Films screening this fortnight are listed below with certificate, star rating, credits, brief review and venue details. Film index compiled by Miles Fielder
About a Boy i 12-0... i('hi'ix and Paul \Vt'itl. l'K/l S. 2002i Hugh Grant. \ichnlax llnult. 'lniii ('nllcttc l0|iiiin (irant ht‘calxx li'cc nl liix pnxh lnp xci‘ccn pci'xnna tn pla} la}ahnut \\ ill l'i'cciiian in ihix “inning; adaptatinii nl Nick llni'nhx \ nnwl Suppnitin}: a lnalci”x lilc nl tcll). lion/c and hiitlx \xith \xcalth ll'UlIl hix latc lalliL‘l. l'lt'L‘lIldll (ntticx iiitn (Hillttt'l \xith Matt-tix illnulti. tlic )nuiig \till nl xuicitlall} tlcprcxxcd l-inna I('n|lcttci. \xlin prncccdx tn chaiigc thc \xaxti'cl'x lllL‘. 'l‘hc \VL'it/ hi'nthcrx kccp thiiigx bright and lil't't'l}. hut tnp liniinurx fan tn (hunt and llntilt \xhn xpciitl thc tiliii xxxappini: plan-x ax thc titulai~ t‘haractcr. ()(lt’llll it! I/H' (Jilin. (;/(l\L’UH
Across the Border (Oltre ll Confine) t ISD tRnlaiitln ('nlla. Ital}. 2001 i Anna (ialicna. Scnatl Baxiy. 104mm. A i‘igni‘nux intlictiiiciit agaiiixt thc laxxx that clnxc hni'tlcrx and L‘Ulltlt‘lllll I'L‘ltlgL'L'x [U ll\L' CGC\\liCl‘L‘. llttx lllltt ix gt xti'nng [L‘Nllllltillllll tn the rcxpnnxihilil} rich iiatinnx haw lt)\\;lrtl\ xx calx‘cr (illL‘\. Sct in lhc cai‘l} ()0x during: thc annian L'Ulllllk’l. it dcalx \\ itli tlic pi'nhlcnix nl lt;il}"x iicighhntii‘x and itx impact. (il-"II (ilmuim g [film/mun: lit/in/uu'u/i. Adaptation 1 l5) .0. tSpilxc Jnii/c. 1'8. 200%) Nicnlax ('agc. .\lcr)l Sti't‘cp. (‘hrix (‘nnpciz I l-liiiiii. The en- ci‘catnrx nl‘ living 10/”! .llu/kmirh. \x i'itcr (‘hai'lic lx'aut'iiian and tlll'CL‘lUl‘ Jnii/c. \xnultl liax c ux hclicx c tliix \ltil'} nl' Kaulinan'x cll'nrtx tn adapt Stixan ()i‘lcan'x pnpulai iinii-l'ictinn hnnlx 'l‘lit' ()ri'lii'i/ ‘I‘Iiit'l tn hc trtic. ()l‘ cnui'xc. it‘x an clahni'atc pl'ulllx'. thc llll\ nl tact and lictinn. t‘t'al lllc and rccl lll'c Itialwx lint‘ ti L'Ulluillllt‘tl L‘Ulllllltll'lllll. But clcwr-clcxcr ax lx'aul'iiian'x xcript ix. it laclxx lliL‘
pla) t'uliicxx that inath tlic inintl-hcndiiig .‘itllkul'lt’ll xuch a in). And uncnnxcntiniial ax thc plnt ix. it quickl) hccnim‘x piulictahlu li'nnicall} cnnugh l‘ni' a film xn nlixCxthl \Hllt plnt. thc xtamlnut clcmciil ix a iwi'l'nriiiancc. a i'cmarkahlc nnc h} thc grcatly untlci'xalucd ('nnpcr ax tlic ciiiginatic i'ai‘c llimct‘ cnllcctnr. SUICt'It't/ I't'lt'uu’.
