GOLD
(iallcr'} and Shop. "— l)ltl|ll.t\ \trcct. “(I ;I“) \lon l‘ll IHaIII “pm. \at
IHaIII ipIII
Poetic Landscape l nut tut- }: Jun lhc galII-r} Iclchralcx ll\ tlIIrd .tllltl\t‘|\.tl_\ \-.It|I an c\|IIl\ItIoII ot landwapc p.tl|llllt_‘._'\. tcalIIIIngg \xorkx h} "\ndrcu “an horn. .lcan Rodch l’at Krarnck and \ IrgIIIIa \u'ntck Summer Mixed Exhibition llm 3h .lun \Vcd it) lul .\'c\\ paintingx |\_\ Roucna I .tllljJ. (’laIc Blon l’lla IIIIIkIII. -\\rI| .laqucx l’aula \clardc and 'l'I'acc} -\tlta} plux ch'aInch. glaxx and Icucllcr) h} llclcn l-lctchcr. KIIII lII'aIIIIc) and -\ndrca l)oII}_'|a\
HANOVER FINE ARTS
33a |)unda\ StIcct. “(I 31M \lon l‘l‘l IIaIII (IpIII; Sat Ill. Warn 5pm. Mountains and Remote Places l'ntIl Sat 3.\‘ .IIIII. .-\ llt‘“ \clcctIoII ot paIIItIngx h} gallcr} aI'tIxtx lcaturing landxcapcx. \I';I\c;Ipc\. \llll |Ilc and floral \llltllt‘x
Annual Sale l'ntII Sat 33’ Jun. Annual \alc ol \clcctcd paIIIltngx :Ind pI'IIItx lI'oIn \tock h} \ttltlt‘ ol lhc gallcr) \ rcgular
THE HUB
('axtlclull. Ro)a| Milo-1733007. Jessica Callan l‘nIII 'l‘hu 1| Jul. Rcccnt [tilllllllt}1\.
INGLEBY GALLERY
(I (‘arlton 'l‘crracc. 5‘6 444 I. Inc Sal Illarn 5pm
David Austen l'IItII Sat 3(I .Iul. Abstract p.’tlll|lllf_‘\ h} l)a\Id .-\u\tcu. III hix \ccond \olo \hou for thc gallcr). ||c hax crcatcd t\\o groupx ol' “oi-l“ Including thrcc largc paintingx and a largc group ol \Inall gouachcx on hand IIIadc papcr.
INSTITUT FRANCAIS D’EGOSSE l3 Randolph (‘I‘cxcan 335 53(Ih.
\lon HI 0. Want (ritlpm; Sat
Illanl littpm.
AII So Scots l'tItIl Sat 3| .lIIn :\II mhihition ol photograle h} llcrman Rodrigm‘x \IIIIch c\p|orc\ thc \arIoux cthnic communitch in Scotland. Documentary Exhibition t‘nIII .\lon 30 Jun. .-\ (locIIIIIcntar_\ c\hIhitioII lookIIIg at thc lit‘c and \xork ol' compoxcr llcctor licrliw.
I2
(Io (’IIIIIth'laIId Strcct. 558 0873.
Mon Fri lttanI 0pm; Sat lllant 4pm. 20th Century Prints l'nIiI \Vcd 35 Jun. .-\ \clcction of 30th ccntur} Wm" from tho gallcr} '\ collcction lcaturing \mrkx h) ('aulticld. l’axmorc and Paolo/Ii.
Glasgow Print Studio: Selected Works Sat 38 Jun .\lon l-l .lul. SL‘lL‘L‘lL‘d “lulu from thc (ilthgtm l’l'tttl Studio l'caturing; .lolIII B}rnc. lili/ahcth Blackaddcr and .-\drian mx/mc“ \ki. NEW St (W.
LEITH GALLERY
(I5 'l‘hc Shorc. l.cit|I. 553 5355. Inc l-‘rI llaIII 5pm; Sat llanI 4pm.
Chasing Rainbows l‘uul Sat 3| .lun. .-\ \olo \ho“ ot' paintlngx h} (irahatn lll) \chcan. \\ ho hax rcccntl} hccn Cttlltllll\\t0ltk‘(l to paint tix c paintingx tor Scottixh ()pcra. The} “Ill hc thd in II\ publicit} and marketing material. Georgie Young l'ntil Sat 3| .lun. .-\ solo \lto“ ol' paintingx.
