Art listings
Hunterian Art Gallery cont.
Copper Into Gold: Whistler and 19th Century Printmaking l'nul “til 24 Du 'l'hh L'\lill‘lllHil prcxcnlx clchingx :unl lilliogruplix h} \thtlcr 4nd lll\ UlIllClIlpHrili'le highlighting \\ lnxllcr'x uclucwincnix m onc ol IliL’ grcinwi .ll'lhl- prinliiiukui‘x ol ull lunc ’mz ui limit/c r 31m}.
In Grey and Black l'nul 8.11 4 (M \Vhixilch luinoih painting ol lll\ niolhcr. xll'l'UIIL’l'Ilu III In (inn and [Hm l. \o / L'UlllL‘\ lo (lluxgoxi tor ihc liN liinc iii mu 5” )curx. on loan lioin lhu \luwc tl'Uixu} in I’llle
I’uI‘I or ll‘lilxl/i’r JUN.“
Women I'lllll \Vt'il 2-1 l)L‘\‘ “cplt'lllllh ol nonicn h} \\'lii\llci'\ UllilClIlleill‘ILN llcunldc}.\Iut'kinimh. ('ui’lm St‘liuuhc .llltl olhcrx inxpuul h} lillllih}. imagination and \}llll\iill\lll l’url or ll'liixllc'r .‘UUA’.
Whistler and Scotland l‘nul 5.1! 4 ()cl. 'l'hi\ L'\llll‘lll0ll L'\[‘l(il‘t'\ \\'hi\llci'\ pl‘\\L'I'llll inllucnt'c on llic Scollixh .ii‘l \ioilil «luring lll\ lllt'lllllt'. luiiunng lliL‘ (ilihgim BU} pulllIL‘h. ilt‘ult'h glllil collccloix and lllL'llltIL'\ \Hll’lm h} l::\ \Vullon. Jguncx (illllil'lc. (icoi'gc llcni‘) unil ('hurlcx chnic \lm‘klnloxli l’ur! of ll'hlilli'r .‘lIUA'.
The Whistler Collection ’l‘hc llunlcriun'x inlL-i'nailiouull} unpoi‘lnnl \Vliixllci' (‘ollcclion I\ on \IC“ in um ilixiil;i}\ lculuring Kl) oil punilingx. lllllltII'L‘(l\ ol tlI'iI“ ingx guiil mucu'olourx and owi‘ IUUU clcliingx and lilhogi'uphx. l’uri or li'lilil/i'r 31/03.
Lunchtime Lectures In 3 Aug.
I 1.45pm. £2. .-\ \\ nlc-i'nngnig \L‘I'IL'\ ol llllhll'ulul lL‘L‘llll'L'x on \Vllhllcr-l'L‘lulL‘il lllL‘llle. l’;irt ol \Vhixllm SUNS. Whistle-Stop Tours Inc I: Aug. 1pm. Hull-hour highlight Illlll‘x ol lhc llunlcriun'x \Vhixllcr ilixpluyx. l’ui‘l ol \Vlllxllcl‘ 20”}.
Ten at One Talks mu IR Aug. lpm. 'l'ClLIIlllilllL‘ I;llI\\ on \clcclnl uorkx l'i'oni IIIt‘ llunlcrmn'x \Vliixllci‘ ilixplu) \. l’ui’l oi \VIIHIIL‘I' 3003.
INTERMEDIA GALLERY
IX King Slrccl. 552 2540, 'l‘uc Sal
noon (\pin.
Knights of Holy Contact Sui i) l-‘n 3‘) Aug. \cu “ork h} Rohcrl ()i'cligu'ilxon. (inn-inc Rogcr. l)u\ nl \luclcun. .\'oi‘ni;in Slum. Duncan Murqum and And} \Vukc. NET. SHOW
KELLY COOPER BAR
lSX llulh SII'CL‘I. .V‘l JUN). Moll ’llllll
noon lain; l‘i'i Sui noon Ruin.
Shape of Things 'I‘hu I4 WM 37 Aug. 'I‘IIL‘ Shan UI‘ 'l‘lllllg\ l\ ;I \L'rlL‘\ ol' L'\IIII\IIIUII\ highlighting the \\Ul'l\ ol' I't‘L‘L‘IiI gruduulu and \ludcnix ul (iluxgon School of .-\rl. \KinL‘xxu l.;i\\rcncc I\ [lit It‘llllll't‘tl urtixl. NE‘I} SHC‘C.’
