I Ramon de Juan llii-l. \\lllHll l..lllt'. HZ Woo \piii lim- \cc luv H I Open Stage llii- ll.lll tin Inn \\Htltll.llltl\ Riniil. {<3 ‘N‘Nl \lllll ilk'k' \Mx-H} \t'\\lllll loi llkdl lllll\ltl.lll\
I Live Music \l.it\nilc}\. 12 .litlllitltd\llt't'l.:1\ \<\l Winn llk'k'
'l lllt't‘ ltltdl lmndx to by \t'llllllllt'tl
I Live Music Roikcix. ll \iltlldlltl \tiu't. ill “"30 “pm 9-1 Roilx l‘.llltl\ to bc \Ullllllllt'tl
lfdinburgli
I Classic Clapton ltiiiiiion lllL‘itllt'. l.,iil}\‘.i'll \\.i}. \luxxi'lliuiyli. (m5 31W " Winn LII i Ithli llL‘t'llll}lll“_’ lt'tlt‘dllilll ot ('l.iiitoii\ \l.i;_'c \llH\\ .iiid
pituilcxt ll|l\
Thursday 9
Glasgow
I The Amphetameanies Klllj.‘ 'lui‘x \\.‘lll \\;ili lllll. :fijit St \‘inu'nl Slit-cl. Ill *Zfl‘l «\[llll Ui, ()wi lle \llil\\. l tk'dl \l\.l \llpt'lleHllll \Hlll ;i t'ihl ol lllilll\;illil\ (llil\\ll. iil \itllltlh lllllt'\. lioni lllt'llll‘t'lx ot l-i;in/ l‘k‘ltllllillltl and lli'llc & Sclnixtiun,
I The Willowz, The Usual .llltl Eleven Mile Creek Ilgii'll}. Iriii (’|_\di' Stii'cl. HRH” UH" (NW), Spin, 'l'lic \\ llli|\\/ ill't‘ ;i _\Ullllj_‘ ('iililoi'niiiii [Ho “ho llHiHL'l' up lllllllt'llt't'\ li‘oin pilingc ltlt'lx. l‘lllL'\ and \olll to punk 'l’lic} caught lllt' ulti'nlioii ot diiu'loi' \llt'llt'l (iondi‘) itlltl lic uwd onc ol llicii‘ ll';tt'l\\ lo \Hlllltlll'ilt'l’x Kii‘xtcn l)llll\l planting; about In Iii-i pgiiilx in l./i'r/iii/ .S'iuixliiiii- or NH Spur/«n .l/I/iil.
I The Day I Snapped, Festoon and School of Assassins Hui-ll} tll[i\l;tll‘\l. :(ill (.l}tlt' Sll‘t‘t‘l. “3"” "ll—r. (N‘N. Npiii. lilllHl\ll \Ulllltl\.
I Suspire illltl Missing the Occupier llk‘ .'\i‘c|ic\. 253 :\l'_‘_'_\ lc Sti‘ccl. 50* Hill Spin. Ur. lndic rock \lioxu'uw
I Mitch Malloy Bourbon Sliu'l. lllK (it'oi'gc Slit-cl. 553 ill-ll. 7pm. U. .-\t‘tlll\llt‘ l'UL'lx.
I Sustained, Absent Ashes and Rotche \lt‘t‘dl'SlL‘u/y ~13l Siincliivliull Slit-cl. 333 Uni". “pm.
I Spiders on Mars ‘l‘lic ll;ilt Hui. ltill \Voodliindx Road. 352 00%. ‘lpin. l'i'cc.
I Insomnia Studio ()in‘. (il'l)\\t‘llttl' llolcl. (ii'ii\\ciioi‘ 'li‘i'i'uu' loll ll}i'c\ Rondl. 3-H (filo. 0pm. l’i'ct‘.
I Colin McEwan 'l'indcrliiu. |.\") liy‘w Road. 33‘) HUN. ‘lpin. l'i'u‘. .-\t'oll\llt' \Cl.
I Open Mic 'l't'llui (him. .1: (Hugo lunc. 35," 452.1. Hpiii. l'l'L‘L'. l’oi'lniglill}
I Richie Gallagher llciuixccnc. 5 ('rmmcll lunc. 334 (F70. 8.30pm. l-i‘cc. l.;iid luck background \oundx.
I Battle of the Bands MucSorlcp. ~13 .liiingiicu Strccl. 24K 85M. ‘lpin l’i'cc.
