Merchant City Festival
Wed 17th - Sat 27th Sep (60 7.30
(III’DI SIJI‘ 7I-l (1r Mon ??r‘(! chp)
Strathclyde Theatre Group
WINSTON CHURCHILL’S NECK
by Andrew McCulloch
An erghteen year old on hrs frrst day at work ,1 encounters the tangled web of other pteple's H g _ ‘ _ lrves through the rrrh texture of the ' ‘ f,
rnterlockrng stories of hrs (,0 workers Hrs own
coming of age IS a Journey through r ruelty
and laughter, sexual rntrrgue, rarrsm. bullying, I homophobia, the r [med shop and trade
The play rs being devrsed and r reated wrth the company. In the tradrtron of Mrke lergh's Abrgatl‘s Party and the work of Ken Luar h.
The author rs an actor rn hrs other hfe Andrew Townsley who appeared rrr
Ken loarh's My Name rs Joe and
Carla's Song. and works wrth Glasgow based performanr e group. Mrsr hrei l a Bax.
Tickets : Tues/Wed £6/2.50 Thurs-Sat £9/4 Tron Theatre 0141 552 4267
Fri 19th and Sat 20th Sep (‘7’ 10.15prn
Bert’s Bilbao Ballroom Band
SHOW ME THE WAY TO THE NEXT WHISKY BAR
directed by Susan C. Triesman
musical direction by Marion Christie
The popular Brecht Cabaret returns rn alt II‘) glory, with songs and poetry of love and war from the Wermar Republic through to the nearer present. Bertolt Brecht. Kurt Werll. Cole Porter. Noel Coward all feature in an evocative late-night event.
Tickets : {6/4
Tron Theatre 0141 552 4267
GLIst Gt
Iron Theatre Glasoow
18-27 Sautamlm' 2003 llldl 552 4287
THE BIRTHDAY PIIIIIY
try Hamil Phter mr‘rmterl try Guy Haunts
turn: vanes amiss Scum mtl 3| [lctntiar
www.mttnau'amrlr
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Friday 1 9 continued
I Triple Bill of Music I irh \trre (Ille. *0 NI Km}: Street. “i In“
.\ NIprn ti I’mt reek. eleetrn rm k and Inpnrr rrrtlre lrtrrn three l‘.llltl\ I (‘awr Illtlllllllll.l\. \lrrltrplex .rrrtll r\u|.r \Irnnr I Engine \rla. the HM (‘heexernarket I i I” \\.rl|\ Street. “I .‘IHI ‘Ipnr Iree Irelnre llprrr. U» .IIlk'I\\.ll\I\ \\e|I knmrn lhr'ee preee hand plum}: a rm\ nl Itrnk .llltl IUL'Ix t\ lull
I Brian Molley Quartet liI.l\'I\Ill.ll\. VI lit‘ll ~\Ilt't'l. §§3 “III Hlpm. l'ree, \hung: \avrpltnnrxt \Iulle} Irnnlx lhrx lurrrwme
I Show me the Way to the Whisky Bar Ix’arnxhurn Iheatre. ‘Ih Ingram Street. 5*)130" III I‘pm Ur «lg-Ir. liert'x lirlhan liallrtmnr Hand prexentx a Irxelr eaharet enreatne or the )earx hetneen the \'..rt\. rrreurpnratrnz' wnp. put-tr}. rewlt and tIetatlerrte
I Michael Merrick ('urrrrthtarr. I‘II Ingram ~Street. “I IIHI I Ipm I ree thelure Ilpmr La .lIlk'l\‘-.ll\l\ run \lrehael \Ierrrt k [tI.r§\ letegrrmI t laxxrt \. ItIlIH\\t'tl In I” Ilarr_\ \IrIIer m the eInIr
'I heatre I Winston Churchill’s Neck
Rarrrxlrnr‘n lheatre. ‘Ih Ingram Street. “I
»I:(rq_ fl illpm Ur U) (L: all L It \t't' \Vt'tl I"
I The Birthday Party lrnn lheatre. (ri'lrongate. “3-120” " ittpm 1* tl I H45 Uri Ia}: Iheatre\ perlnrrnante nl llarnltl l’rnler\ elawre dark turned} \\ rII lt.r\e the autIrenee gjtrlprnjg. \Ul‘l‘lllj._'. grhher'rnp and f_'lj_'j.'llllj.j \ee pre\ rev.
