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PHOTO INTERIORS

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THE QUEEN’S GALLERY

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Faberge | Hill \un II ( kl L-I 11.‘ L ;I. Luxml} I1\I\\'ILIH,III1\ICI ‘\ lu'c llic

IIK'V. l_\ upcnml (‘lIIl-c11\(i.xllcl} pn‘wllh .m \'\lllI‘IlIHll nl mm W“ plum dumn lzum lllc Rn}.1| ('nllu Hun ml mukx h)

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RANDOLPH GALLERY

1“ I)II|IlI.I\ \llk'k'l. i“! \IHII I'll

1H “Mm R ‘Hpm. \ll llmn me

Ugo Baracco l'nnl s.” 3 \ll}: .\ \nlu \lhm ul 1mm! .ullmllllh lmlmmy \IL‘\\\ HI \k'IIIkk'

RIAS GALLERY

1‘ |x’ul|.1ml\qu.mz 3.3" ‘Mm ipm Developing Edinburgh - New Buildings from Above l llllI llm il lui \ \t'Il\'\ ul IlIlUltlgfl‘llllh h} lhc .mml \mu'} [mm ul lhc I\)U.\.II ('uunmxxmn un lhc .\n\'|cnl .md

‘15 Mon I'll

***¥* I "Thoroughly

delightful...tht§ drilm is a tonic

GUaPLIAK

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ROYAL BOTANIC GARDEN Imulcllh Hnuxc. lmcxlmlh NH“. ‘3‘ “1‘1 \Mwl Hun Hum * “will Simon Periton: Mint Poisoner l llllI Sun 3" Jul I nlldnn Inm'd ‘ullxl 81mm: I’cnlun. ho! knnun lHl umle Luge \mlc 1mm \lmllm'. gch lnx lnxl C\IllI‘lIlHll 1n I'.\IlllI‘lII_L'II In] lmulmlh Iluuw. he hm \lx'JIk‘tI «luplu Hum dd} :ln lmpcl \ul UllI\\'I1.l lunglc lhcmc

Gary Rough: Mantelpiece l mu! \un 3" J“! \n mlnl‘lllnn ml \xuxk nmlc \Pk‘xlIkJII} lm lmcllullh llnuw h) IIlh yum}: Stnlhml Inm-d .llIl\I lmlunny \xunlx lll nmn and \ nlcn

Eden’s Orchestra: A Celebration of Music and Plants I “III \M'd Ill Scp lI'\IllI\lllHll Hall d.n|_\ llmn ‘plm \nmlnhllmn plcwnllny lhc \\UII\I.\ munle hclllngc. humping lugxlhu plunlx. Immt'. lnxll‘unwnlx. |ll\lllllll\‘lll umkctx .md p1.:)cn lwm .uuuml lhc glnhc

THE ROYAL EDINBURGH HOSPITAL

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The 9th Staff and Patient Open Show l'nlll .\lnn 35 :\u;_' Sclu‘lcd .ll’l\\HlI\\ lmm lhc ()pcn Shim lnan}: Hum lhc \M-xlcm (icm'ml hmplml

ROYAL FINE ART COMMISSION Itlkvhnuxc ('lmc. |~1(\('.|nun};;llc. 550 (MW). Mun I'll Ilum me. Common-Place l'nlll $.11 ill .\ug .-\ luuk .ll hmx hmldmgb .uc umu‘lwll .md dcwlnpul Imuxmg: on mm‘ Suvlllxh pmlu‘lx Int‘lmlmgr lullmhmgh'x Dunn- l’mxc .uul \l \hcllcl un 'l'm'u

Film 01 the week

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Sushil Mangaonka explores a life cycle at Patriothall Gallery

ROYAL OVER-SEAS HOUSE Limhngx (IdIIL‘I'). lHH l’llnu'x Slu'vl. 33‘ HUI \Iml I'll Ilkun hpm

The Competition l nlll I H il (m Spu'mll) ynnnmxxmncd ‘lk-hmll Ihc \pcncx' phnlngmphx nl lcu'nl R( )5! \nmml \lllxu' (‘umlwlllmn limb h} [‘IlHthillllLlIhl th’IMltI Snnlh

SAMARKAND GALLERIES

Hi Ilmw Sllccl. 335 SHIN \Inn Sal Ilkun * illpm. Sun h) .lppmnlnu'nl Antique and Contemporary Eastern Carpets Izdmhmph‘x nmu'xl l-..l\lcln lllf.‘ and mun-l gallon} \cl up h) Himn _\I.u'|)nn.lld lmlmcx u lim- \L'lu'lmn ml (UlllL'lllpUlJl) mg: ml lmm lhc I'..l\l .|\ \wll .l\ unlxquc [up and lnlml

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SCOTTISH GALLERY Ih I)llll\I.l\ \llcvl. “.\ INN IlMIn hpm. \l: I'Lml ipm Adam Bruce Thomson (1885-1976) I “III \11 I‘ \Hjj ()1l\ .Iml \‘.UlI\\ «in [Mll‘l'l Int III\IIII‘.' \IIII lllc, liyummc .lml Lumlxmpc \lll\IlL‘\ l\_\ \\I.lII| IIIII\\' IIlUlllM‘H. nnc nl lIlC lllhllllg‘ \Lnx ul [he I llmhmfnh \ huul Summer Exhibition l nnl \n .‘ \lI}_' I’.uany\. \Il.l\\l|l_‘.'\ .nnl [‘lllllx in \UlIIMIl (l.lIIk'I'\ .lIIl\[\ llk lullmy

I Il/.lIk‘lIl HIM I\.l\I\Ik'I_ |.mlc\ \Inmwn .lml ltulmm Rm‘

Summer Show of Crafts l nu] \.:l _‘ \uy \ ymup \Ilu\\ ml m-xx \xnIL lyx Ik'.l\Illlf.' pull [Hm lllmnclx nu lmlmz' ('hun | LIN. (Lulu-Hm- \l.ulm .unl Human} Rn“

\Inll Ill

“Brilliant, gynny and utterly enchanting - 9/10..u1;7m

I I *** = Excellent

I 97A..,A. ..

“Best lilm Ol the

week b;

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several thousand, hllometres

. .2 THE LIST 97