‘r////'/ / izi/i/ Di ' [Iii
Edinburgh 20 continued
I Belgranos and Doghouse “llhllcl‘ltllch l I» \nutlt litttlctt 55“ 5] Ii ‘lpttt \11fltl ul c l.t\\lc tucl.‘ pup lunl. antl hluw \“\’t'l\.llltl“ll1_'lll.ll\ llHlll lall‘ttLK l)H‘.'llt'll\L‘
Saturday 21 Ulzmpn I Chuck PrOphet amt Go Go Market Ktng lutk \\ah “all Hut. Saga \l \ Itlct'lll \llt‘t'l. ill 53H” \ Hll‘lll Ll: l'ltllllt‘l (nccn un Rctl .nuntt} tnck ntan punltng lux \l\lll\lll1' .lll‘lllll \i' (ll/It I [11H llk'.\ l‘t‘t'll (lt'\\lll\t'tl .t\ lhc lltl\\lllf_' Itul. hctuccn thc ttuil\ nl l’mh D} lan .Illll tltc punk ul thc chlttcclllclllx I Eugene Kelly \lunutatl. \luun. I: Ktngx (hull. 55* 3.11m ()plll. l tcc l,H\.ll uttltc tuck gutllathct lzugcnc Kcll} pctluttnx uhat u Ill ccllallll} hc an tntttuatc lll \tntc gtg lll \llvnn‘x tccnt’tl \lltlp. In ptntttntc lll\ ncu cnuntt} tuck ll.l\HlllL‘\l '( )ltlcl l'.l\lk'l‘ lil’ 'lccttagc lam luh \\lll tnanntng thc tlcckx I James Grant and Lorna Brooks .\cuu\ttc .\llau'. Slt.tlll\‘l}tlk' Suttc. Rinal (‘nncctt Hall. 3 ~S'auchtchall Sttcct. ‘5 * MN"! .\ptn Ll: lhc c\ lanc .lllll \lunc} llUllllllall (it'll\k'l\ tnm'c ul thc cunntt} .llltl lnlk tlttccttun ul lll\ wln tnatcttal. \uppnttctl h} lucal \tngctlxnngutttct lltnnkx \xhu cnnunantlx a cttll\ltlt'l;tl\lc lullmx tng Ill hct tmtl right, I Livewire and Maid in England 'l'llx' l'L'll'}. ~13 (‘l_\tlc l’lacc. 42‘) llllll, ‘lpnt. L'lll. ll'll‘tllLN l0 tuctal llllllllitx .-\( ‘/D(' and [run \lanlcn. I Roy Moller Nicen‘Slcafix lll Sauchtchall Stt'cct. 3 ‘xi 00$". Uptn. l'chcltc Rccmtlx lattttclt lttl' tltc \Vnu Kalc guttartxt “hm kccpx cmnpan} \xtth llcllc antl Schaxltan and ha\ a tnnuatttt'c cullcctn c hc can call on lot h\ c gtgx. I Patrick Wolf and The James Orr Complex Stm-u. l.‘ H Kclxuthaugh Stt'ccl. 57w 5tll.\‘t 8.30an L' *. l’att‘tck \anl l\ a tccn \cnxatinn will a hcmtclung \tllt‘k‘. Suppnt'tctl h} thc Intrmpcclixc ,Iantcx ()l'l' (‘nntplcx l’lux lllk‘llll‘t‘H ul 'lccnagc l'ancluh “L. I Closer, Berkeley and One Inch Volcano Hat‘ll). 3m ('|_\tlc Stu-ct. ll.\’"ll 00." (NW), Spin, {-1. lavcal tntltc tuck tt‘tplc hill. cut't‘cntl} touting thc lcngth and ht'catlth ul thc countt'}. I Pigscum and Man Must Die Hcathlchctn. lltc lith Nutc ('alc. 5() (ill King Stt'ccl. 553 lhihC 0pm. [3. .-\nnthct' Hcathlchctn. annthct' cwntng ul catv \lu'ctlthng tnctal cacophony .'\h. hltxx. I Monkey Boy, Spacejunk and The Leper Nuns Stt'auhct't') l'tcltlx. 5h ()\\\;tltl Sll'ccl, “8-15 ()55 9330‘ “.Rllptn. L5 ()\cl'r l‘lx. \ltvttkc} lln_\\ ltnc up c'tttllpl'l\t‘\ tun haxx p|a)ct'\ and a th'unttnct’ producing a hllxtct'tng mttntl nut unlch Shcllac nt' lhc chux l.t/at'tl, I Evangeline (it'antl ()lc ()pt'}. l’;tt\lc_\ Road'l'nll.