Anita and Me 1 12A) t.\lctin lluxC) in. l‘K. 2002i ('hantlccp l’ppal. Anna BI‘L'\\\lCl‘. Kath) Burkc. ()(iinin. lt‘x l‘)72 and l2-_\'cai‘-n|tl .\lccna tl‘ppal) ll\C\ in a Midlaiitlx mining \‘illagc “ith hcr xti'uggliiii: Indian parcntx uhcn thc lilniitlc. in} xtcrinux Anita ilircxx xtcri ctitci‘x hcr lift with hci' tlccpl} tl}xt‘uiictinna| l'aiiiil}. Mccna hccniiwx licxnttctl u itli thix Ar} an \ ixinn. but it ix a ll'lL‘lltl\lllp that ix tn tcxt hci' t'aiiiil} alniig \\ ith hcr xcnxc nl' cultural lici‘itagu .‘xlccra
FTH
Mon 28th Apr Magdalene Sisters (1S)
& Q&A with Peter Mullan 7 30pm
Tnurs ist i'vtay City of God (18)
Wed 7m May Catch Me If You Can (12A)
7 30pm
7 30pm
Tickets and further information from The Steeple Box office
(Tel: 01324 506850)
or on the day from the hall
26 THE LIST 13—2-1 Am 2033
S)al hax dniic a git-at inh nl adapting liL‘l' nn\ cl int [he xci‘ccn. managing tn
prcxcn c the lUltL' nt lniig xuiiiinci‘x and tlixplaccd ln)alt) that pci'incatt'x thc hnnk. .\lni'c pi‘nhlcniatic. |in\\ m ct'. ix llll\L‘}lll \xhn hamlIL'x thix lt‘lklt‘l' cniiiiiig-nl-agc drama \xith all the xuhtlct} nt a l.cathcrhcad ci'iclxct grnuiitl gi'axx i'nllcr. Nari/i Iitli'Ii/iurgli .-lrix (him: Ink/iii/uu'u/i, Ararat t 15) O. l.'\lttlli lign} an. (Xinatla. 2003i (‘lii'ixtnphci' l’luiniiici'. ('hai‘lt‘x :\/lt;t\tiltl'. .-\rxiiicc Klltllllltllli .\liii the. .-\n .'\l'ltlL'llltlli lilniiiiakci‘ l.’\/lltl\ntll'l ix making a mm ic alinut thc I‘HS gt‘lttwttlc Ul' lttx pcnplc ttl lltt‘ littntlx nl lltL‘ 'l‘ui'kixh iiiilitai'}. lll\t)l\L‘tl ix Ralli. a i'uniicr \xlin tale'x ll upnn hiiiixcll tn tl} ln 'l'urkc} tn xhnnt lncatinn t‘nntagc in thc land nl hix anu‘xtni‘x. l'pnn i‘ctui'iiiiig tn ('anatla. Rall‘i ix llL‘ltl tip ht L‘ll\lt\lll\ nllicial l)a\id il’ltiiiiiiici'i. tn \xhnni llt' tcllx tlic \lUl') nl the film and thc hixtni‘} nl' liix pcnplc. ligtixtiii unxpunlx thc xtni') nl' gcnncitlc thrnugh hix liliii \\ ithin a liliii. l’i'nhlcm ix. it‘x iint clcai' \xhcthcr thc film \chiii a liliii ix xuppnxcd tn he gnntl nr had. .-\titl \U Arum! cntct‘gcx ax tt \xnrth) hut tniit'uxcd and lllllllltllL‘l} pi‘ctcntinux plL'L‘C nt‘ liliiiiiialxing. Scc rC\IL'\\. (i/‘III: (i/(nuuiL
Back to the Future tl’( it 00.0 (Rnhcrt Zcmcclxix. l'S. 1085i .\lichacl J l‘n\. l.ca 'l‘hniiipxnn. (‘i‘ixpin (ilm Cl.
