Events are listed by date, then city. Submit listings at least ten days before publication to Ruth Hedges at ruth©list.co.uk, by post or by fax on 0131 557 8500. Listings are compiled by Ruth Hedges and Carol Main.
Glasgo'r/
I Lunchtime Concert (ilaxgo‘n. l'nixcixil} ('ontcil II.iII. I III\CI\II_\ .'\\L‘llllL'. “Hill”: I Illprn Ilt't' Illi- (iill.rii ()imrlt'l [\Ia} \ii.’/ I [ll h} MA I k'll\ I Competition RS \\ll ). loll RCIIIIL'“ \lit'cl. 33: 5H5- :I‘lll licc I.l\lL'lI in on Illt' .\ I<.iin~.i_\ (Milt-i I)cl\u\\} l’ri/c loi \olo pmno
I Opera School Workshops RS.\.\II). Illll chlicu Sliccl. 33: 5W"
" I5pin £5 IL3I liiloiiiml [‘It'\t'lll.lllllll ol RS" \.\ll) \IIMIL'INN. “oil in [IIHfJIt'\\ uttoinlxinml h} [‘I‘IIIU .1an nurturing: \L'L'IIL'\ lroin (It|\\l\' opt-Li IL'PL'IIHIIC
I BBC Scottish Symphony Orchestra RU}.II (irillu'll “all. 3 Saut'lnclmll Slrci'l. 353 Mlllli " 3llpin
LI I LIX Itf‘ LHI 'I'Ilc It'gcnilur} Slcwn Komt'twit'h. Ullt' ol lllc git-.ilt'xl [‘l.llll\l\ In llk' \Mll'lrl. [‘I.l_\\ .\lo/.lll\ I’M/Ii! ('l"l( ( I!” In! /\ lIIltlL'I Illt' (Illt't‘lloll Ul lllt' Illfl‘
SH )'~ it‘t'cnll} .ippoiiilml (Incl (‘onilnt'loi ||.in \‘olltox l’iogminint- iilxo int‘IuiIt-x lhc iiiliiguingl) ct'lu‘lit’ llll\ ol Ilt‘i'lloI. Rdlllt'dll .llltl Sim lll\l\} 'x Imllmnll} colonial Imllcl \t’oii' loi li’ii [iii/ind,
Edinburgh
I Turandot I'C\II\.II ‘I-llL‘JIl‘L‘. l3 3” \it'olson Slit'cl. 53‘) (Mill ' I5pin
L") {35. John Ilinnic illict'lx Iztlinhurgh (imnil 0pm.: in m production ol I’uu‘ini‘x oiicnlul in.i\lcrpict‘c. 'I'urunilol. I’i’iilccxx ol I’ckiiig. l\ .in icornaitlcn \xhoxc reign l\ blood} and “how Iiunil lll marriage “I” go lo IIIL' \llllUl' “IIU can .in\\\cr llll'cc I'ltltIIL‘\
I Scottish Chamber Orchestra ()uccn'x ll.iII. (‘Icrlt Sliccl. (ihh IIII‘I “.45pin. infill {3| (‘oinincmoruling lhc Filth .iiiiiiWixui'} ol I’rokolim '\ dculh lhc S('() pcrlorin \ornc ol Ill\ grmu‘xl work including I'm/iii (our will no _‘ pcrlormul h} (onilut‘lor Joxcph Sxxcnxcn
Glasgow I Timpani and Percussion Department Midday Concert RS.-\.\ll). Illll chlrcu Slrccl. 33: 515". lpm. £5 iL'3i. I’rogruininc lo hc unnouncul. I Competition RSAMI). Illll chl’rcxi Sll't‘t‘l, 33: SllS", 3,3llplll, I'il'L'C, 'Iillt‘ \lurgurcl Dick .'\\\;ll'tl (‘ompculion l'or Singing. I Hebrides Ensemble \liliigmrc ’I‘oun Iliill. \liliigunc. 050 582‘). ".3l)pin, {Ill 1‘43 {oi 'l‘hc Iinxcinhlc. (Ullll‘l'ht‘tl ol \UIIIL‘ or Scotlantl'x linuxl conlcmporur) plgr) crx. prcwnl an .iIl-Ilungungin mlruxiigun/ii torturing: Kotlul) 'x Duo Im- iiolin imrl ( i'llo Up" .llltl ligcli'x Horn I'rio Honmmui' (I lira/mix I Scottish Chamber Orchestra Baron) II;i|I.(‘;1\lIc Slit-cl. 353 Milli). “.3llpin. a» U8, Scc 'I'hu I3. I An Evening with J John, Matt Redman and the New Scottish Orchestra and Choir Ro}.il (‘ongcri Hall. I Sauuhiclmll Sliccl. 353 Mill“ “,3llpni. {III {l5 liningclitxil l‘l't‘Jtlllllfi.‘ through lllll\lt‘ .llltl uor'tlx
