Music rock E; pop listings
R B P Plus The Red Bee Socrety dinbnt otober ,1 . e.
[dim Venue 3rd October 0810 90 33 444 :36. . - - r " ' ‘ v ' . filer"
ELVIS COSTELLO & Steve Nieve _ Glasgow {
Glasgow R0 31 Concert Hall 5 October 70 90 33 444
Dumrnilino Came ie Hall 7 October 01383 31 000
Royal Concert Ha 7 October
1on HOTLINE: 0370 go 331.41. I'
Glasgow Barrowland 19 October
0870 90 33 444
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Plus BARDO POND and Very Special Guest
THE HANDSOME FAMILY
Edinburgh Queens Hall 3 November 0131668 2019
in association with cpl
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Glasgow The Garage 5 November 0870 90 33 444
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in assocwuh cpl 9 Glasgow The Garage 6 November 1‘, 3' TOUR HOTLINE: 0870 90 33 444 4' ,
WASHHUARD wuessmiu
Glasgow OMU 6 November 0870 90 33 444
. "'5 UPS.
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THE I I” I ‘ Glasgow Carliim 8 November 0870 90 33 444
Edinburgh Usher Hall 9 November 01312281155
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Glasgow The Arches 15 November I TOUR HOTLINE: 0870 90 33 444
Glasgow Barrowlands 27 November 0870 90 33 444
Edinburgh Venue 1st November 0870 90 33 444
FOURTET
plus Animal Collective and Reverbaphon
Glasgow Sic- co 9th Derember
0530 9d 33 .1.
. ROUNDS.
Edinburgh Venue 14th October 0870 90 33 444 Glasgow The Renirew Ferry 15th October 0870 90 33 444
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Friday 3 continued
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I Arab Strap, Eva .ml The James Orr Complex Ihe \t-nue. l“ :1 (him Rikki. “‘ III": ~piii L I" Ihe \ltezp tu‘tzl theii 1.llt'\l euid hexl .ilhuiii \lwmiuz in. Hue A I’m: H.i\c the} \tupped thuileiiij; .iiid theeied up ‘ \\ ilh lh.it tiller uhh do inu Ihiiik'
I Buddy Holly and the Cricketers liitiiilnii lhe.:lie. | «hut-ll \\.i_\. \Iiiwelhuieh. hh‘ 311” ~ z"l‘tii 19" \L‘t' Hill:
Bathgate
I Fiery Jack (ilt'lllll.t\ l\ |.i\eiii. ‘l (iidenii Sheet. lll *llh h‘.‘ 1‘h \piii Li Rl‘t'h .tllti lidlti l‘illt‘\ \“\l'l\
Saturday 4
Glasgow
0 DMX Hutu“ l.uid. 3-H (i.illn\\ §_'.ite. 553 ~1hlll " ‘llpiii 121 *l' \niikeix i.ippei I).iil\ \Liii .\. .ik.i the Due. unregeh Ililti [mm In piniiinle lll\ \ it inu~ iie\\ .ilhuiii. (imm/ ( 'imnip. \\|iich he t l.Illll\ \xill he ill\ l.l\l w he c.ui quit llllhle .iiid \peiid iiinie time “till lll\ petx ll kid _\nu iinl'i
I Jellylab featuring Lemon Jelly (Iiiliiif: V\\'.Itlt‘lll\. Ill l.‘_‘llliliill Siieet. wins lizti WW t‘ \\(‘l;i III)
0 Killing Joke .lllt' Queen Adrena 'l‘he (Litiigc. illll S.itiehieh.il| Sheet. “3 l|2l1_".3llpiii. {l35ll ()xei I‘lx \hmx Sniiieuhat lllitlt'l.ll‘l‘lt'eltllt'tl pmt puiik ti'.u|h|;i/ei\ uhu \xeie eeiiuiiiel} dark .iiid iiitiiiiidutiii; mi the} \lt‘lt‘ tn iii} l5 _\e.u old \eli’i. .-\ltei \.tl'ltill\ lillllllt'}\ til \ell dixcmet'}. xiiigei' J.i/ (‘tileiiiuii ll.l\ gathered hl\ tiiieuiul kiiidied \piiitx togethei tn iecnid ;iii epuiiiiiinth .ilhuiii. their lil'\l iii \eieii _\etii‘\ tuith euext :ippeurtiiiee liniii the \wild\ Limuiite di'uiiiiiiei l);i\e (ii'uhli \itiiiiiii). it\ the \L‘dl') iii;iii ;t;_'.llll
I Nashville Pussy KIM}: 'l'ut\ \\;ih \\';ih Hut. I‘Iu St Vincent Sheet. 33] 53“). hfillliiii. £8. (item) Itk’hlhlttilt'H leutui'iiig; tun hair} hltikex .uid tun iniied Ania/mix iii their hiierup. 'lheii ctuieiit “Ming: I\ called Sm Slime/lime .\u\l\ Approach \\ ith caution.
