(Ill/V '11 i/I/i/ ,3. ' (1:!)
Thursday 23 continued
I Sale llllllx‘ll‘ll‘t. lvl ll:\lt'\ Roml. 5“? illlh ‘ipin llt'k‘ \touxllt \L'l I Open Mic ltlm (lulu. 13 Hugo l..lllk’. 45" 1531 \pin llt‘t‘ loilnislill}
I Phil’s Session l mu- inkllllll. 313 \\lililll.lllll\ l<lllllli “‘1 lg”) ‘l‘lll l lxikl \Vt-L-kl} 1.1m
I The Vagabonds llu- \toul
l l l-l Slim l\\M'll \llL'L'l. <5: \l\\l ‘lpin. l'icc. l’opulm \ll\k'l\
I Jam Session \inuu'l Hm»
(ll-,5 F‘l \llllvllllt‘ Rimll. 1: 5 ‘llll ‘
N. illlllll, l'lL'L‘ ll(l\l\'\l h} lnllt'pt-nllt'nu' I Live Music \ltl'hth. In High \llt't'l. 55: fl ‘5 ‘l 5'llllll lil'c \cu l‘.lllll\ ning
I Live Music lht- ll.lll Hill. Inn \\Hlllll;llltl\ Roml. 55: ‘l‘l‘Hi ‘lpni llt'k' 'l lnw l\.lllll\ to IM' t'onliinicll
I Live Music \IMSoIIL-p. ll .l.llll.l|\.l \llk't'l. Elk x5.\l ‘lpin llL'L'
Edinburgh
I Endorphin, Life Blind, Small Enclosed Area, Sonorous .uul Tenesse Kait Slullio 3-1. .11 3h ('glllon Roml. 55.\ V53. "pin Ll lllk‘ l’il ()unx lllt'\k”lll llnx Hulllt' ol llic Huntlx St'ollunll .lllilll', lunlloi'plnn llll lllL'll \lliw lllt't'l\ lx’mlioliuul thing. [My Illinll \upPI} lllt' nu lllt‘lill. linnl iot‘k li'oin Sl'.;\. Sonorom nn\ L'lu'lionit'u loopx \kllll puilni \\llll llk'llk'\k'k' lx'uil [lllnllllllL' lllL' gillt'i'nuliw lot‘k
I Sadaqa Live Ilu- \L-nuc. I“ 3| (Killon Road. 55" ill“ *. ‘pin. Ll». .'\lllllllt'l Sudan licnt'lil nigglil \\llll ioyk. imlic .uul clt‘t‘lioint‘x .l\ lllk' \l.i§:n|lit‘t'nl\. .\loni.'u'l\. l’uik .-\ll;it‘l\. lllivlc lll‘lllltl .lllll lllL' lllno/L‘H L'H llH‘. “MI I” \t'l\ tlo\\n\l;lll\ li'oin .lolin .\l;it'lc.in lllclu Hand). Sluurl lll'uillnnnlt' I,\lo_«_'\\.ui .llltl Inx Ion-l} \\llt' (il';llllllt' .llltl (‘lnh llt'nnmn, .\|\o mpt't'l ll millc \\ Illl llk'L‘ lli‘lnkx. & llimlit' lit‘kt'lx. (lull [\;l\\t'\ ;lllll Hlllt'l gootlILN on ollL'I‘
I The Cherenkov Detector lhc llongo ('Iuli. .\loi‘;i_\ llUll\L'. V |lol_\i'ooll Roml. 55X "()ll-l, Xlllll. L5 lL-li. ‘\ niglil ol ilt'mll} \onit‘ \t‘it'ut't' \\ llll .\l_\\lt‘i) .llllL’L‘. lllt‘ \llt‘lt‘nlllltW .lllll l).l Rlllllln lininlnlu.
