(Lultqnuhm Incwnh .I phnlupmplm IHIII HI \HIIII' HI IIIC IIIl|\I CICL'AIII II.‘lII;lII \l)lc Ihcullcx Ill Ixulupc '.§ ..
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LEITH GALLERY
()5 TM Show. I.cIII1. 55* 5255. Inc I'I'l Ilum 5pm; Sul Ilum ~IpIII.
A Discerning Eye 8;” IS IVE-l» Sm 3‘) Man. .\ IIII\L‘(I C\IIIIHIIHII nl pulnllngx lculunng: “Mb |\_\ Iny'c IIm'InmI. (icm‘gc IIII‘I‘I'II. I’clt'I \unlmu and lh'lmruh I’lnlllpx.
LYON & TURNBULL
ii III‘UILL'IIIUII I’qu'. 557' HH-H.
.\Iun Sun Ilgun 7pm.
Jewellery and Silver 1 Im I % I'ch. llama .-\ \pccmllxl \ulc ul 1c“ I'III'I') uml \lI\t'l‘
Pictures I’l'l |~I I'ch. llam. .\ \pccluhxl \ulc nl [Ilk'llll't'\.
MERZ
37 limughlun SII‘ch. 553 3773.
Wed Sal mum ()[HIIL Sun mum -IpIIL Mixed Exhibition .»\ changing; \L'It‘t'llull HI “(Wk II} ZIIIII t‘L‘llIlII‘} ail‘ll\l\ IncIuIIIng uurkx h} I’nl IXHIIIMHIIIC. I);I\III IIU\IC. SIM I‘ll IIUIHI uml (Scull Rnpcr.
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NATIONAL GALLERY OF MODERN ART
IIL'IIHIII RI‘JLI.“3'1(‘jiIH'Ik'tl‘IIIkKI Inlmnmlmn ii: 33mm \Iun \II
IIMm Spun. Sun mum Spm (LII: Warhol to Koons: International Contemporary Art from a Private Collection l mu] \un x Im \II (\IIII‘IIIHII HI mukx nn Inn: It'lIII Imul III\ IlIIIIII}: \IIII} \\.IIIIuI. I \I RUM II.I. .Icll Ktmm. IIIII \ IHI.I .IIIII (iIIIwII .IIIII (ig'mgc
Duane Hanson - Sculptures of Life I “III Sun 3‘ I-ch L-I 1U! [um/m h} I)u.mc Hanmn l\ .'l \llPL'I lt‘.IIl\I \t‘ulplmv ul qu \mcnmn luunxlx \xlnt I1 Iqu Iu'cn .I I.IllllIl.Il .lIItI I.I\UlIIIIC \IL'III .II IIIL' :J.IIII'I_\ IHI mun} )mI‘x In |I\ unl} l'I\' \II(|\\III}I. IIII\ 11mm ("\IIII‘IIIHII I‘lllI;I\ Ingclht'r ‘1 ml II.qun\ c\II.mnIIII.u_\ \L'llIPIllIk'\ (lulmg: Hum IIII' th In \IIHIII} hclnrc Ile (IL'JIII, I'mm IIII- mII} III-plt‘IL-II IIIlIIIIL‘I' .lIIII I'IuI wuva In mlmml \IIIIIII‘\ III INII'E'II .‘IIIII IIIIC .\IllL'IIt'.I. II.III\HII L‘\PIUI1'\IIIIk‘It'IIllllIlUI k'\L'I}tI.I.\ IIIE'. The Reintegration of Life and Art \Inn 2-1 I'L'h IZJSpm. \\ IIIL'I .lIIII Iu'IuI‘t-I' KII'xllc Skmncl gun ;I MIL Blood Scotland III“ 3" I-clw hpm .\ ncu \L'I'ch ml InunIIII} IilIIx\ lllIIlIIIllt'llIfJ t'IIIIII'IIIpHIul‘} an In ;I IIL'“ illItIIt'IIL'k'.
NATIONAL GALLERY OF SCOTLAND
IIIC \IHIIIIII. (II-I (CHI) II'L'E‘HIIICII InInI‘IIIuIIun N2 320m, .\Iun Sal
Illaun 5pm; Sun noun 5pm
The Print in Italy 1550-1620 III“ II) I'L'I‘ Sun :7 :\|)I. Iznggl’uungx. clt'hlngx umI mmdt‘ulx pI'quct-II III II.II_\ during: IIIL' pcnml I55” In I030 ull IUJII lmm IIIc III'III\II .\Iu\cu|n'\ t'nllu'lmn, .-\I'II\I\ IIIt‘IIIIIc I'Icnnng (‘m'ncllx ("011 It‘ Ig ii 73 I. I'L'LIL'I'IL'U IIIII'IK‘E‘I
