I Shaun Cuddy (mull ()lc Ilpl}. l’.II\lL"\ Rodd loll. ~13" 55‘”) a “mill L-I ILl Illk'llll‘k'l\l ('onnII}
I Engine llln' \tulld. ll: l l I \Im'k\|.u|l Slum-I. 5.53 MINI 1pm lICL‘ Rmk town IL'xIdL'nI}
I The Cobramatics llu- \wnd. ll: l l-l Slut kucll SIII'UI. <5: VINl Upln l-Icc Rflt'lkdkllill lt'flklk‘llk}
I Big Blues Jam \Indlo ()nc. (I[()\\Clllll Hnlg‘l. (Illl\\k'lllll ‘lL'lldL'L'. HI 05]!) (min l'n‘v lloxlcd l\_\ Ihc Nun Illncx \IIIII'Ix \kllll t'UIllIll‘lllIth lIoIn ~\lndlo ()nv IL'lell.II\ \llkll m Rm l)m' ,Ind lllk' \Innno llltllllt'h
I Phil’s Sunday Session Ingl- llL'dIlM. 3 I: \\omll.IIIIl\ Rodd. 5h~l I500 (Iplll l'Iu' Hun}: }oIII oun
I Live MUSiC lllL' l 5lll \IIII‘ (IIII‘. 5” (Ill KIan SIM-cl. 55* Ihih ‘lpnl L *. 'l‘lncc Illk'llll lunle Io lw (onllllncd
I Live Music \IQIL'SUIlC}\. l: .Iulndu‘u Xllu'l. 3-15 .\5.\l 3pm l'n'c llncv unxn'nvd loud lmndx
Monday 8
Glasgow
I Lightyear, In Car Stereo .Iml db68 Km}: llIlK \\.’ll] \\.I|I lllll. 31H SI \Inu'nl SIIn-I. III 53") 8pm.
to 5”, ()wI l‘l\ \IIo\\. ll.IId lHlIlIIIjJ \ku punk combo I I;'III}I‘.II (.Ill II .I \ld} \\llll ;I llll.’Il St‘oIIleI \lIou.
I Bad Blood, Los Destructos uml George Bush & the Freedom Fighters Sun-o. I: H Kclunhuuph Stu-cl. 5'70 5lll.\'. 3pm. L5 I’unk lull.
I Flytooth, MIA, El Chupacabras and Hemlock I'lu- l5lll NUIC (‘IIIIH fill (Ill Klllf.‘ SIIL‘I‘I. 55; mm UpnI LC? Rork IIIplc lull.
I The Tremors SIuIlm ( )nc. (II'II\\L‘IIUI llolcl. (IIII\\L'IIUI 'l'cndu‘ Ioll II}I'c\ Roudl. HI ()5lh. 0pm. I‘M-c, lllllt‘x
I Acoustic Jam \Iw‘n'SII-dx}. ~lll Sunt'lnclmll Sllccl. *3 i 90*“. Rpm, l'Iu'. “uh ;I llk'k' dIInk ax Inwnlnc IoI' pulllu'llxnllx
I Open Mic llqu \VIWI Rx'yt‘lll SIICI'I. I'Iu‘ \(ouxllc Innxu‘. pocll’}. cltx
.onngc. ‘l-l (I3 * i, 0pm.
I
Id *5
Edinburgh
I Acoustica ('ulmu-I \ollw'c.
3o 38 “Ian Sllu'l. Ill) (‘17). Illpln. I'lu‘ I\o|IInI;II) \‘Ullll'll‘llllnlh on cm I, .\ ncu IIIgIII ol nyouxlu~ \oundx ollcllng \um‘d IInc ups II'oIn lidlnhul'gh'x llllL‘\l \Ingcr/xonguI'IICI'x. :\nd I'vIncnIlwI'. no \‘U\L‘I' \cmonx ;lllII\\ I‘d.
