Films screening this fortnight are listed below with certificate, star rating, credits, brief review and venue details. Film index compiled by Miles Fielder
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Adaptation I ISI 0.. ISIIIIII' JUll/k‘. I‘S. ZINHI ~\II‘IIIIIx (first. \II-I}I XIII'I'II. ('IIIIx ( 'IIIIIX‘I I I~IIIIIII 'I‘III' I'n I'I‘I'IIIIIIx nI Ht 1in .IUIIII .IIII/AIII It II. \KIIICI (‘IIIIIIII' KIIIIIIIIIIII IIIIII (Illt'k‘IUl JnII/I'. \HIllItI IIIHC ll\ III‘III'H' IIIIx \II") III KIIIIIIIIIIII'x \‘IIUII\ In IIIIIIpI SIIxIIII ()I‘II'IIII‘x pnpuIIII IIIIII III‘IIIIII IIIIIIII I/Il’ ()II [III] I/III'I In IX' lIlII'. ()I (Ulll\L‘. It‘x IIII I-IIIIInIIIII' prank. IIII' llll\ nI IIII‘I IIIIII III‘IIIIII. II'III IIII' IIIIII I'I‘cl IIIC IIIIIIII'x lot .I (UIHHIUICII I’UlllllltIl'llllI. IIIII I'lmI‘I t'It'\t'I .Ix kIIIIIIIIIIII'x \Cllpl Ix. II IIII‘IIx IIII‘ III.I)IIIIIII'xx III.II IIIIIIII‘ IIII' IIIIIIII III'IIIIIIIg .IIIi/IIIII'iI II xIII‘h II In} And IIIII’IImI'IIIInIIIII .Ix IIlt’ plnl Ix. II IIIIII‘III) III'I‘IIIIII‘x [III'IIII‘IIIIIII‘ II'IIIIII‘IIII) I'IIIIuglI IIII II IIIIII xn nIIxI'xxI'II “llIl plnI. IIII' xIIIIIIInIII CICIIICIII Ix II IX'I'IUI'IIIIHKL‘. II II‘IIIIII'IIIIIIII- nIII‘ II) IIIL' gII'IIII} lllltICl\.lIllC(I ('nnpci IIx IIII' I‘IIIg_'III.IIII~ IIIII' Ilnxx I'I I'IIIII‘I‘IIII. SI-II'I ml II’II'uu‘.
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All or Nothing I ltx’I oooo IMIIII-
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‘ College comedy-crime capers in Stealing Harvard.
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Check out the Blag Bag for great
"‘IIIN Film
Dr Derek Norman. professor of applied film at Peebles Technical College. takes a fresh look at the art-house classics of yesteryear currently on re-re/ease. This fortnight. Morte a Venezia. better known as Luchlno Visconti's Death in Venice.
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'I<,.'.I not to IIIIIIIIZ I:tI.-'III. ’IIL'Y‘I; \‘.’I: (III: ZIIIIII'II; tIII; III:IIt." ot I’m up Itlr'tf I'I'ItI tIII: IIIItII III II;‘? IIIIrrIII ‘I'II'II‘:II,'(I(). ‘.'.'III:iI:III II I!II'III'II'I'N?I "'III‘, I)‘:‘7." <:IIIoIIISII:r_I to I'm IIozrtt ‘.'."I€:"7 I'II: tIII'Ik‘; III; ';I'I'I IIIII on ionII Tit/nuw‘, (III’I {IIIIIIII tIII: 0'; TIIIIIAI In I‘IE‘, own IIIIIIIIII.
(Iotint [Join I III;"III‘.o \."‘.';'I'ttt :I~ Moth/Inn vary, IIIII'II; IIIIIIIIIIII: III.II". <IIII:II IIKIIIIS oI IIIIIIL.’ III: ’IIII: «'IIIM’I'I“; tztktan IJIIIIIIA‘, (Lazn‘; II‘IIIIIJ IIIII'I‘?’ l.’II> l’ofgfrnziii /Il'.‘./; ‘,’_'; lfinribg lay/LII {IIIII ttirnnrt It Into ()r;:;II:I:;ioIII,I “(i/VI. (I tirIIIIIIIIt .‘IIIII moo", I(?(I()<)Itlf;(:fI Et‘; II forerunner I’) t'III: nuo IserlIm IIIIII monument III: nor.I saw It I'If; IIIf; min to YIIké: III’JIIIIITL Mann‘s II().’I,‘.II'I of IrIfI:II'IIIfI;It:I;II IIan t;.In It I'Itr, aunt;
Dirk Ho'III'IrIII: III, Von. At;r;III;IIIIIIr:II It; too young; the IIIIIkI‘nIII (IRIS? “I'I’IIIEII III: tut/I for c'vnIrI IIIIIIIII';I IIIIIIIIIIIIT, \/-‘I’L’)I‘.I:"I IIIIII‘IIJ'ITS tIo': of UK: :I:;III from .‘."»"'.I:’ I'IIU MI‘II: or oi:f;’III<; ’LT)"‘I)’;II‘L‘.’ IIII ';I.III 5., I: I)|(}(L€: of syntax SIIIIIIIIIIII;;ItIoII :If; you will ever 300. PnrtIIIII‘; worst of :III tnI; ’)II}(3'II of fiII‘flLIIUII. Ind/Io IBJorn /\II(III’3Y3$;(3'II_ I'I 'oIIIIMI of III“, IIIIIOCC‘IICI; by Hunt; turned Into :I sexually :IIIIIIIVIIio'It IIIrt, (If; VISCOIIII cannot help but return to IIIS favounte 'III:iII<,-f; of (JIZISS 'I<:';IInr: and the DOI’IIILS of corrIIptIOn.
And yet I IIII’I myself watchinq this; film (New Sunday afternoon Inst after my '.‘.’|I(: has thrown the roast or‘ two roor I'II'I'I stormed out, Alone. a .‘.’€tyf3 alone. ween ma: :2 mam.
Death in Venice plays Fl/lll/IUUI‘I‘U. Edinburgh from Fri 74 Mar,
1/ ' Mr B -, THE LIST 27