Film Index
Hey Arnold! the Movie «1’» I‘lllth Illlt’ht'l. :llllzl \IIlt’Cx IIl Spcntcr KlL‘lII. JcnnIlcr Jaxnn lugh. l’aul Snernn “(mun '\llUllIL'l \It‘klt‘lIIlt‘IIII t‘al‘lt' 'l'\ gannnn “who II In Ihc lug xtrccn IluI \xhcrc Ihc 'l \' xcrch dcall \xIIh dnxx II In cath IIIaIIcrx. Ihc Innx IL' hax hnllcd nn In ll an nxcrhlnxxn xlnr} ahnul a ruIIIlcxx prnpcrl} dcwlnpcr IIIIcnI nn \‘Illlllllt'lt‘lgll gaIn nx cr rcxIdcnIIal xpacc ()I t'nurxc. Amt-man lIInIhaII-IIcadcd \rnnld and IIIx p.le arc ha\ Ing nnnc nl IhIx .-\nd lurcd IIpr and lllt‘lCL‘lldr} hahc llrIdch. the film Ix prnx IdI-d \I IIII xnInc hIgh xpccd IIL‘llUll \t'qllt‘llt't‘x Sclt‘t‘lt‘tl rclcaxc
0 The Hours I ISA: O... ISIcpIIcn l).IIdI‘). l'lx'. ZlKIiI \‘Icnlc KIdIIIaII. Ju|Iannc \InnIc. \It-r}l Slrccp. I IJIIIIII Illt' Hnqu IakI'x \'IrgInIa \Vnnll 'x Idca III a “\xnman'x \I-lInlc lllL‘ III a xInglc da)‘ Ixcc .lln IhI/lnum I and c\chIle II In IIIIL'I' unmcn lrnIn Ihrcc IlIIlt'rClIl lllllL' pcrIndx‘ “IIIIII hcrxcll lpl.I_\Cd h} KIdmanI (Ina WIS. 50x l..'\ hnuxcmlc laura Ilrnun I.\InnrcI and prcxcnl da_\ NC“ ank II-xlIIan xInglc lllUllIL'l'. (‘IaI'Ixxa \aughan ISIII'cpI l'xIng a \L‘rlL‘\ nl L'Ullllllllll InnIle In Innxc I‘llanII'xxl} lrnnI narralnc In narI‘aIIxc. II lIt‘t'IIIIICx t'lL'lll' Ihal lllt‘xt‘ \t'r} tlllllL'rClll
IndI\ Idualx xlIarc Ihc lcclIng Ihc_\ haw IIccn hung lllt‘ll‘ Incx lnr xnInI-nnc clxc, SI‘I‘chIuIIII-I I)a\Id Ilarc IadapIIng \III‘IIat-I (‘unnInghaIn'x nm cII and l)a|dr} xcamlI'xxl) hlcnd llIc xlanI'x. and Ihc [X'rlllrllldllt‘c\ arc IcmaIkahIc. (icnumcl) IIIanng. Scc prune“ and lL'\ It“. (lL'llL'lill I'Clt‘axt‘.
l Prefer the Sound of the Sea (Preterisco il rurnore del mare) l ISI I.\IIIIIIIIn (‘alnprcxIL llal}. IIIIIIII ‘lllnun. Slnr} nl Inn Iccnagcrx II'UIII xnuIlIcrn IIal} \xhn t'lllllt‘ Irnm tllllt‘l't'lll \lllL‘\ nl' Ihc Irackx‘ l’aI'I nl lllt' IIaIIaII l-IIIII lI-xIIxal. (il’l‘. (Ilaxgnu.