1 llinllni Dcxcrxctll) pnpular limo»
tra\ clling tantax} atlwnturc \xith xti‘cct» xiiiart 30x iccnagci‘ \xhixlxcd hack in lllllt‘ fnr a litth chicancr} \xith hix tutui'c parcntx. ()i/mn iii l/li' Quin. (Hawaii, The Banger Sisters t tSi COO
tBnh l)nliiiaii. 1‘8. 2003i (inltlic ll;t\\ll. Suxan Sarandnii. 97min. Sada-d trniii hcr inh. all tll'L‘\\L'tl tip but \xith nn mm In hlnxx. tni’incr grnupic Su/cttc tllaxxni cmhai'kx nn a rnad trip tn l’lincnix tn ti'aclx dnun licr nld hudd) Vinnie «Saraiidnii i. ()n the nu} xhc pickx up Hair} l’lunihcr thixhi. an Ul‘xcxxhC-Cttlltplll\l\t‘
\Cl’L‘Cll“ ritcr. and Mimi xhc tlncx lllltl hcr l‘cllnxx ‘Baiigcr Sixtcr'. xhc. likc llari'). ix
l
Charles Aznavour takes centre stage in Ararat
uptight and in tlllL' iiu-tl nt lnnxcning up ()n cuc. llaxxii icpt'ixcx lhc inlc nl lhc
ln\ cath ll'L‘t'-\Pll'll. nnu‘ again xlin\xing_' nl‘l hci' gait-at ai'xc iii a likcahlc (Ullllt‘ drama. (I ‘I. (.lhlt’l’tlllk, (t 'l. lam! KIN’I‘H/«C
BBC: The Life of Mammals on the Big Screen tl’(ii i\'.ii‘inux. l'lx'. 2002i \ai‘iniix. .\lin tlitx \\ \\ l' Syntlantl and l-ilnihnuxc inin lttlt't'\ tn picxt-iit l\\u CPI\U\lC\ Ul l)ti\ ltl .’\llClll‘UlUll“._'ll.\ gripping; \t'l'lt'\ cxplni‘ing thc iiatuial \xni‘ltl \\ ith a qucxtinn and aiixuci' xcxxinn altci' lllL' xci‘ccning \xith thc xci‘icx pi'ndux‘ctl I'I/m/inuu'. lat/iii/mru/i,
Bill Douglas Trilogy 1 lb 00.0 iliill l)nug_'lax. l'K. l‘F2i-13/55/"xiinn 'l‘hix ti'in nt lilnix ahnut a hit) gi'nxx lll_‘._' up iii a hat'xh mining; t‘ttllllltllllll} i'cpi'cwiitx pcrhapx thc pcalx nl Synttixh llllllllltllxlll}: Hare ll;tl'l';tll\C. xtailx iiiiagcx. paintul iiictiini‘icx thc tll\llll.lllt)ll nt lccliiig nii \x‘l'L‘t'li Ix ax clnxc l0 pnclt} ax L‘Ittt‘ttla gclx (i/' I. (i/thgui:
Bitter Rice (Riso Amaro) l Ix. I(iiiixcppc [)c Saiitix. Ital}. l‘NHi Silxana \langaiin. \ittniin (iaxxinan. Rat \allnnc 107mm, NL‘U'I'L‘dlle x'l;l\\lx' \xhcic xcx) (It) \Kniiiaii Ittilct'nalinnal xcnxalinit Manganni \xni’lxx in the net licltlx nt thc l’n Vallc} altct' thc SL'L'Ulltl \Vni‘ltl \Vai' \langann ix caught in a In\ c ti‘iaiiglc \x itli thc i‘txpcctahlc Rat \allnnc and lhc unxcrupulnux \tllttl'lt) (iaxxniaii Slit'L'lal xci'ccning \xith ncxx print (il‘l. (i/uwuii. I'i/ni/iuuu'. Iz'i/iIi/nu‘uli.
Blood Feud (Fatto Di Sangue) 115i tl.iiia \Vcrtimillcr, Ital}. l‘Fhi Snphia l.nt'cn. Marcclln .\laxtinianiii. (iiancai'ln (ilulllllllli ll2niin. In l‘l20x Sicil}. \L‘llgt'tlllt‘c~\L'Cl\lll§ \xitlnxx lllllld l’atcriin tl.nrcni lindx lici‘xcll x'Ulll'lL'tl h} \xcalth) xncialixl lau)cr Spallnnc 1(iiannini ll \Vcrtinullcr'x cxplnratinii nt tlic hii'th nl‘ 20th L‘cntur} Italian l.l\L‘l\lll thi‘nugh a triangular ln\ c xtnr) I'C\Ullx
in a liixtni') lC\\Ull cnuclicd in inclndraiiia (il' I. (i/mumi. I‘l/Hl/II'IHL ICt/Hlbll/‘L’ll‘
Blue Crush « l.‘ \u 0. ulntm Slntlnxt'll. l \. 2002' l\alt' lit-xuniilr \lalllimx l)a\ix. \ll\ llt'llk' lx’niltiz'utv
lll-lllllll llt'.lllll_‘.' lint xiiilci \iiiit' \l.lllt"ll||\\\1'lllll
lllt‘ liiz' xuiliii:' \I'lllllt'llllt'll ix
lallx in lnu~ \xith \latt Iliax |\I‘ .i \ l\lllll‘_‘ \l'l tlll.lll\'ll‘.l\ lt \\ ill \llk' I\.i‘.‘. Hi \ linnxt' ltnaitl ni lwt'ltalxt‘ Hun twl l\\ lliv iiiaii lwltltttl ( ltl_\ lit iii'i.'i!:ii' .lllll /\'u.»' \.'i.'/, \M' liau' nn light In k'\"\'\l .iiintht'i I'm/iii Ii'uii‘L \niiipcnxaliniix |)a\iil llt‘lllllll‘fx
lltlx \lllk" ll.l\\' .i luv.
