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TRAMWAY THE STORY SO FAR
o a i i Artists fight for Tramway Supporters of pioneering Glasgow visual arts centre campaign to keep it alive. ‘ " Words: Ruth Hedges
I Two heads are better ever have the Visual arts in ESztot and Lee". zit/tress arrw- HAHN 1‘. f'ie art: ‘-_~ rt'rurfw' ; ,. '. / i» K" than one. they say. But suchahot topicofdrsrxrssxm thenens aft l’xat"‘ala'<r.'."_ :;-";,' 'a'. [)t."’)rri' gig ;/ (::';_i.(: t what if both heads monthotScottishHallet'sordtodexercr:the (L';"'.t:"‘t:’>';:". ;'\"tt~,tr".: .'.':';rr-:,~t;a"".r:-' Cd'a‘xrra '...-r‘. run; is" .2 ’"tii ~'r belonged to Ray
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a great wave of protest trorn the Scottish aw: ‘.‘."rl(‘:.' "(rertf‘r a area/tare : rr’ttuijt'siL" r ":,-:,-r '1: 'xe'r: mane my in,“ (M 1.1,!“ of the murderous Kray
International arts communtty Ir: a storrrn, rnor‘th. 'host 0‘ t .'.'I°.t‘r"‘ t".(- 1,:4‘: r.;;""";,nrt, t$:;:r".e kWh-m. , my: y. twrns, The new movie
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vv ... . .. lktr’1tttr": ‘ lramways heart of ‘.’lf3tr£tl art. and protests were new: gea', sans \. .re a. e. . sauna .t, :11.- r: ( ‘ ‘ ‘ 'l "‘3 set to be directed by llt the premises iatroveu Outside a demonstration Wontc-“fun the mitt/nu? .'.'a:; :tt‘ri x: st, '.’_i tttr '.a'.'.aj. Ray Burdis. who
’rms it: fits th.’. staged at the Scottish Arts (Iotrncrl otfrces an noun s tragrc.' the genera. trying .5; :vre petuea' tr, Let-m intiggdlwt .11.; w” produced the 1990 tidrnhurgh earlrer rn October. artist Stexe (Lasgor. (1m, (Zomr‘ , .'."‘.<:". 't :; ‘e‘t. moor: tie gum; :" but to the Shnttiflt‘. effort with the Kemps in l-lollrngsworth said: the support of Scottish [talc-t}: _.; :t': the l'a"“.'.a‘. .'.rt"trt.'. 'a.r":; ti" ".z’teit the Alt“ (thr'l‘l W the key roles. . . hid hy (‘rlasgow (3m ()ouhcri smacks of sup; :>". 'e-;:..'rreit 'or flu: spars-u 1:, realist,- it; fail f,""""li":€3fl : t Winstone's showbiz pal Incompetence and cultural ‘.’{t.'t(t{tllf§t‘. . It has a2‘.-.aj.s t7:>'.(3"'.|(‘:.. A'exra l lzfif's anima on :get :t’ E‘thifi/ -L‘ to ,I. JUde Law iS pondering had problems wrth trarn\.'.a\, and doesn't u"d<>r:;tar‘.<t curate a" .'tt(?'."a°.ro"a‘ arts ti'rlttttt"‘YY‘:r: s noel, over an offer of another rts rrnportance rt doesr‘t hate a full rnxestrnent :tor‘soertx: to he :hsatt :trr:"-‘. Mix a W >lt. hurt! ’Jt once in a lifetime role. as
the venue. orrgrnalh the (3(E'tt'éti hub for (Elasgovfs lhe'e :s clearly, nun" "i:t:;t ‘or :r srtass c)" o" a. the "“*“" ‘m‘ I"'"""""- he considers playing {tiring/riftrijtfjrt ,"( Irrtt't’il pape Jab" Paul in Since It was transformed rnto the Museum of ltttrt>tl=r(tllt(_]. ‘.'./l‘.i:7‘t has 11(343{1"th;t.".l‘.(:(} r'r; Yt‘. M “1,4,3: .1 ("Mt a movie about the
tram system, has been kept rn the public sphere :ssues tr‘a‘. 'tzt\.(} tree" that‘s." r" the last month
transport rn the (30s. lacing demolition r". the hits. .t or‘terer‘t incarnations. cont: t,(,- 'e'r“. go'ateo ~.-.r'.l‘ a Pontrft's early life In was developed as a multr ar s space and became the 300k for a new era Hat less::r‘s ."(3'312 tr: he Lea'”_‘. “or? V ’i‘i'll'ii‘l" 51”“ 3"“ Poland. The potential
.,, rr': 'ttlftl ",f Srg'rttrsh model for galleries such as late l rverpoor and the the method rt at" t what tot. <10. as 'hej. sa, \."rat E" , f upsrde Is that It may only )arrrrt ‘; Hex. Baltic ltt Newcastle. But tramway has struggeed \‘JItt‘. has “urt and an'toyet ceor: e s the ~."":er"an<t w, ,anw My 1W.“ ever see the light Of day issues such as vrsrtor attendance and engaging with :t:; thin/1:;tiihetttiérft'fa'tftlért.‘ saxs Kat' "a Bronx". worm: against the On Italian W. . .
local community of t)()il()i\t§ttit‘.‘.t§, Major proxxfis such ‘>~rtSK>f?'tT%=<>-"- “rt Alrtx'd Perhaps even more as the Y t ‘9 mrllron Hidden Gardens attempted to Disagree? react@list.co.uk Hi” ‘1’") W’ bf" [M mysterious than all that is news that the
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Musrc brz debates downloading in Glasgow Words: Ruth Hedges movie about their
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rndustrfi. appears to haue adrhrttet: that hr: regent Dieter Meier rprctured, left; among the The film is pencilled in to
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