I Spy I IIAI O lllcll} 'l‘hnmax. I‘S. ZIIIIII liddu- Murph). 0“ cu \Vlenn. l'amkc JanxxI-n. ‘lnnIIn. lX/II “llll In} lllllL' v} c. xnmI-Ilung hchnnIng \Hlll Ii I‘lnp ' (inI II III nnc. 'l'hc ndd-cnuplc paIrIng nl cnckxurc .\Iurph) and laulhack \VIIxnn In IhIx rcunrkmg nl Ihc I‘WIx 'l‘V adxcnlurc xcrICx \xax a Plit‘ll \IIIII a InI nl pnII‘IIIIal. l'nlanunaIcl}. Ihc clcnwnlx crucIaI In a hudd) xp} caper - humnur. IIghl acIInn xchICIIch. xharp hanlcr hem ccn Ihc prInpralx - arc prcII} much .Ihxcnl \\llllUlll Icaw hcrcl \VIIxnn pla}x a \L‘t‘IIIIIl-I‘IIIL' xt‘L‘rt‘l agcnI “lln Ix lIIrL‘CIl III Icam up “Illl \InI'ld champInn hnxcr .\lurph} ax
cm I'r Inr a IIIIxxInn In Budapt'xl In I'cIrch c a IcrI‘Ihl) III-Icch xIcallh fighIcr planc. xInIcn h) .\IaII‘nlIn .\It‘l)n\\cl|'x IHIIL‘JII) IIcl'arInux. lnrmgn IIn .-\IIIcrIcaI arIIIx dcalcr. IlIIdaprI lnnkx prcll) and Ihch a It“ xl} dng aI JaIIIL-x llnnd and .IIIIII'mI: [HI/Illthlt'. huI Ihcrc Ix prct‘Inux IIIIII: clxc In I'ccnmmcnd Ihc mnx Icl (It'llt'ral I'Clt‘tlxt‘.
Ice Age II'I oo I(‘hI-Ix Wedge & ('arlnx Saldanha. I‘S. 3(IIIII \nIccx nl' Jnhn It'guI/amn. (inran lelljlc. Jack Black. 81mm. 'l‘hcrc‘x a hunt .IIr nl' cyncmn III IhIx xlnr} nl' a mnrnxc IIIaIIInInIh. a humhlIng xlnIh and a
\\ II) IIgcr “hn InIn l'nIu'x. deprIc all IthI‘ hcut-I' lll\llll\‘l\. In Iclurn a human hah} In IIIx lalhcr .-\x Ihc pIancI gclx cnldcr. IhC} hcad III Ihc nppanIc dIrchInII nl' IIII: anIInal InIgraIInn. In l‘alllt‘ xnnu Ill’ll'h. \IIlL‘IInIICx. ICC (In L‘\ and prcdalnrx. ex cnluall) dclncrIng Ihcu charge. The anInIaInrx Ir) dt'xpcralcl} In Inakc )nu lall
Mon 77m, Wed 7 9th, Thurs 20th Feb Hany Potter and The Chamber of Secrets (PG) 7 00pm Tues 25th Feb Rabbit Proof Fence (PG)
5 15pm (Si 7 30pm Thurs 27th Feb 8 Women (15) 7 30pm
Tickets and further information from The Steeple Box office
(Tel: 01324 506850)
or on the day from the hall
32 THE LIST 13—27 Feb 2003,
Powerful storytelling in Peter Mullan’s The Magdalene Sisters
III lnxc \xIIh IhIx unllkcl} hand nl L‘lt'.llllft‘\. In lllaltt' )UII \Ct‘ lllL' gIIIIIl llt'allx lwllt'alll llIt‘ lran) L'\lL'll0l\. IIIII Ihc_\ dnn‘l dclncr Ihal .III IIIIpananI charm. ml. Han and IIIIagInaIInn St‘lt‘t‘lt‘d rt‘lt'axc.