t'iiit‘iiiatngri.ipli} nl tliv xuil ix xiipcili .Illtl lllt' lk'llldlt' t ll.ll.l\ lt'l\ .tlt‘ llltlt'l‘t'lltlt'lll in .l \xa} xivti l.llt'l_\ xt-v in llic l‘k'.“ h l‘l.tlll.t'l gt'lttt' l llxk'Jl‘lt' t'llHll}'ll. ll Minn" luaiii \l.llll.l:.'\'tl xiiiiixt'lt nii lliv lt'x‘l 'x‘-llllt' llll‘lll‘.’ my hip Ullt‘. tllltlt' (um/.1! lilimi Breakfast at Tiffany’s IN 000. Ililalxt' l'tlxxaitlx. I \ l‘Hili \iitlivx llt'l‘l‘lllll. (lk'Ul_1't' l’t‘l‘lldltli l’.llll\ i.i \i'al. lititlil} l'l‘\t'll. \1l\ l’\\"\ Rnniit'_\ ll‘iiiiii 'llnu l)n l lnnk " .ixl.x I‘ll','lll.tl '.‘..t|l llcphuin in thc lHlt' nl l‘t'lllt'lllllt' \tlll/Hl‘lllt'lllx llnII} (inliz-htl_\ ‘\t-ij. (iiintl. l iiiuxt x.i_\ l'iii aiiia/t-ilf ivplit-x l’cppaiil iii lllk' lHlx' nl llll\ll.llt'tl ‘.'.lllt‘l .llltl pail lllllL‘1‘I;'Hlt‘l’.tlll\.tl|.il. lllt‘ ltl‘lllt llt‘l‘l‘lllll Iiax nvwi lll.l\lt‘ llt'lllltxlx llll‘lx xn ynnil .tlltl \khilt' thv tiliii iiiax ha\c lllllllt'ltllh llllt' tlll.lllllt'\ liint It‘axt lllt' t'\tllll\llt' tiiicniatnyiaphx l\_\ l iaii/ I l’lilllk' .llltl lllt‘ xxxiiijgiiiz' xnuiiiltiat l. M llt'ni} \laiu iiii I. it ix \llt' '.~.lin lt'lllJlllx icxpnnxihlc tni ltl.il.lll;' ll \ll\ h .l \‘-t'll linul kltl\\l\ .lll.l[‘lt'\l tiniii lllk' lll"-\'l lix litittiatt ('apnlt' ( til/144' lililtl'rqu/i Bulletproof Monk « I: \i 0
«Paul lluntvi.l \‘ 200§i('lin\l. \tiii lat. Scanti \\il|1aiii \tntt. Kait‘l lecii l05niiii lztciiiall} }tlll|1L' hut tit-t itlt-«llx imxl} 'lihetaii lllHlilx \uii lat ix lt'Jlllt‘tl \Kllll (Ht tlllfl'l |.t\‘-t'tl \t“-‘- \1ill.llllt'l Stnlt lHjJL‘lllt‘l tht'} iiiuxt lk'kll‘uk'l lllk' Stillll nl lllk'l llllll.ilt'. uhith \Hlllt‘lx ahxnliitc pnxxt-i nn \‘.llHt‘\t'l lt'.ltl\ ll. liniii apt-inf; \a/i \illain Kait'l Rntlt'n ('aiijslit Ill lllt' lllltlkllt' Ix ‘._'HHtl lkttl ~lint” llllk'lt'\l. Jatlc. tlaujghlt'i nt a \Ull\l\lk‘tl Riixxiaii