I Phil’s Session l‘ixgc licutliu. 333 \Voodlnndx Road. St»: IS‘Hi. Spin. l'ircc. \Vcckl} jinn.
I The Vagabonds 'l'lic Swim.
l l: ll-l Sltlk'ix\\ Cll Sll't‘t‘l. 55: NliXl. ‘linn. l‘i'cc. l’opului' t‘H\L‘l'\.
I Jam Session Siiiiiucl liim \,
(1-. “l \lllhdnlt‘ Road. 423 tlllr, 8.30pm. l‘rcc. lloxlcd b} linlciwndcnt'c. I Live Music Sounde Soundliiinx. 4" ll_\dc Park Street. Ill 405‘). .\'.3llpin. (4.5”. \VCL'lxl} \llt\\\ t‘;t\t‘ ill lik‘ul l‘dlltl\. I Live Music Rockcrx. I4 \liillunil Sli'cct. III 0‘20. Spin. l-icc. Rock lnll lo hc contii'incd.
I Live Music \lt-(‘liiiill\. 4n lligli Sll'L‘L‘l. quillplll. l'il-L‘C. \L‘“ l‘;llltl\ night.
Edinburgh
I Eddi Reader Qua-in llnll. (‘lcik Sircct. hoh‘ Ztll‘l. "fitlpin. (In .‘\l'tci' ;in llllPl‘L‘\\l\k‘ twrt'oriniincc ;il lllL‘ Burnx .4\n' .-\‘ 'l‘lml? tbxliuil one or coiiluiiporur} Bi‘ilixli inuxic'x lcuding l;idic\ l'L‘llll'll\ to thc l'xhcr ll;il| \\ iih inorc \L‘lhiliu‘ iiitcrprclutioiix ot Burnx' xongx.
Events are listed by date, then city. Submit listings at least ten days before publication to Ruth Hedges at ruth@list.co.uk, by post or by fax on 0131 557 8500. Listings are compiled by Ruth Hedges and Kenny Mathieson.
Thursday 26
Glasgox'x
I Kenny Paterson ('ulxi \..iii-. 1 1 .lolin \lit'i‘l. “I i‘tli ‘ \[‘lll licc \ iic‘u. talent on lll't' \u‘llhll i.i// \cnv. l).ll‘\'l\t‘ll [rim ltlt'\ \lllilillll \Htll and min}; whilx
I Adrian Byron Burns \i \lltllt‘V. \ ill the Mimic. oll \illiiiaikcl. \l \ndicu \ \llt't'l. 51.x (illle xiiiii L" iLSI (tum .\ini'ri\'.in l‘lllt'\ llltl\l\ i.in .ind lllt'llll‘t‘l ot ltill \\_\iii.in\ Rll_\llllll KllljJ\
I The Michael Deans Quartet hut-i (Lily. (Iiiidlcnggx. 553 ‘Ml‘ ‘l ll “pin llL'L‘ .\lodcin |.t// \llltlllt‘l lcd ti} lt'llt'l \.t\lll‘tll llmnx
Stirling
I Bert Jansch lullmuili. _I.iil \\\ll\l. iii“.\(i 3“.iiiiiii_ 5 lupin i In tut so} \ li\lui'c oii llic l K lllll\lt‘ \u'nc \lllt't' llic inid (illx. lllt‘ ground l‘lt'.tl\lll}_‘ _L'llll.tl|\l \\llll lll\ lllllt|llL' lilcnd ot lolk. blur-x .ind i.i//
Saturday 28
G asgow
I Candiru llivl. W l i .\\lllllll l,.inc. HZ J‘Hiti. ,ipin, l'i‘cc, |)i'iiininci' \ick \M‘xlon lmdx llll\ muting: nc\\ lit/l art.
I Big Bob’s Jazz Band Hui MS. Buchanan llolcl. INS lllltllilllitll Sliu‘l. ‘3 "ZS-l 5.30pm. l'i‘cc, chulur \\\ing_'in;_' i;i//
I Perdido l‘.\t lixt luxl. II 25 lluilmcll Sticcl. 3-18 (i201 Milli, l'l't'k'i .\l;iin\lrc.iin l.;illn iii/l giiid \oi'ul»
Glasgow
I The Louisiana Shakers (Liti- Sourcc. St .'\lltll't'\\\ in tlic Siluui‘c. St .-\tl\ll'L‘\\\ Squui'c. olt Siiltnmrkcl. 515ml)“.