Eoghan Bridge l'ntII Sat 3| .IIIII. ('cratnicx
Marine Show Sun 3‘) Jun Sat I‘) .lIIl. .-\ IIIi\cd mhihuron ll|\pll'L‘tl h} thc \ca t'caturing \till lit'c\. \caxcapcx and paintingx h} l’cth' King. Doroth} Brucc and Jo} cc .\1 Borland.
LYON 8: TURNBULL
33 Broughton Place. 557 884-1. Mon Fri l laIn» (1.30pm; Sat | lam lpIII.
First Annual Macmillan Cancer Relief Art Show l'ntil Sat 3| .lun.
()\ct 3H“ [Mlllltttgx h} tm-I loo k'\l.tl‘ll\l|i'tl. III-u and up and conun: Scottixh .t|l|\l\
MERZ
.\' liIoIIL‘hton \tIcct. 4“ \"\ \M-d \at noon opIII
Mixed Show l'IItIl Hm ‘| MI \ clIangIn; \clcctIon ot \xoik h} jtnh ccntur} .II‘tIxtx IncludIIIg \onkx h} -\IIdI‘c\\ \lackcn/Ic. \tcwtt Hood. \MII l)a\Ic. l’hIle Rccwx. \lIclIacl (Ink. l)a\ Id (‘ook and \\ tlll.tl|l (icat
NATIONAL GALLERY OF MODERN ART
llk'llttttl Rttittl. (‘34 “3"” Ilk‘cHtIli‘d IIItoI'IIIatIon “3 331m: .\lon \\cd I\' In Sun IHaIII fiIIII. ’lhII IHaIII "pin Recent Gifts, Loans and Bequests l’IIlIl Sun | i ,llll l'hc ground tloor ot tltc calch} l\ dmotcd to a Ill\pl;t} Hl l't'x't'ltl gtllx lit.tlt\ rtlttl l‘k‘tlll('\l\ and Includcx “qu In lolIII \Vcllx
Ilnn‘ 3mm. (‘t-I-II i‘IIIIIItx l Inox XIII, .larncx (‘ou Ic I INK!» WWII and l'd\ard \lIIIIch l Ixm IUJJI
Paolozzi: Ordinary to Extraordinary \lon in IIIII l3 44pm l'Iona l’catxon loolo at tIIc \xork ol liduardo l’aolox/t
After Hours lltu i llll 5 ill ~pIII l'rcc. ’l'hc .-\lth‘ lloun plugl'éllltlttt‘ Ctlllllllllt‘\ \\l|l| |a// jJIIItaI' lllll\l\‘ pcI'torIIII-d h} .\|a|co|III \laclarlanc
NATIONAL GALLERY OF SCOTLAND
'l‘hc \loIInd. (I31 (I304) II‘ccoI'dI-d IntornIatIoII H3 23m». \lon \Vcd «k
l‘rI Sun IllanI ipnt. 'l‘hu Illatn "pm Gainsborough’s Beautiful Mrs Graham l'IItIl Sun 33 Jun U 1933!. :\ l'achIIatIIIg c\hIhIlIon dcwtcd to thc \atlonal (iallcr) ol Scotland'x \IorId- l;lttlt\ll\ pol‘tt‘att ol I'III' III'HHIIIIII’IW .lllw (I'm/mm h} 'l‘IIoIIIax ('IaIIIxhorough Il’3" XXI ('uratcd h} llugh llclxc}. curator ol' (iaIIIxhoI'ougII llouxc In Sudhur). thc c\hIhItIoII mplorcx thc pcrmnal. \ocial and lll\lt\l'l\';ll contml ol lhc pIctIII'c In dcplh and lcattII'c\ a \clcctIoII ol grcat portrth h} (i;|llt\l\til'ttll_‘_'ll. Rmnoldx l.a\\rcncc and Van Incl.
Military Connection to Gainsborough’s Beautiful Mrs Graham I‘m 30 Jun. I345prn. Allan (’arxucll lI'oIII thc .\'atIonal War \lttxcum ol' Scotland gncx a talk.
After Hours 'l‘hu It) tun.