-13‘)53‘)(t. Taillpln L31 IL5 mctnhct'xl ('uuntt'}. I Jamie Barnes and Cochise .\1ac.\'nt‘lc_\ 'x. 43 Jatnatca Stt‘cct. 345 85M, hptu. l-t‘cc, Rtkll tcxttlcntx I Open Stage 'l'hc Halt Bar. lth \Vumllattth Road. 504 I53“. 4 8pm. l'il't'k'. \VL‘CH} \L'\\lUll lnt lttc‘ttl I The Counterfeit Clash lhc Halt Hal. It‘ll \Vumllantlx Road. 504 I53", Ul‘lll. l'il‘CCt (.l;l\ll .ttltl Ulllt‘l Ct“ L'l'xt I The Cobramatics .\lc('hutll\. 4H Htgh Stt'cct. 552 3H5 lllptn. l‘t‘cc Scawnctl tnck'n‘t'ullct» I Killing Floor Santucl l)m\\. (F "l \llllulttlt‘ Rikltl. 435 NH)". .\'.3tlpnt. Inc I Deke McGee and the Blue Rockets 'lctnpu. l‘ltlct‘xltc ~\tt'cct. .Vfitlpnt. l't'cc. Into: 1‘5 titll.\. Randll t'cxttlcnc} l't‘utn llll\ \t\»ptccc hand l't'untctl h} ()[l\ (it'anth \;l\ttpltnttl\l. I Paul McCormick licathccnc. 5 ('t'cxxucll lanc. 334 (\"(y .\‘ptn l't'cc lattlhack acottxttc wt.
54 THE LIST ‘2' I
GRANDADDY The Sophtware Slump. their 2000 album, outflanked the Flaming Lips and Mercury Rev for blissful redneck weirdness but stayed within the comfortable constraints of stoner indie-rock. A new album - Sumday - is similarly fuzzy and loveable. but is so unassuming that unlike those limelight loving Lips they will always be the mild mannered janitors of rock.
( r';r\/V';ryru r": 'v' \' u l T]
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I The Sadies and The Havenots 'l'llk‘ \t'llllt'. l i ll (alllttll Rthltl. <5" 3073. "put. L"). Scc pancl pagc 5.‘
I Shindig, lnveigh Katharsis, Thylacine antl MUWK 'l llc llama RHHIII. ‘lc \tctut’ta Stt‘ccl. 3:5 35‘” allllt U (5 .'\llt'lll;lll\c tnctal \htmcaxc ltutn llll\ cullccttnn nl local hantl\
I Bad Manners (‘tttth ('luh. ltl l: (u'tntlla) Sttcct. (‘33 WW» " ‘llptn Llll SCL' ill 3”
I Judith Durham l‘t'\ll\.ll tltt-ama Ii 3‘) \tculwn Sltcct. 5:" NH)” “ illplll [1‘50 LIN 5H Scc ill I“.
I Cole (‘llli‘k'll.\ llall. (‘lClh Sltccl. 005 I‘ll” " illplll L15 lltc tntntct (‘nnttnnttnn pct'lnt'tnx ultl c'l;l\\lc\ antl ttc\\ tuatcttal.
I Atreides, Cryet and Eat Rice Sulma}. (N (am gatc. 335 (Fun " illpnt H. .\lut'c rock and tnthc \ll‘\\ll tltc Suh
I lndafusion, the Silver Pill antl Recliner ('alctlntttan llackpackctx. l ()tlL'L‘lhlL'l'l'} Stt'ccl.-1“(l "33-1 .\pm L31 l‘tlc lrtu lntlaluxton hax c a touch nl thc Rl~..\l to that tucluthc \Ulllltl .\ll\l t‘cmcnthct phutn H) l\ ncctlctl Int cntt}
I Soul Trader, Azadeh, Endorphin and Hanny (‘ntntuplm llttt'lllcll} (‘luh laxal. All) ('ntntnct‘ctal Sttcct. lcttlt. 555 5033 .\ptn, [5 H3» .-\nuthct ll‘l\Ctl hag ul top local rock and pop actx \ll‘l‘ll Ictth \\;l_\.