‘lpiii. D L'". \ullicnlic \cxi ()l'lL‘.lll\ .l.i//. .\l;idc in \lt'lliournc. ,\u\li';i|i;i
Edinburgh
0 Brian Kellock: Brazil 19305 llcnr} \ .l;i// ('cllur. N .\lorri\on Sli'ccl. to" 53””. 3.30pm. L'". ()iigirlct tcgilui'ing lti‘n/iliun \ n‘tuow pcri'uxxioiiixl. lzdinundo (';ii'iiici'o. plining lii‘u/ilinn llllhlt' ol llic .ill\ and Jtlx \\ illi .\l;ii'io (Kirilw on l‘.t\\ and John Rgic on \ll'llllh,
Monday 30
Edinburgh QBrian Kellock: Brazil 19305
ll ‘It://( .;t,\\lii \ \ \ .r‘“ ‘:ltll \ lllz‘Ir L" \\. VI ii Wedneay 1
QBrian Kellock: Brazil 19305 llczirj. K l.;// ( cllizi. \ \loiiiwi‘, \ltccl. 1“ \x' Mill 3"
Thursday 2
Gig“ ' lC/I.
—:llll \ Milo” :—
I Kenny Paterson but». \in: ii li'llll \li\x-l_ “I “it; * \i‘iii licc \‘c lliii Sh
liiviburgir‘
Q Konrad Wiszniewski Quartet llcni_\\ |.:// (\‘lldi. \ \loiiiwn \liccl. lb" ‘3‘“ \ illi‘iii L“ L" \.:\oi\lioiii\l l\i‘lll.iil lltll \i‘lllltl. ioolcd iii tlic li.idilioii «it Hit" \.i\oiilioiic :.'l.tlll\ llc ll.t\ \pcnl wiiic Inn; at lit-ilxlcu (lollcjgc in ltoxlon. .iiid \‘.lll \lioxutm' lll\ ncv. illl.l\l\ .iiid lt‘tlillltlllt'
Edinburgh
I The Finale Bar Jazz Group lllt' l Ill.tlt‘ ll.ii. \|‘\\'lt'l. l .tlllhlt'll l’l.i\’c. (Ni ‘54“! ~pin l icc \ pli.in§_'in§_' wlulwn ot lop i.i// plot-ix. lll\l .t\ .i liio I—‘plll ‘liiiiii lllt'll .t\ .i (llldllt'l I‘liiin iiiidniglili
O Konrad Wiszniewski Quartet llk'lll\ \ _|.i// (k'll.ii. N \loiiiwn \liccl. 1h" 53bit. .\ itlpin to L“ \w Hm:
I Funkafize llt‘lll} \ _|.i// ('clldi. -\ \loi’iixon Slici‘l. lb" i‘lltl iiiidnijglil L“ (limit; big. d.int'cllooi lunk l‘t'\\t”lt'\l li_\ \cu Yolk di‘uininci l’.iiil \llll\
Saturday 4
Glasgow
I Big Bob’s Jazz Band B.” Ixi. Buchanan llolcl. l.\5 ltut‘liundn Slit-cl. “3 "35-1. Sillpiii. l'lt't'. Scc Sat 35.
I The George Penman Jazzmen (Kitc Soiii‘t‘c. SI .\ndi’c\\\ lll lllt' Siiiiiiic. SI .\lltll't'\‘.\ Siiiiiii’c. ott Salliniii'kcl. 5-15 (iilltl Mini. {MUS Iint' \uppci i. \ inl.ig.'c \t'\\ ()l'lL‘;tll\ lit/l.
I l'.\l l.\l l.\l. :l :5 liilllnkt'll Slim. 3~l.\ (Col. blllll. l-i‘cc Sci" Sat 2%.
\\ ixiiicv. \lii ll.'.\ .'.
Edinburgh
I Edinburgh Schools Jazz
Orchestra (it'llll’ill ll;ill. \Vt'xt 'lollt‘lo“.
II. ;it lillpin. L5 WISH» 'liilcnlcd ionn;
lllll\lt'l;tll\ pln} ;in L‘\lllk‘l';tlll pi’oggidinnit' ot
|;i// ill llll\ _\c;ii'\ tcxtixiil
I Jazz@Lunch xii out-cu Sin-n Bin .llltl
chlnuiunt. .\tl ()uccn Sliu't. 330 5'qu
3 Spin. l'i‘cu lunglilnnc |;i// \\llll llic Ml
()iiccn Sll't't'l [‘ldllll trio lodx \\L'l\'illlk'. Konrad Wiszniewski Quartet
llcnrx \ .l.i// ('r‘llui'. h \ltll'l'lxilll Street. to"
52”“: .\.3llpiii_ U» L'". Sec Hill 3.
