Music rock 8 pop listings

Plus BARDO POND and Very SpeCIal Guest

Glasgow Barrowland 19 October 0870 90 33 41.1.

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Edinburgh

Queens Hall

3 November ,_ N A STA S l A THE FLAMING LIPS.

f Glasgow QMU

-.A l 6 November

' 0870 90. 33 444

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Edinburgh Venue lst November

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Glasgow Carliigflm 8 November 0870 90 33 44/.

Edinburgh Usher Hall 9 November 01312281155

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Glasgow The Garage 6 November

. Glasgow The Garage TOUR HOTLINE. 0870 90 33 41.1. 5 Novemberom 90 33 m Item n ,V , ‘, Aberdeen Music Hall Glasgow Barrowlands 4‘

26 November 0122‘ 661 122 27 November 0870 90 33 “I. A It 52%

Glasgow Garage 12 November

TOUR HOTLINE: 0870 90 33 4M.

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Roachford

Glasgow The Arches 15 November TOUR HOTLINE: 0870 90 33 6M.

THE

MAG! BAND

ACK TO HE mom

in assoc. with SJM

V“ it

Glasgow Carling Academy D I H

17 January 0870 90 33 1.66 Best Of released 3 November

54 THE LIST '2: Oct

Saturday 25 continued

I The Selector l‘hc l-t'ri}. all (lulu l’lacc. 42" I'll“ ‘lpm Ll" Hopping ska \ctcrath lt'athpot‘l thc pron d balk to thc lttlL‘ qlk luu lt‘llt‘ Um

I Camera Obscura (hum Hit-ant: ll}ndland Strut-t. ‘5" WM .\pm to local. \\|\[‘_\ indit- combo promoting; currcnt album I llt/tltltllltltl\/,/(t1\t In Hun/u

I The United Techno Systems of Glasgow \it'c'ii'Slt‘al). JII Saut‘htt'hall Strccl. ‘3‘ 9h“ ‘lpm l" |)l‘C\ what it say oit lhc llll. \Hlll l'L‘PlC\L'llltlll\L‘\ tiom \.trlllll\ tt'chno t‘luhx including l\\l\l\'\l. Radar and (lll‘l‘

I Demented Are Go, Karloff .mtl Heartbreak Engines Halli}. .‘no (‘l}dc Slrt't'l. 115"” ‘lll‘ (W‘N 3pm l5 lllllt‘ to honc lhc \laiiitlant‘in; \kill\ as [‘\_\\‘lltll‘lll} \ctcranx go odd

I Paisley in the Park 'l'ht- l ll‘t‘ltll (‘lulx 32 High Slit-cl. Nb" Soil illpm {3 tpcr nighti. Soc Thu 3‘

I The Solution \ltl'htnllx. Alli High Strccl. 553 355. lllpm. l't’t'c Mod/rh}lhm'n‘bluc»mtlucnccd band

I The Situates 'l'ht- Hall Hat. tho \Voodlandx Road. 50-1 I53” "pm l'it't'

I Jamie Barnes & Cochise \l;tcSot‘|C}~. 43 Jamaica Slit-ct. NH 35M opin. l'i'cc. Roxidcnt'} lor the hlncx \clt'tan I Bad Company \l;i(Stit'lt‘_\\ .12 Jamaica Street. 2.13 8531 ()pm. lit-t- l’rohahl} not I/ml Had (‘ompan_\

I Kong Sainucl l)o\\'\. o7 "l \tthxdalt‘ Road. 433 lllll“ .\' ltlpm l't‘ct' Rock

I Steem, Manrib, Newspeak and Homegrown Pham ‘l‘hc l.ll\L‘l‘ttl (‘Iuh. .53 High Sll‘ct‘l. l’alxlC}. 34‘) q Will. 7. illplll [5. Part ol l’aixlt'} Ill thc Park's No“ Hands l‘cxlnal.

Edinburgh

I Carol Laula ’l‘hc l’lcaxancc (‘aharcl liar. (ll) 'l‘hc l’lcaxant‘c. 0511 234‘). HPm.

£7 h’. The llllt‘l'llillltlllllll} i'cnoxtncd (ilaxgou \tlllgNU‘C“ pt‘cwnh a Int-l} \cl ol lllll\l\' l'rom hcr tnoxl i‘cccnt album. In 1.4-1. I Fester and the Spirit 'I‘ht- \t-nuc. l7 Zl ('alton Road. 557 3073, 5pm. [5. Rock and indic loi' lhc undt-i' IN» \‘.Illl mort- acts tho.

