‘I:\ ll}

Glasgow Galleries continued

LLOYD JEROME GALLERY

3uu Halli \IIL'CI. Ill IFS: Inc Sal ()alll (IPIII

Peter Howson and Frank McFadden l nnl \M-il I ()ki \cxl. [\.1111Illlj_'\ and «Inn-.myx h} I’L'IL'I mexon and a l'nxl mlnlnnun lui hank \Itl'mlllcli

MANSFIELD PARK GALLERY

5 Il_\ll(IIaIMl \IHK‘I. {all >1I3~l \\L'tl l'l‘l IIaIIl (llllll. Sal II.ilIl 5pm. Sun

noun Jpn]

David Caldwell l nnl In I‘) \cp Illk' pally!) \ hm \UIH mlnlnnun Icalnnn; lllv \'.Hll\ uI I)a\nl (‘aIIIuclI a uullnnun ul \t‘lllt'lllplllal} Ianxlxt'apc

II.IIIIIIII;,'\ \ Ik'.llt'll III I iantc .: ..

MCLELLAN GALLERIES 3”” \am Incliall \nccl. 505 -1 I‘ll) \Ion \al Ill.llll 5pm. \nn noun 5pm Art Treasures of Kelvingrove llllll \m 3HII5 \\ llic Kclnngimc \Ill\\‘lllll .\ \il (i.lllt'l_\ I).i\ nmx plum-«I le (IHHl\ Iul Inaioi It‘llllI‘hlIIlIk‘llI. mcl 3U“ P.llllllllf_'\ Iioln IIn' Kclunpiuw t‘olln nun lala' up icxnlcnm al llk' \It'l cllan (iaIIcin'x Illc illeIa} Int'IniIt-x IIIHIII.I\ I avle [In low] H! {In (i/iu: and Ix’t‘nllnanill'x \ lluu m \zmum. plnx “qu I‘_\ ('Ilailcx chnn' \Iat'klnluxh. Dunn and l'lcnnxh all. Friends of Glasgow Museums Talks Hm I. lllll II .\ Illll IN Sup. Ipnl. \ \t'llt‘\ uI llt‘k' lallu on \\In\llc1\ .ll'nmurnn'n/ III (iuw A Il/ml \u 3, ’ulmul u/ ('m‘lx/r I'l'hn -l Scpl. Illll'llk‘ .Illllk'\‘ Ila/1114' 4:: [man u/ I)'I11\\ (I In: I | Scpi and RcIanamIlR \ l/un In \I/mrm I'I Illl I.\ Sq»).

TRACEY MCNEE FINE ARTS I" l’alnn' Slit-vi. 553 5(i3". Inc Sal III. Main 5. illpnl; Sun I 5pm. Group Show l‘nnl Hm .1 Sq». ,\ group \llim ul “oil In gallcl') .ll'll\l\ Including; .lamm Ilauknlx. ('ulnl Park and Pa! Scunplc. plnx \\Ull\\ h} (ilu'l Ralxlun. l)l_\\(I.lIC Scull and l’clcl‘ mexun

Scottish Artists \M-d I“ Sal 3H Scp. .\n mlnlunon ol P;Illlllll_‘_‘\ Ii} .Ialncx Ilanlonx. (inanl lillllh. l’al Sclnplc. I’clcl' IIU\\\UII. I)a\nl Snnlh. .\ll\l.lll' l’uunc Snnlh and xynlplnl'c Ii} Sandra Ilcll and .\Iu lun'qualxun

MERCHANT SQUARE BASEMENT

"I " i .\II‘lUlI Sll'ccl. ull ('antllcrlggx. 553 Suns. Hail} noun 5pm.

Start Out Standing l'nnl Ill 5 Scp. ;\ group \IIU“ ol’ wulpnn‘al “urkx Ii} (ivoi‘gc (ira). Inn la} Iul. Slcxc Snnlh and Kcnn l’ulluck,

THE MODERN INSTITUTE "3 Rulk‘l'lxnn Slln‘t‘l. Slnlc (i. I‘IUUI I. 3-l.\' VI I. Inc I'l'l noun 5pm.