I BOQSt House Band Ml ()uccn
Slrccl liar and Ri'xluurunl. Ml ()uccn Slit-cl.
330 SW)". ‘lpin inidniglil, l-i'cc \liidcrn
iii/I \‘l.t\\l\'\ ti'oin llll\ thinning Incipient
.Fi \, ' _ H. . I ._,’»u A I i'. as. ’ 'v‘ A
-, ‘1 1’3". ‘ i V': J‘-Vii‘ I " ..' .3" ’14-!“ '1 l 'a’, A’ ' " " " — 1 ‘ f'.A§l‘l ‘Iiko"f"’.~‘
L “7
., A 8-. 4.1-4 s: I
The Louisiana Shakers play Cafe Source, Glasgow, Sun 29 Aug
st "gs Music
Brian Kellock: Brazil 19305 Na ‘K V x
titl'titx ti Wt ..‘i if\, til I \l‘\l\i .
ii\i.\v:3 \ K I' I! l~‘. II".‘4‘
l‘ié? linen “(uh txll 'vxf ;'1ir;t ‘l' stiles. lit; in "is; l _it:; i.'.}: 1"! .ii‘i Willis: the l ioi‘ Sr'xtl‘. : 'ow‘try llltrlhillllflill'tilil‘§‘;i"‘ll\l':1lllt:*;
l {tlll‘ print-Ct iiitat ,t?itl, '.'.lll‘. Hi‘iixilian iiei;:ii:;:;io'1ir:t l ll"‘llll(ltl (Iainieio (lllll bassist Marco (Jaribe on l)i>ttl<l 7.11 (Illlltllttt til) the authentm; t'll',llll'llt' feel it the (ililfSEM‘, period he evokes. \llillll Rae (:oi'iiiletes the band on
. Henrik Jar.“ (Jet/gin [xii/ibu/gli, Sun .95) filo/i (it). ler’ I Sep.
Konrad Wiszniewski llie young (Blasx'xegizin saxophonist has been turning hearts on the SCOlllSll ia// scene for a couple of years now. including playing Willi the Scottish National Jan Orchestra. lie was an exeitiiig talent even before he lt)ll()‘.‘.’(:(l a well travelled road for the near obligatory stint at Berklee College in Boston, but that experience has matured his playing even further. Henri/'5; i/(i// ()e//ar. Edinburgh, l/ii/ ’/ Sat J Sep.
(lltlt‘tS
I Rodadesamba llL'lll} \ ,l.t// (‘i-II..i. x \lillll\iill Slim-l. to" You llllillllL'lll if llip \\\iii§_'iiij_' lli.i/ili,in jgiooii-x lcd In \l.iiio (Liiilu' on lmxx
Glasgow
I Bobby Wishart 8. Friends ( yttr- Soiiipi'. \l \lltllt‘\‘.\ in lllt' \iiimic. \l .\ndi‘c\\\ \iiimii'. otl \illllllillltt'l. 9% (ittItl lpiii L" 05 llllk liiuntlii l,t'.ttllll_‘_' \.i\oplioni\l \\i\li;iit l\ ltllllt'tl ll} \.tllllll\ put-\lx loi \oinc owl lllt'llth- \Hlllltl\ and .i l;i/} l‘l'llllt'll
Edinburgh
I Jazz@Lunch Ml (JHL'UII \li‘i'cl ltdi ,ind
RLWldlll‘tlll. Ml ()uccii Slim-l. 331» ill‘)" 5pm l lk'k' l.llllLlllllllt' i.i// \‘-llll llic
Rt‘l‘L'll l’ctligicv. 'li'io l\l\l\ \'.UlU'l|lL'
Edinburgh
I Jam se$$i0n \ll UllL'Cll Sll'L‘L'l liill and RLNldlll'dlll. Ml ()llL't'll \lrccl. 330 Silt)", \. zll ll Wpin l'rcc. ()pcn \L'\\lilll \‘-llll lllL' l).i\id l’dlllt'lk 'liio t'lllllL' .ind plii} oi conic to hurt a “hilly lmid til llc‘fl. [gilclll
Thursday 9
Glasgow
I Kenny Paterson (‘ulm \Hl'lL‘. H Joliii Slit-cl. 553 1503 5 Spin l'i‘cc Su- lliu In
-'- THE LIST 35