The List: 23 Sep 2004 (62/132)

Musnc row a {an

Friday 1 continued

I Roads to Siam .nnl The Zephyrs \lcc'nhlcu/jl, ill \mc luclmll \Hccl, 1;; “th \nanIm/j. lu-uul lhcn \lullcnl

oln'nlulcd ‘ ’clolu'nlmc ml :15 uh l: l.uc

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lncnw unhl Lun

I Brian Kramer & the Couch Lizards .unl Paul Malcolm \oumn \ll.m. llon lllcuuc low! luu. llonsulc. “3 ~13)" ‘) “HUN 1\ Illcluu \cl'llhll uppc.u.mcc lol Ilu\ lwlucx \lulc L'llll.1ll\l \xllo lmx I‘l.l'\k'\l \‘.llll lllc lllcw ol \ln l. 'l.l_\|o1,unll'ln lillll‘ llc l\ lxn l.c\l lu. lu\ Inc plccc lunnl .uul \lll‘llt'llx'xl lu. lluul lllucjgluxx lelll.Ill\l l’uul \l.ll\Hllll

I Forgotten Sons lhc ( Lullouua I< l'nlon \llccl. 31% («mo " illl‘lll L" ()H‘l l-l\ \lluv. \l.llllllnll llll‘lllk'

I Cream’d lllc l'cH). -13(l_\xlc l’l.uc. lllh‘lh 30‘ ill Rpm Llll lllluuc Io lllc wulllk lllxl pov. c1 lllH \upcluloup llml'x (lulu. l\_\ lllc nu}. Ill \.:\c .m\ ol loll \M'lt' llnnlouj: v. c Illculll lx’uxll

I Electrolyte, AKA the Fox, Pulse ,unl The Amazing Magpie lllc lllll \olc(..llt'. §ll (\ll l\lll:,‘ \llx'x'l. “i lo“ ‘lpm l.‘ Rock lull. Incllnlm: _\l\cnlccu\ .\K \ lllc lo\

I Pyro, Gorsky, Without Malice ,unl Tony Shoebox I In} Hump. "h .\lu\\\cl| Soul 33] hill \ llen Lil. Including cnll} lo pml _L‘I_‘._‘ cluh locul unllc lull

I Kenny Young & the Eggplants llnl IRS. INS lluclmnun Sllccl. “3 “25-1. H. illpm [51U51ll ()lllllmll \cnu ;l\‘llll\llt' lllH llonl \c\\ \ol'k \kllt' cn|o_\ .1 "\pccml Iclullonxlup' \\ uh ux lolkx Ill lhc l'lx'.

I Special Needs .uul The Rocks 'l'hc \ulc. 5 l)luulu\ Sllccl. z“(N-lo l)oo \xopp} luau pop ll'onl nc\\ l’oploncx \Iggnlnggx Spcclul \ccxlx

I Simply Red Tribute Houlluul Sllk‘k'l. lllN (lL‘tll'jJt' Sll’k'k‘l. lll-l l, ﬁrm (5 1H5 \\ uh (llllllL‘l l

I Frank O’Hagan 'l he Scum.

l l: ll‘l Slut‘ldu‘ll Sll't'k‘l. Nllxl, Upm l~l'cc.('o\c1\ol l)_\l.ln. lllc lluml. (l'Ck‘tlL'llt‘t‘.

I Live Music (il.lll\l ( )lc ( )pl}. l’.u\lc_\ lx’o.ul loll. ll‘) 5 No. ‘. illpm L31 [[3 mclnlu‘lxl. (‘ounuy

I Live Music Sumucl l)o\\ 'x. h" "I \Illmlulc lx’oml. -l_‘ i lllll". .\.3llpm l'l'cc.

Edinburgh

I James Taylor Quartet l‘hc in;qu Room. ‘lc \lclol'm Sll'ccl. 235 Fol, “I‘m USS”. Scc lllu ill

I Raff, The Jackals .uul Jiva \Vluxllclunlclcx. -l 0 South llrnlgc. 55"

SI l-l. ‘lpm l'l‘cc lu'lol'c nullnlghl; {3 ulch Hulk rock lll\l\\ll ll'onl .lnu on .u nullnlglu.

I Croft N05 and The Ruffness 'l'hc llongo (‘lulx .\lol'.1_\ llouw. 3” llol}l‘ooll Roml. 55x "NH. lllpln 3.1111. [8 (Um lluncc lu'ulx .unl ('clllc lunk collnlc \\ llll ('I‘oll \oS.

