Art listings
Glasgow Galleries continued
JOHN GREEN FINE ART
IS." Bath Street. t“ I‘Nl \lnn l‘l'l
Ill itlant ipm. Sal Illillallt lpllt Mixed Exhibition l'nnl \tnn KI .\l.l_\ -\ \eleetlnn nlenlttenlpnrar). I‘ltlt and leth eelltul'_\ palntlltgx liteludlng \\ttt'l\\ It} .lnnatltalt l\’ttl‘t‘l‘l\tttl. \lar} (iallaelter. \'nrm;m Kll'lxlldlll. l’atrlela \lnreltl. Silltnn (ireel‘ and \lleltael ('lal'ke.
FW HOLROYD GALLERY
‘) l I (ienl‘ge Street. 553 303-1. .\lnlt Sat ‘lam 5pm
John Lowrie Morrison I'nltl Sal IS \la}. \t‘\\ SenIlelt laltdxeapex .‘llltl l'lnral \llltllt‘\ h} .ltllttltltt.
HUNTERIAN ART GALLERY l'ltl\el\ltt nl ( il.i\gtt\\. S3 lllllltead Street. Hll Slit. \lnn Sat
9 Want 5pm. Stllt IIRII .l. illltnt Scottish Art 1800-1900 l'nlll Sat IS Selt \ \lll.lll hut \lgnlliealtt enlleetlnn nl l‘lllt eenttlr} SenIIixlt art. gilted In Ilte llunterlalt lt_\ prlxate t'ttllt‘t‘lt‘l\ 'l he tll\|‘l.l_\ lItt'llltlt‘\ \\nrk\ It} Sir l).i\ id \Vlllxlt‘. llnratln \le(‘ullnelt alld Sir \Villlallt \lelaggart.
20th Century Painting from the Permanent Collection I'nnl l'l'l ‘~I Dee '\ xeleetlnn nl Ilte lltlttIerl.llt\ line art enlleetlnn nl' Brltlxh .irI lrnnt tlte letlt eeltturt
INFRARED GALLERY
lSa \leadntt lx’nad. it" PS} .\lnlt l'l’l ll.tItl 5pm. Sat lll.llll lplit
Young Scottish Artists t‘nnl Sat l5 \l.l_\ \e\\ (il.l\gn\\ g.lllel'_\. lltlt'al'etl. [‘lt‘\t‘lll\ an e\ltlltltlnlt nl \tnrk ht tntlltg .tl‘ll\l\ llteltldlng pltntnglaplt) .iltd plintn lttntttage It} \lleltelle l).i\\lt Hannah and [talntlltgx lt_\ lella Sittltlt and gallel'} tt\\Itt‘t' l.llltle l\)tl\\t‘ll
INTERMEDIA GALLERY
IS King Street. ‘5.“ .‘S‘lll l).lll_\
llttttlt (min
Seanchaidh - The Great St Kilda Adventure Sal I Sat 3.? Ha} \ll|\l dtln llnle In lttt l’nelxet tSenII \lllle .md \lll\l.tll' Hurtl \ltnu Ilte lt‘\l|ll\ nI Illell' .‘llllz plnleet \\ltlelt e\|tlnletl ltlt'ilS nl IttnltIlII} atttl \ll\l.'llll.tl‘llll_\ Ill enntentpnrar} Sentlaitd. lltt‘ I\\n .lll|\l\ \t‘l nll tilt .l tntlt’Itt‘_\ arntlnd the \\ |ltl\ nl Sentlaltd In e\eh.mge \lttl'lt‘x \\ ltlt the penple the} met. \lxn nn \hntt .n'e [\l‘ttlttt\.tl\ Inl' .i \erle\ nl llttel'\entlnlt\ .llnltg Ilte SenIRall Itel\\ttt'l\ illltl .I \t‘I’It‘\ til Itttttlt‘l\. [ttt\lt‘l‘\ and paintingx lnxptred lt_\ the idea nl' 'an inner (‘lI_\ /nn' llt (ll;t\_1jtt\\ ‘\ \lel‘ehant (‘lIt \‘E ‘w' t"
LLOYD JEROME GALLERY
It'll Hath Stleet. Hl (V33. lllt‘ Sat ‘).lln (rpm
Glasgow Behind Glass l’nltl \Ved l.‘ .\l.i\ l).tlltllllj_‘\ nit gla\\ It) l‘lllll Sehult. lnlnter hand nientlter lx'ralttterk
KELLY COOPER BAR
ISS Bath Street. N Jlttttl. .\lnn 'l‘hu ltnnlt lam. l'l'l Sat ltnnn iant
Shapes of Things lhu o .\I.i} tho I" Jim The Sllaptw nl' 'lhlng\ ix a \erlex nl' e\ltlltltlnn\ ltlghilglttlng the “nth nl' reeent graduatex and \llltlt'llh at (ilaxgntt Seltnnl nl ,-\l't and timer art enllegex Brian Stteene} \lltt\\\ unlit lrnm tlte o \la}. Inllntt ed h} \laII 'l'hnmltxnlt l3” \la} l altd latlra \'lel\el'\ and \ndrett l’ark I3 .lunt.