In the Mood tor Love II’(;I ooooo I\\‘nng Kai-War. llnng Knng. ZINNII \laggIc (‘hcung. 'I'nng l.cung ‘V'IIIIII. In Kar-WaI'x llL'“ film. ch III (Illx llnng Ix'nng. an adullcrnux {Ullldllt‘c Ix lIaprnIng clxcuhcrc - hclchn Ihc huxhand nl' xccrcIar) (‘hcung and Ihc \\ Ilc nl l.cung'x InurnalIxI. lx'aI-WaI'x IIIIcrI'xl Ich “fill Ihc cucknldul. and Ihc \Ia) Ihal xnnIclhIng men Inan Inlcnxc. pcrxnnal and InI'IuIInux
dm L‘ltlp\ nul nl lllClr xharcd ‘adullcrcc' xIaqu. \VIIII .\'al KIIIg ('nlc nn Ihc xnundlrack. rcguIaI ('hrIx l)n}|¢ hclund lllL' camcra and hcguIIIng “ardrnhc dexlgn. lx'aI-Wal nl’lcrx a xcducIIxc xurl'acc chlurc IhaI'x undcrcuI II) IIIc dIrchnr'x Iradcmark cmphaxIx nl Ihc act‘ulcnlal nwr Ihc clcarl} InlcnIInnal. Suhll) qunnIng filIIIIIIakIIIg. (il’l‘. (ilaxgnw lnnowhereland (Hicbiryerde) lL‘t’rl Ilk‘l I'l‘a)lun I’IrchInInglu. lllfht‘)KICI'IIIIIII). ZINIII ‘Nnun. Baxcd nn Ihc upcrIcncI‘x nl 'l‘III'kC} 'x IIIIxxIIIg pcnplc IaI'nund .illllll. man} II IIIle III pnhcc cuxInd) I. IhIx drama xccx a mnIhcr \xhn rcluxCx In hchcxc hcr xnn Ix dcad undcrIakIng a qllc\l In find Ihc hn). l-"IIIIIhnuxc. IidIIIhurgh. Insomnia I ISI 0... I(‘IIrIxInplIcr .\'n|an. l'S.-\. IIXIZI .>\l l’at‘Inn. RnhIn \VIllIaInx. .\IarIIn l)nIIn\an. | 13mm. .\'nlan It'- dIrchx Ihc Nnmcgian IhrIlIcr nl' IIIc xamc namc ax a xnIarII) -plnIch ll‘} IlIIlaI‘) ScII/I AmcrIcan crImc drama \\ Inch halant‘Cx finc characIcrIxaIInn and IhcnIaIIc cnnccrnx \Hlll xlunIIIng ch pIcccx. The film ccnIrL'x nn a haIIlc nl' \\ Illx hcuwcn I’acInn‘x \clcran wl‘ and \VillIamx' deIurhIngl} nnrmal killer. SaId halllc nccurx III Ihc nanlIcrn .-\laxkan In“ nthp nl’ NIghIIIIuIc. a place nl pcrIqual da} IIghI uhcrc l’acInn'x \\'I|l l)nrmcr can'I ch nn xalleacIInII. ncwr IIIInd xlccp. Ynu'rc unlIla'I} In xcc xuch (Ulllltlt‘lll gcnrc filnIInakIng cnInc nuI nl llnIlpxnnd again IhIx _\car. .\'anh IidInhurgII .-\I'Ix ('cnlrc. lidInhngh.
Into the Deep II'I I\'aI'InIIx. I'S. JIIIII I .\IIn Ilk‘, .il) l.\l.-\.\ prcxcnIaIInn. I.\I:\.\. (ilaxgnw
The Iron Giant III «00 IIIIad Bull. [8. l‘N‘N \nIch nl' JcnnIl'cr :\Ill\lIIll. llarr) ('nnu‘lt Jr. VIII lhcwl. 86mm. In IhIx .IIIIIIIach film adapIalInn nl 'l‘cd llugth'x Clll\\l( chIldrcn‘x xInr) ahnul a hn) \xhn hclrIcndx a film, rnhnl l'rnnI nulcr xpat‘c. Ihc acIInn Ix Iranxpnncd IrnnI rural lingland In xnIaII-Inu II .-\lllt‘l’lI.‘.l III Ihc IaIc I050» The rcxIIIIIng film Ix a l'axI-Innnng lllrllllt‘\l l'caIurIng hnngn- bcaIIng hcaInIkx. a grcaI rwkahIll) xnIIlIdIrack and cxplnxnc dexlrucunn nn a grand xcalc, 'l‘hlx hung a kIdx film. Ihrnugh. II'x \ Inlcncc \x IIII a cnnchcncc. (‘Inmxnrld I‘alkIrk.
