8'4"ng Music
HITL T*
pith thlltctl} twin tun \xliu'l tanatn DUNK/lee}
l’htl Ka} (all lot ll\l\k'l\. HI t'llldll I Salsa Celtica lltlndcc lx’cl‘. l.i_\
1nth thcltikcxtatinn «it; nk \tlnalc. til ‘52 I: ‘5 ill \ 1“pm 1 ll *H Events are listed by date, then I Out of the Bedroom “an-tic} '9’ 5th \ ltt'.ttl§ nn\ wt ta//. \ltttan. city. Submit listings at least ten Bat. I St \lai} \ Sttcct, ii" INS“ l.tlllt and ('clttt tl1}tltni~ llt‘lll llll\ days before publication to Ruth “pm midnight l-lcc llpt-n Inn \L'\\1t‘1l ll\L'l_\ plump I’m: fist llsuaiu Hedges at ruthGlist.co.uk, by lnl‘ ludinhtit'gli-ltaxcd \tngct-wngulltctx It titan! post or by tax on 0131 557 8500. ()l'llelldl nitixig will} \\ tlll tlic t’lldlltt' In I Songs for Swinging Lovers Listings are compiled by Ruth l'ccnrd a \ct tlll ltilll ttat'k lll\l hung a lltliidcv ch. la} Squaw. H1 is: Hedges and Kenny Mathieson. blank tapc 3: :< m In mp.” 111 .1 :. “mm:ng ht
lmc llt‘lll lutal gtiltatlxt and gnlnpmt‘i
Dundee Km in \ltnla} \ llt'\\k'\l \lllllilk'l I'm! M
m I The Scottish National Jazz at. 1mm” In. .- It ~:/-.a.‘
Orchestra Play the Rare Music
Glasgow of Billy Strayhorn lluntlt-c RCI‘. la} m
I Stephen Triftit Celebrates Squat-c. HI RH: 3: =5 1H xpm :12 M. 1m \ \
Sinatra Rn}al ('nncci't Hall. 3 tt'ihtitc to the git-at Hill} Stia}ltulil blangW
sum—maul] Strut 353 Slit)“. Titlpnt. lt'attit'ing plL'Htillxl} tindtunclcd tntlxn I George Kidd Jazzband (alt'
£l~l5li L'lh. Stcpllcn 'l'i'll'l‘it and the 17- tincai‘tltcd It} inuxiuilnght \\.iltcl \an dc \"ntlitt'. l .\t \ndimx \ Squaw. ‘15 .
neu- .\'clwn Riddlc ()l‘L'liL'\ll';t cutnc Inn in lil\ l'cxt'ait‘litw HilH Stia}lintn\ N12“ .\ illl‘lll {15 “5 llt‘llil‘ttlllxl . ' ‘ ingcthcr in pa} ltniiiagc tn the \uirld’x \wl‘k and lil\ lllll‘lkdl lt'ldllttlhllll‘ \kllll (it'tliggc Kidd lcadx lll\ l‘dlltl l we cntl} Phll Banc'bfl Quartet l l!t\ inmt laitintix (runner. l)lll\t‘ lillingtnii. ’tut 4:! tin Hunt/u ,luq. In hat and \idc lutingc. [‘llt't' tnt'lndt-x "‘\ i“: “3‘7”: “‘1' 4mm” I Lynne O’Neill Trio Ad l,tl3. lll [TH/ill]. amt \ttlll\k' tttcal lit: .lft-t: .lf .trt'. ,g-av l .: "(Hath llnpc Stt'ccl. 24866-15. Hptlt. £2. l.)nnc . I Stuart Gorman Quartet : A t..; 1 . 11,. up .M, 1 ()‘Nclll Icadx lllh tl'iu singing Bl'a/illan Hanllnon lildt’lxllldh. ill lit'll Stit't‘t. ‘53 “ll-1 7 . H «y, eh \ i 'l \‘ lllllL‘\ and tan \tandai'dx. I Clyde Rhythm Jazz Quartet ‘l Vipni l'lk'k' .lax/ linik twin lll|\ ; ‘ ' '
