In our regular r.olnrr:r:_ a team of
rrryster artrsts gr/e the/r thoughts on tile cur/MI! art scene.
DEGREES OF SEPARATION Words: Artbug D
l or many art students the next tew weeks wrll prohahly he the rrrost stressful part ol therr course as they prepare to mount therr degree shows. lhrs trrrre has long heen regarded as therr ‘comrng of age' and a detrnrnr; moment rn therr artrstrc careers. Many are hurlt up to helreve that alter tour years ot non gradrng} that then degree mark actually makes a drtterence to therr creatrve tutur'e and that glrtterrng careers are launched alter that one momentous nrght. lhese mrsconcer)trons are largely the tault ot certarn tutors whose grasp on the realrtres tacrng young) ar'trsts are as far removed as then own ttxrchrng; ahrlrtres.
'l he professional practrce course delrvered weeks before the trnal assessment seems for many a token gesture at a wholly rnapproprrate trrne. But elements of thrs event are crucral to a student's career post-art school and should he rmplemented as part of the currrculum much sooner. Wrrtrng proposals. hecomrng sell employed and trnancrng your practrce are all essentral elements to exrstrng; as a prolessronal ar'trst. It's a prty that many art schools treat thrs as an alterthought.
Any exhrhrtron should he the realrsatron ot Ideas to the best ot the artrst's ahrlrtres at that pornt rn trrne. But rt should also be the startrng pornt to movrng; on and dmeloprng turther and therefore should he treated wrth a crrtrcal perspectrve. As a result. the degree show should be seen not as an end to four years ot studyrng hut the begrnnrng ot a creatrve future. lnrtratrve. locus. dr'rve and the ahrlrty to keep these skrlls alter art school are what the graduatrng student needs at thrs trme . . . as well as a large supply of alcohol tor the openrng nrght!
90 THE LIST
Art
Exhibitions are listed by city, then alphabetically by venue. Submit listings at least ten days before publication to art@list.co.uk, by post or by tax on 0131 557 8500. Listings are compiled by Helen Monaghan.
Glasgow Galleries
ANNAN GALLERY
10-1 \Mnulltrrrrlx lx’rnul. ii‘ HUB \lor: If} ltl.rm ipm. \rt Warn 1.? 1“pm Mixed Show I “III \lon ill lurr
()rrgrrml [\rrrrtrrryx h} rcytrlrrr Stillt'll- alllflx
THE ARCHES
I“ \rgxlt- \rm-r. H‘er M): «NH: Wonderwander ln h ltrn \tm .‘rr Irrl
\ wncx ot Natl .rrrrl \\.lrrtt' photnphrplh h} \ltllll\.l(lt.llll.llltl\JPIIIIIII:lllk'lll‘l.l.l.1llll.i .IIItl [‘r'oplt' «It \tollarrtl .rrrtl \rt 1|}
ART EXPOSURE GALLERY I‘ll’.rrr1rc\lrccl. “I “M” \lorr \rt
noon 5pm