Iron Ground, Copper Sky (Yer Demir Gok Baltir) IccrI llK‘I IZUIIII l.I\anclI. Turk). I‘ISTI III-1mm. SMIIl‘UllC drama III “Inch Ihc InhahIIanIx nl a \ Illagc nn Ihc cdgc
nl pnchI} III-hue Ihal Ihc lncal hcll IaIxcr hax dI\ Inc pnucrx \\ IIlI uhn‘h hc'll xaw lllt'lll l'IIIIIhnuxc. lidInhuI'gh
Irreversible I IXI C... I(iaxpal' \nc. I‘I'ant‘c. ‘ISI .\Innu‘a licllucn. \'IIII.'cnI ('axxcl, ‘lqllllll. II‘II'II’I‘II/III' Ix lllt‘ xlnr} III llIt‘ \ IL'Illll\ rapc nl .v\lc\ IIchIIIchI and lllL' rcwngc Iakcn h) hcr hn) ll'lt'lltl .\Iart‘ux I(‘axchI and lIL'l c\ hn_\lI'Icnd I’Icrrc Il)upnnIcII. 'I'hc Ill'\l nl' man) \l)ll\llt' Irn‘kx Ihal \nc pullx nn hIx audII-nt‘c Ix In It'll hIx Ialc III Icwrxc. Sn \xc xIarI denI'IcnIach III Ihc hcaI nl rclrll‘llllllll and \xnrk hackxxardx In a xIIIII gIImpxc nl’ lIappIncxx Ihal prccch'x lqurc “1|ngle l-Iaxxcd and clunIx). hul Icchnu‘all} III'IIIIanI and nlIcn II'ul) rcpcllI-nl. )nu arc unllltcl} In xcc Ihc lIla' nl ll'l't’ll‘I'H/llt‘ agaIn III a lIl'cIImc nl Iraxx lIng t‘IncIna'x guIII'r. Sclcclcd l'ClL‘il\C James and the Giant Peach III 0... lllClIl‘) Sclu‘k. I'S. IWIII l’aul ‘l'crry SIIxan Sarandnn. Sunnn (‘allnw ‘QIIIIII. l‘lIIllI llIc dlrcclnr nl 'I'Im Burlnn "I llll’ .Vlt'hlmun' [fr/nn- (‘hrnmun (Ulllcx a \xnndcrlull} cnlnurlul adapIaIInn nl Rnald |)ah|'x much- lII\ Cd llU\Cl. l.I\C aL‘lIIIn lnpx and lallx lllt‘ xlnr}. huI lnr Ihc Inan parl. Il'x l'un “"le \\ IIII xInp-IIInIInn puppch. ll) Iurnx l'unn} and xcar}. II xlaxx Iruc In l)ah|'x xurrcal and \IlIIIIIxIcaI \IxInII. MacRnhcrl. SIIrlIng Khushi IccrI Ilk‘l ,\IIn Ilk‘. :\xIan cIncnIa percnIaIInn l'('l. IidInhuI'gh. The Kid Stays in the Picture I ISI 0.. INancIIc llurxlcm and llrcll .\Inrgan. I‘S. IIIIII I ‘IIIIIIII llIII'xIcIn and .\InrgaII'x dnt‘uIIIcnIaI') IIann’l aIIcnIpI In prnx Idc an ‘nhlcclnc' awnunl nl lllL' upx and dnunx III Ihc Iurhulcnl IIIc nl llnll}\\nnd pI'ndut't-r Rnlk‘l'l li\allx. llaxcd nlI lhc lallcr'x auInhIngIapII} and narralcd h} Ihc grawl- \nIccd li\anx hIIIIxcll. II'x a xlIcc nl' xcdut'lnc III}III-IIIakIIIg. SIIII II'x a remarkable xInI'_\: hnxx a lallcd aan hccamc hcad nl prnducIInn aI l’aI‘aIIInunI III Ihc mId- IUIIlIx and II'anxlnrmcd Ihc aIIIng qudIn'x lanIInI'x. h_\ nwrxcclng a xIrIng nl hIIx. IncludIng RIHI'IIIIII'I .\ [ill/H. I.III¢’ .VIIII'L I’llc' (iIII/lIIIIII’I and ('lIHIIIlImII Sclcclcd IL‘lCaxC. King Kong Il’(iI .0... I .\IcrIan (' ('nnpcr. I'S. I‘IUI Rnhcn :\rIanrnng. I'a) \Vra}. IIIIIIIIIII. A film prndut'cr nn xalarI hrIngx hack a xnuxcnIr Innnxlcr \thch IcrranxCx NU“ Ynl'lx lll nnc III illL' all Illnc grcaI Innancr Inn\ ICx, .