I Darklight uml Centrix \\Illl\llt‘l‘llll\lt'\. ~l (l Slilllll lll'ltlgt'. 5| I‘l. ‘lpin. l'l't't‘i (iuilui' i'ot‘k \Ulllltl\,
Glasgow
0 The Bees, Aspects and Little Barrie KIM“: llll'x \\';i|1\\'.ili llul. Flu Sl \‘inccnl Sliu‘l. III 535‘). X. illpin.
.\'( )l ,l) ( )l “l'. llic pituilt‘xl llnng t‘m lo conic oul ol lllt‘ lxlc ol \VIL‘lll. \lltl \w lllL‘llltlt‘ lllk‘ niulli-L‘oloui‘cll \illltl in llml .l\\L'\\lllL‘lll. Soc puncl.
I Magnum 'l‘hc (Lung: No Suut'lucllull Slit-cl. ‘32 III“. “pin Ll5. ()H‘l' l-l\ \lhm. ()ltl \L‘lllHll lUUl Hll lllt‘ inonnoi‘ i'ot‘kci‘x pi'oinolc lllL‘ll' um :illmin li’rrml/ .\‘¢'n .lIo/nmu.
I Volcano, I’m Still Excitedl, The Flying Matchstick Men .llltl Mark Hex \icc'n‘SlL‘u/y ~lll Suut‘lncliull Sli'ccl. 333 U03“. ‘lpin, Lo Quirk} pop \\ llll ;i nod lo lL‘llt‘l'\ ol lult‘x \ut'll .l\ .lUlldlan Riclungin and l:|\ l\ (\chlllx
I Client, Soho Dolls and Salon Boris Burn}. Inn (lulu Sim-l. (LVN Ull‘ 00‘)”. 8pm. L5. (Xu'l Burnt-cntloi\ctl lL‘llmlL‘ L‘lL‘L‘lI‘H tlllo \lgllt‘tl lo lllL‘ l;Il‘L'l l'llll h) Dcpcchc .\lotlc\ .-\ml_\ l-lclchcr I Johnny Truant, Salem and Co-exist 'l‘hc (lilliouw. l5 l‘nion SlI'L‘L‘l. 348 (moo. -50an Lb. ()u‘l- lJ\ \hlm. _\lcl;il Inintl .lolinn} ll'llulll pi‘oinolc lhcii‘ nc“ \inglc "l‘hc lilootlcning'.
I The Sex Pistols Experience and The Cherrykicks 'l‘hc li‘i'i‘x. 42 (lnlo l’lgicc. lllh‘lh‘ 305 5| 1, Spin. 'L‘Il). Sm l)l\lUl\ lrihulc oullil.
I Lectrix, Seventh Redmoon, Wise Monkeys and Junkstar Shoogukulw. Soundlluux. 4" ll_\th Park
54 THE LIST 8w:
BLUES EXPLOSION
The Jon Spencer may be gone from the name but the ability to rock remains. Spencer and his cohorts have been happily kicking out selected blues jams with finesse for many years now. That the White Stripes completely stole their thunder on being everyone‘s favourite raggedy. bass—less garage band is a bit of a moot point these days as Spencer has been quietly redefining the Blues Explosion as the missing link between Howlin’ Wolf and Public Enemy — as album Damage and its predecessors will testify. Excellent collaborations with DJ Shadow. David Holmes and Dan the Automator among others mean there‘s much more to this band than just plain ol‘ blues. (Mark Robertson)
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Sliccl. III -l(»5‘). ‘lpin. L" (L'm. l ot'nl hand \lioutumh
I Café Carioca (luinml (lull. St‘ollixli (lu'niml .\ll\. z-l \llnon Slim-l. 553 Nlfi". Spin L" lL5I. l'lt'\l.l ll|f_‘lll .il llic \lt‘i‘t‘liuul ('11) club niglil \\llll Inc lllll\|L' lioin lli'n/iliun li'opit'ulm mponcnlx (Kilc (Kiiiocgi ’m/ o/ [In .lll'n lnml (‘II\ [ml/ml
I Engine t\ll;l. ll ll) \\;lll\ Succl. 552 lell. lllpin. L5 lli‘ct‘ lwloi'c llpiiii. I’ll/I of [/11 Val [Ill/II ('m /('\/ll'u'/.