The Summer Show I rrtrl \urr :- ltrl l .lIlthklPCN \k'.l\\.l|‘t'\ .llltl Ulllt'l \llllllllt'l tlrcrrrnl [\rrrrlrrrp l\_\ \lorr.r Kclrrmrr. lir_\.rrr |.\.rrr\. (luv Brad} .Illtl |.rrr | llrut
THE ART HOUSE HOTEL
Il‘l Hath \trcct. llmhi 33.7 :3;
Suite Art I rrtrl l n .7" Jun \ with o! \wckl} c\lrrl\rtrorr\ mph \lro\\rrrj_' tlrr' \xorl. ol .r tllllk'lt'lll \lrrrlcrrt turn-ml} .rtlcrrtlrrr: (il.r\;_'o\\ \\ howl ut \rt \\rt|r.rrror\crrrr1;' cwr} In lrorrr *prrr. \\olt§_'.rrrj.' lrttr \lto\‘.\ \wrk rrrrlrl Ill Irrrr. It‘ll|'\\\‘tl ht lrurm \rrrlt'rhcrf: and l lmrror lx’ct'wx « ll .Tvl .lurrr
ARTERIES
l.\i.r It.th Sim-r. .‘3_‘ _‘.\ :rr lrrr~ \al lll.rm * illprrr
Ronald Ryan l rrlrl \lorr 1It In” lrgrrmtrw .IIItl |.rrrtl\r‘.rpc [\.rtrrllrr;'\ h_\ l-.tlrr1|\trrj:lr lnrwd .rrtrxl Ronald l\"\.rrr
ROGER BILLCLIFFE FINE ART
li-l |il)l|r\\\ootl Slit-cl. “I ~1ll.‘, ‘ \lorr In ‘) illam § illpm. Sat lll.rrrr Iprrr George Devlin RSW RGI - Celebration l rrtrl lllt' I" .lrrrr \cu purrrlrrrgx ol tltc \th unrxt ol \otlarrrl rrrrtl l'r.rrru'
Julie Chamberlain t rrtrl Inc I“ tun (‘onlcrrrporan \rl\cr\\.rrc
Ali Drew l rrtrl luv l" ,lurr (‘r'mmru Graham Stewart I ntrl Inc I" .Iurr Srlwrxrrrrllrrrrg .IIItl rcucllcr)
THE BLYTHSWOOD GALLERY Surtc 5-1315”) lloorr. Baltic(‘Ierrrlu'rx 4“ \M'Ilrnglon Slrccl. 3-15 l‘Nl \lorr ln lll.rm 5pm. Sat Illam lpm
The Spring Exhibition t nlrl \al ’ .lurr \ \pnrrg: \clt't'trorr ol prrrrtmyx h) \‘Ulllt'lll|‘\‘l.ll}. l‘ltlr .rrrtl Illtlr \t‘rrtur} .rlll\l\ mglutlrn; \wrkx h} l |r/.r|\ctlr lilatlartltlt'r. l)\ (Irrrrcrorr. .lollll Krrm. (‘l1.rrlt'\ Stcrrlrouxc. \\ r|lr.rm \lt’ l.r;;;_'.rrt .rrrtl :rr.rm
CAFE COSSACHOK GALLERY
lll Km; Strt'ct. “ i H“ W ltrr' \al
ll Warn llprrr
Eastern European Summer \utr \ .lurr Sun I” int \n mlrrhrtrorr ot rxrrrrtrrrpx h) ("/u'lr. l\’11\\r.rrr. (icorggrarr .Illtl uthcr |.r\tcm lrrrupcrrrr .rllhlx ' -' '
CCA
i<ll \rut'hrclrall \trcct. “2 WIN! luvs. “ml t\ In San ll.rm (rpm. llrtr
|l.rrrr 5pm
0 Beck’s Futures 2003 \rt "
Jan Sun 3“ Jul lhc letrrth BARK l llltll\'\ .manl lrttlh to ( il.r\:_'r\\\ tc.:trrrrrr;.' thc \er ot thrx )ctrr‘x \xrrrrtcr.(il.r\1_'mx lxm'rl Rumhnd \axlrtrxhrl‘r llcr tour ltrmrrr trlrrrx \wrr lllt' tl-Ulllll cltctrtrc and Hit lrrtlc Hair/r .' a." [fan (r1. I/)r\frrr .' «I! :m /’m.' ()Hltt r. llllllk'tl rrr .rrr tlll‘all rrcrglrhotrrlrootl
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Beck’s Futures 2003 Student
Prize for Film and Video \ .\ \- . .l
x... \t
-- l<.'..:.:llv fr /' lit. -r. \
ls Corporate Sponsorship Killing ‘ .. . ‘ _‘ \t.
Art? lrzr. .. l..