Tuesday 9
Glasgow
I The Red Chord, Beyond the Sixth Seal and Pointless Creation King; ’l'III'x \\';I|1\\’;III llul. 27in SI VIIIccnI SII'ch. III 52“). 8pm. UI. ()\L'l' l~l\ \llou. 'l'lIC l\)L'\l (hold and Boxond Ihc Sulh Scul :II'L‘ :\Incnt‘;1n lluI'Ilt‘Ul'L' Illclgll/gl'llldL‘Ul'L‘ hunle \\llU \lIuI‘c ;I couplc ol Inclnlwl'x. \.I\ lllj_‘ on IIIc lUlll'lIl}: l;IIlIlIll) lull
I Sinebach Rutter Ammun- .-\Il;lll'. Slmco. I: ll Kclunlmugh SII‘ch. 5"!) 5ll|.\'. 8pm. £5, Illucgmxx hulno l‘l;l_\t‘l' lI'oIn Sncdcn.
I Any Chance ay a Coffee? 'l'chm ()\n;I. ~13()I;I3_'ol.;1nc. ‘5" 453-1. 8pm. H50. .\n cwnlng ol loud Inuucmnx. \\lllI n Iolk) \Iunl,
. Miller Bk'dll5kl'llk‘. l"
Skin In; SII'ch. (I33 XINII. 8pm. l-I'cc. 1.;ndlmck background \Ulllld\.
I Phil’s Session l'ngc Hmllm. 333 \Voolendx Rodd. 504 I5‘Io. ‘ll‘lll‘ l-I'cc. \Vcckl} qun.
I Live Music ’l‘hc l.‘~Ih \oIc (INC. .50 on King SII'ch. .553 1033. 0pm. £3. ’l‘o hc conI'II'Incd.
Edinburgh
I Heather Nova ‘l'hc I.Iqlnd Room. ‘lc \IICIUI‘III Sll'L‘Cl. :35 3.504. “pill.
\uccl .md dunk} Indlc IIH k .n llu.:lllc! \oxd pnlx In .1 \l‘k'tllll .ltonm, \lIo‘u.
I Lyrics to Go (gllmu \ulmlla
‘h ‘5 llldn \In'cl. 33" “I “h
llpIn inn lIcc \n upcn llllt lnp hop I.nn \k'\\ll‘ll lIH\lCIl l\_\ I nc \ Icntcx .xnd l).ll<cdh \\ llll duh and 1c;'f_‘.1c lll IlIc loungc lIoIn lltln \onl ll1 ll
Wednesday 1 0
Glasgow
I Fun Lovin’ Criminals .mll The Lovegods lldllouldnd. 3.1; (l.lllU\‘._L'.Il\'. 55: lh'll H §llpln L l '5 5” ()wl l~1\ ~l1ov. IIkc I )tk'dll ('olonl Su'nc. l nn l o\ In' ('Innlndlx Inc no [\le llk‘ll \chlnc pmk lmI .lel..:}\ llnd dn cagu \onul Ill \olldnd. kcun Io lu'llon .Ilonf: Io Illc ~I.Ilc lnl\ llIcIc l\ .l ncu .Ill‘lllll Ill llk‘ oIl'Inj:
I Kid Symphony, Kasino ImIl Sustained Klllf: lnIK \\.III \\.III llnl. 353.: \I \ Intvnl \lIccl. Ill 53”"
N illpln L5 lllc llmdllnclx Indnlz'c In InpcI IIII'lodn lIkk Inxl hov. Innclnl \dll onc lmnd In"
I Shriek .Iml Fighting Red Adair \It'c'n'SII'd/y Ill \nnlnclmll \In'cl. Hi Uh V ‘lpIn Li lllc Ix‘llllll ol Illc .Ipll} nanch \lIIIck. Ilnx lllllx'.1\.I IInn .lll gnl IIIo f,‘1\lllj.' ll \onlc \wll} lll lllc \l}lt' Ill lllk‘ lllx‘x'klk‘lx \k'llkd \dll. (It
I The So-sos, Mutley, UK Death Charge, Regular Joe .mIl Armed Candy Ihc (Lulmuxc. I< l'nlon Sllccl. 2-15 (\(Illh '“ {Illnn L 1 1L5 on dooII (hm l-l\ \|1o\\ l’nnk pop llnv up
I Playback lln-l. \\lllUIl I .Inc. Hf. -l‘)(\(\ .\|\lll. l II'I'. .l.l\'l\ (on? \lk'dlk“ .l |.nd|\.u'k .InIl‘Icnu- \\ llll InIIlIIplc Inn“ gullmx .Ind \cqucnyclx
I Acoustic Night lhc I ill: \olc (XIII: .50 (Ill Km; Mun-1.55; [INK ‘lpnl ()[wn Inu' \\Illl llt'k' dnnk loI [‘L‘IIHIIIII‘H I Open Stage Ihc lldll IL”. Inn \\oodl.Ind\ Rodd. 5o! I53“ 5pm I we \\cckl_\ \I'\\IHII IoI loml lIIlI\l\ l.III\
Edinburgh
I Chaos Theory Sonllmn ('onx (‘.|l\'. “5.1(5Ik'kl‘lllll SIICCI. It?) IIIII.‘ ‘Ipln llllIlllllell.l'lt‘x‘.()1l}‘lll.Il \‘IIIIIINHIIIIIIh IIoIn llll\ nc“ dudncl. lll\lll:_‘ |.l//. Iunk .Ind Iwk. lunnnny l)oII_L' 'I'Iplcd} on \.l\\‘\. l’.Iul lx'nlyx on kc}l\o.n'd\. Km In (i|.I\;_'o\\ on lmxx .Ind (‘hnx \\,Ill.u‘c on dnnnx.