":9 Richard Wright I'l'l I3 Sup In I5

()cl. Ilic Ill\l nc\\ I‘lltl) ul \xui'k l\_\

Glasgow Print Studio Gallery

th‘llaltl \\'iig_'lil lo Iw \IlU\\ll In S\'UIIIIIIlI \nn'c I‘I‘I‘I. Ill\ ncxx \xorkx .nc ucalcd I\_\ hand painting \\llIl \niaII Innth (IIICL'II) onlu lhc mtknm ul IIIC “allx lu clcalv a cum‘cnnalnl .llt‘.l\ ul rcpcalul pallci'n \n'nt‘lnm. Scc prawn and

llllll\l. \E

EWAN MUNDY FINE ART

.33l “(NI (it‘tll'gt' SIICCI. 3~l3 0‘55, Mon l'n IIIanI 5pm,

Scottish Paintings l'nul Inc M Sun .\ \clu‘nun ol Sculnxh palnnngx Iluln |.\.\() lu ln'cxcnl (Ia),

PENTAGON CENTRE

.‘(i \Vaxlnnglun SII'CCI. 33l 3I33.

.\Ion I‘l‘l ‘Iain 5pm.

Mixed Exhibition l'nnl Inn 35 Sq». Sch-(ltd [Mllllll]:_‘\ In (Ullillinl‘dllun \xnh lhc ("unipaxx (iallcry

PROJECT ABILITY

(‘cnn'c Iur Dcwluplncnlal :\l'l\ lh‘ :\II‘IUII Snch 553 3833. Mon I‘n Illam 5pm.

Universal Print Show VI l'nnl I-n 3h Scp. 'I‘hc \l\lII annual Inlcrnanunal mlnhinon uI cuntcmporar} pnnlx.

RGI KELLY GALLERY

l|.\ I)ullj_‘Ia\ Slrccl. 348 0350. Mon In lllfillain 5pm; Sal llllillillll lpni. Clare Brady I'nnl Sal I * Scp. \ci}|n‘ panning»

16 Augu5t - I3 September 2003 Goya. Kollwitz & Currie Kathryn Maxwell

Tom Mackenzie

The Herald's Colin Mearns’ image is one of the entries in the Picture Editor Awards 2003 on show at the Lighthouse

SCOTLANDART.COM

(i llnrnlicld Road. (illlllilt'lx. (RH I31)”. Inc In llain 5pm; Sal Illain 5pm; Sun noon 5an

Summer Show l'nnl Thu .1 Scp. .\ \L‘It‘t‘llull HI \Hil'lu I1} o\ 01‘ .ill gallcr} arnxh lllt‘Illtllllg Sarah ('amnglon. l’alx} .\lc:\l'llnn'. I’clcl‘ \anlnn. lilan‘ 'Iliulnxun. (‘hculcnc I)}CI‘. Ian I’.IllUl. l’al Kranlck and Slcw .Iolinxlun. Pllh m nc“ \culplorx lu IIIC gallcr}. Group Exhibition In 13 ‘I‘Im 35 Scp. \Vurlw h} l’al (‘i'anicuk .\lan'l :\Ill\cll. Ian IiIIIuI. Vlt‘lul'la Slcual'l. Kcnnclh Illn'nx and I'.lL'll;l Konl‘cnkma.

STREET LEVEL

30 King; Slit-cl. 553 3|5Ii Inc Sal Illani 5.3llpin.

Superficial or Inherent l'nnl Sax l| (lull lhgnal dramngx. pholugl'aph} and compulcr annnanun mplonngg IIIL‘IHL‘\ and ltlt‘;l\ HI C\l\lL'n(C.

TRAMWAY

35 .-\lhcrl Hum: ()845 330 3501.