\;\ ‘\ \ _, \
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THE CHATEAU
l‘ llrs‘L-hc \Ztcui lw' :r.~:y "'
.‘. .‘. \ l‘..r'.t‘.:'.i:‘.;'..'.:t. t~' l'r
Pointless Cinema l?:.. j.‘ l..::
1" “mt: t.‘ lfrr'l fr.~.'c.:t [\rt-wt h .2:
t ....r;' or :rrxl..il.;t:~rr .;:.rt "\‘ll~'EII..:.'l\J mt lrrrlirrk \rccrrlr‘a‘w liootlt'r .ratl \zleit 1.:: l l11\l.‘.ltalll‘!l gu~rf~rzr..::1_ ; fw': \Iqwr' Drill; azrrl .-. .zrrtizw th" l’orrrllcwt rrurltwm - "
COLLINS GALLERY
lrrr\\-r\r!j. o! \trtrlhtlxrlc lx’rtlurwrrrt \ltct'l. TN .“‘\ \lon It: 1".211. ‘l‘ll: \rt rroorr 1pm
June Evans: Borderlands l :rrr‘r \.;: .‘l hm l \rtrt'xxr'ax lr-.‘rrr.rlr‘.r‘ r\.:rrrtrrr~.'\ in thy latt- lurrcl \.rrr\rr1\r\rrcrlt\\ tlrr' Trlc .lllkl \rrllurc ot tr.;\t‘l|rrr~.' [worl-
COMPASS GALLERY
|‘\ “at lx’cz'crrl \trcr'l ‘.‘i h; ‘t'
\Ion \.rl {Ham * illr‘m
Recovering a Body Ifrrr t.‘ Irm \\\-tl .‘ .ltrl \Il\'\llll‘llll‘lll‘l[‘.1llllill'.l\.lll\l tlr.r\‘.rrr;'\ l\_\ (rl.r\;'r~\'. \tlrrurl ml \rt j.'r.rt|tr.rlt'\. \ll\.:ll l .rturr .rrrti \lcwr‘. \rrrlt'rwrr "
THE CONNAL GALLERY
:rr \\t-\r ("rt-nryt- \rrct-r. N.‘ “*l \lon \rt Illarrr * itlrrrrr
John Lowrie Morrison t :1er \.rl 1 Jun \ lrrll \rrlltxlwn wt uteri» "tn lolrrr luxurc \lurnwrr rrr Irmrtcrl crlrlrurr rrnrrt
FULL CIRCLE GALLERY
\.r|lo1rrr | .rrrc. :1 lx’rrtlr‘.crr \trcr't. 1* l‘W‘l \lon ltr .\ \un l.‘ W ‘ “1pm \.:I ll.rrrr * lllprrr
Mixed Show I ntrl “at l\ ltlll
l’.rlllllll;‘\ |{\ lmk \l.r\ lrrrrcx. \rmorr | .rrrrrc.
(lorrlorr llt‘rrtlt'rwn. ('orrrrrc \rmmr‘r» l).r\rtl Row \\.lllll\'\‘. .lllll lilarr llr-rmwrr
GALLERY OF MODERN ART
(Jutu'tt \lrt't't. .‘..‘.‘l l‘l‘th \lorr lllll A \.:l lll.rrrr *pm. l n \rrrr lltrrrr 4pm sanctuary l rrlri \lrrrr .“t \cr‘ ltrt'rlrrtz' 1\\uc\ ol lrrrm.rrr llz'lll\ .{lhl tlrcrr .tl‘llw'. tlrrx lll.r|«‘l c\lrrl\rtrr-r1\ hrrrrzw lux'ctlrcr thy ‘.‘.«III\ ul mgr \l‘lllk'll|;‘\‘lt1::- W alll\l\ IX“ glottal m l‘allllt'lxllll‘ urtl‘. \mrrcx'j. lrrl;rrr.rtrorr.:l .rrzrl tqu \rrtlrxlr Ix’clLr-jucl orzrrt 1!. ll .- t'\lrrl\rtrorr C\[‘lr‘lt'\ \rrl‘rcttx \rrrlr trx torts!
rrrr;'r.rtron. tlr\r‘l.:\crrrcrrt turtrur' r'l‘l‘lt'\\l\‘ll. rtlcrrlrl} .rrr.t \rrrrt crux r»! lrurrr; \rlrxtx rrrtltrtlc \rrtlrrrrrjt (rr~rxrrlr'j~.. lrl!