. Next l)ntl3_'l;i\ l’at'k. ('ad/tm \xcnuc. )‘tlinf: till-lllt'l It'd In L'lllldlhl Sttiait 1 WW 1 ’ " *7 ll” { ~lll~l "‘ lldf“ «1 Edinburgh (il()‘).\' 280MB. .\ llpiii l‘tcc l'ltt' (itiinian . i °..'"."«_" rt: rftl'wl. TM lat-Up .lv‘. 0 Phil Bancroft Quartet llcnl'V'x llainilttin Jan (‘lillt It‘l.lllli\'llt'\ \ktlli a - _ , , ,. , , ‘ .. ’ , Ja/I (‘cllalz h‘ MurilwnSll‘cct.~1(i7 ' \xccld} \C\\lttlt that \wlt'nincx gticxt Edinburgh 1 1" ix ' ' i i " ‘l'l‘ ml) 52”“. H.3lipiii. U». The great tcnnl‘ nitmcianx. I Rumba Caliente llt‘lll} '\ Jan g "‘“l "' M " ' ‘ l ’ \axuplimnxt. l’hil Bailci‘nlt. lcads hlx (‘cllaL S \ililllxtitt Slit-ct. lb” 43”” l 5 ~4‘":"’\ll‘;"- " ," "ml/71 littt'i‘natmnal hand lcattii‘ing Mike. ‘ m hlidinglit. {5. Sn Plt‘t't' lmnd lead It} pau| Towndrow ‘JHH “alkct lgtiilai'l. Rt‘ltl .»\ndcr\nn ll .8. . S.il\.i( t-ltit‘a titliiipt'tcl lull} Sliippc}. . L . h;in and 'l'ltnmax Stl'nllcn (Nurxxa'x. ECllllbUl’gh pim idtnf: lltt‘ lili\'\l in llnl iatint‘lt} f N“: W": i‘ \ It"? ‘1 1’ l‘w' WI!" T‘ ‘1 "M" tll'lllli\l. I Tony King Collective llt'ni}'\ l.tlll1 wiindx :t-lx‘r EMA rill/"WT ? 1“ ltrlnl till Hm I Live Music lltiinan BC-ln. 3/8 Ja/I (‘cllarp x Mormon Slit-ct. ltt“ 53ml I Toto’s Jazz Quartet Ham \ {‘t; L1Hih~j;,..}t:f ( mat). )3, Wat (‘i‘tixxcatixcuay (m3 axon. 9pm, Midnight. £5. l'i't'cxtflt‘ Itink \xitli \nt'alx liat. Randolph l’lau‘. ‘ ill hpln llt‘t' l \M . - g “)3. .‘ H, W. H ’ll‘. {Ht l'icc. New \wckl} night \htmcaxing ll'tilli Tun) King. lttl‘lttt‘l'l} mt \iigit- Klny |tllll\ llil\ liiiik} qtlaitt-t to i I i. ' i I Hi . / " lidlnhtirglt'x underground nu “ml and (il'tmwlhggu. pim idc thc \m'alx. 5 UK hm": ‘ """"' l ""l (i m“ lunk llill\lL‘l;lll\. I Tina May ()uccn‘x llall. (‘Icik Slit-ct. I Bill Kyle’s Backbeat Band T"‘-d“» \ ti ll‘e: llftt‘dttln mu >tlzl I Station Bonanza “(High 003 MW. Nillplll. Elli £13.51) ll.tl\l\'\| .\ (‘dl‘dlt‘l \‘Hlldllt'. V‘ {N lildll Sllt't'l. BAX/Hy; 31,7 ( ‘,’ H" tnfilmnt kt: {hr- (‘ltilx 14 NC“ Street. 558 Int-<2. "Din. £7 talcntt'd. \L'll\lltill\ and \t-ixatilt- \mu' m 321M»le ". ill lll. “Him. lit-c. .