Clxc [lilll lllx IlllH lllc (.IlL‘jJHI'} Hl xncakcrxhnllllng. \ll'L‘L‘l-\llllllplllf_' hnnl} gialtlung gnnllnL'xx
I Glasgow House Theory .II I) (-llll‘ \I'H Ilalc llk‘
I Groovejet aI 'llaxh llpln lain
LN \Vk't'kl). l’alll \HJIL' plc'fltltx HH'I lllL'
I'll} ‘x IIIan pnpulal lell anll xnnl lllj._'lll. illllllt'llll}: a ln}al uan cu'l} III-ck Rnnin l hax llk' lilnun lllnlhmx plapng \ncal and (Ullllllk'lL'ldl hnan- anll Rnnnl ihax Haw \Hlll Illc pail} .llllllL'lll\. I Haptic .'Il liquid lnnngc, \ml Ilalc Hm. I Higher Ground .ll RI\L'I\IIlL‘ ('luh \‘ml llail- [IN 0 Hi-Karate aI l.lI|lllIl l,Ullll_‘_'l'. lllpnl ianl. I'll) I LXI (I Sup. ~\lnnlhl). _\'cI| Mal'lnlllall and (‘I'a\xlnrll 'laII al'c InInI-Il h} nnnv nIlII'I‘ Ilian l).| l'nI'InaI. \xllnxc xI‘I‘alchlngg \l} lcx aI'c Inalan; hnn lIlil(l\ Ill ll‘lI'lIllx all In L‘I' llIL' placc. .'\ yl‘cal Illlell Ix Ill \lHlt‘ llcl'c Homecookin’ aI Ihc licln. Illpln» lain. l'I‘I'c lwlnl'c IlpIn; £5 illlL'll \Vcckly l).lx Slcual'l .\lc( ‘aIIIIIII and .lnc lllijJllh kccp Ihc InanI~ Ialnnnn' anll lllc Ilanu' llnnr IIIIIIpIn' all lllgjlll lnng. lell II'ackx Innul \\llll Ilic nIlIl claxxn~ .lllIl nlll xknnl la\nIlI'III'x, .\ llL'\\ \I'llllk‘ I'nnu'pl. lull Ihc xalnc aIIIIlIIlc In lia\ In; .I :JUINl Will“. \U gt‘l I‘ll II. I Homegrown aI llillllltim, 5pm ialn. LN IUH, \Vcckl}. Slmu' \lllllllclnn lI'nnl Snlc pla}x a lunlx}. xnlllllll llIIII\L‘ xI'I \\Illl (iaun .\lcl.cnll. .lIInInI‘ and .l .\lc playng xnnl and leIl. and .\'nlan anIl .lillllt'\ (ial‘llnCI‘ Ilnlng: \\ll;llL‘\Cl' llk'} “am. .\ Iinc llllL' up lUl' a Sal. I Inside Out al Ihc Archl-x. \L‘\I llaic Ilw. I Jamboree aI RCle 1 lpln .ialn. £7 IL‘SI, “km-kl}. .lnlIn l._\nnx anll Marlin llcxlxclli nI’ Vclwl Rnnlnx lanlc IIII\ up a l‘lt‘llli nI cnnilncrcial lell and will. I Kevin Austin aI ('amax I.'\l'lill. ll).3l)pm .ianl. U. \Vcclxl). (‘nnIinuc llanung \xhilc Ihc Im- cnlcrlainmcnl Iakc a \\Cll"IiC\Cl'\ L'Ii ln‘cak In llic Inaln I‘nnIII xnunllx nl lunk. Illxcn and club ;IllllIL'lll\. I Kube aI lilackll'lal‘x llaxcnicnl. .\'L'\I llalL‘ Ilk‘. I Life al l.llC I('annIlIIanI. lllpln 3am. [5. Wall}. A l'nI'IniIlahlc nlghl nl Iunk I’nI‘ lhnxc \Ihn likc lllL'll' cnIcrIaInIncnI nIaIlIi‘c. huI xIIll iannnin'. Rnxx Macmillan pl'CxcnIx a xclccllnn nl’ xnul. I'unlx and Ilixcn allgnlcnlcd \\ iIlI nI'IgInal xaIIIpIL'x and Innpx In gual‘anIcc a no“ Iakc nn I'alniliai' xnllnllx. I Lite aI ('nrinlhian. 