SHE FUMBLED Re: French Farce (478)
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Lisa Greene
2 THE LIST
React, The List,
14 High Street, Edinburgh EH1 1TE
gr React, The List,
at the CCA, 350 Sauchiehall Street, Glasgow G2 3JD
0' email react@iist.co.uk
m» ‘ mum '.'."o .r"t.‘<?'.‘;fr‘r‘"tl.‘i T'It? (;.?.,‘tr"<,'vt'1”"KIE‘f“ttf(f’."t?r"‘(i “.t” Ht} ".‘(t’tf' T'H’II.‘
SEEING THE LIGHT
sau'. a lot of coxeragt‘: of the [)arw‘ =ss rrr your last ssue. as .‘.t:-3l as rn other musrc press. And 1'. seerris therr Scottrsh grigis are sold out THE
E MI’I ROH IS NAKED? THE
I MPI HOR IS NAKED?
Sandy Nelson
mt, rrra'r. touarh't see/r "(‘.'r’7r."§} yet. We have g/arrted
carsewes nerhrrssrorr to rand a
ye Dzrwress feature on
DIDO AIMS Re: Dead as a Dido? (478) It rsn't so rr‘uch that Drdo's
rr‘usrc rs bad -\.'.rhat's annoying
rs the fact that she arms so r.-.'holehearte<lly' to be rrrrddlebr'ow. saw an rnten'rew wrth her recently rn whrch she clarrrred: ‘| arr‘ my own derr‘ographrc.‘ Very clever. but unhat rt actually means Is that he." rr‘usrc rs the sprr‘rtual egurx'alent of a dull. suburban semr rn ()urrtber'nauld. It's ll‘tlf‘M‘ for people who only buy' (30:; when they are reduced to SIREN at the trllrng statron.
Phil Evans
MADNESS AT TRAMWAY
It's a st'artge prece of thrnkrng that cwates a". elther or staatto" tc' oar arts scene. The rrror‘osar for Scottrsh Ballet To rr‘e‘m r‘te Ira'r‘y'ray's :ttft/"tttiilttt‘aill‘, acclarrr‘ed usual arts space rs a typical reflectron of arrenlrghterred thrnkrng unhere the arts are prtted agarnst each other rn a \.'.'ay tI‘at ar‘derrr‘rrnes e\ ery one Irraolyett, A publrc arts space that was created wrth the best or rrrtentrons has Just been :Iexereped Iurther wrth the 91m
Hrdden Garner‘s prom". an open space er‘ccuragrng further use and t?.'ij()‘,ll‘t?l‘.t ct the area, So rt rs tira.'\ to poterrtrally close don-.n a rrrassryely rrr‘portant. ‘.'.rde|\.
recogrrrsed and publrt‘ use o 'I'rarr‘.\.'.'ay. Ihere are other \enues that St‘ottrsn Ballet could make therr own that otter scope for rrrtagrnatrxe and excrtrng <I(?‘.(?I()ptt‘(?ttt ot drsused burldrngs. Does Glasgow haxe so rt‘atiy arts spaces that rt can sacrrfrce one for another"? C'rrron people fl start usrng a brt of sense. foresight and \rsron rn your thinking.
Katie
I. Hi (HINT/I
YET MORE MADNESS AT TRAMWAY
l have Sfiim. I'm a nouveaux rrche fat cat busrnessman WIIII more money than taste. I want
Nathan
wa errrar/
l'.’e coo/do 't agree more — and ar'e’l/ he sure to devote a huge arrrount of space to Err/rt: Mrr'al/es' ground- breaAr/rg new burldrng. Bat don 't he so .’."‘r,')t’i.’/(?/7.'j rt 7/ take a teu'. ' rorrths .‘or' them
YO Jrr'IS'T I. ‘.t?.’.
I'M/rt hot relax Larth lOL/t‘ hortre of felt—I earo/d port 5/7 the rrrearrtrrrre?
TWO BOTTLES OF
' ‘ f'J' ° "‘ "t t\' I 'I‘J'H " Gasa. '° . ii :1' 1 Kill I. IIII"“’: .'I‘ \ \r' f’t Swift; Ha I ' 'I‘r ccr'wti'g, {11" f'te' r ‘ I. ‘t photos [ix tit
{FRO-"NINTH: tr‘at rues the “WWW ‘13; essence Natu'aity. I 1’ Ul‘f‘w‘t I Mr'» L, br'wth arm
" c't‘:{r"."". I‘LII that's
the vast. E§Ii‘tIII("Of313L‘I‘thllIt‘t tI‘t- changes I'd :r‘tredut‘e Ark: It's only a \enue. atter all. rr‘ut. purpose by nature But some people seer". to be extrerr‘el‘.
upset b. It“. plans. \‘.h\."
Rory
Wt? (PUNK
DID WE GET IT WRONG?
We take great trouble to be as accurate as possible but occasronally we'll get sorrrethrng wrong or rrtrss somethrng out. It so please tell us. En‘arl editor Clrstcouk
you gorng to devote an rssue to that? Frankly. don't grye a stuff that rt has gone over budget: rt would be good '.'a|ue at a brllron gurd. The marn thrng rs that Scotland rs about to get a burldrng that Will help r'edefrne democracy for the 21st century. And rt looks great too. Surer The Lrst should be one of the first publrcatrons to take us rnsrde and gut) us a proper look rourrd’.’
THE LETTER OF THE ISSUE WILL RECEIVE
WARRE'S OTIMA IO YEAR OLD TAWNY PORT
An ideal drink for“ any occasion
LETTER OF THE ISSUE
HISTORY IN THE MAKING
I really enjoyed Ruth Hedges artrcle about the new Frank Gehry burldrng rn Dundee. And I enroy'ed the syrrrposrurrr at Dundee Contemporary Arts. charred by The I. rst's l‘r(}‘.'.’ edrtor As far' as I can tell from hearrng Gehry descrrbe the I)l()j(?(TI. rt's a great lrttle burldrng whrch r'arses the stakes consrderably tor archrtecture rn Scotland. But surely the real deal, the epoch rrrakrng burldrng. rs the new parlrament rn Holy rood, When are
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