I Fleamarket Funk (Mum-I \ollunc. {o ‘3 Illun‘ Sllt'k‘l. 33” (I17). llpnl inn, l'I'cc. local Hllllll [‘l.l_\lII_L' llIL‘lI o\\n kInd ol In}: lmnd lunk Ill Ilnx \wckl} I'C\ldk‘llt"\ “Illl .l \nmllcnng; ol l).l \upporlx .Ind ollm lIw .u‘lx.
Thursday 1 1
Glasgow
I Patrick Park, Atlas, Elmo .IIlIl Micronesia K1113: 'l'mk \\.Ill \\.Ill IluI. 3‘34 SI \ Inwnl SII'ch. III 53“) 5pm, L5. l’.u'k l\ ‘I lUllx.t‘UlIIIlI_\ I‘lncx Int-Ighdnl II‘oIII (‘olomdo “ho hm .Illl‘ut‘lcd L'UIIIPIII'IMIIh lo \.In .\loI‘I'I\on dllIl \ng l)I.Ikc. SIIppoII IIoIn ncu Inulllt'ullnml t'UIIIl‘II \lldx
I 8 Ball, Safeguard, Arabus, the Breathing Method and Recc l'lk' (XIllIouw. l5 l‘nIon Sln'cl. l-Ix (\(Illo “I {llpm {~l5ll ()u'l l-l\ \|l\\\\ .\lIcnI.III\c lock lull,
I Anabranch \II-c‘n'SII-dx}. .ljl Suut'lnclmll Sllu‘l. iii ‘Ih 1" “pm I; l.;lllll\'ll ol \cll Illlcd dclml .Illmln loI Ilnx (ildxglm h.de Inclodu~ pop Im‘k lmnd t‘cnIch on Ihc \ongm‘IIIng nut‘lcm ol \uxlmlmn lIlCIld\ knn l‘.lll\ and Inn \Vlllldlllx
I Fountainbridge Collective lhc l5lh \olc (INC. .5” (III Km; Sllccl. 55‘ l(\3.\ ‘lpln. L5. delnhln'gh-lmwd lnp-hop ouIl'II (Ullll‘l'hlllfl louI' .\l('\ .Ind ,1 Hum-- pIccc I‘h}lhln wcnon
I Freeview, the Sleeping Prophets .qu Kinetic [mull-ll. l.lqllld loungc. 04 “ml chcnl SII‘ch. lllpIn. (3 IN on door». \M'ckl} ~l1o\\ mm“ o! local .u'anx
~.: ; v. -x:\ Music ‘
IAMs
WWINI l~I
W'Ll—
, LEIIIil E
I l ‘\ I + TheV131toraoxmzlsan ,'.VA2.:.»:::-'sot;.\z::
THE ARCHES AND SOUNDSFINE PRESENT
Susheela Raman
8pm
MAGNEIICINTERFEIIENCE: T. RAUMSCHMIERE+
WW
II] SEMI 3-IN-I NIGHT: DEAIII DISCU. TRAXX (SIACEY I’IIIIEII) & MELIING PUT (FRANCUIS l0 BOIII EARLY
PLUS: SHACKMTIB) TRILIII GURIU (IIIT 23) IERRYGALUER (M24)
SEEmflmdmmIkamm
comuns PRESSURE & INSIDE OUT
mmmmmssm 0RINlllE@VNM.IImdB&mII(
THE LIST 53