Art llSllflgS
Edinburgh Galleries continued
Graphic Design Department t'nnl Sat 3| .lttl tllnnkxltnpl :\ cnllcctinn til anginal hnnkx dcxrgncd and prnduccd h} Ihnd _\cat' qudcnIx lrnin lzdinhurgh ('nllcgc nl Art.
Northern Lights On pcrrnancnt \ lcxx. nncc night lallx. ix l’ctcr l’ink'x light Inxtallatinn lnr thc gallcr) Inxpircd h} thc atnnra hnrcalix. ('nniprixtng a ‘rnnl lin' trranglc nt light. light chthng nn thc caxt and \kcxl rnnl and lilt xlialt. Ihc cnlnurx tcgtllat‘l} changc. hrightcntng up thix dark cnrncr nl ladinhurgli‘x .\latkct Strcct.
GALERIE MIRAGES
lna Rachurn l’lacc. 3|5 3MB. .\lnn Sat lllaln 5.30pm.
Heavy Metal Thu 2 Aug Sat I5 St-p. l)cxigncr and uniquc icucllcr} l'rnin arnund Ihc glnhc. pltrx Inctal xculpturc lrnin 'l'hailand. India and finihalm c.
GOLD
(iallcr_\ & Slinp. 77 l)undax Strcct. 550 415‘). .\lnn \Vcd & l-ri Sat ltlatn npni; 'l'liu Illain Stun.
Picture Of A Landscape t'nnl \Vctl 35 .lul. Sct up h} lidinhurgh ('nllcgc nl Art graduatc and landxcapc artixt Andrcu (inld. Ihix ncu gallcr} and xhnp planx In c\hihiI and ch| a rangc nl~ unrk including painting. xculpturc. ccrainicx and lcucllct‘}. 'l’hc inaugural cxhihitinn l'caturcx unrk h} \arinux artixtx including .lanct Adam. .lnan Brtmtt. Siinnn \Vliitc. lialixh \Vilxnn. l)nuglax l)a\ icx. 'l‘ccna Rainxa} and \atalic (icrard. Reflections Hi 37 .lul Thu 30 Aug. Rcccnt unrk h} Suc \Vhitc—(lakcx. .\lnira \laitland. Linda \VaI‘I'ick. lla/cl ('ainphcll. l.i/ McCarth} and Jatncx .\lacaula_\.
HANOVER FINE ARTS
33a l)undax Strcct. 55o 3lh’l. .\lnn l'ri lllfitlani (rpm; Sat 10am 4pm. Namaste l'ntil Sat 3| .lul. A touring and xclling c\hihitinn l‘caturing \xatcrcnlnurx and printx nl~ Ihc landxcapcx and pcnplc nl~ Ncpal h} .\'cpalcxc and linglixh artixtx.
HOWIES
3‘) \Vttlt‘t'ltut l’lacc. 556 5760.
Chef! l'ntil 'l‘uc 3| Jul. l’aintingx and drau ingx h} 'l'hninax Aldridgc.
THE HUB
('alc lluh. (‘axtlchilL Rn)al .\lilc. 473 3(ltltl. 'l‘uc Sat 9.30am ltlpnt: Stui tk .\lnn 0.30am 6.30pm.
Howard Hodgkin t’ntil Sat 28 .lul. A xclccti\ c rctrnxpcctn c nl‘ cat'|_\ printx h} llnuard llndgkin.
Performance! l‘ri 37 Jul Sun I) Scp. A xcricx nl‘ phntngraphx nl' claxxical niuxicianx h) Ihc cclchratcd artx plintngraphcr ('li\ c Harda. 'l‘lic \xnrkx arc takcn l‘rnnt Barda'x hnnk l’t'r/nrmum't'.’ limit/um In l’lqugm/r/n and l'cattirc .\lll\lll\tl l'cltttltt. Stc\cn lxxct'ltx and .lacquclinc dc l’rc.
90 THE LIST '9' Ila—Q Aag
INGLEBY GALLERY
6 (iat'ltntt 'l'ct‘t‘acc. 55h 44-1 I Want 5pm.