I Miyagi \\'lu\tlclnnlacx.~1 h South llt'ttlgc. 55‘ 51M. ‘lptn Htglt cnctg} tlancc wul tt'ntn llll\ lithnhurgh \l\ ptccc. nutltught hantl thc.
I Tyrant Lizard King, 25 Cats Named Sam and Mina Portent 1 Im- l'ntlcmntltl. llannct’ntan'x. \ttltlt) Sttcct. 55h ‘25-1 .\'-l5ptn L31 llnttcctunclung llk‘lx.
I Zuba llhllltll l'ttlllc‘ah tl'l-ctmc. l§ Randolph (‘tcxccnt 325 5‘00
Ill ltl lll..55[‘lll l-tcc Scc Sat ll
Glasgow
I Bon Jovi and Live ll‘ltl\ \tatltunt. ll.\_ll IN) lllllll 1 illpm Ll“ 5lI1§tl
LC“ 5” l'ltc Jun tctutn \\llll thctt wlt tuck \tatltutu .tttlltt‘llh and \xc'tc hutctl alt'catl} \uu can't cwn laugh at thc
ll.tll\l_\ lcx antl \pantlc\ amtnutc \cc lcattttc pagc 3.1
I The Libertines llat'tmxlatttl. Ill (lalluugatc. 553 thl “ 5UP!“ {Ill l.tl\cl_\ l.l\l\ \xhu cntnhutc thc ntcluthc talcttt~ nl Supctgta“ “Illl thc punk} ctlgc nl thc Jatu and thc (‘la\h l)ctt\att\ c lUl \utc. hut nntncnxcl} hkcahlc \Vluch xx uh} thc_\‘\c ntmctl up to pla_\ tug at thc llat‘ruulantl
I Michael Franti and Spearhead Ktng 'lm" \Vall \\ah Hut. 353a .\'t \ uttcnt Sttc'ct.331 52“) .\ lllptn {Ill lhc chartxtnattc \Hclall} cumctuux .tcll\l\l llax hccn tummg m a tnntc tnauNtcant lunk mul tluccttnn ul latc. w much \u that ncu .tll‘lllll l'lt Hum [h n In \ \lum tx cntuplctcll lacktng ctlgc llupclull\. tltc In c \htm \Hll \llll pack wntc punch
I Burning Brides and JR Ewing llartl), 3m (‘lxtlt- Sim-t. tl.\“tl w“ mm; Xpnt, L0 5” \lclmltc gatagc lllH \xhu ha\c \Ull ul gut lmt tn lltc glut nt ['3 gat’agc tuck hantlx lot out cuttxttlctatmn. Hut tlclintlcl} \wtth chccktng nut. ax l\ thcu‘ alhunt lull n! [In l’lmltt lmpm'
I Sheep on Drugs g3. .th Saucluchall Slt‘ccl. i5* il l I. "put LN (inthtc tntluxtt'tal tcchnn tluu hunt \\.a_\ hack. \\ ho ha\ c thc tlhttncttun ul cullalmtaltng \\llll (it'acc Juncx tltntng thcn call) ‘lllx 'pcak'.
I Myshkin’s Ruby Warblers ‘l'ht- l5lll \ch (ittlc‘. 51) (ill Klltg Stt'cct. 55‘ I633. ‘lpnt. L *, l‘L‘llléllL“ll'HlllL‘tl [no limit .\'c\\ ()t‘lcanx \xhu hlcml la/I. lattn. tlclta hlucx antl g_\p\_\ tnllucncc»
I The Ghosts \lc'c'tt‘Slca/_\. L‘l Sauchtchall Stt'cct. 3 i3 Uh ‘7 0pm (.ttllllll'} tuck.