THE LIGHTHOUSE
ll Muchcll Lunc. ZZI 0302. Mon.
\Vcd Sui 10.30am 5pm; ’l‘uc ll;uii 5pm; Sun noon 5pm. £3 iSlipi,
Emerging Architecture 3: Kommende Architektur l‘nul Sun ll) Aug. 'l‘hc lluril in u li‘ilog} ol mhihilionx lhul docunicnlx lhc \II\L‘I'\II_\ and high dcnxil} ol~ Illtll\ iiluul \Iunu‘x in Ihc .'\ll\ll'I;III .-\i‘clulcclurc \ccnc. ('urnlcd l‘.‘ ()llo Kuplingcr. lhc mhihnion prownlx ;i no“ gcncruiion ol practicum.
100 Houses for 100 European Architects of the 20th Century l'nlil Sun I" .-\ug. A l'ocux on the urchilccl'x honic l'culiu'ing l()() lil'c-xi/c unzigm ol‘ llili ill'clillL‘Ch \\ uh pllologl'uplh and dim lllgx ol~ lhcir o“ n houxcx. Opening Closes - The Transformation of the North Holyrood Site l‘nlil Sun 2-1 Aug, ;\n mhihuion charting the chungu (hut haw lukcn place in Ilic \orih llolxrood MC in lidinhurgli. ' Locoloco: Make the Message Move l'nul Sun I", Aug. ;\n L‘\llll‘lll0n highlighting IllL‘ mum-xx inning \xork ol' th\lglicr.\ lik‘olik‘o. RCCL‘III \xork llICllltIC\
34 THE LIST ' A»:
\IIUI'I\ which can uppcni on .ilnioxi .lll_\ kind ol \ci‘ccn loi'nigil.
Whistler’s Wallpaper l'nul Sun I" Aug. IIIC I‘L‘\llll\ HI .l \L‘l'lt‘\ HI \Mn'loliopx in which pui‘licipunlx L‘\Pt‘l'llllt'lllL‘tl \\ uh .i \gii'lcl) ol prinlniukuig Ict'hniquu lo (It‘ult‘ \Hlll cowruigx inxpuul h} lllL‘ \xoil ol Jami-x .\lc.\'cil \Vluxllcr. fearsomEngine and Electroconnect Gotcha l’nul Sun .‘I Aug. :\ locux on lcurxonilznginc .unl lilccli'oconnu‘l \\ ho ;u‘c tIL'\ cloping A child \ulL‘I} tIL‘\ lt‘t‘.
SIX l‘nlil Sun .ll .-\ug. .-\ \houtuxc ol \\Ul'l\ h} \luilcnlx li'oiii Scollnnth \l\ \t‘hoolx ol ui'clulcclui'c \\ ho huw hccn \uhnuilcd loi' lhi‘cc ncu \Illtlk'lll .munh Ihc Rl.r\.\‘ Silwr \lnlul loi‘ I‘L'\l lillli _\c.ii' \Iiulciil; llic l.l:_'lilliUll\L' .munl loi l‘t‘\l lhu'il _\c.u' \linlcnl .Illtl Ihc l ilxui l)L'\l_‘_'Il ;i\\;ii'tl.