I People Under the Stairs l'hc \cnuc. I" II (Hilton Road. 55" 31F} llpm L") (It). Hip hop nlglu Scmlch Inukcx ll\ I'clurn lor llux onceoll \pccml will u lnc \cl lrom l’l'lS \ununonln; up good lnnc lup hop \ ll‘t‘\. lunk .uul \‘lkl \lwol .l;llll\. l’lux l).l \clx l'nun Rlcluc Rulllonc. l.) lc_\. lllug l and l\c.ul\o\cl IN} lcnl \' luklgn )ou through lo 3.1m

Glasgow

I Juliet Turner und KT Tunstall King 'l‘ul‘x \lel \Vuh llul. 3-3.1 SI \lnccnl Slrcct. Ill 53“). .\‘._‘~(lpm. £9. ('hn‘p) lrlxh \ongxn'c“ .lullcl 'l‘urncl' l‘lL‘ll\l\ pop and lollx clclncnlx 1n hcr \ongx. Shc l\ \upporlcxl l1) cmcrglng Scolllxll

\ingcr \ongurllcr Kl 'l‘unxlull. \\ uh .1 hlucx} \ucuk Io hcr compclllng \ongx llcr l'orlhconung \lk‘l‘lll ulluun hux hccn pl‘mlllt‘ml ll} Ihc l‘Lle‘clL‘tl SIL‘H‘ (kluu'nc.

60 THE LIST 8:4

I Marcus Schmickler and Thomas LehnH \. WI \.;:.cil:;‘~ \Hccl.;<:1""‘l ‘i‘fl: t.\ -L'~ \\~'T".17‘_' .:\.:.ll1~»ll1:\ xx c"\;\‘llll.c‘lll,:.73:1.\Ic «ll.l'.‘.lll‘.' o1: ll!:;‘l\“. lNli‘J‘ll. llzjltj, .m.:|o,' .mll lq'xhuc lici.c'l holllctx .3; ,:l\\~ lll‘-ll‘\'\l In \T.:_‘. lol nut-1cm»; of ll.:n\cmu\1c '.‘.Illllll;'lll!1'l‘:l\ tzonc \ \lll\ll.lllxlllxllllL'xlIlllllAl‘.1\\c'lc'cll\‘v ll.1l\l\Hl\‘ .unl hole

I Pedro, Lucky Pierre .uall Colditz \lzml 1h; I <u~. \.-n( no

ill h" l‘\lll‘.' \Hccl. *“ lf~‘\ “p27; :4 lmulllul clcchonna llonl l’cllro ,uul .: l).l \cl How I tub l’lcllc Al“: \l.1l‘ \I:.;p llonlnmn \nlm \loll.:l

I Abba Tribute “\‘llllh‘l! \llccl. ll” (lx'Hlf_'\' \llx‘x‘l, ii: Hl ll “PHI 9,; '1 l ‘- \\.|ll1 llnmcw luluuc Io lllc‘ \‘malhll l.'.l‘ lolu

I The Vagabonds \Ic( 'lmlilx. ll lll:'l1\ilccl. ‘5‘ .‘l 1* ‘l {Hpnl lIcc l’opul.n \U\k'l\

I Open Stage Ill; H.111 l-Lu. Inn \\wull.1ll\l\ l\’ll.1\l. i<.‘ ("’"h l \l‘ll‘. llcc \\ccl\l_\ \t'\\lHll loI lotul lllll\l\ l.'.l1\ I Biccimazza lhc um llu Inn \\(Hlill.lllkl\ lx’ilml. {if ‘l‘l‘lh ‘lpnl llt't' I Open Mic lllllll\\\ It k (cll.u\. .‘ “’ \uucluclmll \Hch. :il lN‘H lpnl llcc \\k‘L'l\l} \\‘\\lHll

I Live Music \ltc‘n'\lc.lﬁ\. 1.71 \mcluclmll \Hccl. W‘"“ in llullunj: |l.l;_:j.'l\Rccmdwnyhl \‘.lllllll1c' up lo l\c conlunlcll

I Live Music (ll.1llxl()lt'()]\1§. l).ll\lk'_\ l\’H.nl lHll. l3” in)“ IL ‘ Incmlu'lw ('ounll}

I Live Music \unucl |)o\\\. (V "I \lllmlulc lx’oml. l: ‘ lllll" \ lHpnl

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I Lee Paterson .unl Fred \\|u\l|clunl\1c\. 1 o \oulh lllnlfgc. “ii 511-1 hpln. l‘Icc lu'lluc nullmjglu. L; .1llc1.()11;;1n.ll \\c\lco.1\l plum Iock'n'loll llonl l'lt‘kl.

I Babyshambles Ilu- \cnuc. I" 31 (killilll l\’U;l\l. _\c\cl ll.l\ ‘1 l\.uul l1.ul \uch .lll .lpplopn.uc n.unc .l\ cxll.ln;_'cll Illu'llmc l’clc l)ocllcll_\ l‘llllj.3\ lux o\\n lmul lo St'l‘lldlltl.

