'WE GO TRACK HUNTING WITH BIG NETS: THERE'S AN ILLUSION YOU'RE IN CONTROL WHEN YOU'RE CLEARLY NOT'
artworks that eelehi'atetl lli\ graphic. ehtink}. \iiitl \IlllPLN iil' eiiliiur m‘erluid from photographs. And finall}. he returned to London and started eluh nights 'I‘huntlerlxill. Mixer} and. lutterl}. lntpntent l‘ur). 'I'hix
hzistiirtl offspring (it. (ioing Places comes replete with the Wheel of
Destiny. :1 stuttering nepheu til the \xheel of fortune \xhieh hiililx l2 musical categories. Wherexer it lands euuntr}. teehnii. stilt riiek hulliiil
is what’s pl;i_\etl for the next 30 minutes. Sometimes painful. hut mostly it pleasure.
I-'i‘;iiigleii and Deukin \\ ere reunited. knueked out a l'e\\ tunes together
and ll)()(l eupiex of the The Ii’uI/i lil’ \iiggletl their mi} in and mild} hack DUI DI. the slums. '“t‘ pl'c\\Ctl up 1000 til each Ul~ lIItl\L‘ t‘ectll'th as we thought that \multl he as inueh as \ie’tl sell.‘ \ll}\ I)e;il\in. ‘,v\nt| nim look where it‘s got tix.~
Two further lil’x 'I'lte I'e/lmi' and '/'/le .l/ii/nig/i/ \UItI out lll \lllllltll'
st} le and were eulliitetl on their tlehtit lung phi) er [murmur/lift in 3000. 'l'hrnugh \mrtl (if mouth. the) \UILI l4l).()ll() eiipiex. lemon .lell) \tnppetl heing a eottttge industry and heeiinie ii lull-time enneern.
l.etltiill .lell} me Ill a “mid of their on n. Heakin ll\L‘\ his design skills to create whole other an Il'tllllllk‘lll\ Illl' the lixtener Ill enin}. 'I’he iliiiihle IiUItIUlll \IL'C\C UI' [1M] [IN/"Ii.'(’/I\ l\ :lll t'\|l;lll\l\e llethl. llle UlII\ItIL‘ ;1 Mock} green eimxtal \eene. the inside :i eityeupe after dark. gliixiing \\ith tin_\ pinpriekx ill _\ellii\\ light. "I‘he emei' is ilelinitel) [XIII ill the listeningtirinuxie e\pet‘ienee.‘ \tl}\ l)e;ikin. ‘l Htll} t'eiill} hti_\ \in}l and he ;i|\\;i_\\ t'etnenihereil sitting and immersing in} self in the \|ee\e ;l\ I \\;i\ listening. I think it‘s a i‘e;i||_\ itnpiirtzint part “I the ninxieail Ill'tlk'k'\\ that has heen It)\l in the transition Ill ( 'l )x.‘
('|)\ Ltl'L‘ it pet hate for Heakin. the designer itlltI \in}l himrilet' \xhii I’llllh tll‘ttlll lllL‘ llg'llllc‘\\ (II. (.I) ieuel L';t\L‘\. '.'\ I.\'lllttll .IL‘II} l'L'L‘Hl‘tl l\ tihiiut ereiiting an e\perienee.' he my. ’Sii people eiin respnnil tit \\Il;llL‘\Cl' elxe _\iiti'\e gilt. ll \\;t\ ;i|\\;i_\\ our goal In ilii winethtng thgit \\;l\ it hit inureiiitegriiteil.\\it|1iniireilepth.‘
'I‘hut \iiunilx not unlike :i eiineept. ("iitilil /,u\l lluri‘nuii he phrase :i eiineept :ilhutn'.’ He happil} eiiiietirx. ‘lt iliil ilimn iin ll\ that [.4er [INN-{HIM \\;l\ ;i enneept :ilhuni. 'l‘here “as it point where the traekx
tIlL'utI
1985
Fred Deaktn makes his first forays into clubbing including ventures With Murray McKean (now owner of the Pond pub in Leith) and Sally Findlay (of Three Piece Sweet fame). Blue. Thunderball. DeVil Mountain. Spaniel Racmg. Cheese. Misery. Going Places. Hard Sums and lmpotent Fury are among the dancefloor tarragoes. Cinemas. ice rinks and castles are among the venues.
187KB LIST ’/ '/'. I:
1998
First EP The Bath released in August on Lemon Jelly‘s own lmpotent Fury label. Its 1000 copies sell out like bun fight.
London-based design agency AIrSldC is founded
by Fred Deakin and cohorts.
They make toys for Channel Five. embronder and rhinestone Madonna for Time Out and spray paint walls for Chanel.
1999
The Art of Gomg Places exhibition hosted at the Bellvue Gallery. Edinburgh shows Deakin's flyer and poster art. It is Such a success he is included as part of a group show again for the Edinburgh festival.
Air3ide launches the T-shirt Club - a subscription only gig where you get a summer’s worth of one-oft Ts desrgned by the likes of
Peter ‘Super Furry Animals
Fowler. Mr Scruff and 01 c0urse. Fred Deakin.
2000
Lemon Jelly register their web'srte in the Cayman Islands i get the saucy 'ky' suffix.