0pm .iillll. L'Ihc. \Vcckl}. \iltllt'l'li no“ bar and club aI IlIIx gnl‘gcnlix Ingram Slim-I Inl-ga- \cnuc. lilo) al\\a_\x pul a lnI inln Illcn' \L‘llllk‘\. xn H} In Inalxc an cl'l'nrl. \\ ill xnn'.’ I Lush aI Ihc l’nln l.nung_'c. |I).3Ilpnl 3am. £5. \Vcckl}. l‘calln'ing .'\ll(l_\ in Ihc 'l‘I'nplI) Rnnln \\llll lIiIx I'i'nIn Ihc (Illx In Ihc 80x. uhilc 'l‘nln prm lIlC\ all lip—I'I'nnI llancc xclcclinn in Ihc main l‘UUlll aI Ihc cil} ‘x pl'cllil'xl gay club. I Melting Pot aI Rl\L‘l'\lIlL‘ Snclal. NC“ Ilillc llk‘. I Miso aI Hill Now. 'I‘imcx Ihc. L'Ihc. h Sup. .\lnIIIlIl). (ialchcn arc Ihc I'calurcll hand Ihix Innnlli. and (lit) cnlnc \\ IllI a \\ cighl nl‘ anlicipalinn lwhinll Ilicin. Kill 'l‘uixI IlnL‘x hix Ihing HII llk‘ IlL'Cix\ Illlll lllL' Illglil gUL‘x (Ill \CI') niccl) lllklt‘k‘ti. ()nc l‘nI‘ lhc Ilixccrning ll\lL‘lICI‘. I Moda al .\lnlla. 9pm 3am. l-‘I'cc. \VCCH}. liilIL‘ (ilaxglm l).l IIIIIIl I'nnlhallcrl Barr} (icnnncl llrnpx hnnihx aI Ihix lwauIiI'ul bar in Ihc ga} IlixII'IcI. I Original Soundtrack aI Q (‘luh .\‘c\l dalc lhc. I Papacool al .‘\ti Lib. .\'c\I dalc Ihc. I Rapture aI Malia. llpin 3am. (lhc. WITH}. 7le and 80x claxxicx I‘I'nln .laIan Rllxxcll. and gIICxI “L m cr) I\\n \\ cckx Inakc IlIIx a I'un nighl nnI. I Red and Gold Room aI .-\I'Ia.
lllpln Rani. l-‘I'cc lwl'nrc l lpln; £8 allcr.
\M‘clxl} Hill} \lIlllgan Inanx llk' Ill-I’lxx InI' a Iinc Inglil nl I aIIn linuxc llnx \\lll xcrlnnxl} \PILI' up )nln lIIc. II Illal‘x
u hal'x Icqull'cll
I Rub Down .Il \II I m \‘cxI IIaII- llk'
I Saturdays at Blanket .Il lilankcl IInIInI-il} lit‘lll III Winn ianl L" It") 'I llc Illnlxlcxl leli III lllk' I'll} llk'lx\ llk' lug: lwal'k l‘L‘IllllUlll nn a \.II III llul \xIlh lllL‘ lcgcnllal} l<a_\lnnnll \\nnllx .lIIn Ila llcxl anll lnx lllll\l\.ll anllcx ku'p _\Hll auakc III llk' IInIII lwlll'nnln making: IlIIx ncu Sal nighl nnc nl Ihc Inan pnpulal III lllL‘ I'll}
I Seduce .Il .\I\'lI.IH\ llpln ialll {N IUH \Vcckl) (‘hal'li Ilanu- and lelt. nnI In nicnllnn an Ilnllcallll} \lll.IllL‘llll_L‘ nI chccxc nn IlIix huge Sal Inghlcl.
I Shack aI Ihc Shark.