Inc Sal noon 8pm; Sun noon (iplll. 0 Monica Bonvicini In I:

Sop Sun I‘) (M. In ;l\\(k'l;lllun mlh Modern Art ()\lunl. ncu I_\ cumnnxxlunul and I‘cccnl \un’k h) lhc Inn-I'nanonall} n'nuuncd Italian arnxl Monica Ilomn'nn. 'I‘In‘uugh nNallanon. wulpnnc and Illlll \IIL‘ chalk-nun n'adnlunal cunu‘plx ul our l'L‘ITlllUlhIIIP Io ai'L‘Inn-glnl'c and Ihc hnill CHHI'UIHIICIIL Sec prcumx and Illlll\lr N5 8' 1’

Radical Loyalty - Chris Evans l‘l'l I3 Scp Sun I3 ()d. .\n ongoing: pl'nlL‘L'l h} (‘hnx I'.\an\. ccnlrlng on lhc (unxn'nynon ul a \gnlplnrc park I” lhc nulanaI Imx n ul .lanaltanxll. lleunla

\r 8* " J

TRANSMISSION GALLERY

38 King Slrccl. 553 «ISIS. Inc Sal llani 5pm.

Members’ Show Sat () Scp In 3 ()cl. ;\n upcn \uhnnxxiun \huu highlighting: the \xork ul lhc 'l‘ranxnnvion lIlL‘llII‘L'l'\IIlP. ra- SHOE.

TRONGATE STUDIOS

I.\ .-\Ilnun Sn'ccl. 553 3333. \lun I-n Illani 5pm.

There and Back l'nnl In Scp. A group \huu inxpncd h} an cu'hangc pron-ct \\ nh laugh ('Iicarxahhagh \Inwtnn & .'\I'I\ ('cnlrc on North I'M.

WELLINGTON FINE ART

l I i \VLWI Rt'gcnl ~\‘llm‘l. 33I ‘IIII‘I .\lon I'll III Wain 5pm

Hazel Nagle l nnl Im- ill Sup .\c\\ uui'kx I\_\ Ha/cl \aglt' plux cunlclnpuiai) Scolllxh and annqnc [Mlllllllgx

WHERE THE MONKEY SLEEPS IN: \VtNl Rt'gk'lll Sllt't'l. 33h i-lllli

Mom In 7a”! “pin. Sal Illain “pin Craig Draw the Line I nnl \n-a In Scp. l’nnh h} lllll\ll.llHl (Ian; .\l.’n'l.;n'lllall

Glasgow Museums

This section lists museums currently showing temporary exhibitions. For details of other permanent attractions, see Glasgow Life.

ART GALLERY & MUSEUM, KELVINGROVE

.-\1'g}l¢Sll'tCl. Kclungrmc. 3B" 30‘)” (‘luwil lul' maior lL'Illl'IlhIIlIIt'lll and (Illk' IH I'L‘HPL’II In 300!) .-\ \L'Iulliln HI

Kch ll]f._'l’tl\t"\ lllelL'\\l\L‘ cullct'nun .nc on \huu al lhc \lclrllan (iallun'x \L‘C ll\llll;_'.

AULD KIRK MUSEUM

Ihc ('i'uxx. Knkninllugll. 55.5 “Ill

Inc Sal Illain Ipin & 3 5pm

Me, Myself, my Life Sal h Sup \al 4 (M, :\n mlnlnnun ul arluoxkx «Icahn: \xnh pcrccpnum oi \cll Ii} \tndcnlx and (In-uh ol (‘uninnnnu :\H\ al \oilh (ilaxgmx (‘ullcgc

BURRELL COLLECTION

zllhll l’ullukxhaux anl. 25f .355" Mon ’Ihn & Sat Illam 5pm. In (\ Sun llaln 5pm.

Whistler and Burrell l'nnl Sun Ix Jan, An mlnlnnon ol mu :ll\\1lll\\l\} \thllcr. gullcclcd h} Sn \VIIIiain llnrrcll

GLASGOW SCIENCE CENTRE

50 Pacific Qua). 43” 5000. Hall}

Illam (ipm. £5.50 {NIH LII)» Mental l'nlil Inn 4 Scp, .llmm/ I\ an nixlallanun “Inch tuwx an and \ucncc crcalcd I») Iaxlnun (luxlgncr llclcn Slow} and hcr \l\lCl' Kalc. a rcxcarch hiulugixl al l)undcc l‘niwrxn}. “Inch allmix 5m: to c\plurc human crcaln ll}. cnlullun and Iccllng.