Anna Maria Antczack l'nui Sun 1.: Sup. .-\ ilixplu} ol .-\iin.i .\l.u‘i.i \nlg/ngk'x lulcxl coi'xcl dcxign “high h.i\c lwcn lll\]‘ll't‘tl h) llonicr'x (Mi um
LILLIE ART GALLERY
Station RtKltl. .\lilng;i\ic. 5‘8 M4"
'l‘uc Sui llLini lpni & 2 5pm. Interface l'nlil Snl ‘l .v\ug \inc lii‘nixh .II‘II\I\ mplorc ihc I‘Cldlllllhllll‘ licmccn .iii and \t‘icncc including \xoi‘k h} loiuw K \Vilxon. (‘lurn l'i‘xilli .unl llnlco I‘lll‘llln Medium and Message l‘nul Sn! w Aug. .'\l'I\\Url\\ dimxn li'oni lhc g‘illci'} \ pcrinuncni collcclion lik'lhlllg‘ on ihc
,mi'" "
The Tomb by Peter Howson on show at Lloyd Jerome Gallery
lllll‘lli'lnllt't' Ul lllC .llll\l'\ \ lioiu' Hl lllt‘tlllllll in lCl.lllHll lo Ilic \uhicd nmllci
MANSFIELD PARK GALLERY
5 ll}llillilllil Slit't'l. {Hill-1 \\k'tl lll ll.’iiii (iplll. Sui l l.uii <1‘lll.\llll
noon Join
New Figuration l nlil \M-il 3o \u-.~ l'iguinliw [‘.llllllll}'\ h} lI]\ ll’t'll .iIlI\l\ including Sh'phuiiic lx’cu. llvin} Kontliut'l‘i. l,_\nn \lucn» lulu .lt‘lllt'}. Slunil liut’hnunn .Illll \llxlll l ‘non
MCLELLAN GALLERIES
I‘ll Snucluchnll Slim. Vi; Allll‘l
.\lon Sui lllnlli ‘pin. \un noon {I‘lll Art Treasures of Kelvingrove l'nlil \«n 21M< \\ lhc Kclxiiigio‘.c \luwum t\ .\Il (l.lllt'l_\ ll.l\ nou. \ lmml nx tll\l\l\ loi iii.iioi lt'lllll‘hlllllk'lll. i".\'l 3W! [\llllllllgW lioin lhc Kch ingiow tolltx lion l.ll\t' up itwulcng} .n ihc \lpl cll‘in (Lillcinw IllL' dupl‘i} int luilm llion‘nix I.It'tl.\ [I'll I‘M! I" fill (flu: lllltI I{L‘llll‘l.llitll'\ \ Um: II.‘ l/I’JI’ZU, plzh mink h} (‘lLult-x chiiic \l‘itlxnnoxli ‘nul l)lll\ll .Illtl l'lClllhll .nl
Whistler in Glasgow \n 'i \11: llkun 1: :“pin :lll \ \liozi ti'lllu‘ olIcnng ii ll‘-L‘l_\ iiniiuliniion Io ( Iltl\:..|'V-‘- K \\ lihllt‘l pollutioih u‘lllplhlll‘.‘ .in lllll\ll.llt'\l lcglmc .Ill\l .: [our ol lhc \Vhixllcr'ri‘clnlul C\llll‘ll1«ill\ .n ilum- wnum 'l he lllllllt‘ll‘lll ‘2 \u: I. \ILI.L'll.Ill (l.lllL'l\ 1‘) \ugi .unl llit‘ liui‘icll ('ollctiion llli .\ilgi in} M II 115x21; SIN/K
THE MODERN INSTITUTE
“ Ri‘l‘i'llvill \liccl. \uih' (i. l looi 1. 31h rll IllL' Ill noon *iiiii Duncan MacQuarrie l lllll I ll \ \uj: \\"ll\\lllllll\t'kllllk'tll.1l‘\ liuiu .lll \I.I\(‘)ll.llllt’ ' ' "
EWAN MUNDY FINE ART
\\t‘\l (ii'Hlt'i‘ \llt'cl. .\ L‘ ‘l V*\ \lon lll lll.llll 4pm
Scottish Paintings | lllll I ll .“l \uj: \ wltxlioii o: \oIIiVi; l‘.llllllll'.'\ lioni l\\ii in picwin il.;j.
PENTAGON CENTRE
in \\.i\hingloii \lim'l. .‘.‘ l .‘ l .‘4
\lon lii ‘Luii *pin
Mixed Exhibition l nul Hm F \‘p \t'lctlnl [‘.llllllllL'\ Ill tollixlioiutz-url llll llic ('oiiip.i\\ (Lillcij.
PROJECT ABILITY
(‘cnlic loi I)t'\\’l|'[‘lllt‘lll.:l \ik l~ \ll‘lllll \llt't'l. “3 .“.‘.7 \loi: l :2 l‘l‘illl 5pm
Identity l Hill I ll \ \ll‘..' \ rinillz lllt'tlltl (\llll‘lllilll lL'.llllllll‘.' atoll. \IK'JIUII dining l’ioiul \hililj.\ l .:~Ici .lll tuiin Ioi \lllllllt'll .nul jmun-j iicoiilc ‘J-llli .llllhllt \pmliiiiii \llvllilg‘l \
RGI KELLY GALLERY
l l\ I)l'll_‘.'l.l‘ \llk't’l. 31‘ (NW) \IHII Ill 1" “Min <inn. \n I” Winn liiixi Postcards from the Edge \n
‘I \n 3‘ \u: I’H\l\.llll\l/t‘kll‘.!ll1llllL'\