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The Stepmother , ' u a l U} V, , ‘ ‘ ' ." l 'x ' ' 1- y I u r- y I t \ 0 Op 0.. ‘ ‘ ’ ‘ i - . ' ' " ' . ..... '.~. .' ‘ r 1.. v . ~' l,,,,, , , , ,,.,, ~.ison le , , ;. .i.,',;/.. ‘ 2 7r, 'A. .' r“. 7i.;‘7 " ' .' ..."..".’. " ' ‘ ' v r v. ,. I, o y " ling“ ' ‘ , . ' " " ' ANDREW ‘ ‘ :1 “I MOTION rm“ .-::- w o. .1.» ‘y o. n“ The Invention of Dr Cake 1- --- ~~ I ‘t-"rfl f’...‘ n'— i ' : .‘c 1' ", ‘ .;. : . .. 1" . 1m ' o ' O," y : :,, I ‘ ‘ 00, 0. . o . 1 :Lo . p :i ' ' " "3 z i z . j ,\:1 t .2 " '1: ’sriil’ ~A: I I iv' g,‘.' :2; I 2K2: . u o P. l: '5‘; H "'V. " i s I.».,.. yd 0",, c» .v- 1-H F The Scheme for Full ‘1 I, . v r 'r ‘ 7": w} 1v .w "\." ‘ ' ' Employment l“ l ~ " ‘ i‘ " . {fix} 1' i) ' " 1' I t 2"‘;' g; )‘ .... ,_ ‘H : . o I. . u, 0']~:-:\, H, , i -‘I. ' r 'i N” .z'l :'T'7- ' ' l-L' e'l‘é l" iii, ” ’ :‘ f, ‘ "':' \l'itl' in .v i i‘ 1 H ' t.” tn, 1- ' ' l“ 'T' " -~"..u. 'tl \. ..'r' ' l " 'il'e >'\A“l 1': i ". i c 0'“. :I( .r1'dc’ f)”, , K. '0' r" o 1 id Ibo tow,” v1{}-',1‘11{ ' '\'_'.1:l€7(:\1'.i.nl‘. .'.\v(:- ' / Alli" e-ffiiileJ-ir'l ("aluii'l‘l'It- .tilm -‘ ' l‘.""’ 'I-PJ' ;" ' .t"‘;.%" 9‘ ["1"] .‘f‘ifi'.’ ""34"it‘lii'!:"‘{l{;?~ Ili' )l"‘{:"f.‘il°. Wl’T'W' t: z : f‘w “vi-J " l; ,‘v’ :' ,g. . in" l‘ 'fs;' err: 'ga'tin' .'.'<:'<- "leaf, '2gl,:i;\:'ixi;"i ‘."s-" , , l, v),i\ ,1 .,. ma HUSH] :'--r::'_. :_.i:":,:'. "a I' nuy'tatfn. ' (:TY‘lltl. Mi“,va li,ii'.:»'_'w:'4: T'ne-r rim l/iiwv l' xvi-«1...».w'mx i. : m ' l“'.r:"'. u " :‘zt; T'i-‘~ l’x: "th'fiéfllifi .‘J'iuiu l><-":, "(36:32 ‘3' gym} (i;l‘.i"‘i€:.-'a:zuaim? i». )lllEM‘. . r ’; i:,‘,::‘./:2/)M,‘N(‘: .‘ l, ,, ,‘ ""‘ W 6 6.60 _, qt y '»"""‘i‘ 1' "’ .1: "' ..’ " 0.. t. .l”‘x)\llf) t,’ (i'(1~.l‘t3lf) :5!l?\(,"f> I, 5,) I' .(Y fu' "’ \ F“). a 1"“ “Vl..‘f‘lv t \)"' " ." '1 1 _\ it“). .)«x ‘t (“1"5, It»i/(i.)(,t}\1t \: - - _. (it ./"/.(l\)i‘ ii i. ' . I H I t ‘ _ N "I W W PM H Tricks of the Light [w W W I "‘ ""t’ :. i".L:‘. .. "Nyuy‘tHlK ‘t,,f3\>' KM“? (‘11:! (i if.‘_3 ')(_ itl‘O,‘y.\ ""’)(.(“ 3 lI/i ll.”.(,'lf, (\I' 7 ',...'~u,.il‘.\ «\r‘ :fhvi"‘.'w1\'\va;f «JV 'jvv‘u "Hr" ,’)vv‘{.rrl,'x(lhvuv~f, ‘. Q. n \) ix ., t/ t“)l (13;. in, “M. (. (1.\‘ ,.|\, t/t. ‘ \)II .t , (l T'lw :w fur-w- ." ‘ F2'¥<,~1-::§2':;T'.‘-: :, ".'."‘.;':t ‘K<:;i’.f; run: "5‘. (ii -"w>xl"“"‘<l T'V'v 'U' h l )' IT?» ’1‘)? " ‘li zi- i t' :'(:"u.i' : .'.<,'_li:' _. .2" \.<:'f_:'i: slierlii‘.llii:(it;<:i,‘.u ‘..'," .',_.n:.\/'."2>z/;;",. an'vlw iwtlll'll'llfll'k; Millim. M» t‘ 1"» T'il;l"‘é-"°." : "(:",l'.'.-'7 u TP'UJLJVUJ’M Ix." "Ei’l with”: {Milk it'.‘.'(l.’Cl "walnut -;:".\:m.‘"li.~.' 5".“ 1m: yi'l "W." " 21m w x ,“iiitmii n83 Anam- luf'v- ,.i' v. Mun'mlé' 4:1“ lustxf'tw Hii'wrir‘. (it“(lnmmAmi/illul '(lf) f‘iii' (lti'wgiii': .gnw 331': . 1: «MW: ‘: l 1' I, 1' ) l (HI .‘:|\;'(‘ ' t?" . 1. iv . ' I M! Mr» t ft” yr 7 ‘1 (l " t} .7 ' ' . w" f'ul G‘L’é 5" i" " I. - f)i,"'""‘ ' ;( ‘y ' I‘,VyI v‘f (yr ' n.7,? ‘ r i. lw\)'_ ‘.K 4 .tw ,t..t1 \l 14/ 0‘1’.\v 1. i :v. v.;,r~ ' M I r 5 "burly: \‘I y '1 (Iv(: t a -. t . \ C. " li;'\ “Iv. illffizz'l" T'i‘l 1' " '