I Brutal Deluxe, Bladder Patch, Arabus and Seven Stone Lighter Sll’;t\\lk‘l’l"\ l‘tcltlx. 5h ()xualtl Stt'cct. (ls-15053025").".Rllpnt. [5. ()\ct’ l~l\ \hmx. Nu tnctal hnc up.
I Deadloss Superstar and Psycho A GO GO lhc Halt Hat. Hill \Vtmtllatttlx Road. 504 I52". ‘lptn. l'tcc. l’unk
I The Cobramatics ‘l'hc Scutta. ll: ll-l Sltk'ldu‘ll Slt'L'L'I. 55: Nlihl ‘lptn. l'tcc. Ruchn'tnll t'cxttlcnc),
I Atlas of the Earth Hcathccllc. 5 ('t'cxmcll lanc. W1 (\"h hpnt l'l’cc [antlhack acuuxttc \ct
I Big Blues Jam Stutlm ( )nc. (inmcnut Hutcl. (it‘uucnut‘ tut-at c. Hl (x510. (uptn. l‘t'ccl llmtctl h} thc .\'c\\ lllucx Surlcrx.
I Phil’s Sunday Session I [\fJL' llcatha. 3 ‘2 \thullantlx Rnatl. 5H1 I590 hptn l't‘cc. Bring _\Hlll nun llhlltllllclll
Edinburgh
0 Travis, Idlewild and Teenage Fanclub l\hct‘ llall. latthtatt Rt-atl. 225 ll55 5 .5llt‘lll {l5 5” {3: 5H 'l't'tplc lull nl wtnc nl Scotlanth luggcxt and but tnthc and tuck act~ all [tuning lut’c'L‘\ lur tlu\ (‘uncct‘t tut \lttca I. lahltlg lllll\l\ tut lattttltc tcltcl chant} (‘uncctn «\ttpput'tctl .llltl I‘l'tlllltllc'tl lllt \Illltllfl l/l I'll/(l .llltl chulat .\lu\tct l’lcaw nutc ltllcutltl pla} an acutmtc \ct t-n tlux nccaxtun \cc thc lltg l’tctutc. pagc 5. lot lllttlL' un 'ltaxtx
IFull Picture It“ l ._ Ha:lt.c::tr..:1\ \ttlti't \';\t’ “" 9“. \ l5pztx 1'- \'.~'. .t
tuck lfic't'l :‘ttt
I The Sadies l l< \vt
l;cc lttc a ,, tltca appcazarzt cw llll\ lll \tntc 11:; wt «a \tl‘\‘\
I Delta Croft Revue Ego Stainers “lava-ma. m ; «~ \uutlt llrttlcc 55.5312 "3‘ lulk t‘!l_,‘tfl.tl\ .lza‘l tum ll( lx’ alttl twiltc'tza‘uran \t‘tlll‘.‘ lmal ~‘tllltl \l \
Monday 23
l’ Elastic;
I John Cale lw.- l-u \ \\_-' \\..l‘. lla' :‘:.t \t \tntt'ut \ltcct “ " \ "'l‘L' \( ll lHll l l til'tttiat‘. \c
lntlctz'twtllttl luau :u'tta- U'. ‘- '\ tlawttalljx ltatuctl ttamtzau I“ ~ :1; Mn '.l\‘l.1 wantl l. 'l lull that ln'lltntl ptaxttc l‘.:\ algal.