THE LIGHTHOUSE
ll \ltleltell l atte. Ifl 0303. .\lUll.
\\'ed Sat llHtlam 5pm. 'l'tle llam 5pm; Stlit itnnll 5pm U tSllpl.
Laszlo Lugosi Lugo: Art Nouveau in Budapest l'tttll l’t'l ill \pt', '\ll t‘\llll‘lllt\ll lnnkmg .it the range nl' .lreltlIeeItlral \I}|e\ In he lnllltd llt Hildapexl llte ell} hax [trexerx ed mnre nl' ll\ \rI \ntlteatt lttllldtng than l);tl'l\. \ltlmelt. lil'll\\t‘l\ nl' \leltna
Terra lncognita I'nnl Sim It .\la}. ;\n .ilIernaIlt e audio guide l.ll\lll_‘_' Ilte llxtener Illrntigh alt e\er_\da_\ elI_\ that ll;t\ heen ll';tll\ltll'ltlt‘tl lt_\ a \t‘l'lt‘S nl nett \nund
em ll't‘lllllt‘lllS
Field Trip l'ltIll ll! 3 .llll, 'l'lte lamlllal‘ and unlamlllar l.tlttl\eape\. lttllldlltgx .md plaeex ilt Sentlaltd .n‘e e\plnred m llll\ Intll'tltg t‘\llll‘tllt\lt
Graeme Findlay - Makalos I'nnl Stilt (t .Itllt (iraeme l'lltl.t) [‘l't‘\t‘ltl\ lu\ nett \lalalm prndtlet. enlntirltll gripper lllt‘\ dexlglted lnl‘ ll‘ea\ ehlldl'en‘x l’S range,
LILLIE ART GALLERY
Stattnlt Rnad. \lllltgatle. VS SS1".
'l'ue Sat Illam lpm & 3 5pm.
Light Through Colour t‘nnl \Vetl 3r» \l.l_\ \lt e\hlltltlnn dl'attn lrnni Ilte g.tllel'_\ \ permanent enlleetlnlt e\plnrlng Ilte .lpplleatlnn nl enlnur In eamax. paper. glam .litd eel'amle
Living Paint lintll \Ved 2h .\la}. l-nrt_\ nl Senttlxli (’nlntlrlxt .ll) l‘ergtlxxnn‘x ltext l\ltI\\\ll nil painting»
MANSFIELD PARK GALLERY
5 ll_\ndland Street. it: III-l. \\'ed l'l'l
l lam (tltm. Sat l lam 5pm; Stilt
nnnn 4pm
Mixed Group Exhibition I‘nnl Wed 5 \la_\ \n e\ltlltltlnlt nl pallttmgx .ind prlntx liteltldmg \\nl'l\\ h_\ llt‘lll'} Knndraekl. Sue lilJ/ttlll. \lal'lnlt 'l'ltnlttxnn. Stuart litlt‘llalldlt .lltd reeent \\Hl‘l\\ h} next galler} .ll'll\l .l.imle l’rlntrnxe
London Calling Sat 8 \la_\ \Vetl 0 Jun. Reeenl pallttlngx. drau mg\ and eIehlngx It} ll\t‘ (ildxg‘tm l\.I\t‘tl tII‘ll\l\ \\ltt\ Itl't‘ eurrenII} xtud) tltg .iI Ilte l’rlltee nl' \Valex llraumg Seltnnl m Sltnl‘edlteh. \l'll\l\ meltlde l.l/.l l)tmltleh_\. |)a\ id (Illdttell. l)l.m.l lt'SllC. \l.l\\llttn l't'alten and llenr}
(illtltnltx (int \5
MARY MARY
Hal 1'3. 3th Bath Street. ll""§ll (txltlfi. Hall} nnnn 5pm
Joanne Robertson: Soft Wet Dreams Sat 1 \lnlt §\la} large \eale
THE GL‘FXSGOW SCHOOL: 3 ARC
museums work to process] an exhtbttten of museum projects by t3 t t‘tm/ studio 8 architects
The Mackintosh Gallery
12 April — 7 May 2004 Admission Free
167 Renlret't Street. Glasgow. (33 BRO 01413534500
""tllK “Mm ': iH III rtom.