I Speedway Pilhlt‘} l‘iii\ei\it_\ Studeiitx‘ l‘iiinii. Sturie Stieet. h-l‘) HS" ‘)piii. £5. ('hui‘thuxtiiig iii;iiii\ti'e.iiii ruck/pup \tui‘letx li'tiiii (i|.i\g_'mi
I Bert Jansch i:;t\l Killmtle :\i'l\ (cutie. ()ld (Much Rudd. i"..l\l \i.iiii\. i'..l\l Kilhride. “[3553 hlllllll hpiii. till i Lhi [All]; I'L‘\Pt‘(lt‘d ;t\ it limb} \lIith'l wiigiiriiei'. J.ui\ch\ l.llt‘\l ulhuiii. Ills. u! I; Dream. le;iltii'e\ t'itlill'lhlllltllh li‘iiiii Bt‘i'litllti Butler. Hope Suiidmul .iiid l<.ilpli Nelle”. l’ui‘l til the POP pup it'\ll\.ll
I The Blimp and Hail Caesar \ic't"ii'Slt';i/}. 43] Stiuchiehull Stieet. “‘ 9M“. Vpiii. N. High eiiei‘e} nick \tilllltl\ li'niii the Blimp. \\ hm hm e lll\l \lllil‘tillt'd the Seiimtitiiiiil .-\Ie\ H.ii‘\e_\ |i.iiid .iiid claim the} ‘iiigike the I).iil\iie\\ look like .1 hunch oi ().r\l’\'. “llh \uppnit llillll ludiiihui‘gh pi‘tigeerx “till (Kiemr
I Merkia, Miyagi .mtl Thief Halli}. Joli (Title Street lthl till“ limit) 5pm
I Soulo ellill Gareth Dickson \Iiw. the lith \nte (Eric. 5” (ill Kllif: Sheet. ‘“ 1MB. 9pm [3. Soulo .iie dexcrihed m 'iiieltiiig: put pup'. nodding: to p\_\ch litth. i‘lllt‘gl‘.t\\ .iiid electrniiica iii .i \titllid created h_\ e’ltll'lllt‘l. huiiin. flute and ti‘oiiihntie.
I The Orchestra of Equals V\tl I uh. I I I Hope Street. 3-15 N145. IIpiii £5 on door. \liiii iiiipim urche\tr.i uhu ci'e.ile Iuiik} electi‘uiiicu wuiidxcupex
I Engine .-\I‘i.t. i\ I‘) \\‘.III\ Sim-i. <5: Illli. lice heloie llpiii. L" alter Rtk‘hil‘rii”
I Open Stage the “All Bu. loll \Vmidlaiith Rudd. 50-1 15:" J hpiii i'iee \VL‘L‘H} \L'\\liili itil' htc'dl IIItI\IcI.iII\
I Full Picture .lllli Jar The Hall lm. lhll \Vnhdltuidx Rudd. 5M HI" ‘Ipiii l‘I'L‘L',
I Jamie Barnes & Cochise \itit‘Stirlt‘}\. ~12 Jamaica Street. 2-1.\ \“I (ipiii. l‘ree. Rexideiic} tui‘ the h|ue\ \elei'.xii
I Kong \leit\«~zie_\~ 1.‘ |.«.t'.‘..e.t.: \izcet. 3-“ \‘\1 Wm: itcc lx‘mk “web I Speedtrap \ztttdei l‘wxx k. ti“ ‘l
\ilh\\i.li\' Ronni. 1310'" \ ll'pttl lice
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I Simple Kid m The Red Bee Society Ihe \eutzc. I" .‘l l .:L
“a it": “pill 1h littiiii.i'.e \htm TII‘TII
it‘ll Rikki.