I Regular John, Green Door Clinic :nnl LSD l'lll_\ \llii'i}\. "(i .\l;i\\\cll Sliu'l. Ill (51] N. 5lllllll Lil. lllt‘llllllllf,‘ t‘nll'} lo pml (lull lllk' llL‘.IllllllL‘l\ lll‘t‘ .’l ()llt‘t‘lh Ul lllt‘ SIUIIL‘ \L‘t‘ u‘iliulc. \mh. l‘ul \lllk‘\ llicu‘ l‘;l\\ Illa)“ \ll'lp lo lllc \L'utl loi t'\li'.i uulhcnlit'il} .’ I Abba Tribute lloui'hon Sliu‘l. lll.\ (it'oigt‘ Sliccl. 553 “I‘ll. “pin, L5 (L | 5 \\ llll tllllllt'l I. .\nollici‘ ol llllllll‘llll Sliccl'x L‘H‘l-[lwl‘llldl \hlxi nighlx.
I The Fusion Experience llu' Hull ('luli. HI Halli lunt'. 3-15 1"“. Spin. l'lL‘k' lu‘loi'c Ill, Winn; L5 .lllcl \VL'ckl} |.i//} loungc \L‘l in lllL‘ loxwi lxn I The Godfearing Atheists \lt‘('liliill\. -lll lligli Slit‘cl. .553 3| :5 ‘l..5ll}‘lll. l'l'L‘L‘, .\ll.t'ounll} \Hlllltl\
I Jump the Q B.” N. 1.6 Huclmnun Sli’ccl. “I "3N1 Spin l'lL'L' Illi\lL'tl«'.\lt‘l"l_\ \l_\ lL' pop.
I Gratis Ouo Mat-Surlth .13 .l;un;nt“.i Sli'ccl. 3-15 55%|. ‘lpin. l'lL'L‘ (icl do“ n do“ n \\ llll lllh Stalin ()uo liihulc I Isis Suinut‘l l)o\\ k. (V "I \Illmlulc l{o;ul.-135(lll)-. .\..‘~llpin l'lL'L'.
I Frank O’Hagan 'l llL' Swim.
l l: ll-l SlUL‘lx\\L‘ll Sll‘k-L'l. .\(\.\l. q[ill]. l'l'k‘k" ('m L‘l\ Ul l)}l.ll1. lllt‘ lldlltl. (lL‘L‘tlL‘llL‘L‘.
I Live Music (il'dlltl ()Ic ()pi'}. l’;il\lt‘} Routl loll. 43‘) 55‘"). ".leIII LJ 1L5 lllL‘llll‘L‘l\| (‘ounuy
Edinburgh
I Lee Paterson, The Cellers and The Usual Suspects
\\ lnxllt-liinkicx. l (i Soulll lli'ulggt'. .55" 5] l-l. hpni. l'lL'L‘ lwloic ninlniglil; Ll ;lllL‘l. ()iiginul lolkx lilucx iot'k lioin lllL' (‘t'llcix \\llll lunk .it‘lion lioin llic l'xuul Suxpctl»
I Endrick Brothers and Geoff Martyn ('.il\;il'cl \ollgilit'. V) ‘3 lllgin Sli'ccl. 33H 0le. "pint L5, l’lt‘Hthl) knoun ;l\ llic Rum-ll}. \\lili \uppoilml llic lllxt‘\ ol l ut‘intln \\ llllillll\. l'tltllk' Routch .nul LlL'\\L' \lgilin.
I Mylo, Freeform Five .lllll Operator lht- \L-nuc. I" .‘I (pllinn Roml. 5.5“ W5 i “pin L". St't' It'lilinc loi ncu St'ollhli lwulnimlci \l}lo.