'Ilg'h ’{llit Suit ".i’l;
94THE LIST ‘1'
llte lllSl exttlhltlolt in Scotland ol the work of C J Lint. Director of the Bartlett Art‘ltllmiltlrt? lat) Universrty Collette lonrlon. lotlntlel ol Stiltllo 8 and Honorary PIOlthSW of The Marklntosh School of Architecture
p.lllttlltg\ and than mgx ltaxed arntmd pop
etllItll'e image\ It} (il;t\gn\\ ltaxed arti\t .lnalme Rnltertxnn. \5 V
MARKET
3:: t\ 334 l)lll\t‘ Street. l)t‘ltttl\lttttll. 55“ “To. the Sat nnnlt (min.
I C U 2 Hi " Sat IS .\l.l_\. -\n e\ltihltinn nl' “0th It) Iltird tear plintngraph} \ltltlL‘lll\ at (ilaxgntt Seltnnl nl .r\rt.
MCLELLAN GALLERIES
I‘ll Sauehlehall Street. 5M -lltltl. .\lnn Sal lllam 5pm; Stilt ltnnn 5pm.
Art Treasures of Kelvingrove t'nnl \m lelli .v\\ the lx'elt litgrnte \llht‘tllll & .v\rt (iallert hax nn\\ elmed ll\ dnnl‘\ lnt' malnr reltlrltltheltl. n\ er Illll palittlngx lrnnt Ilte Kel\ mgrn\ e enlleetlnn take up I’L‘Htlt‘llx‘} :ll lltt‘ \lL‘lt‘llitlt (i.IlleI‘lt'\. lltt‘ dtxpla} inelildex lltttlttth l-aed'x l/lt /.m/ nil/11' (‘ltin and Remhrandt'x .l .llun m .lrmnur. plux milk It} (‘harlex Rennie \lglt’lxlllltkll. l)iltelt altd l~'lemi\|t art.
TRACEY MCNEE FINE ARTS
J" l’arnle Street. 553 5h)". 'ltle Sal llam 5pm.
Mixed Exhibition l'ltIll l‘rl fill .v\pr. .\ ml\ed \llt\\\ ineludiltg paintlngx It} ('lerard .\l Burnx. l‘raltelx linag. (il'eer Ralxtnn. |._\n\e} l'.\\;IIl. ('nlin Park and .lnnatltan .\leu|l.
Gallery Artists Sat l llttl 3" \la}. .~\ \lltm nl' \tnrk It} galler} ‘.tl'll\l\ lltelttdiltg “ttl'hS It} (ieral'd .\l Burnx. l'l;lllt‘l\ linag. Ke|\ m Btlrgntlte. (‘nhn l’ark altd Sandra Bell.
MITCHELL LIBRARY
It) \anIt Street. IS" 300‘). Mm 'l'htl llHllam (fillpm; l’rl Sat lllfillam 4pm. The Enchanted Land: Puccin’s Landscapes, Lights and Colour l'ntil Sat 1‘) .ltllt. .\ eultural enllaltnratlnn Itetueen (ilaxgtm (‘ttt ('ntmell and tlte l’l'nt mee nl' l.ueea \\ ltlelt “ax nl great Ill\|tll‘;tlltttt In l’tleelni. lt'IIlllI'lItg n\ er ‘lll [‘tlltllllltb liteludlltg \xnrkx h) .lnltlt Bellalt}.
