Art
National Portrait Gallery continued
Portrait Miniatures from the Daphne Foskett Collection I :~':I \
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THE NEW STREET EXHIBITION SPACE
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OPEN EYE GALLERY
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Nick Hubbard I 'IIll \M-d 3* \pi lynwihr.
Carlos Versluys I nuI \M-II .‘i \[»I \K.I
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PHOTO INTERIORS
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THE QUEEN'S GALLERY
I’.II.IH~ .II Hui-nu.mummy “(I 5lIIlI. l).ui\ ‘I 5II.II‘I (vim
Faberge I I? f1 \Iu \rm If (m (-1 I! ‘ til. I.:I!:Ii\ 11‘ Id-I I III. lllIilt‘l 5\ Irn' lIu' umi. 1\ win-Ind (‘Ium'u'x (i.illL‘I\ ;‘I\‘\\‘I1l\.II1\'\IIII‘II!HIIUI HM'I zIIII ' pux m dam u 'YHII‘. IIiv lx’oyd ('oIIt't‘Iioii oI \‘.«‘II\\ In ([ui l.IIII‘i_:'c. Ilu' L‘IL‘.llC\l l\’ll\\I.Ili |\'\'-t'll\'l .uid gjoldxuuiIi oI IIic Luv I‘IIII .uid .‘IIIII pcului} l'.ll‘t‘l_‘_‘t‘ ruin-d Ii.IdiIIou.II Icyluuqum ol \‘IIJlllt‘llllItf. iuulinolouicd gold
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RANDOLPH GALLERY
III l)llllil.l\ SIrn'I. 55o 333S 'l liu l‘ll II “tun 5pm. S.u IIRIIJui -Ipui David Sinclair RSW I nuI \M-II SII \pi (III p.unIuig_'\_
Anitra Rushbrook l'nuI \M-II 1o \pi l’.uniui:_\
Ugo Baracco I nuI \M-II 31min. \tlll.llllll\
RIAS GALLERY
I5 lx‘uil.uid Squdrc. 33" 35-15, \lou I‘ll ‘Mui 5pm; S.u III.uu 4pm Edinburgh Architectural Association Awards 2002 l'nuI l‘lI IS \pi \n C\lIll\llIHIl oI Ihc \xuuung Jud gouuixuiukxi ciilruw Io Hit"
88 THE LIST
lzduiliuiyli .'\l't‘llllt‘(llll'ill :\\\(IL‘l£lll()ll \uiudx 3IIII3. \Vuuicrx includc lit-umuuii ‘l'uidull .'\lt‘llllt'L‘l\ for the (‘qu‘u’x (inllcr). llol}l’ood. Zoo \irluiu'ix Ior .\'orlli liduihurgli Arts ('cnuc and R.\I.I.\l Ior llic l'ulku‘k \Vliu'l.
ROXY ART HOUSE
3 Ro\hiug:li l’lucc. (WU—1| .iS3775. Hall} I l;un 7pm
War: A Response By 50 Artists l‘iilil Sun l3 .-\pr. lixlulilixlicd ill'lI\l\ Iioui lidinhurgli ('ollcgc oI :\I'l icxpond Io llIL‘ llircui ol :u‘mcd conflict III lliix uuwd nicdiu mhilulion.
ROYAL BOTANIC GARDEN lll\L‘l'lCllll llouw. lm crlciili Row. 553 “VI. \Vcd .\lon l();un 5.30pm.
0 Andy Warhol: Private Drawings from the 19508 Sui 1‘) .-\pr Sun 35 .\l;i_\. l'i‘cc. 'l‘lic lirxl \lIiI“ in; ol‘ llllx group ol prnulc
dum IlIg\ h} lllL‘ .»\nicriuui pop urlixl :\nd_\ \VJI'IIUI. l’roduccd liII' III\ (M n I‘IL'uxurc. llic \MII'L\ rcl‘lccl llic :u'lixt‘x luv .uid IlIlCI'C\l\ zuid :u'c [Itil‘ll'lllh ol~ unknown umlc Iigurcx l'roni purlim \Vurliol ullcndcd. Scc prm IL'\\. NE W SI 1:” )‘.'.
John Hutton Balfour’s Botanical Teaching Diagrams (1840-1879) l'nlil Sun 35 Mu}. l'rcc. Spu‘lul dixplu} ol \UlllL‘ L'\Ir;ioidui;u'_\ I‘Hli ccnlur} holauiiczil [caching kllglgl'ullh I'roni llic RBUIR .uclmm~ l’m'l HI 1/11' Inlmlmrq/I III/(’I‘IIIIHUIIU/ Si n'nu' I'k'xlliul. Visions of Science l-‘n I I WM 16 .»\pr ilixhihuion Hall I. 'I‘hc 3003
\\ inning unung I'roni lhc Nouirux auid [huh 'lk'lc'umpli Photographic .-\\\;ird\.