I Part Chimp and Degrassi ‘l'ht- |.iqtnd Room. 9t“ Victoria Street. 325 2504. 7pm. £51 Loud. angular rock \Hlll punk cthicx doust‘d in black. black humour lioin Rock .’\Clltlll xtginngx l’ai't (‘liimlx \iho arc loincd h) local axpnmg lock licaxh Hcgraxxi “ho'x ncu lzl’ lllt' [min I\ out immincntl} on Sl., 'l‘hc pcrlct‘t \Htl'lll up tor a hit of mdtc skankmg at laiol

I Three Inches of Blood 'l‘ht- \t-nuta 17 2| ('alton Road. 557 ill-73. " illpm lo Sn mcn oil a llll\\ltlll to bring: mctal hack into _\oui' lit-arts and lllllltl\. And to prou- thcir rock credentials the} \upportt-d tht- Darlain _|ll\l a to“ day ago,

I No Way Out, Capstain Pole, the Young Hips, Soultraders and Smilier TllL‘ \‘L'llllt‘. l." 2| ('allon Road. 557 307} 9.30pm, £5. Another mncd hag: ol' local talcnt ti‘om .-\titit‘;il)t\\l' promotion»

Glasgow

I The Mavericks and Kevin Montgomery (lulu .-\nditormm. Sli('(‘. l‘inmL-xton Qua). (1370041) John. 7pm. £3215ll/L‘2U/L‘IS. .\'o ago rL'\ll‘lL'llUll on this show l'nrcmarkahlc l'ooh) rock combo moxt ltlllltllh lor ‘Dancc the Night Ana} ‘1 After that. L'\L'r)(lllt' lallx axlt‘cp. Support from Town singer/song“rill-r

\\ ho honour\ the x\lllL‘l'lL‘.’lll;t \tor} tolling tradition.

I Damo SUZURi SlL‘l'L’ti. l3 l4 Kchtnhaugh Strcct. 576 51113, 8pm. £31 l.cgcndar_\ \omclitnc \tK'ulhl \Kllll Krautrock \uprcmox ('an. it. ho plain to Collaboratc \ktlh a colcrtc o1 local llllhlc‘lulh for this mtra \pL'L‘ltll l’la} \ tor thrcc hours apparcnll}. Which ixii't bad considering ('an u.ch ltnoun to go on [or ten hours ll the} lancicd it

I Boom Boom Satellites .zlltl Seven Stone Lighter km: l.;:\ \\.-.!: \\.th Hut. 3-3.: \1 \ 1mm: \Ztct't .‘fl 53"" \ illpm :5 lat‘aitk .tzixut': to tho ('ht'tmlal lliothcix naznt-d thcmxt'l\c\ .zltt‘: .: wit}: h} \Iiit‘ ol that l‘Iliiit‘ ttzffla'xtcs \igtit' \tjguc \putittk

I Apartment 26, Dionysus .mtl Down Story 1mm foot lxat- \Ilt‘t'l H55” ‘NV H‘N" \tmt \i‘attit‘tciit .‘h arc .; Blllhll hatdtoit‘ sinth mutt! hand makmy \t‘llll' \\,l\l'\ in thy \tatt'x lint \\ll.ll c\.tttl\ l\ ltatdtott' onlh int-ta‘t'

I Lapsus Linguae lllt‘ l im \Ult‘ (11105” N'l'\1h;\lttx"..“‘ 1"“ \l‘lll U ('ia/_\ tats \\llll loom than

I Sodastream \ttt-‘n'x‘iuax: 2‘1 \itttlnt-hall \tit't't. W‘W‘V \ll\lltlll.lll hand mth .1 wtmd rcmmzxt um Hl Ht'llt' t\ \t'l‘.t\ll.ztl

I Charlie Beresford \ ltlt‘ll.:ll it.” [[011 lllt‘.tllt'. llt'llt‘.il\' 3‘5) {\h' \i‘lll flt tilt \tottxtit Init‘to‘. lax,” hunt licitxloiti and tollal‘otalut \lat'i. l lllt'lM‘Il lmlh ml “hum \xotkt'd on 1113 latt'x'. lum- l.:l‘t'l album