Sean Scully \Vcd l Aug Sat 15 Scp I.\lnn Sat lllani 5pm». l)uhhn-hnrn ahxtract artixt Scan Scull} currcntl} unrkx hctnccn xtudinx in .\'c\\ ank. liarcclnna and l.nndnn. llix Iainiltar parntrngx lll \xlnch altcrnatc. hnri/nntal and \crIIcal xtripcx nt' nil paint cn\cr panclx In Inrin nnc xinglc painting ha\ c hccn c\luhitcd Ill 111an nl thc Inalnr Inuxcunix llt Ihc \xnrld. ln hix lirxt c\hrhitinn in Scntland. Scull} \xill hc xhnuing a xtnall grnup nl paintrngx and rcccnt \mI'kx nn papcr. NE 5‘ K33. Howard Hodgkin l'ntIl SaI 3| .lul. llnuard llndgkIn ix nnc nl Ihc l'lx'x Inan cclchratcd paintcrx. chnxxncd lnr lux l‘lL‘ltl} L‘Hltltll't‘tl pallllttlgx tlll \ktltltl llndgkin. uhn dcxcrihcx hinixcll ax a paintcr nl' l'cclingx raIlIcr than idcax. ix alxn a giltcd printinakcr. lnr Ihc c\liihitinn at Ihc lnglch} (iallcr). llndgkin xlIth tcn xtnall lnrinat printx “Inch cnnihinc ctchtng \\ iIh carlmrundtun and a linal hand cnlnuring tn prnducc thcir richl} tc\ttn'cd xttt'lacc. lASl (Jl IANCE
TO 8H
Craig Murray-Orr l'ntil Sat 2| .lul. .\'c\\ xculpturc h) .\'c\\ /.caland hnrn ('raig .\lurra_\ -()rr. Sincc hix laxt xlttm at thc gallcr} lll l‘NIS'. lic hax cnntinucd tn c\plnrc gun culturc. can ing l‘rnin hardunndx ril'lcx and xntall arnix. lASl CHANCE lOSll:
“L‘tl Sat
INK TANK
30 St Stcphcn Strcct. 330 544‘). .\lnn l‘ri ‘lani (\plll.
2470/360° l'ntil Hi 31) Jul. A xcricx nt~ plintngraphx h) ScntI .\litclicl| takcn nn a rnad trip acrnxx Aincrica \\ hich cnwrcd 3—170 inich in lull circlc. 'l'rawlling thrnugh ('alilnrnia. .\'c\ada and Ari/nna. Mitchcll plintngraphcd Ihc ‘t‘\c‘t'}tlti}' l'rnin a cnkc inachinc In a dincr Iahlc.
INSTITUT FRANCAIS D’ECOSSE l3 Randnlph (‘chcan 335 SAN».
.\lnn l’ri 0.30am (1.3(ll‘ln;Sat
9.30am lfitlpin.
Niveaux 0: Marcel Dinahet t’nul Sun 3‘) Jul. l'rcnch artixt Marccl l)1nahct cnnIinucx hix imcxtigatinn nl' Ihc Atlantic ('naxt with a xcricx nl' liltn and phntngraphic \xnrkx.
I2
()(l (‘unihcrlaiul Strcct. 553 0873. .\lnn l'ri ltlain (rpm; Sat lllani 4pm.
Pop Art l'ntil Sat 4 Aug. An c\liihitinn nl' 3(lth ccntur} Inndcrn niaxtcr printmaking lcaturing xnnic nl Ihc ninxt inllucntial naincx including \Varhnl. ltitixchcnhcrg. Rncrx. Blakc. l.ichcnxtcin. llncknc} and Kilaj. NFV.’ cSl l()\.'.".
JAMES THIN
llrndic'x ('al'c. (icnrgc Strcct. 335 4-105. Breaking Boundaries t'nul Sat 2! .lul. .-\n c\hihitinn nl' paintingx tn cclchratc Ihc ltlth animcrxar} nl' l.'Archc in lidinhurgh.
JOSEPH BONNAR JEWELLERS a: llttxllc SII'L‘L‘l. :3“ Zhl l. \lth Sat lll5lldllt 5pm
Capriccio \ltm :ntul Sat I Scp. .\ xclling c\hilutrnn nt Ictnpcra paintrngx h} ladinhurgh hnrn artlxt Alhcrt (‘urnnnngx
LEITH GALLERY
(ls lltc‘ Sllttl't'. A 'l'llt' l'l'l
11am 5pm; Sat llain Jinn.