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-~.vr;: wit It Don’t Worry Me is a kind of riposte to Easy
Erin i 5;. Riders, Raging Bulls. Where film journalist ,.'::;,:v:2' : .. t'w Peter Biskind‘s book re-appraised Hollywood :l'tl’leh Kl cinema of the 19705 by putting the personal H, mu: He'd-a a e- and professional lives of leading filmmakers of " :; immz'. 2'. the time — Coppola. Scorsese, Lucas etc - t, it 0w under the microscope, film critic Ryan Gilbey ft "5:31 :3: 5;? ,: attempts the same by focusing on the art, 'Ef.lf; vull‘ . .m lx tu- from The Godfather through Taxi Driver to Star {Kl\l!".\.""_" Wars and beyond. 1 "taut-x ., :~. t'u- Gilbey doesn’t mention Biskind’s book : ~' \‘sz‘1"'\>.’"r>'. explicitly, but he writes: ‘How that work [the
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:w: T" in. :if'. z- is a more edifying and miraculous story than «Vim . any amount of anecdotes about what the mix-u i; _: «x: .'.;i\., cokehead filmmaker did with so-and-so's wife tum-ax :;' 1:", and her lesbian twin sister up at the Playboy
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R; .K.‘ \V . r m mansion.‘ For Gilbey, films such as Nashville, Mai, {,9 “my ll'i ' DAN RHODES" Carrie and Jaws are as fresh now as they ever in)“: TM“; 1,0,1”. Timoleon Vieta Come were. ‘When you stumble across a movie for flint :w: glam/x i, Home the first time.’ he writes, ‘it becomes irrelevant z ‘ww.’ l i ' o
«Li'w'xut1- :‘u :M when it was made.’ 0... i No it doesn't. Today, no one gets away with going AWOL in Asia, snorting coke and Mm. "a; blowing pussy and ends up (as Francis Ford Hay" :‘v'x: Coppola did) making a magnificent mess like mm" 'w'm "at f.'.o Apocalypse Now!. In the 705, these vice- ~~\:;_ [11" ‘waties; mu: riddled wonder kids were given free rein, and woman: “a; "5:: "cm. as a result heralded a silver age of cinema. a'u- tit-,1 :; ~ Today, Hollywood is run by accountants who HU‘R" {“ffz='::.'.z‘-:‘-‘. greenlight commercial fodder such as xXx. t" :ztc' m Passionate as Gilbey is about the films, his inwards: 'mathsw l>:1 meandering, introspective criticisms make for f’w f Cw wuss a wilfully narrow re-appraisal of 705 'titv Hollywood cinema. And anyway, lesbian-twin i'w- °'::t 3' 3'»: action up at the Playboy mansion is nothing Would anyone try to blood a film fir/(:r‘smr? \ . givinatvg; short of miraculous. (Miles Fielder) like Carrie in Hollywood today? iAllem Radcliffe-v
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‘ z'. A THE LIST 105