-\IIIa/Ingl). Ihc xpchal Cllt'clx xllll IIIIprL'xx. huI llIC lIlIII achIcwx claxxIc xIaqu II) xuct‘cxxlull) Iranxpanng Ihc xInr_\ nl' hcaul} and Ihc hcaxI mm a llnllpxnnd hlwkhuxlcr mm It. \lacRnhcrI. SIIrIIng. Kurbagalar Iccrl Ith IScnl (inrcn. 'l‘urkc}. l‘lNH 98mm. A 'I‘urkaII \IIdnu in mg near the (Ircck hnrdcr Ix lnrccd In lnll III lllL' rIcc IIClle al'Icr hcr huxhand Ix Inurdcrcd. ’l‘hc arrnal l'rcxh Irnm prIxnn nl a l'nrmcr quInr pIIIx luthcr chnandx upnn hcr lIl'c. l‘IIIIIhnuxc. lidInhurgh,
Laissez-Passer I_‘~\» ooo Int-mama 'l’axcrnIcr. mm (‘IcrIIIanx ~\‘paIn. IIN‘ZI JagquI‘x (IaInl‘IIII. lIcnIx l’ndalxdt'x l~llllllll SCI durIng \\nIld “.II II. \HIII (II‘IIIIan) 'x net‘upaIInn nl l'rant‘c. l.l\t‘rlllt‘l lnllnux Ihc paIIIx nl axxIxIanI dIrct‘InI and l.IIIIIIx Inan Jcan l)L'\.ll\lL' I(i.IIIIhIInI and \xnInanIxIng \(rll‘l\\rllk'l. Jcan -\urcnt‘hc Il’ndalxdcxt. huI Ihc film ncwr quIIc t‘nIIIt'x Ingclhct \Cx. Ihcrc'x an InIcIt‘xIIng mnIraxI hcrc IX‘Ixu-cn l)c\.II\rc‘x t‘nmhn nI xcllIle.‘ “III In Ihc na/Ix In hIx garccr IIuI fighIIng Ihcm \Hlll rcxIxIant‘c acInII}. and -\IIII‘IIglIc‘x .lllhllt It'luxal In I‘nmpInInIxc l‘lll IIIIIIIIIIIIgnI'xx In dn JIIHlIIllg Ihal \knuld puI hIx NC a! Ika lluI lllI‘lt' ficIInnal xhapIng .I IIIUIL‘ xIngulaI \IxInn \Inuld haw gncn lawI'IIII‘I'x film .I rII’hcr Inlurc (Il-‘l'. (Ilaxgnu
The Last Great Wilderness l Ix. O... Il).I\Id \IagkcII/Iul K. .‘lllil .-\lIxI.III \Iaclx'cn/Ic ‘IIIIIIIII ('haIlIc Ix III a IIIIIIIIr\\.I} xcercc xIaIInn. nn lllx \Iax In a hnuxc-hurnIng III Sky". uhcn III' IIIchx \‘InccnIc. a mad hall SpanIxh gIgnIn nn IIII' run Irnm a L'lllllt'll‘ltl llc .Igrccx In gnc IIIIII .I llll 'I'hc pan IIIII nuI nl pclInI III lllt' lL'llIl‘lt' \\I'xlcrn IlIghlandx. and cnd up xcckmg xthII'I III a rclugc fillcd \xIIh I't'ccnlrn' t'haIacII'Ix -\ gIcaI IlIIIIxh film. hI'IllIanIl_\ xhnl. II'IIIIcI. angI} and lull nl IIIIaIInux. I't‘nnnmu‘al dIaInguc. \\IIh a finc xnuIIdIIaI'k II} l'hc l’axlclx I’m-Hr“ xI'IcI'Iung \Hlll [‘t'lM‘lldl appt‘aranu‘ h} Ihc dIII't’InI (Il’l'. (ilaxgnu Like Mike Il’( I) O IJnhn SI‘IIIIIII. I'S. ZINIZI |.II llnu \anx. .\InIIIx (‘hcxInuL ('rprIn (ilan llIlIIIIIn '\ lIall III'aIch haxkclhall ('IndI'Iclla :\ paIr nl ucalhcn‘d xncakcrx III-arIng Ihc Icnnu' haxkclhall lcgcnd'x InIIIalx, ‘.