Stitch“ L'll Sll'ct‘l. 5.5: HhHl. -l|tltl. l'l‘t‘t'. RUL'k L‘U\ t‘t‘\ t't'\ltlt‘ttt'}.
I Big Blues Jam Studio ()ne. (ii'mxentii' llntel. (ii'ti\\eiitii‘ 'l‘ei‘i‘aee. HI ()5lh. 7.30pm. l-‘i'ee. llmted h_\ the Next Blues Stii‘lei'x \\ ith entiti‘ihutiunx linin Studio ( )ne regulars \ueh ax Re\ Doe and the \iiiinin Brothers.
I Phil’s Sunday Session t'ixge Beathti. 333 \Vtmdlandx Road. 50-1 1500. “pm. l'ii'ee. Bring _\nur tl\\ll inxti'uinent.
Edinburgh
I Hannah O’Reilly, Sine Bach Ruttell and Nathan Slade \Vhixtlehinkiex. -l (1 South Bridge. 557 5| l4. ()ptll. l'ree. l‘t‘ttlllt‘lltg‘ llttttl\lt hillhill} and hltiegi';i\\ ti'iu Siiie Baeh Ruttell.
I Proud Mary, The Last Band and Clearfall 'l‘he l.lt|tlitl Rtltllll. ‘le Victoria Street. 235 3564. 7pm. L“). 'l‘ui‘gid attempt in i'nek out like the Stones l'mni thix \uh-( )axix huneh. L‘lltlttt'xt'tl h} the real thing.
I The Sadies the Venue. t“ It ('altitn Rtiad. 557 30—73. 7.30pm. t"). 'l'ni'untn'x Dallas and Tim t\ (loud ithe Sadiexi tttl\ up a unique hlend «it enunti‘}. \url} punk and hluegraxx.
FalkHK
I Gummi Bako, Super Shitbox, Red Well, OnTheFly, Down the Tiny Steps and The Pictish Trail thtllt). 38 \itettt' Street. lll 52-1 (179933. 3pm. liree. Spend a uhnle da} in the eunipan} ml the iiitigiiilie'e-itt \hainhling lienee ('ulleetne at\ part Ul- l'tilklt'k'x \Vtt} Tun Blue l'estiuil.
Airdrie
I The Paul Rose Band 't‘he li\eh'ange. 2 :\|e\;inder Street. Upnt. lii‘ee. Virtutmi guitarist “ith the Rnr} (lall'aghei' seal Uli apprmal. and (iallagher'x rh}thin \eetinn pla_\ing hehind him.
Gmsge
I Katie Melua thde \tttllli‘llllll‘i. \l‘('( i. l llllttt‘\li‘ll Qua}. “\7' Haiti ~1i‘i N' "pin :3“ Ll\ 5" \n age It‘\lll\lli‘ll en thi~ \huu l\\itteiing tiltingxtei doing quite nieel) thank _\t~u \\llll hei hanal
pup l\‘\l\
I Elvis Presley‘s TCB Band and Primary Colours [he t m}. .33 t‘lttte l’laee. l'lh‘lS 3‘5 5ll \pin {3: \ treat let I l\t\ lanx ax the lltt‘lttl‘t‘h \‘l llt\ laking (flue «it lltt\tltt‘\\ hand guitarist .ltlltlt‘\ llttlli'tl. l‘.t\\t\l .leit} \thetl. diuniinei lx‘unnie ltitt and kethnaitl platei (ilenn ll llaidiii enmeige Htl (il.t\_‘._'it\\ I The 22-205, Cathy Davey .mtt Willy Mason king lut'x \\ah \\ah Hut. Tia St \ intent Stieet. .‘fl 53‘" \ ‘llpni t" lltttt'tl garage hlue\ tnnihu “Hill
1 lllkl‘lll keep then heath dimn and get \‘ll \\tllt it \ttt‘l‘ittl ltitlll lluhlin
\iiigei \ttnguiitei (filth) l).i\e§
I The High Strung, Exit Pilot and After Christmas B.ttll\. Shut'lxtte Street. “hall ‘lllfl ll‘l‘l" \pltl lletinii hied. Bituikhn l‘.l\t‘\l Biitpnp iiilluented litttt pieee \xhn t laiin to he the haith \\tttl\lll‘.' hand III the IS \ (~ \.\('l l l l l)
I 28 Costumes, Pulse, The Fridays .ttltl The Siren lllt' l lllt \itlt‘ (atlt‘.