THE ROYAL EDINBURGH HOSPITAL
'l‘lic link (izillcr_\. Morningxidc 'l‘crrucc. 33‘) 3555.
The Big Rock Candy Mountain l‘nlil .\lon .‘~() Jun. IIIL‘ I'L‘\llll\ ol' (irucnic Rogcr'x proiccl huxcd around llic \czu'cli lor :ui curllil} pui'udixc.
ROYAL FINE ART COMMISSION
Bulxcliouw (‘loxu l-lo (’unongzuc. 55h (INN. 'l‘uc Sun ll;un 4plii‘
Wood in Contemporary Austrian Architecture: Carinthia l'nlil Thu 17 .-\pr. ()rgunixcd II} llic Kurnlcnx llzuix dcr .-\rcluickur. un mliihilion llllhll'ullllg 35 rcccnl building proicclx \xlucli imon Ilic mlcnxiw and pur'poquI uw ol' “ood. ’l‘lic huildiiigx rungc Ironi \implc gurdcn pm ilionx lo puth liigh~ rixc huildingx.
THE ROYAL INFIRMARY OF EDINBURGH
’I‘IIL' I’L‘llcun (igillcry I Laurixlon Matt. 33‘) 3555.
Voluntary 6““ atiun l'nlil Sul 31 Ma). .-\n mhihiiion cclchrguing ihc \oluniccrx in the RU};ll liilirniur}.
ROYAL OVER-SEAS HOUSE Landingx (igillcr). IIX) l’rincm Street. 335 I501. Mon Fri l();un (Ipnr What If . . ? l'niil l‘ri ‘) Mu}. Winner ol the ROS]. Annual .-\rI li\liihilion (‘ululoguc l)c\ign (’onipclilion. Mookx llzuuliuh I'roni Siiiguporc. prcxcmx and L'\hihilion oI' upogrupluc inlcrprclulionx on \uhjcclx ul‘l'ccling duil} lilL' ranging from a:
Glass (screenprint) 1970 by Robyn Denny on show at l2
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SAMARKAND GALLERIES
III ll(I\\L' SII'L'L‘I. 33$ lelll. .\IUII Sui IIIuIn 5‘ ‘IIIpiu; Sun II} uppouunicnl Antique and Contemporary Eastern Carpets lzduihurgli'x noucxl liuxlcrn rug and uu'pci gullcr} \L‘l up II} Bruin MacDonald lculurcx u lim- \clcclion ol conicinporur) my url Iroui llic I‘.;l\l gix \icll ;l\ guiliquv rugs illlll Irilml hugx
SCOTTISH GALLERY
III l)und;i\ Slrccl. 55h I3IIII _\lon I‘ll IIqui (Ipui. Sui IIigun 4pm
Sir William Gillies l'nul \M-II III Apr. I’uuiluigx. \Nulcrcolourx and drzmuigx oI St'UllhlI lguidxcgipc» Storylines l'nlil \Vcd 3H Apr 1 lucc upplicd :iriixlx. Slcplicn Bird IcL'I‘IIIIIIt'H. I)onium~ I-ondc «glow and Amanda (ill/I Iiupcxlr} I L'\plorc nurrulixc III llIL'Il' oun \Hl}.
Rings l‘nul \Vcd NI Apr. chulur guid III\ ilcd mukcrx arc prcwnlcd lll Ilu\ group \hou Iot'iixuig on dcugnx Ior ringx including \HII'Ix\ II} Juiic :\d;uu. Vicki Anilwr} ~Squli. licllum l)ul|in;uui. chd} Rzuuthx and K;I}o Suuo. Damian Callan, Jonathan Meuli and Polly Harvey l'nul \Vcd iII Apr. ()llS and drmxuigx h} l);uiu;ui (killuii. mountain puinlingx h} Jonathan \lculi and nc“ uorln Ironi l’oll} llgu'w},
SCOTTISH POETRY LIBRARY
5 ('richion'x ('loxc. ('unongulc. 557 3876. Mon liri IIIuin (Ipni: Sui
noon 4pm. WC. WA.
Marianna Lines: Stone Poems l'nlil Sui l3 Apr. A \ixuul pocuc lll\l(Ill