I The Free Candy Collective 1hr

l iqtntl l \‘llllL'l'. "1 \\l'\l lx’t'vt'nt \lrt't‘l

‘5‘ (viii "pm I luv \lonthh \ hillt'tl lotmut' \t'\\ioti limit-d hx tho I ict't .mtlx ('ollt'ttiw. \Hlll yum-xix

"l‘lf. 3‘

lf(lllll)lll'llll

I The Blueprint \llltllt' .‘ t is .‘n ('allon Road. 55\ i‘5\ ' illpiti ttln \ltitt' liatd lock .1\ /t‘aloti\ ptmt‘nt lht~ Bllll'l‘lllll

I The Selector, Rhoda Dakar .tntl Bombskare lht' \t'nut'. | ' .‘l ( alton Road. 55* ill" 5‘ illpni 1\ ()nt‘ ol the otiginaloix ol div 3 low sound lut ll \xitli lht' Spt't’ialx and \Itltllll'\\, iomt'tl l\\ \ot'alixt llakai \xho ll.t\ \\Ulhl'\l v. ith lllt‘ lititl}\ii.iltlici\ and llll' \pt't l.ll\

I The Elvis Collection kmyk 'l'ht'alit'. I l.\'\l'll \ttt't‘t. 5:" Mill”

5 illpm ll: 5U My \at .‘5

I The Listening Room llll‘ mut- “Ll/Cl. 3 Spillal Slim-t. 33" 51"” \pm Sllggt‘flt'tl tltlllttlltill L.‘ \t't' \ttll l"

I Rolla \\ lll\llt'l‘llll\lt'\. l (\ \nlllll lliidut'. 55" 5l [-1 ‘lpm ("Limit and t‘onlt'inpotai} towix t‘lpm lxmd \llll tlu:

Stirling

I The Tolbooth Sound Orchestra meets the Scottish Chamber Orchestra Laboratory Music Project inimiih. Ltil mutt. oI \r» I‘lllllll " 5llplll I'tt't' l lllllllt‘ uh oh tonlt'mpotai} llaxsital lllll\l\ \kllll conipoxt't I’t'lt't \t'l\Hll

Glasgow

I Jet, the Hiss and Mr David Viner ()nt-t-n \laipaict l mon. .‘3

l 'tiiwixil} (ltlltll'll\, {W WW ' lutldttt' \ll\ll.tll.tll hand \‘-llll lawman inlt'llijgt'nt't' to malt h \llll'lh .m \‘Hlllllk’l'lldlhllll'lll\\ttlt'l|l|‘l\'1'.lltli't':t and at lt'a\l appeal to haw lit-aid .l l\'\lllll rclt'axt'd allt'i W": \li l).t\ id \ incl 1\ a 5mm; liiitixh l‘llll'5 plow who I\ appait-iitl} thc litaxl ol l)t-tioit

I The Bandits and Mountaineers Kin): 'l'ut'x “ah “ah lluli 3-3.! \I \ intt‘nt Sll't't'l. ::l 53-.” 5 5”}‘111 Hi \lHIt' l.t\ct‘pudli.m indit' \tompmx,‘ 1n llll' \tlllll‘ \cm as tho ('otal lht' llandih lonndt'd llit' ltw muxit‘ \Illh lht' H.llltl\‘-.l_‘_‘tlll ulnth kit'k\t.ti‘tt'tl lht' \lllll'lli \patt' ol \touw ht‘at t‘otnhox \lllllllltlllll'l'l\ .llL' .l mott- \IL'L'h. \Ulllldltat'lx) t'lt'tltntltta proprixtltoit I Dark Funeral ‘Iht- ( ".tthouxtz 1* l'mon Stu-ct. 3‘15 (mot. 1’08 1 l’t)\'l:|)

I Stone Cold Rumours, Electric Overdrive, Peregrine and Malaise 'l‘hc lilh \otc (Lilla 5‘! (ill Klllj.‘ Stit't-t. 55l lhih Hpni Li lndtc totlx

I Unitamahlctco. I: H KL'|\llllltlllf_'ll Shoot. 5"“ 5HIH \pm Ltln

I The Alf Stewart Combo Smart. ()nc. (irmwnot Holt-l, (ilti\\l'llltl It'lltkl' Hill “MIN Rnatlt. HI (fill) ‘lpllt llt't‘ BIUL‘N

I Acoustic Jam \itc'n‘SIt-a/y. .121 Saut'lnchall Strut-t. 4“ Wt“ Spin l'll'L'

' Winn U