cattlt- taatw \t-t- t‘rc'»
I Joe Jackson In; \ztt; \ ‘M \v
\ufi-l. tutti} tiff «tint» ‘ltlpxg -T.\ \\ \ka\c planu ltt.tll ‘J-llw law l «mu; ttc t l.:\\t\ \ lx \llt' Ix'mt 't‘. twat-5 ()tll \\tllt lltttt' lltltctyra l-u: (uttl\ “ml lut all but wplmtltatgx \tupply Hat
I Something Corporate ::..l Lucky 7 ()ttccll\lat5_'atc1 l tttuzt “l 'l-t"\!l'~
(iattlcnx. H" " '\3 "llpil. "' \- tc\tt1\ttntt la~t ll\lll‘.'( .tltlwii :.::. t\.-.:.tl ltuntctl h} l” icat will \nlltt \lt \l.‘: «t. \khn hcltx nut tuclutltt l‘laih‘ put tnllucucctl h} lltllx lucl mmN- autl | ltut. cltlllll ll‘tllll- ll lllt‘ll :'|1'\ \llllll t l.:\li lll. ‘t \l‘llltl takc nutcx llHllt lut' lat l mu
I Won Mississippi \tt-ttw l ‘ i : Kclnuhaugh \ttcct. ‘ 7‘ ‘Hl \ \put 9 “tin \ll\\l\\l[‘[\l .tlc t nut-hilt at .xtal ~w thcu tlchut alhutn
I Touchstone, the Spate, the Rising amt Love Machine lllt‘ ill. \utc (alc. 5” NI l\ltl:' \ttcct 55* It!“ X :“put 2.; lnthc tut ll tttplt~ lull
I Leftover Crack, Antimaniax .ma My Own Religion \ll.l.‘.l‘t'llx Ill-la, 5(i()\\\.tl\l\llk'x‘l.”\1‘u‘;‘)\\ll H'l‘lll {a ()\ct l-lx \huv. llattltntc I‘llllh
I The Nimmo Brothers \ma.“ ( m- (ituucltnt llnlcl. (nlun'uut lcttat‘ ult HUM Rwatlt ill (WIN ‘lptu Its; (ilaxglm \ l‘lll\'\ lnntltctx
I Acoustic Jam \IH' ll \lua/x l_‘l Sauchtchall \ttcct, “*‘lhi' \ptt; l:c- \\tth a ltcc tltlnl. lI'l l‘.llll\ it‘.:'tl\
Edinburgh
I Kasabian, X Tigers .aa Katy Bar the DOOI’ llllltz'w( ltll‘. l \.'.‘. \ttt~ 'l 555 Willi "put :5 llk‘l\|'ll\l .ttnl I’ntlit-tl l\ ptcxcttt Kaxaluatt \‘.ltt| hall llltllt tltc \allt,‘ \lJl‘lk' .l\ Rt‘l‘c‘l \lt'l~‘1t_‘.t lc' ( llll‘
I Ghost Of the RObOt lltt' l ltl'lltl lent. ‘lc \tttntta \ttcct, ‘5 “hi 'ptt. Ll; l’t'lltath llltul lalltnth lwl l.‘ lilllllt" J.tlllt'\ \lahlt‘h 'ala \t‘llt‘ u. l: r" \tmt/tm ya». I pla.ttt:' .tl‘l'l-';‘I-.t'.‘l‘. tuck) \lllll
0 Acoustic ldols< may: \~|t.:t:c
if) *\ Hlall \ttc-ct 3?th V» "’ln Izt-t- I\Ullllll,tl_\ cI'llllll‘llllHIH nu ".ll \ Ill ‘lll ul .txl'lhllc \Hlllltl5 «Illcttu:~ nan» «l 1m; np\ llHtll llhnhutghk llllt’\l \utrgt wtt_'.*.t;l 't\ llllx \kt‘ch lx a \pt't lal ~Ittt' t-ll tallctl '.'\\|‘ll\ll\ ltlu|< unlit-ts tltc llltj ‘ll‘ \lL'LlllL'kl l‘} lllt' \lll\" Ill lllc Is ll.:'~~ l,'\\ Hl}altll l cc l’atctwttl lazx Hp All Hunt. (itactuc \lc.:l:t\. \c-ttr R; l. .tlI-l (il.l\f_'lt\\v\ liml‘ “Ullat all Ii:.:\l. .llt‘_ l’ .fll‘l \llllllt lnt )unt plcaxta:
I Open Mic \hllhllc'hlllllc" L It malt. lltltlgc. 55" 51“ ‘Iptz. lu\t Tull 1t» .:I.\l
pctluttn
Tuesday 24
Glasgow 0 Eminem, 50 Cent, Cypress Hill, Xzibit, 012 autl Obie Trice Hatnptlcn l’allc. ‘H VI l’N HIM" i *szz. \HllHll l (lust lh \ltnn. lax? tu \hnt Shall} unam't .: hr;