lhi\ .iiii.ixi:i-.' \uiiexltltth uhw tinex t'Xt‘lHlllIl‘.‘ finiti pu',‘ it» iue'lc In in :1 \e-; pieweu
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I The Waterboys Rumit mute-z: “AN 3 \Iuehiehdll \Izeel. i“ \HIN' \piii
if“ tl\ Ihe e\leeiiied \Ii \llht' \tul: .iiid tuhuilx keep the l.tll\ h.ipp\ u ith \e: .illitlllt‘l i.i::~.'le ltll'}'ll' itiek'ii'tuik peilniiiihiec ‘Ailh .l\i1.”l\Hl.i[l\ punch
I Incredible String Band I'm leii_\. 1.‘ Hide l’|.ite. 1.“) I'll“ \piri
L I b \ l‘.tll\l ml tun il.l['~t'\ lhexc d.-.\\ \ilht' |l\'[|‘ll\1“\.\l]1\‘\1\‘\1l"1\'I‘:"!\'\l li'lh \tull. \klllh‘ lx’nhiii \\ illi.iiiiwil ill-ex Ihe 'helln Iieex' iii} \liteil hippx \e lilit k
I Hope of the States .mtl Razorlight kins lut'x \\elll \\.ih lhil. Salt \I \iiieeiil \lieel. .‘.‘l Y‘ “t \ ll'I‘Iii {h Rll ('hiehe\lei l‘dllii uhn lime heeii l'l'\\llhl'\l .I\ \lt'lll Rm v.11h l‘.l|]\ \ ill lulled Iheiii ‘Hiiteiiii'x Illi'\l .IllleI/llli' lieu l‘dlltl \xhith l\ Illllli_\ i‘\'\ .iuw the} h.i\ e .IIM‘ diexxed \tippnit t|\l Rel/i'llli'ill iii \llllll‘ll inhex I’iep.iied In he, ei. .iiii.i/ed I Free'land .mtl Product 01 Imilt :(i‘i ( 'lide \llt'e'L iini till“ li‘i‘l‘l \pm {h See pie\ie\|. lt'l hie.ik\iii.ixtei \d.iiii i‘ieeleiiIdK llt'\‘. ll‘- e h.iiitl
I Belle 8. Sebastian album launch with the Johnny 7 \Innu. l3 Klil}_'\('tlllll.0‘13"“ Illpiii I iee. l‘lll llt‘ht‘lt'ti Hit" Ht'lh’\ \t'lt‘l‘l.ilt' lilt' iele.i\e til then He“ .ilhuiii. lluu (filth/lupin Hum. \\ .\\llll Inhiiii} " I'll '|i\e lllhl'i‘l‘\. tilllll'\ Ihe \iniini.ii| ietuid \hup “I” npeii .it iiiidiiitht tn \ell eupiex «it the .ilhuiii I’Ieme iiute ilieie \KIH he lit' |i\ e [it'l'ltllllldlix e Iiuiii the hind hut it \huuld \llH he .i pond |.iu_::h \ee Rl'\l'lll\ llll nut lt'\lt'\\ Hi the l1t'\\ .ilhiiiii
I Optimus 2 Showcase I Numu 'I'he.itie. luxuwnd l’euk. Ruukeii (ileii thltl. 5" lllqll l J illpiii h ‘I ;“pm if pei \L'\\lllll. U .ill lid} I .llllltll til the lip/1mm _‘ .dhuiii. dimnuuuy; .i hmt nl )iiiiiie h.iiid\ ll'iilil l..l\l lx’eiilieudiiie. \hhu .iie p.utieip.itiiij_' iii Rl\el\lth' \tudim' ()lillllllh \nuth l)e\e|npuieiil I’iniett Ihe liiie up cniiipiixex the Rixiiijg. i’dllltlt't'lll Siiiihnhex. \\.i}ititililtit-. \heii.ited_ l'clchei. l'ieel.i|l. \tMl‘llljltl. \iiiiih. \tudd. the int. \\.l\lt‘il \huth .iiid \\.i|iiiil Hiram
I Engine ‘I he stun... II: I I-1 Stuckuell Sheet. 5‘: MIN ipiii liee Rlit'h c'li\t'l\ lt'flilt'lie}
I The Cobramatics Ihe \uilm. ll: ll'1\lll\h\\L'HSUCK-l.<<:\(‘\I l'iee Rttt'h'ilditll ieudeiic}
I Big Blues Jam \iutllntine. (iIIi\\t‘lltii Hotel. (iltl\\t'lltil It'll.l\l', i-ll (fill) lipiii liee. llmted h} the \eu Bluex Stiileix \‘-lll1tiillllli‘llllttlh liuiii \Iudiu ()iie lt'leI].tl\ \ucli in Re\ l)tl\ hid the \iiiiiiiu liltlliit'H
I Phil’s Sunday Session I we lit‘dllld. \\Hl‘t“.lllli\ Rlldtl. Vi-i '4‘”! hpiii l'iee Him; )«iui nun lihlllllllt'lll
I Live Music \l.ttsuiltg\\ -13 lunlnhi Sheet. 113 “bl \pui lice lhiee lIlhIL'llt‘ti littdl huid~
‘lpiii
Edinburgh
I Absolute Zero, Ramage Inc .mtl Funnel Web 'I he \eiiue. I" II ()dtnii thdti. 55" “I”: "pm L-l [Laid intl .uid iiiet.t|. litiltl cum to pm;
I The Listening Room 'I he Blue “ht/Cl. 3 Spiitdl Sheet. 33‘) <lI‘ll \piii .'\Ulll\llc \Hlllitl\ .u the .iuttiitiii \L‘ihlill Ulllllllllt'x uith “l'llltllti Kinetic 1‘ (let. the: .iiid [Mud (liiiii ll Hell
I SOUIO hit» H l’ItuId} i’ldte. «i~\ 71:4 ‘lpiii L; (ihmth electiniucd. (ltt\\lc;ll\lllllll;\.tliti[‘\}ci1L‘tit'lIt j_'uil.ii ill/l enlhde .l\ \uuln ll’hij: RL'\l'.llkhl hriiif; their line \huxt. tn the capitth