Edinburgh
I Royal Scottish National Orchestra I‘xhcr II.iII. I.olln;ln Road. 335 I I55. 93’ ‘5 £33 Slltlll\\l[Till/'14“! Soncx. pcrl‘orinctl hcrc h) \xontlcrl'ul \opl'uno \unc} (llhltllM‘ll .ind lhc RSV). urc I1.lllllllll:_' \\\\I'I\\ ol uxlountlrng lwuul) .intl Ill\ll RUIHJIIIIC harmony (iiixlal'xon iilxo \ingx Shank orclimlml song .llorui'n. and I'rctlcric ('h‘ixlin conduclx Ruxcl'x [hip/mix (I (VI/m:
60 THE LIST '5 .‘ '
I Lunchtime Concert \: (Lia (uIII't'tIIJI. ijnzi \lzlu. II; ‘l-li: I: I‘;‘::. I IL't' (llilldlll ,'\l.lll\i.l ('llzliirqzzk (in 1: lioni Reyltlauzih Itt'itznti ;_':'.; .: luiztiztzttw‘
I Lunchtime Concert \! ('i;iii‘rx~::\ ('Innth. ‘ I ollnan Road. :2” 1-13 I: I5i‘in :3 ‘LJ . Il't’t' loi \Illilt'lil\ Ii1; Iltlllll‘lllgl‘. I'm-nth ol Ill't' Roy-.1 \tl'llhli \.ilion.rl ()I\II§'\II.2 iiml .zl‘. .lltcznooi: ol inuxit lll.:l.ll1:_' ‘.‘.llll [‘Illitll‘dl titzllllt‘llhi. John (iuxlnng. .Illkl l‘l.:lli' .ltw‘llll‘dlllllit‘ll'. \oup .lll\l sanilmthcx \‘.lII ix' win-ll I Turandot I'C\Il\.ll llii-.«.ii_~. < \le'l\l‘II\IIk3LII.{13"‘HHH " Ifi‘ni L" :5 Scc Illll I3
Saturday 15
Glasgow
I Royal Scottish National Orchestra l<o_\.il (‘imtcii ll‘lll‘ .‘ Saut'hiclmll Slit-cl. 3‘3 Mlllll
{I I5” L33 *5 Scc I‘ll Isl
I Opera School Workshops RSI-\XII). lilo Rt'llllt‘“ \‘im-i. 333 *ll‘" " |5pnr {51th But 'I hu 13
Edinburgh
I Turandot lmiml IIIt'JIIt‘. I l 3‘) \it'olxon Sliccl. 53‘) (illllll ” 15pm
U) [35. SW 'Ihu I 3
I The Scottish Chamber Choir SI (lIILW' (Idlllt'tll‘ll. R(*'\.'ll \lllt'. 33‘ Ill-12. Spin {hit-1i. ‘Ronmnlit‘ I’.iiix‘ luo gloiiolix \l.l\\ \cllinux h) \ lt‘lllt' .Illtl I.;rng_'l.n\. act'oinpanml h) \Hlllk' tlc\.i\l;illng_'l} l‘t'dllllllll Illlllt'l\ h} I’oulcnt’ .intl \‘rllcllc lI )ou‘xc ncwi Ilt'ill'tl lhcin. «Ion‘l rm“ llnx phanto \llt‘lliu'l Iluirh It'tlll\ lhc (‘ILirnlwr ('hon \\llll I’t'lci llut'khouw on organ
Glasgow
I The John Currie Singers and Orchestra SI .'\Iltllt‘\\ '\ in lht' Squaw. oll Sullnmrkcl. Si :\lltlIL'\\ \ Slit-cl. 545 (illlll. Spin. \crl \luckrc \inp lIlC lcnoi rolc ol' Iimngclixl in a pcrlorinunt‘c ol Il.it‘ll‘\ 51 John I’uxximi. \ol \o \\ itlt'l} PCI'IUIIIICKI ;1\ Illt' XI lli/II/Ir‘n I’rlulun. I‘lll |ll\l (l\ L‘\lr;iortlin;ir_\. t'xpct‘mll} \\hcn il coincx lo lhc choral uriling. I’crlorincil hcrc h} lhc John ('urric Singcrx unil ()l't‘IlLNll'ul
Edinburgh
I Hebrides Ensemble (gut-cm Iltlll. ('Icrk Slrccl. («is ZIII‘I M‘lll L." {Ill (£3 LXI. SL‘L‘ I'll l-ll
Paisley I Paisley Philharmonic Choir I’uixlc} 'I‘o\\n llull. Ahht‘} (low. 5'5"
I‘ll" b‘ .\<" 3 \\ \tjl‘: \‘
'i' o:‘ in t x 2:; Int?