\ Mt "‘vt- JR l‘l ' ’ l (“ll ‘ll t‘ llll "'()ll (£5). A lundraixlng evening in aid til llit' \mrld 01 [K tau. Scc plcucw inndcrn xclct‘tlun ltuiii llll\ t-lct‘ttit' |.t// " H H \ A ‘ ‘ " hlkc t'ccycling chal'it} [like Station. 0 Phil Bancroft Quartet llt'nl'}\ t|ll;tl'lt‘l lcd It} tll'llllllllt'l K}lc. ‘4’”: W‘“ l’r' lil'”“””“””” WNW“) lcattil‘ing l'unk. la/l. African and Latin Jan ('cllai‘. h‘ \lol'l'twii Stu-ct. 4h" 53””. I The Rae Sisters llcnt}\ .la// Klll£,l7. Ht Jtl. t“ Ill/Alf. lwatx l'mni Jal‘ala and Mimnatucara. 8.30an U». Scc 'l’lttl 5. (‘cllaL .\' \ltll‘l'lvlll Strcct. lb" 52””. [ “mil-“Mp. it)“ {tn/(1,)
8.30pm, Ur. 'l'llt' \m'al l.llt‘lil\ til .i , , S}l\ia. (iiita and ('atltic t‘tillll‘lllt‘ ill] a Day“, M'll'gan’s north
iiiixtuu- ul \l‘.tlltl;tl'tl\ and wll pciincd : Songs l";ll‘.i:;t [Jamal Mtllltlglrt llfznlf; Trumpeter Colin Steele turns his attention an mug» l a <l< ,ta llt,‘ lu’l.’ mm mm a; m icon of his instrument. Miles Davis. Colin has . Dundep 3 tutu-ac. twat, 3am Int.- tm ltu’lltltml already delivered well-received Chet Baker . ’ . . . . I Big Band SpeCIal l)tlndt't' ch. protects. and sees Miles as an obvrous lure 7 1-.“ mm“. m m 3 a w x; w W” L 3 ‘0' any t"umpei player- .A Miles p'oleCt has It; .51 l i. l)lindcc .la// l'c\ti\ .il \pct'ial been at the back of my mind for a long time,’ \\ itli \\\ in; \tilllltl\ limit lllt' l)tindcc he confirms. ‘Miles' band was the epitome of 5\"‘*‘“" 1"“ (’"l‘NW cool — phenomenally creative yet at the Tma May ““f‘flw R31“ 15” . , . . . . . . Squaw. (ll ~53 235M). hpm, L Hi I LM. (lf‘n’l tla; Ufa/N l()/l1'tEV/()l lint/5a). same time extremely accessuble. We will go in - . . .». . . . . , . Stt llllt. INIIU/IIN /)1lIIt/tt./tl.. M iv :v [w H )) t- . . . . . t/taluJQ/l, lad hit/(Ill. Owl/l.) With a Similarly open mind —lust because “y [Hum/e H”); [Op/my I” l‘ I” W) hm we play something medium-slow I Gordon McNeill Quartet H‘“ ‘ " ~‘1 "P ‘ ' one night doesn't mean to say i W tnmttt-c ch. la) Squaw. lil ta: whmfltll- /<'1t'F)~'>. Mt N7 t/W- it won't be pIayed {erociously r. ‘ v , 3235 ill. Sillplit. [-1 l l; i I. l)} ILIIHIL' , inndci'n ta/I ll'ttlllL‘tl ll} ptmct‘ltil “'5‘ me ne’f" we ll draw on \a\upliuni\t .\lc.\'cill. ’url u/ l/Il' the repertoure ol the great numm ./a.-.- I'm/nu]. I Bill Kyle’s Sh“ Hot Jazz 505 and 605 quintets. and Quartet Human ltc- In. 3 3 Wm
will try to get the I i“- Sunday 8 (‘rn“g;ttt\t-\t;t_\. (m: Hahn.