5.30 7. WPIII. 'l‘hc Al'tcr llourx programmc contInucx \\ ith rcadingx ot' (‘Iaudc .\|oIIct'\ \II‘Itingx III lront ot' lll\ paIIItIng 'I‘III' ('lmn/I u! li'I/n'uil on Thu I‘) Jun l'olloncd h'\ linglixh and ltahan loth and l7th ccntur} IIquIc \\l|ll thc Siluau' .\li|c ('onxort ot' \'io|\ on Thu 3‘ .lul.
NATIONAL LIBRARY OF SCOTLAND
(icorgc l\' Bridgc. 33o 45.“. Mon l'rI lHaIII 5pm; Sat IUam 5pm; Sun 3 5pm Wish you were Herel: Travellers’ Tales from Scotland 1540-1960 l'ntIl l’rI 3| ()ct, :\n c\hIhItIon L'\;tlttlltltlg thc changing l'acc ol‘ Scotland lltl’ntlglt lllt‘ L'_\L'\ itl \ leltttN In llk‘ countr}. l'cattII'Ing lra\ cl notc\ trout thc Ioth ccntur} to hontc IIon ch ol~ thc I‘lhllx,
NATIONAL PORTRAIT GALLERY QttL‘Ctt Slt‘L‘L‘l. (I34 630” tt'L‘L‘HrdL‘d Information 333 33M” .\lon \Vcd &
lirI Sun lHanI 5pm; ’l‘hu ItlaIII 7pm. (.ul‘c'.
Maud Sulter - Jeanne Duval: A Melodrama l'ntIl Sun ‘1 Aug, \I'u uork h} photograplIcr. poct and cultural ltl\lt\l'l;tll .\|aud Sultcr mplortng thc cluxix c ligurc ot' .lcannc l)tI\a|. thc black lt|l\|l'L‘\\ and IIIIN‘ of thc |‘)th ccntur} l-‘rcnch poct (’harlcx Baudclau‘c.
High Society: The Life and Art of Sir Francis Grant (1803-78) l‘ntil Sun l-l Scp. {-1 (HI; undcr I3x t'rcc. .-\n c\hthtIon cclchrating thc hIccntcnar} ot~ thc hII‘th ol Sir |-'raIIci~
('vIaI‘t. .I lcmlIII;~ wt Ict\ l‘rttlta" Ixz'ntct ot tlIc \ II tartan .zll \‘.t‘|l\l LuztIIIIII: l‘.'|'|l|ll‘_'\U|tlH1ttllitltll‘tl\.1|\‘
Hilly. l'I\'|\_ \kfil‘ III‘IHtL \' ltlI.It.I_'[_gt\lI\ :tll‘l Il' '.\\|||‘_'\
Scotland’s Dream Team I m." \m ‘1 -\'|‘_‘ l ""l“l';'l| tux-J :I'm \lsri
L91\\.\[\ "I -l\' IV '\ \ I‘ll I" l.\ ;_'|\' NC"
l-‘i‘ll‘dll llt"v':'\ "I "“\ \"M‘x vtl " ",u'n. \’I\ll\llt'\\'-Itt".l [Mull Inc \I."\]\ l} 'l‘ I-- lgc l‘ltll\ \lt \ctl lIII‘ ll s\|.'t. l).""\ I f',‘._ lufc \thn and K 'tt".\ l).1l‘_'lt\lt
The Visit of Queen Victoria and Prince Albert to Hawthornden, 14th September 1842 \\.-II ‘< Izm I3 J‘pm \le MIL: KI‘II pnh \II \\I|'I.-II~ -\ll.Itt\ pamlvng IIII.l 'I tltc \th'Ivth
After Hours llll! ‘h III" ‘ 1“ il‘I'I l‘Ic
-\lth llttll'\ l‘l“‘_'|.'l“"‘1' I momma ‘.‘.|'l‘ tits ltddlc lltlhh ot \ctl that ,u‘l \\ I||I.IIII \laletaH pcrtorvtml l\\ (ivccor llu'lwd
NDEBELE
