Merchant City Festival

Wed 17th - Sat 27th Sep (60 7.30

(III’DI SIJI‘ 7I-l (1r Mon ??r‘(! chp)

Strathclyde Theatre Group

WINSTON CHURCHILL’S NECK

by Andrew McCulloch

An erghteen year old on hrs frrst day at work ,1 encounters the tangled web of other pteple's H g _ _ lrves through the rrrh texture of the ' f,

rnterlockrng stories of hrs (,0 workers Hrs own

coming of age IS a Journey through r ruelty

and laughter, sexual rntrrgue, rarrsm. bullying, I homophobia, the r [med shop and trade

The play rs being devrsed and r reated wrth the company. In the tradrtron of Mrke lergh's Abrgatl‘s Party and the work of Ken Luar h.

The author rs an actor rn hrs other hfe Andrew Townsley who appeared rrr

Ken loarh's My Name rs Joe and

Carla's Song. and works wrth Glasgow based performanr e group. Mrsr hrei l a Bax.

Tickets : Tues/Wed £6/2.50 Thurs-Sat £9/4 Tron Theatre 0141 552 4267

Fri 19th and Sat 20th Sep (‘7’ 10.15prn

Bert’s Bilbao Ballroom Band

SHOW ME THE WAY TO THE NEXT WHISKY BAR

directed by Susan C. Triesman

musical direction by Marion Christie

The popular Brecht Cabaret returns rn alt II‘) glory, with songs and poetry of love and war from the Wermar Republic through to the nearer present. Bertolt Brecht. Kurt Werll. Cole Porter. Noel Coward all feature in an evocative late-night event.

Tickets : {6/4

Tron Theatre 0141 552 4267

GLIst Gt

Iron Theatre Glasoow

18-27 Sautamlm' 2003 llldl 552 4287

THE BIRTHDAY PIIIIIY

try Hamil Phter mr‘rmterl try Guy Haunts

turn: vanes amiss Scum mtl 3| [lctntiar

www.mttnau'amrlr

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Friday 1 9 continued

I Triple Bill of Music I irh \trre (Ille. *0 NI Km}: Street. “i In“

.\ NIprn ti I’mt reek. eleetrn rm k and Inpnrr rrrtlre lrtrrn three l‘.llltl\ I (‘awr Illtlllllllll.l\. \lrrltrplex .rrrtll r\u|.r \Irnnr I Engine \rla. the HM (‘heexernarket I i I” \\.rl|\ Street. “I .‘IHI ‘Ipnr Iree Irelnre llprrr. .IIlk'I\\.ll\I\ \\e|I knmrn lhr'ee preee hand plum}: a rm\ nl Itrnk .llltl IUL'Ix t\ lull

I Brian Molley Quartet liI.l\'I\Ill.ll\. VI lit‘ll ~\Ilt't'l. §§3 “III Hlpm. l'ree, \hung: \avrpltnnrxt \Iulle} Irnnlx lhrx lurrrwme

I Show me the Way to the Whisky Bar Ix’arnxhurn Iheatre. ‘Ih Ingram Street. 5*)130" III I‘pm Ur «lg-Ir. liert'x lirlhan liallrtmnr Hand prexentx a Irxelr eaharet enreatne or the )earx hetneen the \'..rt\. rrreurpnratrnz' wnp. put-tr}. rewlt and tIetatlerrte

I Michael Merrick ('urrrrthtarr. I‘II Ingram ~Street. “I IIHI I Ipm I ree thelure Ilpmr La .lIlk'l\‘-.ll\l\ run \lrehael \Ierrrt k [tI.r§\ letegrrmI t laxxrt \. ItIlIH\\t'tl In I” Ilarr_\ \IrIIer m the eInIr

'I heatre I Winston Churchill’s Neck

Rarrrxlrnr‘n lheatre. ‘Ih Ingram Street. “I

»I:(rq_ illpm Ur U) (L: all L It \t't' \Vt'tl I"

I The Birthday Party lrnn lheatre. (ri'lrongate. “3-120” " ittpm 1* tl I H45 Uri Ia}: Iheatre\ perlnrrnante nl llarnltl l’rnler\ elawre dark turned} \\ rII lt.r\e the autIrenee gjtrlprnjg. \Ul‘l‘lllj._'. grhher'rnp and f_'lj_'j.'llllj.j \ee pre\ rev.