fill it” Ktllg‘ \ltt't'l. ggl lli‘h .\ illpm {.1 lx’nek hill \kllll llt‘.ttllttlt't\ ltitltl l i\eipmil I Dead or American .tlltl Some Young Pedro Sit-ten. k't-lxiiiliaiignli Street. 55h 5lll.\ «\l‘ltt L“ lhe headlineix .ue alteinatne lttelkt‘h liuin ('ential St'ltlldtltl
I The Paul Rose Band Siiitlit. ( )ne. (inmenui Ilntel. (iiimenni Ieiiat e lull lttiex lx’uadi. Vll h5lh ‘lpin liee \ee Sun Ill
I Acoustic Jam \iee‘n‘SleaA. til Sauehiehall Stieet. “‘ll‘lllll Spin l-iee \Vt'ekl) \ltim ease liit liieal \iittj.‘\\lllet\ pei'lniniing ni'iginal nialeiial
Edinburgh
I Circle, Moniak and IX Stiittin 3.1.
3-1 2h ('alttitt Ritatl. 553 V53 flt‘ltl
L5 U». l'npiedietahle l'ltllll\lt enxeinhle ini\iiig heax) llll\ met skew-d ping inek. tlt\lttt'lt'tl guitaix and ahxtiaet ttlltllttlttll\ltl I The GA‘GA’s, Hurricane Party and Johnny Panic the Venue. I“ ll (ltlllllll Rnad. 55“ ill“ ‘. 5' \‘llpltt U1 Kt'l'lilltg' t'tltliit‘xt‘tl ltilll llt‘dtlt'tl l\_\ \lt‘d/t' i'nekei'x the (i.\ '(i.\ \.
I Magic ELO Biuntnn 'l’lieatie. l.;id}\\e'll \Va}. \ltixxelhui’gh. “05 33-11)
5‘. illpin HEN) it Im \lagie. the group helnnd the \ueeexxlul shim. .l A'mi/ mi Queen. ieturn \\ itli .tllillllt‘l hit pei‘luiining the lL'fJClltldt'} \titlg\ ill the lilt'elt‘tt' llgltl ()i'elit'\ti;i. llll\ inelude ‘Rull ()\ei Beethmen‘. "l'elephnne l.lttt". ‘l-.\il Woman and man) inuie
I Open Mic \\ hixtlehinkiex. -l (i Snuth Bridge. 55" 5| l-i, ‘lpin. l't’ee. .ltt\l turn up and pei'lui‘ni.
Tuesday 12
Glasgow
I Lloyd Cole 8. the Commotions Bat'i'tm land. 344 (iallmtgate. 552M101 “.Rllpni. £35. 0er l4\ \llll\\. Speeial i'euiiinn Slit)“ tor the hand \xhtt helped huge the litei‘ai') template pieked up h} \ueh (il;l\\\ef_'t;tll pup ltlttllllttt'tL‘S a\ Belle and Sehaxtian and Ham l‘L't'tlltttltltl. 'l'ui'tleneek meatei'x and Norman Mallet nmelx at the read}. ;i\ the (.ttlllttllllltilh ret l\tl the high\ til dehiit alhuni lt’uII/i'umkm. .-\nd wine nthei‘ \tull.
I The Sadies and Striplight King 'l’ut‘x Wait Wait llut. 373a St Vineent Street. 32] 537‘). Shipm. L7. See Stilt Iti.
I Michael Weston King, Ten Gallon Brat: and Waytooblue Stereo. Kelxinhaugh Street. 57150”. Spin. 9;”. (‘nuntr_\. hluex and general Anterieana.
I Dieselbone, The Pedestrians and The Echo Session Btirl’l}. 3m (tutt- Street. 03'” UN" li‘N‘). Spin. £4. See l‘ri H liir l)te\elhtttte.
I D368, 60 Degree Incline and Splitting Heirs the l Iih \ttie (kite.