I Morag McLaren in Concert ()uccn'x ll.il|. (‘lcik Slit'cl. “(in llll‘), 5.15pm L H L I: lL'll LM lllL‘ \xoilll plum. l'llinliuigll horn \nigci i’cluim lo lllk' ()uccn‘x ll.lll \killl maul L'ut'xlx lol unollit‘l Lx‘lt't‘lit‘ llllhlk'dl pi'ogi'ununc.
I Live Sciences llt‘ni'} \ .lu/I ('t-llur. X \loiilwn Sliu'l. MW 52llll. \lllllllL'lll. L5 'llip hop gi’unl' llll lllL'll o\-.n \Milllw llll\lllf_‘ in plcnl} ol |.l// lunk on llUl'll\. \l(' .uul l).l.
Glenrolhes
I The Animals l<olllc\ llilll\. Kingdom (bully. H15”: (il I IN], Milli L'lll5ll L135” Sun I\ in; lllL'llll‘L'h ol lllL' .\llllll;ll\ along; \\ llll original lllL‘llll‘L'H Ul lllL‘ Kllllw ullll llk‘ lllL'lllL'lHLN L'L'lt‘l‘lult‘ ~1H Imam in lllv inuxit‘ bunnth
Glasgow
I 50ft Wave and Amusement Parks on Fire Km; lurk \Vuh \Vllll llul. 3—3.: St \‘int‘cnl Slit-cl. Ill 52"). \ 5UP!“ L‘) .\K \ it'wlul 'l‘ln‘oulng
\lux.‘\ Eloniuolncn l'xzixlt'n llt‘l\ll 112.: :lzolc lull on iotk mods um \llc ll,l\ ’tnouicll loi yuan \llc l\ lozncll M lollnc: \luxo tolloil llcinulll (it-onto ('llctk oul lllc t‘pomnloux nnni .lll‘lllll I Man .mll Jonny 8- the Robots llls l cu}. 1: (lulu l‘lluc, Hll~"\ t‘o5 511 "pin L Ill \clcmn \\\'l\ll progit‘xxiw lot kcix Hll nmn. unlcctl I Rebel Uprising .mll Future Pilot AKA (flunlml ('lulx \\\‘lll\ll (fluniml \ll\. ‘1 \llnon \llt‘cl. 55.‘ “~15 \pin L5 lL5- lx'clx'l l [‘l|\|ll;‘ 1\ [hr ncu pt'l piolctl ol lolnici \\l.lll lluh loliiul.ilioii llonlin.iil llcmlt'i /.un.in \uppoilul l\} mu \\l.lll lolk .nul \llt'.lllll‘\‘l‘ \ouullxhilwx ol (ll,l\;'\‘\\ \ lllllllllnl‘lt‘ l uluic l’ilol \l\ \ [1.1: 9;, ll: It Must ( ll \.'l..;. I Jetplane Landing, Sucioperro .md Fickle Public Hull}. .‘hul‘lult- \iim-r ll\‘ll ‘lll‘ ll‘l‘l‘l \[llll L5 5H (MCI l*1\ \ll\‘\\ l \‘l\l} l Ullill‘ll l‘.l\\'ll .illciil.lli\c ll‘Ll‘xk'l\. \ll.l\\lll“_' on ll.ll\l\|‘l\' lllllllk'll\\'\ \utll in \lit'llnt .unl \l [he |)li\c III I Fred, Sandstone mil Sonus I‘m \uulnclmll \llt't‘L ‘5‘ ll I I ‘pin L5 ()wi ll\ \llH\\ \llll‘lt' l.iuiu ll \lioxx lt‘l l lk'll I Viva Stereo .mll The Sonar Yen \it't"ii‘\|t‘.i/§. l.‘l \nu liu'lmll \lim'l. “5W1 V ‘lpni L-l \ l\.l \lt'lt'll puul llu'n llt'lml .lllnnn (lpimnwr xx \u/ l: \npiioil l‘.lll\l llu' \on.u \t‘n l‘llt'l ‘luixliny lll|\\|lL'\ ol int-loll)" I Broken Oath, Divide .unl Special Move UK I am \ou- ( put: .5” (ill Kiny Sllk'k'l. 55‘ lmx ‘lpin H l'.