..il..\I'H' I] .." ./)i l’ Wu'kui I ix ti.:\\1t\ i‘ It“ ( II "tf'.
ll\3\3 'ltl‘t'Z'N'K ( II‘ILI “~3
Tuesday 18
I Musica Italia Rail otncrf ll....
I \IIIII‘lLZL'l‘. I :.:‘.;:\:".. Iiimo \i;a.;:u NH I‘ll" Il'i‘zz. Izqc Int-11cm :‘io,':.;:: i\:\fo I!‘..' It i \ to?I1.:r;.;i;to:';;‘o\;:
I u; ' Ill: :.:'p “N I‘N'l I‘lfl‘ ..:::il \:.:/‘. wuzuizng .:IT.Ll1.'t‘TIlt‘TiI of fitc :‘ozxfizr \i'l‘n' /.u:' .i I w .i .. '7‘} I link-:3 II.::;\" I’ciloziiicii i“. o;.t\',.:l:ifl:l;‘ \Hfi‘l.:fli' \l2\.:!
Il.:l:iil!oi:. I ii‘nuizii Ilrzigx‘i l‘lalll‘ .( fix: I llcnil ut'iiol and ('iizleopiic: I it'll! "~ii‘lllll \cc Ill :I .znil\l:l .3: lo: \III\It.1Il.lil.ill\lilll.'\ \tx' picnics. /’.m'
l( ll \ IIJWI l. .. 'i
Wednesday 19
(Elsi/101‘.
I Symphony Orchestra Concert I\'\ \\II). Ill” Ix’t'nlit'x‘. \lict‘l. 33.3 *H" «13' l).1‘-Ikll)tl\lk'\ \v‘l‘nlllt l\ .. tontt'il ol I).:‘.itl Ilt'illoiil\ \w’ l’..'i"\ [Camilla II”. \. \l.:lulllil \inolil'x/ ;i.'. (on. i in: my I)\'I‘I‘It' \ltllllll’ .lllii \\.:Ilon\ i. /
I The Paragon Ensemble Rom (‘oiitt'il Hall .3 \JIItIIIt'IIJII \lit't'l. 3‘3 Mlllll \pin 1 Ill UH Ill: l\’ll\\l.:li\ .ll;‘
" Winn L'
.\/I‘ "fl \IA\,
I 'M ‘II 'I\I
torinnp' Illt' I’.:i.i_:on I nxt'inhlt‘. on; ol Stollantl's Illlt'llll‘\l \l'lllt'llll‘llltil} groups. [Will‘th luo ncv. l<ii\\i.iii works In \I\'\.Illtlt'l Iialolll \’I.I4’\..(i"\l'. Jr if ( «iii: ( Ifw .llltl Human I‘Hlll it'tt'n III}: Illt'll I uiopmn [\icinicicx ll'}'t'lllt'l Mill \Iioxlliliontlik [III' In \li.:\. \li‘IllIl\l .lII\I \iol.: plirwi \‘.llll IIIL' t‘nxt'inhli'. inliotlutm IIIL' \‘-\Ill\\
Thursday 20
Glasgow
I Competition Rs \.\ll ). lllll Rumor. Slit-cl. 33.3515“ |l|.rni I Ik't' Ihc ( )Il‘llt't' (iiiil.:i I’ll/c ('oinpt'lilion
Edinburgh
I Scottish Chamber Orchestra (‘)llk'k'll'\ Il.lll. (.ICIIx hllt't‘l. (“‘5 :III" "45pm LUSH {SI I‘innixliponilutloi .lohn Sloigaitlx gontlnt'lx .l \‘clclnauon ol inuxit~ h} lhlt'c t‘oinpowix lll\[‘llt‘\l In llic lollt mum~ ol IIIL'H Ill‘lllk'l.lll\l\ /oll.in Kotlal} ICIII\t‘IIICtI Illk' lolk Il.ullllHll\ ol In~ Il.lll\t' Ilurigai) in In\ [him i x u' (iii-furl“: .l\ \lltl I)\nl.ll\ in lll\ (Xi i ii \:ii.'i I)}Il.lllllt' )riliilg \UIUl\I \kiko Sii\\.in.n [\‘llillllh I)\ol.il\\ Iiofri: (‘uizi ( II" .inil Illt'lt'-\ .llw
l1\:..