<3 lloIIIc \tIccl. lllam llpIn Images of Kenya l nIII III” :1 Int \n {whilntiun .Il I‘llitlt\‘_'|_ll‘ll\ l\\ H'Htt ('tuI/tt't to ltclp I mc Inumm Inn tits \tIIIa \|l|\ Mun-Wm I h ert_\
“I I'll \lI‘ll \III‘
NEWINGTON LIBRARY
l" 3| loIIIIt t’l‘l‘.|ll lx’nad. *3" ** i“
\lttn l'lIII lHIIvI \pm. I II III_gIII *IIIII, \at 9am lpIII
Heather Lucchesi I nul \.Il _‘\ In“ .I.('\lllt'\ and I ollaL‘c l‘} llcathct I III I ltt'xt Plantland \tun In Inn \II ‘n In! \H mhtlulton ot [\lh‘litL‘lattltx hx \.Il|_\ |\'cII
THE NEW STREET EXHIBITION SPACE
l-I \t'“ Hllt‘t'l. R<v\ “I‘ll-l \lttlt \.tl ||;IIII (I Winn
These Foolish Things \\I~.I ‘ \ml 3“ .ltll -\ \Hlu \ltou ml \l.'lllt‘\l L'l.l\\ l“ ('arI'Ic l’a\'.on Il|\l‘|lt'tl h} tt.t|ll'.tl ll‘ll'h
NI 9-»
THE NOMADS TENT
.\Tl\\ 'I1\l '7‘.\' WI‘ 'I'.‘ \lwb \.:' "'J” ‘;"‘:_ \le‘. Zp-‘p The Menagerie l "1:? x I ‘H w 19:.- l'll't ‘7 n"‘\"\. 'n'\ \.\II,I\.,,HIV h. d....,,_. ‘\.I\r\.,y,.,‘ H, \i, H I“: l“ :‘~"\
NORTH EDINBURGH ARTS CENTRE
|\'t|l\~l.\ ( :It «I
Oyster Wars: The Exhibition t-m; t Y‘ 2 III‘ \~
.\|,.l\.1.l.,, 1K.
1P1\'It“\’L .Il “\Hw \tlll K\\"\I\IN' lrmtt. ll‘g \mIljl hump,» «1w: I~I .1 \Mx'k ltIt|‘_' '\'\'~\ llIt'li‘l‘l'i"|1'lI|I‘|‘:\'\"\ I" "16
OCEAN TERMINAL
ch'l‘ ‘“ \\\\ \lnII \.1l it'.III' '~;\III_ \IIII HIN'I'I IIIHII
Exposed 03 l mum-.1 ‘~ Inn \vv
V‘-l”;“""|‘ "l l‘l“"-"" 't‘l“. l‘\ '|||.1l \t‘.t| 0“ h""~ -II' “In .ltl‘-.|l|\ ml
‘lll‘lt‘llh' ‘zthl ll\l| W'M ‘\ .et \‘ch‘ltmt‘! ( ‘yllctu.
I‘ltx 'll “gratin
OPEN EYE GAl LERY
.‘ “ll IIIIIl\.-Il out \|' '\~| \\‘ \ltttl lII |t|.~III "[‘Hl \-t EIIAIII LIIIII William Birnie: 50 Years on 1953-2003 l 'Ittl \\I‘Il “ lIIII
l .tllIlMJl‘t'I\.Il'lll||1‘\ llltl Il|.:‘.‘.ll|1‘\ in \\I||I.IIII llIIIHI'. \I‘ """H" lIu “t \\'.tl
Alexandra Knubley I I‘lll \M-d ‘~ lIIII lx’ctcot [mount-A
Michael Lythgoe l IItIl \\v.| “ lIIII \tllll‘llllt'
George Donald RSA and Robert Rivers \a ‘\ tum \\t~.I lo llll l)|.t\\|||‘.'\. l‘.tl||lll|1'\.t||\ll‘lllth
Alison Gautrey \u ‘\ tun \\I-.I It» ltll (‘I‘IIIIIIII \
Return to 02 \It ‘\ |IIII “ml Ih llll l’.IIIItIIII'\ ll|\l‘llt'tl l\\ l|.l‘-I'l\ to \l|\l|.lll.t .IIId \oIItlI l .I\l \\t.' l\\ \thIlIcII l’IIIIl
tII‘II
JERWOOD
wwjemoodcrguk
ERWOOD
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THE LIST 93