Ill, lelll 3. illaln. L" ltSI \Vcckl} lcl )nIII‘ haII‘ tlU\\ll and ll\L'll Ihlngx up nn IlIc Ilanccllnnl' In Ihc \llllllll\ nl all )IIIII Shack la\nlII‘Ilcx. pla_\cll nIII h} (Brat-Inc l'crgnxnn.
I The Ill llIC Slll'll,
llll illpln 2am. to. Wall). Demand Ix lngh InI‘ IhIx nnc. xn gl-l llICIL' call}. 'lllncagc Ilk‘l‘ll‘}k'(l II} lxllan \l'llxnn anIl .‘\ll(l_\ Rnlwl'lxnn.
I Shine On aI ('nI'IIIIhian.
Ilpln .iillll. [Ilux Wet-kl}. (inI‘Ilnn .\lIl|cI' anIl Rnxx .\lacnn|lan I'nck lllc IIIIIII .IllL'l‘ .‘I \t'\\l(lll Ill llil‘ llllI‘ l‘IIl} l.Ul\ nI Illnk and lllll all I'nnnll ax Ihc l't‘\lIlL‘lll\ Iakc III Ihc gcnrcx llk‘} \\;Illl. I Slaves to the Rave aI Illc \auli ‘lpni 3am. L‘ I”. (I Sq» nnly llal‘llcnlc anll gahlwa Iakc nwl' Ihc Ilnlll‘lgl'nnnll lilllllxcl' nn ()llccn xIIu'I. 'l‘hc ()lll\lllk' .’\‘L'L'll\'.\ pla} aI IIIIx Inaxxnc Inghl. \\llll l)J li_\t“l). llCllll\ll. lilal‘k .\lnnnllll1. .\lnlxlnn. [far and (icnnxlla aInnng UllIL‘I\. ln lacl. Ihcl'c al‘c xn man) IllllL'l\ pla} In); aI Illix IlIaI ll “Ulllll lw Ilall In ll‘) and |le lhcln all.
I Soma Sessions al .\I..\.\Z
llpnl 3am. L‘h‘ (UH. (\ Sun .\lniII|Il}. .\laxlcr ll I'L‘llll'll\ In IlIc I‘ll} Illal Inwx IIIIII In launch hix l/ll/‘II’I'II alhnln. “Inch Ix gnnna lli‘np lug: Innc. (icl III lIcI'c lnl‘ a \\ llIl nnv. [in MM (III/r HIl/\ '.‘\-/.I'\I'r rm/ [Ill/(II’IW ur'l L‘- r'IlI/‘I (l/l IIIL’III.
I Soulsa aI .\l.v\S. llpln 3am. L'h' IUII. \Vcclxl}. And} and Shac I) arc lll chargc aI Ihc club in Rn}al liwhangc Squarc. .\ gI'caI xnnll'lll hnnxc xcxxinn nn Ilnx \xcll -llcxci'\cll pail}.
I Source al (J (‘lulx Illpnl .ialn. £5. (I 8ch .\lniIIlIl}. lx’I‘IxIIan lillInI. Smll \llll‘ph}. Adrien chnlc. Rnxxcn and Small ('halIncrx pla} aI Iliix (lt‘t'l‘ I'unk} linllxc pail) lllltlk‘l' (‘nI'InIhaiIL lull nnI al'l‘IIIaIL'll \xIIh il. ‘l‘liix Ix a gl‘cal nighl III a grcal \cnlll‘. xn chuck II nIII.
I Streetlife aI liltlllltl l.nnng_'c. .\'c\I IlulL‘ ll‘c.
I Subculture aI lhc $qu (‘Iuh
llpnl 3am. HI). \Vcckl}. Ham and Dnmcnic bring: IIx Ihc xnund III [)1 Rnlanlln nI l‘nllcrgrnuml RCxIxIancc In Sup). and )nu knnxx \xhaI IlIaI Incanx. .-\n inlcnxc nighl nl‘ Ininll-hngglingl} hI'illianI xnull'ul Icchnn. Suhcullul'c ix I'nul‘ hnnI'x nl' Ihc lwxl xnngx )nu haw C\L‘I' hand.