I St Mary's Music School \1
\l.::\ \ I’.:i:\':1( 31.33:. l.i\' \n‘u .. i * 3\ Ealxh 7‘ 3H'l\j:; 1; i: ‘ " I\I'\"‘ lli \I.:t:i:.; \if.-.:tl:.: 'fficliqo' l‘i " to:t.z‘l'\" now ". \cl Ii‘ " .._.l \\ ..i in .\ “‘\.\l\ gtI.\‘...i\\. .t t A‘ .‘It‘.‘.l .ltt Infill; \Iit‘ ilft‘ \IiV'i \" \
I illir~ “tannins: ll I‘ \ o t\ Jun-worn of I tlitii‘;.i,'r:( ml}; tiiioi:~,'ri
lli; Il.lll‘,t liz; I\'i‘\.:i \Iil; Io:
lit Luis \.l.i * 3\ "Ni \x' l‘lt“.
(infill
I Piano Department Midday Concert l<\ \\lli loo Karim. \llt‘i‘l 13.3 “IV \‘.‘..:iil J-llllllll" .il .K;\l~i-.;iii
iIlIItIIIIIIlC
Ipii; 2‘ t 3» ;‘l.'.lll\l\ lion: lily «quitfzticzzt \III\IIt'\ .: \lx‘t '..:l [it'iloriirintc
I Scottish Chamber Orchestra Il.lli'll\ II.:II.( .l\Il\' \licct.
'3llpiii to !,I\ \x‘ Iiii: .l'
I i lll‘l >1." l'i
I Royal Scottish National Orchestral \Ilt‘l ll.:il, l Hillblll I\’~|.:il. .3.‘\ II“ \‘llI\I.lIIilIII:'
L" " 97. \ Ilic ll'llllt' \iiluow I\V\olto I.:I\c/.:\'..l l‘t'llfllllh \Io/.iil\ luv u: ( iii . in Isw.’ .llltl \I\'\.‘.Ilklt'l I .'./.ll\'\ Ir; Info (onliiiuinj: ‘.‘.lIll Illt‘ll
I’li‘lullltW \t'llt'\. lliv I\'\\( ) tont lullc \‘.llll Inx \.Ii.j,w'ioi: ij ‘
I Dunedin Consort (ilt‘_\lll.ll\ lull. (ilt‘.\lllJl\ I’Imc. NM .‘lll" 'LI'.\IIII\II\‘IIII1‘\‘ \\ [xiii ol I ('\I '\ \quita IIiIIIJ Ik'\ll\.!lr Illt' I)IIII\'\IIII ('onxoil tt‘lt'hmlt's llit‘ \HIIII\I\ ol \unit 3 hour \Ionlvxciili'x j.'li'lli'll\ \. .i.
\ll'lll'lll \ HI Ilill Ill III\' I I\ I‘It'llllt'lt' “I \« iii/urn.- In (Iluilio \llll‘lil\llll Ilicick .i I.ll\' KILinit‘ lo Iii-.n Ilt'iio'x \I‘Il'lllllll
( II(\1'314":4A‘V",:‘.lll\llll\.\‘-"ll\li‘l\hllll\'l\3 ol .1 lit-v. I (’ \I \UIIIIIII\\II‘II lioin \l‘llll‘l‘\CI I \I\‘-.ll\l Il.ll[‘t'l \‘.IIH [up IIIl‘lIIL' lo \ I\.lltll I)IIC\I\'lI bx Hun I’.iii_\
Glasgow
I Royal Scottish National Orchestra l\)l‘}.ll (‘onu-ii Hm, I Hamlin-hall \Ilt'k'll 3‘3 \lllill LII‘H \i‘t'liifl
\ oililut lx Ix'.:'.cl \
'i‘piii 8,"
Edinburgh I BBC Scottish Symphony
Orchestra (llt'_\lll.ll\ Kirk. (iIL'}lII.ll\ I’I.it't'. (MN I‘ll” a ‘1<I‘Ill 2}) IN I.
MUSICA ITALIA
With no more than three concerts, Musica Italia is a small but perfectly formed gem of a festival. So much so that the director of the Italian institute in Edinburgh has germinated nurtured seed into the current month long celebration of all
things Venetian. Originally conceived
as a platform of exchange between Italian and Scottish contemporary music and musicians, the festival [this year embraces the music of Venice courtesy of the Dunedin Consort. Composers working there now sit alongside glorious past vocal masters Monteverdi and Gabrieli with new and old, Scottish and Italian fused together in Edward Harper’s specially commissioned Omaggio a Vivaldi. (Carol Main)
I Mus/ca Italia, various venues.
Edinburgh, Tue 78. Fri 27 8 Sat 22 Mar.