Exhibitions are listed by city, then alphabetically by venue. Submit listings at least ten days before publication to art@list.co.uk. Listings compiled by Ruth Hedges.
Glasgow
I BURRELL COLLECTION
:llltll I’lllllll‘xSll.l\\\ Rlliltl. :3" :55”
\loii llin tk S.it lllillll 5pm; l'l'l ik Sun ll.iiii ijiiii l’icc.
One Million Days in China l‘iitil Sini lllcl‘ l'lt't‘ \ iniijoi c\lnhilioii llli'll llllllltllltt'S illltl t'\Pltllt'\ l. W” )t'dl'S ol ('linicxc lll\ltll} .llltl L'lllllllt', l'.lllt‘l tliioiigh ('hiiicxc g.itc\\;i_\ \. llt‘dl lhc \llt'L'l \tllllltl\ of old Sli.iiighiii iititl hc liiinxpoi'tcil thiongli linic gniil tll\l;lllt't' to .i tllllctclit \\tllltl.
I CCA
iii) S.incliich;il| Sti'ccl. ‘53 -l‘)l)ll.
'liic \\cil & l‘i’i Sun l|;nii (ijini; lllll lliini Spin.
Noonday Demons Siii t) ( )cl Sun 3| \o\. ll’x ii lccling thiit c;in gct to )oii .il llll\ tniic ol )c;n \lt'lllllt’llttlltl lout' lt't‘litlltllt‘ illl|\l\ t‘lt'dlt‘ \\t)l'l\ lllill t‘\|llt)lt‘\ ;l\|lt'\‘l\ ol llll\ \tihllc cinolioii using ;iiiiiii;itiiiii. iliiin iiig. painting. \t‘lllllltll't‘ illltl \ ltlt't). l‘ll f)l li/ V...’
I CENTRE FOR DEVELOPMENTAL ARTS
IS .\|hioii Sti‘ccl.
The Cult of Difficulty iii 8 ()cl l'l’l I) .\'o\. lziglil illllSIS. onc lllll\lL'l;lll :iiitl onc coiiicilinii iippl} lhcii' lllllltlS and c_\c\ to c\jiloi'nig thcn c\pci‘icncc\ ol ililliciill}.
I CITIZENS’ THEATRE
ll‘) (iot‘ltgilx Sll’ct'l. 43‘) (Hill. Citizens©Work l'iiiil Sin l3 .\‘o\. lx’ichni'il ('iiniphcll \lltHKL'llSt‘S Plt'llll't‘S lic hiix l;ll\t‘ll hcliiiiil thc \t'L'llL'S git lhc ('it/ during llic l;l\l )cni'x ol (iilcx ll;i\ci'g;i|. l’hilip l’l‘t)\\\t' iiuil Rohcl't I);i\ iil .\l;ic|)oniiltl.
I GALLERY OF MODERN ART ()llt't‘ll Sll't‘t‘l. 33‘) l‘l‘Hi. \ltill \Vt‘tl & Sgit liknii Spin; 'l'liii liliiiii Spin; l’i'i ix Siiii lltllll Spin.
Country Grammar 0.0
l-l Nov l'l't‘t‘. :\ll L‘\llll)lllt)|l (ll coiilcnipoi‘ni'} dinning h_\ (iliixgon hiixctl artists. including Kgitc l);i\i\. .>\|c\ l-i‘oxl.
l‘nlil Stiii
noiiqiasm
lx'cw iii llulchcwn. Suc 'loiiipkiiix. ll.i_\lc_\ 'loiiipkiiis. S.ill} ()xhoi‘nc .niil (ii'cgoi' \\ i‘ight. Scc tc\ ic\\
Sue Tompkins Thu 2! ()cl.
f). 1l) " iflpni, l't'cc. .\ i’c.iilnig h} Stic 'loi'ipkiiix \\lli)\c' noi‘k l\ lc.ittn'cil iii ('onntt'} (ii‘.uiitii.u "
I GLASGOW PRINT STUDIO
3: ck 35 King Sliccl. 5521mm
'ltic S.it lll.llll Siflpiii.