Other events;
Cutting Teeth \emre the \lertham (ill). Ila“: {-Iglti-IQ \HHII Ilt't‘ \t‘t' “ed I"
I Horror on the Streets Intrrrxt lnlurrnatrtrn ('entre. (ieurgge Square. 5“ NW: ‘Ipnr t" \ee \\etl I"
BigWord Poetry Party \entre the. \Ierelrant (at). qui i-l‘h 1’1‘ \ I‘lprn l'ree \l(\ Rathel .Iur_\ and \ttll.r ( iman rntrntluee thrx III_L'III «It perlnrmante poetr}
I Late Night Festival Club Iron IIIL'JIIC. (I: IlUlIL'alL'. <3: IN“
Iltprn lam ‘c\ I t‘\tr\.rI tIrrIi Irmtetl Ii}
Tommy Smith plays Glasgow Cathedral. Sat 20 Sep
\lrthael \Iarra .lIItI \pet t.rl :‘rrexh I).r\e \rrtlerwn .llltl turrrethan \Irt hael Ix'etlrrrnrrtl nl lather IetI Iarrre
(‘rlg my )\.‘.I
I Jilli Blackwood: The Joy of Living (‘trllrnx ( r.rller\. I nr\er\rt\ n1 \trathelnle. .‘.‘ I\’l\ IIIIll‘lltl \treet ‘ 1x .‘RRN \t‘t' \\t‘tl I
I Superficial or Inherent \treet le\eI. AV) I\rrr§,' \lreel. “.‘ .‘I\I \e: \\etl I '
I There and Back Irrtrtt'ate \lrnlnw |\ \ll‘lt'll \treet. ‘N‘ .‘\,‘.‘ \ee \\t'tl I
I Universal Print Show VI t’raletr \lrrlrt_\. ('entre I Mr l)e\e|npn.enl.rI \rtx. Ia \Ilirun \lreet. “.‘ _‘\_‘_‘ \ee \\etI I ' Scottish Artists hart-y. \tt \t-t- I me Mr 1' I’arnre \treet. “N‘ Vr." Ilarn *prn Iree \ee \\etI I ‘
I Ashley Cook: Process or Progress? (iI.r\:'<I\‘. I’rrnt \lllrllrt .\ A“ Ktrrz' \lreel. *N‘ I! ‘III [Illlll\ In (rlav'rm I‘.I\\'ll .rlllxl \xhlex ( rurI.
Ieatrrrrru' \xnrk rnatle lIlIIlII‘,' a ret em \rxrt tn /at.tte\a\ rrr \Iexrtu
I Hitch (il.l\;'tl\\ I’rrnt \Illtllt', _‘.‘ .\ .‘5 Klllt' \treet. ‘3‘ II III IIre lIllItI rn .r \errex nl thenretl e\hrl\rtrun\ rrr \thrt h 111\ Ned .rrtrxlx tullalmrate ‘.|.rtIr (i\I’ rna\ter prrnteh tn ItlaIm' purttnhm «rt etlttrunetl [\rrrrh Ill\Pllt'tl In the lrlrrrx HI \lltt’tl IIII\ Iltttt
Glasgow Sculpture Studios IIre Iirrjnvart Illarn Iprrr lree Ila'.e .r IrmI. arnrrrrtl the \Illtllt'\ and we exIrrIrrh .lIIlI \‘.t‘II\\ rtr prune“
I Painting on Railings Rarmtrum Iheatre. “5 IlI_‘Jl.rlll Street. “9 L-1\‘I IHarn Ipttr I ree \ one tlaj. open .rrr e\errt rn \'.Irrth [\.tlllllll;'\ It} Imal .rtll\l\ are dumped l‘llI\l\I\' the Rallhltt'llt Eastern Promise Rrrxxran ('ultrrral (I'lllltfl ('JIL' (rtlllt'l} (4H ~.tt lIt tI., III Km: \treet. ** i H" H I I Warn I ree \ group \hr-u trt .rtll\l\ llHltr l..r\It'lll lurwpe\hmxtaxrnz'parntrrrah.tlra'.|.1n;'\ antl terarnrt \
Independent Studios Group Show Independent \trrthm, ()xhnurrre \treet l’rnrett l<mrrtr_()\l\utrlr1t‘ Street “pm I ree (her iH .rlIl\l\ e\hrhrtrn: rn
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