\llL‘lllL' ll.ll\l\'lllk' \lllllltl\ I The Midford Girls .uul Foxface Xlt'lt'li. Kt'l\ lllll.lll_L‘ll \llt‘t‘l. 55.“ 5lllN «\[llll L l. l'o\l.it'c .llt' lllllllt'tl ll} m l’t't'px lnlo l'.ni_\l.niil llHlllllMll \lit'lim'l. \xho li;i\ l‘L'L‘ll knoun lo .u'luull} mun .l lo\ law on \liyt' I Figure 5, Meta, The Ducks, People Train .mll Studio One .\lc(‘liuill\. ~11) llllel Slit-cl. 55.7 .‘,l ‘5 {pin l'lL't' \lt'it’lmnl (n) l‘t'\ll\.ll .lll \l;l_\k'l lt'illllllllfJ llic inod \Ulllltl\ ol l'iyuit' 5 .llltl llic lt'llll ;_'.ii.i;'t' pop ol llu- Huck» I Subdermis, Bismarck, Magdalena, Still, Given .nnl Autopilot l'ul} .\luil_\\. ‘Hi \luuwll Slit-cl. Ill h5l| lllpin L-l Sn lmnllx goinpclc loi .1 lll\l [iii/c ol L.‘5ll I Engine \m. Ii I‘) \\..II\ Sim-l. 553 Illll, lllpni. L5 lllt'k' lwloit' Ilpini I’m! o/ I/n Urn/14ml ('il\ ll \Iiiul. I Woodrow Wilson lloulllon Sim-l. lox (lL'UlLIL‘ Slim-l. 553 “I ll "pin L5 «L l .5 \\ llll \llllllt‘l'l liiliult' lo lllt' \loloun \Ulllltl, I The Fusion Experience lllupklilui'x. llt'll Slim-l. 553 50.7.1 ‘) Winn l'lL'L' 8w l'll )1 \cv l'll 3-1 111/ of [In .‘Il'll lull]! (in ll \Ilui/ I NO Dice .\l.u‘\olll'_\\. ll .lunmnu SllL'L'l. :13 \5Nl (\lllll lll't‘ RHle I Halcyon Days \l;lt*surlt-}x. 1.? .l;un.nL*;i Slit't'l. 3-15 N5hl ‘lpin l'lt'k‘ I Speedtrap \unucl I)w.\. ()7 71 \illmlult' l<o;ul.-13Hllll" N Winn l‘l'L‘L'. I Open Mic l’nunxuit'lx ('t'lluix. 3 W Sumlnclmll Slit‘t'l. “l IHIH lpin. l’lt'L‘ \VL'L'lxl} \L'\\lHll I Open Mic Kn}: (inc. H5 l’ninu' Slit-cl. 50,1 5l5.\ Spin l'lt't' ()pcn \lgifgv loi \lillf.‘\‘-lllL'l\ and pot-Ix on llic qul Sului'tlu} ol cwi} inonlli ’m/ u/ [/14' Val Ill/III ('II\ [IN/[lull I Open Stage 'lhc Hull Hm. Inn \Vnolllumlx Roull. 5,53 ‘N‘Ni .1 3pm l‘lL‘L‘. \VL‘L'lxl} \L‘\\lHl1lHl lHL‘lll I Live Music 'lhc llull Hui. Ion \Vntull;llltl\ Rmul. 5.5: ‘)‘)‘)(i ‘Ipllli l'lL'k' I Live Music John Slim-ll lpin Hpin l'l'cc ul li'cxt'o inuut' linc-up lo he confirmed. in :ixxomlion unli (‘uhgi \ol'lc. ’url of I/H‘ .l/rn Inn/I (’Ili /‘(‘\Ill(l/. I Live Music (imnll ()lc ()pr}. l’.u\lc) Road lo”. 43‘) 5 W6 "a Winn. L11 IL.‘ incinhcrxi. (‘ounli'y
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