\ tr'l.'.. \Iall. \\.rillll‘.‘ct. l ~1le \lrrnrr \cxlral. lx’rm \rrrtltzrr .llltl Ixcrrrr}. Ilurrlcr
Sanctuary Selling Show I rtlrl Mar 1 \t1_: \ \ho'w ot .rllozrlal‘lc .:rt ‘.‘.rllr r‘rruuctlx gum: in \mrrmtj. lrxlcrzrtzlrorrai .rrrtl thy \oztrxl: lx’cl:r;‘cc( orrrrt rl trrrrl
mt ltrtlcx ‘erl. hj. kart-arr .tlil\l .:rrrl torrrrcr rmwrrcr wt \«rrrxtrqrrr; Hort: \orr-x l).::rr
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GATEHOUSE GALLERY
I\’rrtll.\'ll (rlqrr l\’rt.:rl. 'C" H.‘ 1* \lurr. llzrr. lrr .\ \rt: ill < Whirl. \.:t
it Warn ‘ itlrttr: .
Barry Atherton \ur1\ \ll‘lr W lrrr‘. \
\rtlu \lrwn. ml at -. l‘.:l!lllll,fi\ '
CYRIL GERBER FINE ART l.1\ \\'\'\l Rt'jjvnl \rrt-t-r. j.‘l Wt" \lorr \al " Wart. ‘ lllprr‘:
Josef Herman \ ll \\ \ w i\l\\... r' « c I». H ll til' at "t \ l- ~rv \ H
GLASGOW BOTANIC GARDENS RAILINGS l.’ \l..: Il'”.y “ ‘ i" ll.:;?\
Paintings on Railings \.;r L .\ Mar
'1‘ l.' "'.-.::. “1‘”. \ \‘l\'.l.«‘?.r*'r
;\..': x " \f ti or: Y'a- liwtygt tunic“. '.;.I::..'\ /' r' " H“ Ira /«
GLASGOW COLLEGE OF BUILDING AND PRINTING N' \wtll'. Huston"! \trt'.“ I“ "We" lut‘ l".:':: \g‘tt. \\r'r‘.\\ l‘:. 1".:::. int'. Ill 1".:::' trout. Glasgow College of Building and Printing Student Exhibitions
2003 l mm | r; (I lrrr: Irrrl ~trrrfc'rt
\'\.Err"‘:'.:o:. r'wrr r:\'~‘\\llllt‘t‘l.:r1!Lilr'
'. .\r..:. tozzzztarrrrt .Llir‘l‘. rotrxlrutlror. and t " ' “.rrr..r.rtr' rntlutlm'jprorlrrt' tit-x 1:1:rxt u- ‘zr'r'rror \l\'\li'll.
rrlzwtw'xrph'. _c'.;:: :t rlsvz'rr lrrrrrrtrrn .rrrtl
GLASGOW FILM THEATRE
l.‘ lx’mc \rzt-t-r \l ‘\
Sanctuary: the Project I nlrl \lurr in ltrrr \\ [\rrl ol the ( rallt‘l » ol \lmlcrrr \ll'\ \rMir .‘Jr.’