Annual Marine Exhibition 2001 l'ttttl Sat 33 Jul. Scaxcapcx. xtlll lilc and liguram c paIntIngx Inxpircd h} Ihc xca h} gallcr} artixtx Including l.nuix .\lc.\'a|l_\. (icnrgc litrrcll. (icnrgic Ynung and MM} Ratchclnr
NATIONAL GALLERY OF MODERN ART
licllttt'tl Rnatl. M34 (r300 Ircctirtlctl inlnrniatinn 333 230m. .\lnn Sat lllatn 5pm; Sun nnnn 5pm. (nae. Lee Miller l'nIII Stin ‘) Scp. [-1 t£3.5lll .lnint adnnxxinn \\llll Rnland l’cnrnxc c\hihitinn at Ihc l)can ( iallcr}. 'l‘lic largcxt and Inan cninprchcnxn c c\hihitinn tn datc nl Ihc \xnrk nl Ihc .\'c\\ ank hnrn plintngraphcr l.cc .\lillcr t I‘)()7 77h. .\lillcr. a lnrnicr Imp tnndcl. \xax Inarricd tn Rnland l’cnrnxc. Ihc xtihjcct III a inajnr c\hihilinn at thc l)can (iallcr). Snapping pcnplc. placcx. laxhinn and \\ar. tlic c\hrhitinn lcaturcx pnrtraitx nt l’icaxxn. .\lan Ra}. liilccn Agar. llnrxt and Incinnrahilia ll'tllll hcr IiInc ax a war cnrrcxpnndcnt. Scc llitlixt. Blood Of A Poet Mon 33 Jul. l3..l5ptn. A xcrccning nl' .lcan (‘nctcau'x l‘).‘~l liltn xtarrtng Ihc Anicrican phntngraphcr l.cc .\lillcr. The Roland Penrose Archive .‘\lni13().ltil. I345an Ann Siinpxnn gi\ cx a talk nn tlic iinprcxxn c Rnland l’L‘lll'ch tlt‘L‘ltlH‘.
Circle Of Friends: Leslie And Sadie Martin And British Modernism From The 19305 l'nIil Sun 33 ()ct. 'l'lic .\lai'tinx cn— cditcd Ihc xcininal puhlicatinn ('I'rr/I': Iltlt'rlmlinnul Surwt ()/ ('u/lertu'lii‘t' Art. \xhich lcd In liliclnng l'ricndxhipx \\ iIh lcading artixtx. 'l'hix xniall dixpla) l'caturcx unrkx h} (iahn. llcpunrth and \\'allix. than n l‘rnrn Ihcir cnllcclinn. alnng \\ ith \\t)l'l\x lrnin Ihc pcrinancnt L‘ttllCL‘llHtt.
NATIONAL GALLERY OF SCOTLAND
'l‘hc .\Itllllltl. (i3—l ()3llll tt'L‘Ctil'tlctl inl'nrniatinn 333 3360). MINI Sat ltlani 5pm; Sun nnnn 5pm. ORembrandt’s Women t’ntil Sun 3 Scp. L'n (£3.50). 'l‘hc lier c\cr c\aininatinn nl' Rcinhrandt’x pnrtra}al nl‘ \xnmcn in hix art. lcaturing inajnr paintingx. drau ingx and ctchingx dra“ n l'rntn all n\cr litirnpc and Aincrica. Rcmhrandt \\ax Ihc grcatcxI artixt nl' Ihc l)utch xchnnl \xhnxc paintingx arc charactcrixcd h} ltt\uriant hruxlmnrk. rich cnlnur and a inaxtcr nl'
chlarnxcurn llnuxcd at l drnhtngli‘x \attnnal l’nrttait (iallcr). cutatcd h) .luha l lnyl \\ tllrantx. Ihc c\hIhIIInn “1” mm cl In I nndnn'x lx’n)al \cadcrm nI .\Itx. .\ninng Ihc parntrngx Includcd lll thc c\lnhitinn. thc (ictt_\ \lnxcuni Ix lcndtng thc liIxtdIa\\1ng c\ ct l‘tllcltaxctl \Hu’t llumttl.’ llll/t \Mtukt and [In ’u/Htul ()7 \ Human \ctu’ fr: xnld latc laxt _\L‘ar lnr a Iccnttl Lil" S nullinn hax alxn hccn ntlctcd tn Ihc c\hrhitinn. ('harlcx \lattnn'x lilni
/\’t m/vmnt/t accnnipanicx Ihc c\hihitrnn and \\lll hc xctccncd at Ihc l unnctc cIncnIa Ixcc l'lllll lrxllngxl Scc llItlixI
NATIONAL LIBRARY OF SCOTLAND
(icnt‘gc l\' lirrdgc. 33h ~15 \l \lnn Sat Illain 5pm. Sun 3 5pm
The Write Stuff l‘nul \\'t-tl It (it-I Scnltixli \\ rItctx ax xccn thtnugh Ihc lcnx nl ladlnhurgh plintngraphcr (inidnn \Vrlght. tcatturng llugh \laclltaiinnl. \nrnian \lact'aig. Ian Rankin and .| K lx’nulrng.