\IJ' Icad IlIt' IIIIII' nrphan (‘alx III In It'Ign kullx nn Ihc cnurl .II .I KIIIgIIIx haxkthall gamc RcI'I'uIch lnI Ihc xIIuggIIng NBA Icam. (‘.II\ III Icadx IIII' IcaIn In xutu'xx :\L‘llllf_' kullx ht'rc .II'I‘ qucxIInnahlc and dcpIh nl (harat‘lcr lImIch l'nIInagInaIIxc IlIalnguc lalIx lnul \Hllllll Ihc prcht'IalIlc. chm-x) pInI \Vnrxc. Ihc haxkclhall xcqucnt't'x arc lnIInulaIt‘. \thlc camcn apraranu-x nl NIH xlarx and a laIr}lalc cndIng dn nnI Imprcxx ()dwn :\I The Qua). (ilaxgnxx. Slcr (‘cnlur'x l:dIIIlInglI Lilo & Stitch II'I 0.. Il)can I)chInIx and ('hrIx Sandcrx. l'S. ZINIII \nu‘cx nl
l)a\ I‘Igh ('haxc. ('hrIx Sandcn. 'l‘Ia (‘arIcrc SSIIIIII 'l'hIx Ix all ahnuI lwIng had lI'x a Dune} L'arInnn IhaI lex a “llllll Inddlcr. lIIIn Iprnnnunccd Ice-Inn I. agaIan .I gcncucall} cngmccrcd xpacc urcalurc ISIIIchI prngranuncd lnr maxIInuIn IIIIxchIcl 'l'IIIIx lhI: Inauklxh Inulc hclnwd nl l)Ixnc} anIInaInrx Ix null and IruI) IIIncIa-d ()K. xn II'x a mum mm It II dnt-xn‘l haw lliL' hudch nr \ lxlIIll nl a .Ilnnxlc'rx. I’ll . and .qul lk‘k‘dllxt‘ II'x gnl \xaIcr-cnlnur hackdrnpx dncxn'l Inakc II Hum/m hul \xhaI II IIan. II IlIK‘x \Hlll lrcxhncxx and Im L'llll\CllL'\\. nnI In lllL'IlllUlI g;ng lnr Ihc grnIIn-upx. (‘Incxxnrld I-alklrk Little Prince’s Rap Against the Wicked Souls I ISI I.\IarcIa |)crraIk/SIIIIpIn .\'cIn. lira/II. ZIIIIIII 70min .\quII.' dncuIncnIar) ch agaIan Ihc hackdrnp nl
\ Inlcncc “Inch cllcclx IhI: L'\L'r)llil) In ex nl IlInxt' IIIIIIg III Bra/Il'x IIIaIn (IIch
l‘IlInhnuxc. IzdInhurgh.
The Little Vampire II'Iooo II'II lidcl. l'K. 300m Rnlln \Vcckx. RIchard l'. (iranl. JnIIthan l.lplllt‘l\l 05mm, Inn) Il.lplllL'lxll. Ierh Irnm Ihc nrangc grnwx nl (‘aIIlnrnIa. mnch \IIIII lIIx laIIIII} In hcaulIlul Scnlland. Ilc qun‘klx hccnIan Ihc llIIle unpnpular lad III hIx claxx. huI findx a playnalc when a IcII-)car-nld \aIanrc cnnxcmcnll} lallx dnu II hIx L‘llllllllt‘} (‘an Inn) JnIn III Ihc qucxl lnr Ihc InIxxIng aInuII-I and help Ihc lanng Rudnlph and IIIx laInII) lk‘cnmc human ’ l)C\PllC IIx lillll}\'~()()(l rc- \aInp. Angela Snmmcr-llndthurg‘x \wll- lnxcd nmcl cmcrgcx uIIh llx xcnxc nl lun IIIIIIL‘I. Ilnucxcr. \thIc IhIx film ccrIaInl} dncm'l xuclt. IllllllllllL‘l}. II lackx rcal hllL'v (il’l. (ilaxgnu.
Loneliness of the Long Distance Runner I IZ.-\I O... I’l'nn} RIchardxnn. I'K. l‘)(I2I Muhacl Rcdgrax c. 'l'nIn ('nurlcna). Alec \Id‘nucn l l-llllllll Adapch h} Alan SIllIlnc ITIIIII hIx nu. II xInr}. IhIx Ix a finc cxamplc nl' (Illx Brlllxl‘l cIncnIa III Ihc xncIal rcalIxI \cm. (‘nuncna) cxcclx ax Ihc beClllIIUx )nulh \xhn Ix xcnd a hn}_x rclnrm xchnnl alIcr rnthng a baker) and poxth hIInxcll In Iurn hIx lIl'c arnund. ('('.-\. (Ilaxgnu.