35 IIII I). IIIC I‘I'UIIIUI'\ \gnflllln
557 IhIIZI .‘llIII (‘uI'I'uu‘I :IIIII I'Ium'cxt‘u VIIIumcnu I IV).i IUD-II. NI f3: 4’.
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MAIII I’I [IRA/II v' r‘ .\ I... ‘ “J mu“ m BRA/ll “M ' A “‘
After Hours IIHI VII-h h "pg: 13:; (LIIIcIj. \ II-wxx \1.;'\ wth: ;..\:13:I.f izttic'v' I.:I;I It'I .: I‘II‘L'IJIIIIIIC wt [3.3.x mm" It'.:\III‘.j.'\ .lIIki mi unzrx'. .III
Three Tahitians by Paul Gauguin III I1IcI‘ I.‘ 5pm ( “Lain! I'.;:1u'\ quIc I‘uh (1.:H1'III11X punish" 3:23;? ZIII' \pulllghl
NATIONAL PORTRAIT GALLERY
(‘IIIL'CII \III'I'I, (Ci ICU" 'zcwmIcII mlnmmlxnn 1‘: :3th \Isz \.II IIMIII ‘IHII. \IIII IIHI‘II ‘pn. (fits Navigating Stevenson: Digital Artworks by Sara Gadd l uni \Im :1 VJ} \IIII' I.lI_‘.,'t' “.11: \II‘,‘II.II .u: quh Iyx \Im (I.I\I\I III.III\\ IIIK' Inxl twmI‘uicI :I'III'IJII'II (\IIII‘IIIHII .II IIII‘ \mmml (IIIIIL'IIL'\ nl \nllmd I \my Ihc I.:II'\I Imhnulnp}. (LIIIII II.I\ tun:th .: \I'II\'\ nI
\ IlIll.II \[MItIN \kIIltII I\'\II'.IIL‘\ IIII' \‘L'IE'I‘IJICII .IlllIlUI I\)HI‘E'II I Hlll\ \IC‘H'IIM‘IIK IIIIIIIII'}\II\IIII'\uIIIIISm|\I.m\I\1:1 I\\\ SUV |\‘\ IL'“
Robert Louis Stevenson I :ml \m
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The Robert Louis Stevenson Collection at the Writers’ Museum \\C\I I" I I'I‘ IRI‘III I I.‘.IIII‘ (ilclg. .l\\l\l.llII kccpn HI \m I.II III\II'I_\ ('nIIcI‘IIule. IIIIIII‘IIIjJII (I!) (hunt lI yum .I I‘IIIx
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THE NEW STREET EXHIBITION SPACE
II \c\\ Sllccl. R55 “(III-I \IHII SJI
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Images of Afghanistan l nIII Inc l.\ I'ch I’IInlngmphx lukcn III \I;III.IIII\I.III I»)
OPEN EYE GALLERY
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I;'<71':.;'v 3"!“ I"\"' Contemporary Glass Exhibition
I :IIII \\;II I“ I K" ( I‘:11\'IIII‘-~t.:1\ I'I.;\\'.‘..::I' II‘.:II;I::'»:‘ EMITIA ‘H I‘;':c( ‘;.::'u\ \.:r.: \I.;III~~'I.;?\'I I:1:‘I'I’.;:z\uf\ IH.'!!«I I’IIIIII‘N I 1cm Iunkm .mII \ndhn: \\.:I\II Leon Morrocco m: I (I‘ \\I~I: I.‘ \I.:I \I‘I'II II i“.an .xnd .: IszIIIm-gx ‘\\ I \‘I‘Il \Inxxnun
Jennifer Wall \u I c“ \\_-\i I‘\I.I: \cv. iI-‘.I.I'II\':\
mm? Hun w:
OUTRAGEOUS ART
‘ I" II.II\I.I\ I’Iau' i“ “‘l; II;\‘ \.:3 II.:III hpx':
Mixed Exhibition \ Jun-ma
31ml 0! I‘.:HII!I1:‘\ 111‘ IIIinIlt‘ \.:II(w:‘II IL}: \IMII‘I
«‘II'.'!?I..I\ .lIIkI ‘.‘.HII IV.
\cII-I H‘I‘II‘IIln Hun .fo I\.:YI\III \I.\. \IIIn up .21).! \I‘IIIIIR‘,’ Inn .:L .IIII\I\ PATERSON SA
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ART FOR NETWORKS l5 FEBRUARY | 29 MARCH 2003
RACHEL BAKER ANNA BES I HEATH BUNTING ADAM (iHODZKO RYOSUKE COHEN JEREMY DELLER RADIOQUAIIA
JODI
NINA POPE & KAREN GU "4th JAMES STEVENS TECHNOLOGIES TO THE PEOPLE STEPHEN WILLATS
CURATED BY SIMON POPE
GALLERY | BOOKSHOP HOURS
ARTISTS'TALK
ARTISTS' \NORKSHOP
fru1tma rkot the gailery
THE LIST 91