Jo Ganter: Paperpieces l'iiiil S.il li.\'o\. lll.llll SRHpni. l‘l't‘t‘. ,\ llt'\\ collc-ction ol [‘I‘IIHS iiiiil light hon-x h_\ .lo ( idlilt'l'. inclutlnig l‘l't'SSt'tl [‘ilj‘t'l iiiiiilc .it thc l)icu |)oiinc l)ulk‘l'llllll iii \cn \‘oi‘k. c.icli \\llll tlillcicnt .llltl i';ithc'i' [t'll'lllxt‘ niiit'lkingx. Museograbado: Mexican Contemporary Printmaking l’iiiil Silt l3 .\'o\. Illiiin 5.30pm. l'l’t‘t‘. \\oi‘lk h} .i \iii'ict} ol \lc'\ic;iii conlciiipoini'} [ll'llllllltllxt'lS puhlishcil tit \ltisc'ogi'nhtitlo lll /.;ic;ilcc;i\.
Artist’s Talk: Jo Ganter lllll 7 ()cl. Jpn). l’t'cc. .lo ( iinilci‘ tllSCUSSL‘S tlic ltlt‘ilS hclniiil lici‘ ctii‘icnt c\hihitioii.
l.’\i
I GLASGOW SCHOOL OF ART lhc \liickintoxh (inllct'). In" Rt‘llll't'“ Sli‘cc-t.353-15f)(). .\loii ’l’hii lllillll "pin; l'l'l Illinii Spin; Silt llltnii Zpiu. Kathleen Mann Embroidery l‘iiiil hi 2‘) ()ct l.\l;lt‘l\llllll\ll linililiiig). l)i';i\\ nigs. puhliciitioiix initl cnihi‘oiilci'} Piillt‘l\ h) Killlllt't‘ll .\l;itin. otlc of tlic kc} lignicx in thc lll\ltll‘_\ ol' lcgichnig tit (iltixgim School ol .v\t'l. \\llt) tutiglll lk‘l\\t't'll l‘Hll 33.
Staff Exhibition l'iilil iii 2‘) ()cl. .'\ll c\hihitioii ol \\t)l'l\ h} (ilgixgott School ol :\t'l \ltill.
.\ti'itiiii (i;i||c'i‘_\. l5oulix litnliliiig. ISS’ l\’t‘llll't'\\ .Sll‘t't'l. 353 453‘). .\lt)ll 'l‘llll lfltnii Spin; l‘i'i Illiuii Spin. Clydesdale Bank Art for All l'ntil l'il'l 23 ()Cl. lllt' l‘t'SllllS til. it \L‘l'lL‘\ (ll. onc il;i_\ tilt and ilcxigii \\t)l’l\\llt)[l h} pupils from 27 ilil'lci'ciil \cconilgii‘} \L‘llool\ ilk‘l'tl\\ Scollltlltl.
I HUNTERIAN ART GALLERY l'iliwt'xit) ol(i|;i\go\\. S2 llillhciiil Sll't‘t‘l. 330 543 l. .\loll Sill
0.30mi) Spin. l‘icc.
20th Century Painting from the Permanent Collection l'iitil iii 3| l)L‘L‘. :\ \L‘lt‘t‘lltlll (ll lllL‘ lllllllL‘l'lllll‘S llllt‘ tll'l L‘tlllt‘clloll ol‘ llt‘lll\ll tlt‘l lt‘olll lllt‘ Zflth cciilni'}.
Mackintosh Architecture l'iitil Thu 33 “cc. £35”. ltl lllL‘ .\IilL'l\lllI()\ll llousc. ti lctnpot'nt') tllSPlil} ol‘ tlt‘tm ingx
Glasgow‘s most successful artist to date shows Croque Mort, a small series of photographs, at
the Lloyd Jerome Gallery. The essential gen on the dude is this: Gordon was born in Glasgow, 1966, attended Glasgow School of Art, won the Turner Prize in 1996 and the Hugo Boss Prize in 1998. His film and video work has referenced Psycho, The Searchers and Taxi Driver and his Self- portrait as Kurt Cobain, as Andy Warhol, as Myra Hindley, as Marilyn Monroe (1996) is now iconic in its own right.
I Lloici Jeni/ire Gal/en. Graquit. twirl F
'— I‘yj Of“.