NATIONAL PORTRAIT GALLERY (‘Illk'k'll Sltt‘t'l. (Ill “3”” ttcctiltlt'tl InlnIinattnn H3 33th. .\lnn Sat
lllarn 5pm. Sun nnnn 5pm (alc. l'rcc King Over The Water l'nttl Sun it) Scp. U 1‘43 I. An c\lnhltinn chatting Ihc lil'c nl l’rtncc .laIncx l'Ianch l'.tl\\.tl'tl Stcuart t lnxx Font. ktltmtt In lannr} ax Ihc ()ld l’rctcndcr Includcd In Ihc depla} arc Iarc|_\ xccn icnnx nl Ihc .lacnhtlc cauxc. a lIlc xI/c I‘ccnnxtructlnn nl ('anma'x niagnrliccnt Inrnh In Ihc c\tlcd Slcuaitx and an nnpnrtant nc\\ acqurxitinn .vl \lt'lt ()I I'ln' /’u/u.‘;u .UIHI. thc lSth ccntur} painting nl lllc l’rincc'x .lacnhrtc l’alacc lll Rninc attrthutcd tn ( iuixcppc \alci'iani. Return To Life: A New Look at The Portrait Bust l'ntil Sun H (M. 'l'lux c\hihittnn challcngcx Ihc L‘tllllt'lllllttl'ttl‘) \ Icucr In lnnk again at pnrtrait htixtx and cngagc in a lacc In lacc dialnguc \\ till a rcinarkahl} xkillul and in\ cnti\ c art. 'l‘hc unrk nl \xcll knnun xculptnrx Sir .lacnh Isztcrn. llcnrt (iatidicr—lh‘lcxka and Sir l‘ranctx ( 'hantrc} arc lcaturcd in thc xhnv. ax \xcll ax lcxx lainiliar practitinncrx Includrng Salnucl .ltixcplt atttl Katltlccn Scull.
James Hutton by Sir Henry Raeburn \Vcd l Aug. 13:15pm. Artixt. lcctut‘cr and \\ l'llL‘l' .lllll llarnld talkx ahnut Sir llcnr} Rachurn'x pnrtrait.
The Henderson Trust’s Collection \Vcd 35 Jul. |3.-15pin. l’rnlcxxnr .\l.ll. Kaulinan lrnin Ihc l'ni\crxit} nl lzdinhurgh decuxxcx Ihc llcndcrxnn 'l‘ruxt'x cnllccttnn nl' itcinx rclating In pltl'cttnlng}.
NEW-CONTEMPORARY-ART.COM ()n-linc gallcr}. \\ u \\.IIc\\ cnntcinpnrar) art.cnIn
Miniatures One 'lhc npcntng c\hihitinn lnr Ilux ncu till'llllt' gallcr} \kltlclt xhtmcaxcx Ihc \knt‘k nl tip-and cnnnng arIIxIx Irnin (ilaxgnu and lcdinhurgh \\ tlll all unrkx a\ailahlc In hu}.
Rain
00
The Warrior A Dog’s Day
Chop Suey
The Deep End
My Brother Tom The Man Who Wasn’t There
CREDIT CARD HOTLlNE 0131 623 8030
lillllllEllllS PIBTIIIIES
BREATHTAKING PHOTOGRAPHY FROM THE LIKES OF THE COEN BROTHERS. ROMAN COPPOLA AND BRUCE WEBER
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FESTIVA
12-26 AllflllSTE'l"§’l‘l'2‘f-n“§2§3