.rx‘. lrrm \t't'la'r \ .:
\'\llrl‘!lll‘ll \‘u‘llw l\\ at! It'lll'.'\'\'\ ulru .rtlt'rrrlt'rl
ltHllc-lrt‘l“ Ylll‘. tn .rlll\l\ .rt row ( rlaxz'nkk
GLASGOW PRINT STUDIO
.‘.‘ .\ .“ l’xrrrx \trt-t'l. “f n 'nl lrrc \rt ll|.~.m ‘ Winn
Elizabeth Blackadder l :rtrl \al _‘\ lrrzr \ an. \r'ncx «rt «it lllll:‘\. x‘..rtt'rtulorrr\ .llltl orl [‘.:lllllll','\ l\\ I lr/.rlu‘tlr HI.“ lx.l\ltlk'i it'lt‘l\r.rlrrr:~ llrr' iatrrrtlt ol lrt'r t rr.'rrrl‘.'.'(! /\'.r'\r‘l'l_'r (,r..;w-. llwr- \ .Illll rrrt lutlrrrz' :rrcv. \t'rrm ol t'lt llIIl1‘\ \.'.r.r"r. \ at ( an Catherine Stewart: Elements of Grace l Irlrl \.rl .‘\ lrrrr \ \llllt' rrt Iltl.r‘.'llI| rrrrrrh l\\ (flrllrvrzrrt' \lc‘mrrl lll\I‘llt‘tl l\\ \t-mrrrr \ l’rrrrt mm \lrrlllt‘lilallta
Ex Libris - Five Continents I rrrrl \al .‘\ llrll \ll c\|rrl\rlrorr ol .rrlr\l\ hot-l» trorrr .rt row llrc \aorltl .rrrrl pnrrlx trorrr rrrrr'rl \llltlll'\ .lll‘llllll llrt‘ l I\
THE GLASGOW PROJECT ROOM ll'l‘ lluor hi l )xlmrrrc \trt't't ‘3‘ l 1 1‘ Huh hr‘rrr
Thunder in Paradise t rrlrl \rr lrttr \\-.rttl1~rr.rtcrrrvxr'rrt .lllk'\llll‘llll'll|'l rrc'n. xwll. l»; lrlrrrhrrrz'lr lxrxcrl .rlll\l\ ('r.rr'.' ('orrlltr.-.rrt. lnrrrrrrj. (rr.r\ c .tlltl I).r‘. rrl \l.rtl txrrr lrurlurrrrz' [‘.rllllllli'\ \t llll‘llllt' .rnrl rlcturrrmnc ‘.'.rrrl.\
Artist Talk \al 'lrrrr \‘pzrr \rtrxhl r.rr-.' (I‘llllll.tl\l l~~tllllr_‘. (ll.1\\' .rzrrl I).l‘-l\l \l.rtl cart t.:il. .:l\-|r;t tlrcrr unorl.
GLASGOW SCHOOL OF ART
lh' lx’t'rrlrc'n. \trt'r-t *‘4 l‘tltr \lorr llrrr l't.:rrr 'rrm. l :r I‘Mm l 1<[‘llr. \rt
l'l.rrrr noon
0 The Glasgow School of Art Degree Show 2003 urn-m on \.rr jl
lurr rmlrl \.:l .‘.\ lrrrr \ct' tc.:lr:rt' tutu V»
JOHN GREEN FINE ART
l\_‘ Halli \trt'ct. 4*; l‘l‘ll \lurr In
I” “Mm *rrrrr. \rt lll “hrrrr lllllr Summer Selection I ntll \lon 4r» Inn \ \clctlrr-rr ol l‘.rlllllll‘.'\ rrrtlrrrlrrrz' mill \ l‘} \\1llrtrrrr \lr'r‘.}rr “law. Il.rrrrr~lr \ldttlt'lldltl. l'r'tt'r Hoaxwrr l llL'k'llL' llclixrt. \l.:r:rrrr ll.rr‘.cj. (rm-raw lltllhltlll .tlltl\lllrtlll’.1ll_
FW HOLROYD GALLERY
‘* ll (it-orgy \trr'ct. “3 Illll \lorr \rt ‘Lmr 4pm
Annual Summer Exhibition \Ioll
U \lorr *lt llrl! Hrr-grrral rrw. uteri. hj. lolrrr