I Superfly Ill llIC \Vmulflllc SUL‘IIIl. lIlpIn Iain. £5. (I Sup. .\lnIII|I|}. 'l'hc club \xhcrc I'unlx lllL'L‘l\ lx'crplnnk I‘cIul‘nx Inl lllC lirxl nl IIx Imcc InnnIlIl} lll\l;IlIIIL‘lll\. \\llll llk‘ Inxanc anlicx nI' Hugh RCCtll Duncan and Ian (l0 lhc I'cxillcnl Hung and pla} C\l-I'_\Ihlng_' II'nIn L‘Ill'l} .lllclxn l0 lll'lglllc llzll'llul.
I Syntax aI Snlinllllallx \L'\l IlaIc Ihc.
I Tiger Tiger aI 'I‘Igcr ‘I‘Igcr.
I lpnl 3am. in. WITH}. JnIn Illc pail) aI Illix lwanlll'ul hal‘ lIIHIIlI‘L‘Il h} Illnxc \\ caring xuilx and mpcnxnc lll't'\\k‘\. 'l'hc lillhlL‘ pnllc) Ix cnnnncrclal llancc and Illc ulnquilnlix Rkll.
I Vegas aI IlIc chli'mx l‘crl')‘ .\'L'\I \lillL‘ llk‘.
I The Winchester Club aI Ihc \Vnntlxitlc Suclal. \L‘\l llall‘ llk‘.
I Wired aI .-\x} llllll. (‘alulnnlan l‘niu‘rxil) l'ninn. lllpm 3am. Us
“with (ilaxgnn 'x lnngcxl lnnnln; allclnallw lllIllk‘ Inglll \xIIlI lllllll\\ plnlnnx aIIlCIII}
I Upstart aI Illc l llllllll l nnnpc \c\l IlIIlC ll‘\
I The X-Factor al \nnnllllanx \l-xl
lldlk' Ilk
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I Bacchanal al \nlIIlIllIanx \k'\l Ilalc ll‘x
I Bennet’s .u Ronni-Ix
ll :(ll‘lll zalIl Ll \\I‘I‘l\l} In “hull \u' arc pnnIInnlcll l\_\ a \lI.Ilif:\‘ palll} lnln play Inncx lnwll h} l.‘ xcal nlll gnlx. plnx xnInc hangln' llanill‘ajg. In canall} .Ipplu‘lallw ya} Illcn l nnnx nlll \\l‘ll\l I Bite aI Ihl' (alllnllxc III ‘Hpin ialn l'IcI' lwlnlc ll illpln. {I ILI iIII aIIcl \M'ckl} \ llllllll'l InI\ nI IIIIlIc and Intk lllan _\nlI‘ll llllll aI lllc I'll} 'x [\II'IIIII'I Inpk \cnnc nn I ll nI Sal
I Boogaloo aI lllc SnI'IaI "PHI ialn l'lk'k' “cl-kl} \ no“ Il'glllal lllf_‘lll aI Illix \\\.llllx_\ nm \Cllllk' 'llic IIIglII I‘l\'\\'lll\ ltlnl‘k xl}|c pail) plnnxcx. lle hnp. llll‘all Rtkll. xI'IaII'lI llll\lllf..'. Inc [‘k'lx'll\\lllll .lllll gncxl ,\I(‘x «Mix xxx-ck
I Budda aI lllIlllla llpIn ialn (llx' \Mx‘kl) Rclallnt‘hul \cnnc hark nn lIaI'k \\llll lchale xIIll Ilu‘
I Club Tropicana .ll lllc (iaiagc l\lll\'l llpin ialn U ILCI \\ccl\l_\ lnlllc. hnlli glaxxll' .lllll I'nIIIcInIInIaI}.
\\ llll a llk'.lllll_\ llnxc nI lll'llpnp
I Come to Bed aI lllanla‘l Il-nInIl-Il} Hull. llpnl ialn, U ltli \\Ck'l\l_\ SI'nIlI It and Mark l)nncll_\ aIc _\nln linxlx aI IlIIx ncu kaiankc Inglil. Icpll‘lc \\ IIlI Ical l‘t'(l\ anll IIIII'Inplinnl'x lnllnlycnu‘ IIle Icacllnl llI'\\ lll‘llelh nn Sant‘lnchall Xllk‘t'l.