‘lpiii lllltllllylll. l'lk'k'. l)i'titliiiicl' Hill
<2.“ lllf) ftittlttxatatxl <lt:t:tlt ziltltlttl. :1"<:tllt:rt lll(li)llt:lilril l>r');t:':t ‘.‘.’lll(,ll li ‘.‘.'<>.'.r« (tttltlrttl tlttz mutt/1,1)! ()l
l r v. i ttttlsm. tlrlrv. tltt: ll()lilt. ‘.'.'llll ; (,(Jlléll)i).’£lit)tf, ft<>tti f‘Sfit'llltllltél‘Jlél
Glasgow K} lc'\ llllt‘\l grouping. lt‘illlll'lll‘L'.
' , ; I Brian Molley Quartet (ini‘dtin .\lt‘.\cil l\;t\L‘\l. Stuart (mi‘iiian happens lhereafler w." be Blackl'l‘iai‘x. 30 Bell Stu-ct. 553 5034. lgtiltat‘i and nut I“ )L‘étl'-tiltl haxx dependani 0" the creatiVlW l" ‘).3(l|tlii. l'lL‘k'. Young: \;l\ti[‘lltilll\l \L‘ll\;llltill Km Ill (ilaxgtm.
ol the musicians. All the \lullc} lt'tintx lltl\ lntiiwiiic. basic elements are there - ‘ Honday 9
Edinburgh
l 'ust need ' . . . . .
'h m ‘0 dec'de - I Mike Rogers Trio With DaVId Glasgow w. 9 er l ShOUId Stand . Patrick ()ltn'tmi, i3 ('axtlc Sti‘cct. I 4 Jazz (l;t\ in\ Mt”. Hiaxin'x .\li|l wm‘ my baCk ‘0 the ‘ ll" 8‘22. | 4pm. l-i‘cc. lit a MC“ |;i// Road. \liliigaxit'. ()4!) 335* Spin. l't‘cc. audience and insult \cntic ltil' l:dlithiit';:li. tltc \likt- Rugcl'x ()tial‘tct producing: \\\llt}_'lllf._' lal/ everyone who tries to r u" 1 ti'in \\ itli l)a\ id Hand on ptann \l.tlltl.tltl\ lcatiil'ing giiitai‘ixt Bull Sloan
pci‘tni'ni tngctltcl' \\ itll ncn. )ttting and \Ht‘.tll\l (‘ainpltcll (‘nnxidinu
speak to me at the
. t l', * lalcnl lllt‘llltllllg l.llL'} Kcndta. Stixaii m ewa ' _ llcnnlng: and l.til'll;l Rcld nil \ucalx. Tuesday 10
(Kenny Mathiesonl- ' I Toto’s Jazz Trio 'l‘hc (inll I x " 33It‘t‘t‘5‘ ‘ 'l'awrit. Dula‘ Sti‘ccl. l.L‘lIll. GlaSgOW ' ‘ ’\ ' . 3N) -l..il)ptii. l't'cc. 'l'ltix lllliL' it\ I StandEasy 'l'ltc Stand. 3 it A .liinni} (illmni'c |tillllll:._' lulu lui’ \twal \Vtmdlaiidx Road. 057“ (Mt) ()USS t incltid}. ".Rlipin. U lUi. \cu night at tltc Stand I Delta Croft Revue lllc Dunc «it itiipl'tniwd and mpcrtntcntal tall. 'l'awrn. li/lh Market Stu-ct. 335 “ml wul and lnp hop. 8.3” ll ‘11]. l‘lL'L‘. llllit'x and tulk originalxI and gmcl'x ll'tilll llll\ EdlnbUrgh litlllllllll‘gll-llthctl hand. I Live Vocals Human Bc-ln. 2 H I The Rae Sisters llcnt’} \ Ja/I \th ('l'mxgatixcua}. («)3 HM)” ()plli. (‘cllalu .\‘ \lni'l'iwii Slim-t. ll)" 531m. l-tcc Sittfi‘w'du' ut lzdtnhurgli'x tnp tau 8. illpm, U». Scc Sat ". \ngalistx and inuxtctanx. ’
i THE LIST 57