Film
BIOPIC IRIS (15) 90 min 00..
When even the weekly supermarket shop gives rise to philosophical debate (‘Whole grain mustard. What is whole?’), you know you’re in the company of no ordinary couple. The love story of two of this century’s most significant writer-academics, Iris Murdoch and John Bayley, is lovingly created from Bayley’s recent memoirs by Richard Eyre.
lt ultimately plots Murdoch’s descent into the agonising fog of Altzeimer’s, but is inter-cut with scenes of the early, tentative love between these two Oxford starlets. The young Iris (Kate Winslet) takes virginal John (Hugh Bonneville) firmly by the hand into bed. Such a dynamic is the basis for the next 43 years of their life together.
The rigour of Murdoch’s intellect and her love of words underpin the tragedy of her illness. When words cannot help and only confuse, fear reigns. The film is a testament to Murdoch’s passion for language,
frailty, are similarly explored, and Judi Dench as ageing Iris conveys every flicker of emotion in her pale, sad eyes.
Although the later years (with Jim Broadbent playing Bayley) are more
Testament to Murdoch’s intellect
viewer make connections and fill in the gaps. What carries through the absent time is love. Even in the latter stages of dementia, Iris manages to find those three small words one last time. Take tissues,
and conviction in its capacity to expand our understanding of the world. Humanity, its strength and
THRILLER DON’T SAY A WORD (15) 00
Don't SayA Word is a frequently ludicrous. routrne Hollywood thriller in which Michael Douglas plays a p8ychiatrrst who has less than 24 hours to retrieve a srx~ figure number from a seemingly-catatonic patient rBrrttany Murphy) or a bunch of ruthless kidnappers ‘led by Sean Bean. scowlrng for England) will murder hrs daughter. To make matters worse. his wrfe lFamke Jansseni has a severe case of Rear Wrndow leg. and is confined to her bed. leaving her a sitting target for the kidnappers. who have. rather Cunningly. set up base in the same building. The main problem with Gary Things To Do In Denver When You 're Dead Fleder's film (apart from the fact that you'll spend its running time wondering whether ageing Douglas has had some weird cosmetic thing done to his eyest is that it bungles its climax. There are no shocks where there should be shocks. no twrsts where there should be twrsts. When it's over there's a profound sense of: ‘Was that it?‘ The script is clumsy. too. allowing for Oliver Platt's fellow psychiatrist to be suddenly dropped at a crUCral pOrnt. The supporting performances by the female cast (including Jennifer Esposito playing a (iOIOCTIVUi are all excellent. and much better than the film deserves. (Matthew Turner) I General release from Fri 22 Feb.
Frequently ludicrous Hollywood thriller
24 THE LIST 78 i ell Jib-CL?
involving than the early ones, the two narratives switch with deft slickness, demanding that the
you might need a few. (Ruth Hedges)
I \)(,’l(,’(,.(,’(i' release l 'r x / ea.
THE FLUFFER (18) 93 mins 0.
Leaves you feeling unsatiated
The flu/fer tries to break all of llollyy'xood's rules about ‘.'."{tt a gay man should be like. No one is ‘.'.'::ttlt3(l about AIDS a la new queer cinema or has a personality ouerdrm; that makes Brian from Bro Brother Took like he rs under sedation.
Sean ilvlrchael Cunror rents (LU/er: Ka'm frorh a yrdeo store only to be given Clt'l/(P'l Curr: by rr‘rstake. Instead of complaining to the store. the star of the porno. .Joh'iny Rebel cSeott (Burney'i becomes Sean's 'Hoseoad'. Obsession drives Sean to get a lot) at the trim prt><lrr<:tron company that employs .Johnny. and Sean soon becomes Johnny '5; iét‘.‘()‘\ll'lt(} 'fluffer' being the 'ndryrdaa: who arouses a porn star for the camera. Unfortunately for Sear‘ t's art, on set ‘~.'.’lt(;‘li .Johnny f;lt()‘.'.'f; interest. ()ff earn 2'a Jone", has a pregnant girlfriend. Babylon 'HUXr'tliltt [)a'. r. .'.'h<> also works in the sex industry as a stripper.
this set up arms to proyrde a t:or:t'a:;t :rt?t‘.'.’t:<‘:ll the gray and straight sex industries. but fails tr tit; f;::. ll‘e/ d.sappornts by doing the one thing that porr‘ is not supposed to do: rt leayes you feelri‘g frrrst'ate;r, iKaleem Aftabr
Selected release. ()o.‘ nozz. .‘Jet? i”.'r 'c (Jaw,
[X X )tllr/li N lARY COOL AND CRAZY
(cert tbc) 105 mins 0..
Joining a male ‘.’()|(I(} (:hor" may not be exeryontt-s idea of a good t..'t‘;(;'. but given that Berle‘.’;‘ig's other rriarr‘. 1(3l5;t.‘"(3€1(Zti‘.'ltl(}f§ seer'i to be staring out to sea. smokng roilres y'xhrle staring out to sea and guttzng frsli '.'.rh:ie staring eat to sea. this local ensembre rs a popular one.
lilerlez'ag sits on the edge of the Barent Sea. and K'ltl’. l'rrk Jensen does not shr'k from sl‘::'.'.'rng the monotony of this smal Norxgegran tons. But he also lr'igers on t"e forbies of its 'ri'1abztants. see“. as the jéitlgfiil toothed Marxst. The one time speed freak and the {lo-year old error veteran. lle folo'cxs the group .nto
and out of baths. church
Arctic Buena Vista
sy'htzt‘rtr‘efrt: eye. and es .he .noosslv. blue
sea a'i:l t)4‘."(‘:"
hit. 1‘“ (ll/1, .)[)’..(‘i'\ x, /\.)ti . \x. \/ (1' \l
corn: as .'.r‘.h a
'th "‘ore f‘;i’r;tf".<> d":\.e. it: as a soera‘ port'a'Z r’. g:; "‘rteeeatrlea r’\."(l ‘.'.'h.le t"-.i- "‘.l:§r(‘. It ‘ottases o"
.(1. |/(, 1,33.) .i(.X. 'ti