THE MODERN INSTITUTE
73 Rttlk‘l‘lxtttl Sllt‘t‘l. SIIIIC 0. l'lttttt' l. 343 3”! l. 'l‘tie l’rl nnnlt 5pm,
Anselm Reyle: Trilogy of Broken Light l'ntil lit 3” .-\pr. \en \etllpttlral \tnrk altd lnll paintlng\ nit eamax It} (ierlllan arlet .-\ll\t'llll Re} le.
0 Martin Boyce l‘rl " \la) l‘ll -1 ill”. l)t'\Pllt‘ l‘t‘lllf.‘ I'L‘Pl’t‘V‘lllt‘tl l‘} lllt‘ \ltttlt‘l'll llNlItite Inr mall) _\ear\. llll\ markx .\lartln lit!) (CS lll\l \ttltl \ltnu llt‘l‘t‘. lh‘u‘lnptttg ltlt‘;t\ l'rnm and tlxlng lll\ aeelalmed 3H0:
Necklace by Sarah Keay, on show at Dazzle, Princes Square
'l'ramua} e\ltiltitinn ax a \l;tt‘llttj_‘ point. Hit) ee \lttm \ ;I \L‘I'IL‘\ til I’L‘lIIlL'tl \L‘lllpllll't‘S. bringing an e\plielt lttlittatt prtweltee iittn the imagined park. See pre\ie\‘. and llitllxt. NI ‘.'.' SI l0\.'.'
MONO
l3 Kittgx ('nurI. King Street. 553 24th). l)ail_\ linnlt midnight.
Inclusion Not Exclusion l-‘ri 3t) Apr Stilt 3t) .\la_\. .'\lt e\ltiltitinn nl pnlitieal [tt’lttlx \etllpture and l'urlttttlre h} lidinhtil'glthaxed artixtx Bl'};lll ('larke. (iregnr l.nuden and Brian .\lel'eel'\. NE ‘.'.' Bl l( )‘.'.
EWAN MUNDY FINE ART
Ill \Ve\t (iL‘ttt‘gL‘ Slt't‘el. 3—13 0755.
.\lnlt l‘ri lllam 5pm.
Scottish Paintings I'mtl l‘ri 3t) Apr. .\ \eleetinn nl Senttixh paintingx lrnnt lSSl) ltt WINCH! tl;t_\.
From Cameron to Conroy: Drawings and Etchings In 7 thin 37 .\la_\. :\ \eleetinn nl' drau ing\ and eteltingx h} DY ('altternlt and Stephen ('nlti'n}.
Messengers of Summer l’ri " ‘I‘hu 37 Ma}. l’alntiltgx nit a \llllllllt‘l' theme h} a xeleetinn nl artlxtx ilteltlding the Senttixh (‘nlntlrixlx (ienl'ge l.e\lle Hunter. .\laelauehlin .\lilne. (tar) .-\ndei\nn and HlltL‘l'\.
PAISLEY MUSEUM & ART GALLERY
lliglt Street. SS") .‘IS I. 'l‘tle Sat
Illam 5pm; Stilt 2pm 5pm.
Weaving Stories l'nIil Still 2" Jun. .-\ Inuring e\hiltitlnlt nl' enntempnrar) eral't\ h} Ill ililtmatit e dexlglterx unrklng in Britain Inda}. e\plnring Ilte malt} lnrtth nl' \\L‘;l\ lltg.
Paisley Art Institute 1 16th Annual Exhibition Sat 8 .\l.i_\ Sun (1 Jun. .'\lllll|;tl e\ltihitinn lrnnt thi\ lnltg extaltlixhed art nrgaltlxatlnn. Nl St IOU].
PENTAGON CENTRE
.itt \Vaxltiltfilnn Street. 331 3l33. .\lnlt l‘ri ‘lam 5pm.
Exhibitivn l‘lttll lit [-1 Ma}. .'\ll e\hihilinlt nl' lte\\ \tnrk h} l‘nur at'lixt\. Mark (‘ampltell \lltt\\\ large digital prlntx e\.intmiltg tltemex nl~ l'ear. threat. greed and lll\l. ('raig l’eaenek depletx landxeapex nl plaee and pelxnnal idelttit}. .lnltlt l‘err} '\ \tnrk are pnetie L‘\Pltll';lllt\ll\ nl' landxeape and lirnextn \';i/ e\plnre\ enlntlr and light Iltrntlglt the medium nl' paint.