\xhich chaiiictci‘ixc thc \llSllllclH c tlcxigiix of ('h.iilc\ Rciinic \Iclc‘lxlllltkll
=I< Avant-Garde Graphics 1918-34 1 iitil Slit I" \o\. " Wain 5pm l-icc \ lt‘llldl'lxctl‘lt' collcctioii ol postctx. prints. hook tlcsigiis .llltl political and c‘l‘llllllt'lc'litl t‘j‘llt'lllt‘ld. togcthci \\llll original l,i_\out~ and photo lllt‘lllag‘t‘S. iiicltitlnig \koi'k h} lt.ili.iti l'llllll’hlS. (ici‘iniiii .llltl l‘l't'llc‘ll l).ltl.ll\l\ iiiicl iiioic Scc llllll\l.
I THE LIGHTHOUSE
ll \lilcltcll lunc. III (tiff: .\lon \\ \\cil S.it Ill Winn 5pm. luc l|.iiii 5pm. Sun noon 5pm. £3 It’llNl)
New Formations l‘iitil lllll -1 \in Sliouciiw ol noik h} _\ouiig jcucllci} tlt‘Sllelt‘IS plnx lc\tilc ~c‘iii‘\c\. lxigx .tlltl
Architecture in Scotland l'iitil l'l'l 33 ()ct. 'l'hc liiunch of .i l‘lltlllllltll l'L‘\ lt‘\\ ol Scottish ni‘chttccttiic. lc;itui'nig huiltlnigx iititl liniilxcnpc [ll'ttjt‘t‘h coiiiplclcd oi' iluc loi coiiiplclioii it) will illltl Zlitil
Donna Leishman Skit l) ( )cl Sun ZS \m. .\c\\ inciliii .u'tixt ol (ninihomc'i'.coni \llt)\\\ itllllll.lllt)ll\ \thich i'celcll iititl lllUtlL'l'lllSt' lllll'}l;llt‘\. plus it pm icn ol hci' l'oi‘llicoiiiing pi'ojccl Ili'i/iml.‘ l/It' ’mxi'niiiii u/ ('lirixllini .S/iriii. Ni ‘.'. Si if
I MCLELLAN GALLERIES
270 Siinchichiill Slit-ct. 505 ~l lfltl. l'i‘i c\ Siiii lliiin 5pm; Mon 'l‘hti ck S;il
lfl;uu Spin.
Art Treasures of Kelvingrove l'iitil “MI 3“ NM lellS. .'\\ thc Kchingi'ou‘ .\lu\cniii & .-\i't (iiillci‘) is \‘ltlSL'tl loi' lllttjtll' iclui'hixliinciil. o\ci' Jill) ol its paintings t;ikc' up t'cxiilciic} iil llic Mclcllini (illllt‘l'lL‘S. 'l‘lic tllSIlltl} lllt‘llltlL‘S 'l‘hoiilnx l'.'icil\ 'l'lii' /.u\l ul l/lt' ('lim illltl Rciiihi'niiilt'x .Il Him in .‘ll'lllrtlll'. (this work h_\ ('hiii'lcx chnic Mackintole l)ulch :iiitl l’lcinixh ;n'l.
I MITCHELL LIBRARY
Zfll .\'oi'th Sli'ccl. 387 399‘). Mon 'I‘hn If)..‘~l);iiii (Lillpni; l‘l'l Stil
lll..‘\ll;lllt 4pm.
Eric Chisholm 1904-1965: Music Most Daring and Original l'iitil Thu 4 .\'o\. l-.\|iihitioii chiii‘liiig lhc lil'c ol this iiil'lucntiiil lllll\lL‘lilll. L'tllllpt)\t'l' and conductor. coiiiiiicnioi‘utiiig thc cciitciici'ni‘) ol' lllx hii'th.
Picture This! - 50 Years of Classic Glasgow Press Photography l'iitil Slll l(i ()cl. y/llr' l/(‘I'il/r/ CL'lL‘l‘l'lllL'S 5U )c'm'x ol ( iltisgon haixctl pt‘cxx photograph} \\ itli this cxhihitioii ol t)\L‘l' llll) pliologt‘ulllls.
I PAISLEY MUSEUM 8: ART GALLERY
lligh Stt'ccl. SS") Hi I. 'l‘tic Stu
lflaiin Spin: Sun 2 5pm.