I Definition v Audio .Il li;llll_\ llpln iaIn. \Vcckl}. \Vhal lulngx l)clinIIInn and \ullln Ingclllci Ix a xhalcll
st "as Clubs
cnlllllxlaxnl Inl I‘l.l}lllf; lnlixll' lllal lll.IixC\ Inn \\alII In Ilanlc xn Innl ll lllal _\nn Illnp a Ill\'\\ xlxc. \xlIllnlII Illl~ Inlnlalll} nl lla\ Inf: In Illcxx a H‘IIaIn \\a_\ \n III-I‘ll In xlalla nll I‘I‘Icnlnn} llclc \\ llll a \l‘llllllll.l\ k In _\nln \nn lllxx" Ilnx. InI;'I‘I \lnn lllnlnlnjj. anll Innll‘ \l\‘\\ll In liaIIl} Inl Illc i‘k'llle cnll In lllc “(Clu‘llll
I Disco Badger .II llalnl‘nn
ialll Ll “Ix-kl) lilfj :Ii;'lil Inl Ilnx \xcll lnu'Il lx’All \IIII lll}'lll\'l. ax ll llnnll‘ Ilnln \l l \ 'x Iii. /.'. & \ill‘l‘\ l\_\ llnx Ix gnlnf: In l‘lnnll} Inl kl anll Inn Run“ II. _\nlI xla;:x
I Dream aI \II.I\xl\I'II} llclllx
III Winn laln Ll< \\u'l\l_\ lIIll'cn \[lllll In pct III ' \nn‘ll‘ 'a\ In' a laln'll. allI'I _\a ' lilil \\.lll Illc l‘.ll Ix \nlnplclclx III-c all lllfjlll. xn xInI‘ Innaning.‘ anll ycl \lllllllx .lllIl pixxnl up nn hnn/c
I Free Sundays .Il IIII- I nm-Ixal llpin lain III-c “cl-Rh llll‘lh‘l‘. Innk. xnn|_ Il'j.';.'.ll'. llnnxc anll Ia// all Ill IlIIx I‘lcal. \IIIII.Ill_\ unknmxn \cnnl' lll\l l‘k'lllllkl \alk'lllt'llall \llccl
I The Good Vibration Sound System al I IIllllll l I‘llllt‘l' lllI‘lll iain L" It'll \M'I'kl} \ lll'“ \nnila} Inplll xlnnlli): IInIII lllk' pcnplc al (‘alhnn l\’l‘\'l'ltl\ .lllll l I\I‘.‘.lll .I\l lx’u'nlilx l.lelll_‘_‘ Illc xluvil nI Ilnnxc lllll\l\ anrl llnllxc I‘lllllk'\ .lll\l Innkln‘ ll up lI'.ll Inu' (‘alhnn and l |\\'.‘.lll .le aIl‘ I'nlnlnp InpcIIII'I \\llll a \ now In I‘Il'aII' xnincllnng: xpl-I'Ial
I I Candy al llaxli lll‘lll ianl L1 ILII \M‘ckl} l).| RnlI ll pl.le lllllI'\ IIIaI \\lll lamp _\nn llant‘nn' all nignhl. lug: .Illllk'lll\ anIl Ilnnl Illchx In lHIIlf.’ nnl (il.l\::(l\\ .\ l‘I'allllllll [N'lek'
I Liquid Sundays at Ihc I Iaunl l.nlln§:c Jillpln ialn “Cl-kl} \lllla} liapp} lInIlI lnllllylln,‘ xI'xxInnx \\llli lin- lllllxlx' .lllIl l).lx lnl‘lililing,‘ l)c\ III I\llx|l _\laxlII. lu- \\alxnn. lllnnlax Kink .lllli liicnllan lllenp
lll illpni
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Your pass Io great club nights in Glasgow 8. Edinburgh
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