I Hell’s Bells lllc lulunl lx’oonl. ‘lc \‘lcllulu Sllccl‘ 335 Silvia "pm. L") llcllx llcllx .uc .lll .lt't'llllllllhllnl \(‘ |)(’

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I This ‘R’ 2-Tone .2113 Big Hand lllcl c \nlllr‘. \ivc'cl \l~1;fl1,llml\ “ V'pn; ' \acc' guccc \li .zcl gummy] c ',:\\:c \ Iron. thc lllcw ol Illc

\}‘\'ca.:1\ \l.;\l:‘.c\\ Hull \l.;!:ncz\ null lhc

‘lll‘lhl;

.‘. ' n ll-lx' ,I In '4'. I’\\1lx1l\:\‘ ..l, Ml \l‘».. )t...\t ( It.,\

I Ten Fingers . . . Ten Toes . . . lt‘ll‘HHlll,l,11l\\\ll\l_'llu\llfilll‘lll ‘u'pns !_‘\ I35 4W llllilll ll‘.lll\"\ lnlclplclullon o1 lllllllll,:l_c‘l lnn llmlonk l‘i‘t‘l. ['1 Hi l.’l I’ll."." /)'~ m ,: poucllul pulllunmncc ol wnw

lxlhl llll.l:'\‘\

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I Slipknot, Slayer, Hatebreed .unl Mastadon \l (l i. l mulcxlon ()mc ox ‘1» on» hum "pm g__‘< \H ‘1‘“. lmmc Hon on Ilux \llov. lllc lll.l\l\\'\l plclcnxlclx \lll‘ldh'l Iulcc on lllc llllz‘lll ol llullxh mclul \clclunx \l.l}c'l \l.uul \‘.cll lxn k. lllclc coulil lu' hunuyc

I Robyn Hitchcock ("Hum lhmuc. ll'\ll\ll.lllkl \Hch. *“ ‘Vﬁ 7‘ illpm !_ll lllc \oll llu_\\ honlnmn Ill \olo g'lnxc. plcxcnlma' .1 c lLununyx \cl ol ln\ ‘.‘.I_\. \l\\'\‘.\'kl pop \onjrx

I Clayhill ('(' \_ §i1l\.lutlncl1.lll \Hccl. “.7 WM” H illlllll L' l’mlolul pop lilo \xho lt'tx'llll} \upluu'lcd l‘\.lllll}ll \\ llll.l|ll\ on lolu .unl ll.1\c luxl Iclcuxcll Illcu .1lluun \n.ml’.'( m [l lloulwlc l‘.l\\l\l \ll | llc‘llll [uc\ Iouxl} pluc kcll lhc \lllnj.3\ m l\)\'\l \n.:ppcl

I Sparta, Million Dead .unl Colour of Fire lx'my lulK \\.lh \\.lll Hut. 3111 \l \ mccnl \IIch. III ‘3‘”. “5H ()\\'l l l\ \ll«|\\ lllk' llHll \llo‘ll mcmllcn ol \l lhc l)ll\c ln hum Illc colc ol \pullu. .l nuuc con\cnllon.ll .lllcl'nulnc lock lxuul llmn Ihc oIth \ll)l \pllnlcl ;,'Ioupll1c\l.u\ \oll.l. luu \uuuhl} locking: .lll ll1c\.unc

I The Bays .uul Suburban Funk Commando l'hc \lchcx. I“ \Ip}lc \‘llccl. 5‘5 I‘ll ‘. .\pm. Ll: it‘ll): \cc plcucu loI lllcll.1_\\.

.\plu !

Travis get intimate as they play Barrowland, Glasgow, Mon 4 Oct

I Focus lllc lclz\.»1.‘(‘l\\lc l‘lucc. “IN” I"; ‘11 \pm 1 l.‘ llnlcl‘. prof; lot }\ ixunl. \xho \c.u:c\l mum .l \\‘Llf‘.:_'\lc'l m Illc “1K \\!ll‘. um x\.ulm:' .lppczuunccx on lirl (L: (n, -. \l \2,‘ /( \I.

I These Arms are Snakes, End of Everything mil This Familiar Smile \Icc‘ancu/x. l.‘l \unlnclmll \Ilccl. 1*? "h 1‘ "pm to \c.lulc lxmll tozmcil lﬁ\ Inthle ol llll llll.l\ll omlll Ho!c h .unl \lmncupollx ll.ll\l\\‘l\‘ lxunl l‘\lll \ultc, ll 1m lc pcnculmw l\ \olu llnnjj i

I thisGlRL, Days of Worth, Seven Stone Lighter um! Keyanti Huh. .‘nothllc \llccl.

m ‘o on“ own: \pm Ln Ho;- llk'.ll\‘\l puth unllc wlunlx llom ll11\(}ll\'l “how llcu .lll‘lllll I No l\ .l \ uI .llu»\c moxl .lllcln.lll\ c lock lclcuxm