World War One l'iilil Thu 1 I Not. This )L‘ltl‘ nitn‘kx thc ()flth lllllll\L‘l‘\;ll‘_\ of thc otithi'ciik of World \\';ii' I. This iiiiijoi‘ lll-lltHlSL' c\hihilioii tiikcx :i historical look tit thc \iiii‘ and its cl’l'ccts otl Rciil'i'cnxliiic through liiiiiil} lll\ltll‘lc\. photographs and l‘L‘lllllll\L‘t‘llt‘L‘\.
I TRAMWAY
25 .-\lhci't l)i'i\c. 0845 33“ 35M. 'l‘iic Siil iiooii Spin: Siiii noon (ipin.
>i< Rosemarie Trockel: Retrospective Exhibition 0... l'iitil Sini 3| ()cl. 'l‘hc tllll} l'K \llt)\\lll:_' ol this I'L'll't)\[‘L'll\L‘ c\hihilioii h} (ict'iiitiii \ l\ll;ll tll’ll\l Rowiiitii‘ic 'li'ockcl. l)utiiig ll'tllll tlic l‘lelx tiiilil thc pt'cxciit tlzi). thc L'Ullt‘c‘lloll ltlc‘ltltlL‘\ \ ltlco \ktil'k. photograph}. t‘clicts iintl lici' tllSllllClHL‘ knitted ‘pgiiiitingx'. Scc l‘L'\lt‘\\ :uiil llitlixt. Royal Slab l'ntil Sun ll) ()ct. \Voi‘k h} (ilil\:_’l)\\ School of' .-\i't iiiiixtcrx gi‘;iilti;itc\ Jihtlll l)cc. Kiiii McKiinic}. Patrick JillllL‘Mlll and llClL‘ll .\lc('roi'ic uploriiig ltlL‘llS ol coiniiitiiiictition Lllltl lllL'illllllg. 'l’hc c'\hihitioii lctitui‘cx ciiic'iiiiitic pieces h} l)cc. uoi‘k on \tlL‘litl boundaries and thc \L‘ll h} .\lcl\'innc_\. \ctilpturc t'roiii .lltlllL‘\Ull iiiiil docuiiicntiir} \tork h} .\lc('roi'ic. LASf CHANCE TO SEE.
Visual Art
REASONS TO GO SEE
SIMON STARLING
1 He's a rising star Starling is nominated for this year's Hugo Boss Prize (soon to be announced). awarded in collaboration With the Guggenheim FOundation. It could earn him not only further acclaim but also a sweet $50,000. He is one of only three UK artists exhibiting at this year's sao Paolo Biennial; his WOlk was included in the British Art Show (2001) and the Venice Biennale (2003) — the first time there was an excluswely Scottish Payilion at the event (even althOiigh Starling was born in Epsom). Jim Lambie and Claire Barclay — fellow Glasgow School of Art Graduates - also exhibited with Starling in this symbolic and significant fOray into the art world.
2 l-lls work breaks down Starling's site-specific works break down the history of the object and its connotations — sometimes spectacularly and literally, as in 'lnverted Retrograde Theine‘ (Vienna. 2001). where Arnold Schdnberg's music is translated into lights flashing over a room full of skillfully re/deconstructed planes.
3 He liberates weeds ln ‘lsland For Weeds‘ (2003) Starling symbolically freed Rhododendron ponticum (which was introduced to Scotland and grows as a weed). planting the bushes on a barge in a Rococo palace in Venice. Punning on the idea of Venice as a collection of linked islands. Starling links this beautiful weed to all the others frequenting the city during the festival.
4 He’s funny His collections of altered objects: chairs. plants. pianos. cars and vans. etc. critique the gallery or museum's wish to collect and present ‘art objects'. but always with flair and humor rather than the didacticism of minimalist interventions.
5 He’s clever and honest Starling's intelligent and sprawling research-based works explore authorship and originality, representing familiar objects to the viewer and relocating them in the gallery or in relation to the site of their production. Rather than the usual dilettantish flirt with modernism. Starling's complex works explore correspondences between the objects selected and their country or Site of origin. (Alexander Kennedy)
I Simon Starling’s new show at the Modern Institute, Glasgow, opens Fri 8 Oct and mns until 5 Nov
’2’). 7.71 THE LIST 101