Other events;

Cutting Teeth \emre the \lertham (ill). Ila“: {-Iglti-IQ \HHII Ilt't‘ \t‘t' “ed I"

I Horror on the Streets Intrrrxt lnlurrnatrtrn ('entre. (ieurgge Square. 5“ NW: ‘Ipnr t" \ee \\etl I"

BigWord Poetry Party \entre the. \Ierelrant (at). qui i-l‘h 1’1‘ \ I‘lprn l'ree \l(\ Rathel .Iur_\ and \ttll.r ( iman rntrntluee thrx III_L'III «It perlnrmante poetr}

I Late Night Festival Club Iron IIIL'JIIC. (I: IlUlIL'alL'. <3: IN“

Iltprn lam ‘c\ I t‘\tr\.rI tIrrIi Irmtetl Ii}

Tommy Smith plays Glasgow Cathedral. Sat 20 Sep

\lrthael \Iarra .lIItI \pet t.rl :‘rrexh I).r\e \rrtlerwn .llltl turrrethan \Irt hael Ix'etlrrrnrrtl nl lather IetI Iarrre

(‘rlg my )\.‘.I

I Jilli Blackwood: The Joy of Living (‘trllrnx ( r.rller\. I nr\er\rt\ n1 \trathelnle. .‘.‘ I\’l\ IIIIll‘lltl \treet 1x .‘RRN \t‘t' \\t‘tl I

I Superficial or Inherent \treet le\eI. AV) I\rrr§,' \lreel. “.‘ .‘I\I \e: \\etl I '

I There and Back Irrtrtt'ate \lrnlnw |\ \ll‘lt'll \treet. ‘N‘ .‘\,‘.‘ \ee \\t'tl I

I Universal Print Show VI t’raletr \lrrlrt_\. ('entre I Mr l)e\e|npn.enl.rI \rtx. Ia \Ilirun \lreet. “.‘ _‘\_‘_‘ \ee \\etI I ' Scottish Artists hart-y. \tt \t-t- I me Mr 1' I’arnre \treet. “N‘ Vr." Ilarn *prn Iree \ee \\etI I

I Ashley Cook: Process or Progress? (iI.r\:'<I\‘. I’rrnt \lllrllrt .\ A“ Ktrrz' \lreel. *N‘ I! ‘III [Illlll\ In (rlav'rm I‘.I\\'ll .rlllxl \xhlex ( rurI.

Ieatrrrrru' \xnrk rnatle lIlIIlII‘,' a ret em \rxrt tn /at.tte\a\ rrr \Iexrtu

I Hitch (il.l\;'tl\\ I’rrnt \Illtllt', _‘.‘ .\ .‘5 Klllt' \treet. ‘3‘ II III IIre lIllItI rn .r \errex nl thenretl e\hrl\rtrun\ rrr \thrt h 111\ Ned .rrtrxlx tullalmrate ‘.|.rtIr (i\I’ rna\ter prrnteh tn ItlaIm' purttnhm «rt etlttrunetl [\rrrrh Ill\Pllt'tl In the lrlrrrx HI \lltt’tl IIII\ Iltttt

Glasgow Sculpture Studios IIre Iirrjnvart Illarn Iprrr lree Ila'.e .r IrmI. arnrrrrtl the \Illtllt'\ and we exIrrIrrh .lIIlI \‘.t‘II\\ rtr prune“

I Painting on Railings Rarmtrum Iheatre. “5 IlI_‘Jl.rlll Street. “9 L-1\‘I IHarn Ipttr I ree \ one tlaj. open .rrr e\errt rn \'.Irrth [\.tlllllll;'\ It} Imal .rtll\l\ are dumped l‘llI\l\I\' the Rallhltt'llt Eastern Promise Rrrxxran ('ultrrral (I'lllltfl ('JIL' (rtlllt'l} (4H ~.tt lIt tI., III Km: \treet. ** i H" H I I Warn I ree \ group \hr-u trt .rtll\l\ llHltr l..r\It'lll lurwpe\hmxtaxrnz'parntrrrah.tlra'.|.1n;'\ antl terarnrt \

Independent Studios Group Show Independent \trrthm, ()xhnurrre \treet l’rnrett l<mrrtr_()\l\utrlr1t‘ Street “pm I ree (her iH .rlIl\l\ e\hrhrtrn: rn

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