I Mary Kiani lllt‘ l llll \le' (illlk'. *H Ml km}: \(zccl. “i lh1\ "pm 1‘ lllc nonc lu'llnul .m\ numlu-l ol l.l\c_\ l1.lpp\ houxc Hut l\\ llom lhc cull} ‘le pcllollm m molc mlunulc \llllnllll\llll_‘.'\ I Raar, The Moneyshot, Lift .unl Pylot \lclco. l\cl\m|l.lu;'h \Hccl. ‘7'“ illl\ \ zllpm Li \ nu\ ol guuupc

“K k, [\\\\l punk .uul :‘cncml :‘unl.u lll.llll.l on llll\ lull

I Jo Mango (ion \tlllhllx \uniluxx. lhc ( ion. l.‘\" \l;'} lc \llccl. ‘* ' " V" \pln l Icc lll.lll_‘_'lll.ll lllt'lll ol .l ncu

\ lullnl oul .n‘oumc c\cnln:' Ill lln\ In‘\\ lxn

I Figure 8 I’oo l’I\o. |'\ \\.umloo \Hccl. *hl \lllll .\ {len llcc

\\'Hll\l|\ l\'\l\l\'ll\’}

I Engine lllk' \cHllJ. l l.‘ l l l \lllt'k\\k'll \hccl. ‘5‘ \hh'l 1pm llcc l\)H\'l\ cH\\'l\ l\'\l\l\‘ll\'_\

I Big Blues Jam Mmlm ( )nc. (noucnol llolcl. (ilo\\cnol lcnucc. l-ll (ﬁlo H ‘len l-Icc lll‘\lk'\l |\_\ Ihc \c\\ lllucx Mulch \\llll conlllluulonx lloln Studio ( )nc Ic;'u|.u\ \ucll .l\ lx’c\ l)oc .uul lllc \lnuno lllolllclx

I Phil’s Sunday Session l'mc llL'.llll.l. 3 \\tltl\ll.llltl\ l\’H.nl. i(ll l5‘lh hpnl l'lcc lion}: _\olu oun

I Live Music \l.|t'\l»llt'}\. ll cl.llll.ll\.l Sllccl. 31% Niﬁl. ‘lpm, l Icc

lj(l|lll)lll'(\lll

I The Gods of Future Mythology .nnl Guantamano Bay Slllxllo 3-1. 3-1 3(\(..1lltul Rmnl. iib V53. “. illpm l; i (‘mnnc «lccp lllllll' prom c lll.l\lL‘l\ \xnh locul \uppoll

I Holly Burton \\ luxllclunkuw. -l o Soulll lll'lllgc. 55" *l H ‘lpm llcc \mcrlcun ucouxhc llouluuloul Hnnlnljglu .ch \nll lhcl.

Monday 4

G asgow

0 Travis ll.ulo\\|;uul. 3-1-1 (iullouyulc. <53 ~lolll. ". *Hpnl. £31). chI ll\ \lnm, Sulprlxc l.l\l nnuulc lnullxlllf.‘ lHl lhc c\p;u Scolpop llL‘lHL'\. Sulc lo hc ullnmpllcnc uml cclclu;uo1‘_\. I Bowling for Soup and Feable Wiener (Xu'lmg (\k'iltlL'lll}. l2l l:;_'|Inlon Shccl. H‘MS lllll WWW/(le "‘l lellll. qpm LIISU, ()xcl lelx \ll()\‘.. l)umh punk pop Plil}k‘ll l3} lug: j_'u_\\. llul. llcylllcflc llll.lllf_1illlllill't'llll}.\H lll.ll \«unclum In.ka n coolcr 'l hc} I‘L'clxtul.

I Yourcodenameis:milo and Agent Blue Km}: 'luIK \Vuh \Vuh llul. 3~Zu SI \lnccnl Sll'ccl. Ill £379. 5" Wan U». 'l'lu‘uumg. \plk} nullc rockch. \kllll u cool n.unc. uluch uluup llL‘lllx

I Global Battle of the Bands llurll}. :m (lch Sll'cct. 037‘) (NW NW)”. ()nc ol llu'cc Su lllxll hculx. 'l‘hc llnul tukcx plucc ul lhc London x\\l()l'lil uI Ihc cml ol \mcmhcl

I Poprocket Slcrco. Kclnnlmugh Slrccl. 57651:”. 3pm. £3.

I Michael Simons lcluu anu. 42 ()Iugo l.unc. 357 453-1. Xpln L2, (il;l\f_'n\\ -lm\c«l lelllill'hl plu} m}: l'olk. hlucx and hcyunl.

The List: 23 Sep 2004 (Issue 505)