Film Index
Index, continued
ChocolatI l31.. Ilaxxc llallxIInin. l'S. IIIUI I JulIcIIc Binnchc. .lnhnn} l)cpp. JIIdI l)cnch lll IIIIIIx -\daplcd IInIII .lnannc llarrix'x Iin\ cl. ('lim n/III unlnldx 'nncc IIpnn a turn" in a tranquil l'Icnch \ Illach' \xhcic xc\} Iiimcd \llllet' Innthci \ Ianiic Iliinncth npcnx up a chncnlatciic during: l.cnI lch lll.I_L'lc.Il cnnlcctinnx aic xnnn ha\II1;_' a lll‘t‘ldlllljJ cIIch nIi \aiinux lncalx. Ihnugh hci acIInnx IncIII Ihc \xialh nI Ihc Iciunin}: cnunt l:\lllt‘(l \lnhnai. \xhn IcaIx IhaI Ilic tiaditiniial nidci IIIa_\ hc Iiicxncahl} dainaucd iiIInI'IIiIIaIcl}. llallxIInIn'x I //II (Ill/I" III‘HN' It'll/I \I lr‘t‘ljJIIIIIl l;Ill‘_\l;IlL' l't‘lIL'x niI IIx calculalcdl} cnxinnpnhtan caxI and ginxx} pinduclinn \ahicx In dixjguixc iIx lack IIl xIIltxlttllcr‘ Sc'lc‘clt‘tl lt'lr'axc'
Cirque Du Soleil Ila... IJIIIII I. Shnucaxiny Ihc xkillx nl a l'rcnch ciicIIx pinup. [Iltix xninc ncxx xlllllllalIHll IIdc Icclinnlnc}. 'l hc IIInI ix \xcak and a lIIIlc Inn xln\\. and pcihapx inappinpiiatcl} x_\ inhnlic Ini l\lIl\. IIIII IlIc cxpcitl} chnicngraphcd daIIcc xchch and cnlnui'lul hackyrnundx arc adinii'ahl} pi‘cxcnlcd l (i( ’ ('Incinax. ladinhurgh.
Cock 8. Bull Stories I Ixi I \‘arinux. JIIIIIII HI) inian .-\nIhnln3_'_\ nl Ihc ltcxi nI cnntcinpniai‘} ya} xhni‘I Iiliiix. 'lhc pingraniinc cnntainx xc\uall_\ c\plicil niaIciIal. Part III Ilic lsnndnn l.cxhian .«\nd (Ba) l-Ilni l'L‘\ll\;Il nII lnur. l'ihnhnIIxc. ladinhutggh.
Code Unknown I ISI .0... I .\lich;icl llanckc. l'rancc. ZINII I .lulicIIc Binnchc. ()na l.u chkc. l.utniniIa (ihcnrghiu. lln ininx. llanckc II' 1mm (it/mm I £l\l\\ hnu can u c xIarI In think and 1ch ninrc ahnuI nihci'x and a lcxx aIInuI nurxcl\cx'.’ llc anx\\ci'x h} xhnuing IIx chIII--.'IInIIiIxcd iIIndcrn h\ in; in Inndcrn da} l’arIx. lncuxing nn a handl'ul nl charactcrx \\ hnxc actinnx lia\ c chain i‘caclinnx hut \x lin arc nhln intix nI Ithr cllch nn nIlIci'x. But hc pi'n\ idcx nn cax_\ tIlIx\\L‘l\ lnt' hix audicncc. Inxtcad llanclxc pi'cxcnlx a xci'ch nl‘ pci'lcctl} I'caIIxcd hut unliiiixhcd drainatic xchch ‘incninplctc Inurnc} x‘ lic callx Ihcin \tliich lcax c tix In drau cnncluxinnx l‘nr nurxclxcx. li\tranidinai'}, l-‘iIInhnuxc. lidinliui'gh.
The Colour Of Lies (Au Coeur Du Mensonge) I I.x‘I 000 I( 'laudc ('hahrnl. lirancc. NUS) Sandrinc Bnnnaii'c. .'\IIIUlIIL‘ dc ('auncx. Jacqucx (iainhlin. I IS ininx. .\ innrc xIraighII'nruard Ihrillcr than \xc'rc iixcd In lil'Ulll ('hahrnl. (ianihlin ix a in'uggling. agcing artixt. chc. iinplicatcd in thc inurdcr III a tcn -_\car-nld girl. But II chc l()()h\ guilt}. \xlial ahnut hix \\ ilc. \’i\ iaiic Ilinnnaircil‘ .\'nt guilt) nI‘ tlic criinc nl' cnui'xc. hut nl a chxcr nI‘lcncc. nI~ crnharking nn an al'l‘aii‘ \\ itlt an undcniahl} nhnn\inux Incdia cclchril}. (icrinain Idc (‘auncxI ('ltaltl'nl xclllc‘x hctc lcxx lnt I“) L‘ltnlngical dcpth Ihaii Ihc \\ idlh nl xncial culpahilil). and nIIcrx up an Iniprcxxi\ c xtud} In In\ic llllllCll, l‘IhIihnuxc. lidinhurgh
The Crimson Rivers I ISI 00. (Mathicu Kaxxm II/. l-‘rancc. JIIIII I Jcan chn. Vinccnt ('axxcl. Nadia l‘ai‘cxi HIS ininx. Kaxxm II/‘x l'nurth lilin ax dircctnr ix a grucxninc. glnxx} Si’l'I'll-fl} lc Inui‘dci‘
In} xtcr} adapch h) Jcan—( 'hrixtnphc (irang tinin hix nun hcxtxclhng criinc nnx cl chn and (‘axxclix pnlicc Ilt'lL‘c'lIH‘x arc In\cxII;_'aIIn;_' I\xn xeciningl) unrclach caxcx a hruIal Inurdci nquidc an \lpinc unixciin} Inun and thc dcxccralcd gra\ c nt a child III xuhuihan Stir/ac 'l‘hc aclinn and xuxpcnxc xcqucnccx arc \ct'} xhclc. l‘lll nncc Ihc
In} xtci‘} ix xnl\cd Ilic lilni Innxcx Impact. aitd ultiinatcl} Iailx In dclnct Ihc xhnclnng dcnnucincnt that xcalcd SI II'n‘x placc In cincina lll\lUl'_\, (il’l'. (ilaxgnxx
The CroupierI IS I .000 I.\llle' llndgcx. l‘K. I‘M") ('li\c ( )ucn. (illld \chcc. :\lc\ lx'IngxInn ‘IJ ininx. Jack
I( )\\L‘lll Ix a xIrtIggling \H'llL‘l' \x hn Iakcx up a Inli III a l_nnanI caxinn \xhctc hc quickl} [Irnxcx hiinxcll In hc an accninphxhcd ci'nupici Hui hc Iindx hiinxcll axxixtinu .lcni le'IngxInn I. a Snuth :\Irican gainhlcr \xhn‘x apparcnll} In dchi Ina gang: nI criminalx. llndgcx‘ Iaut. Intclhccnl and darlxl} aniuxing diaiiia L‘Hllll‘lllt'\ cIncinatIc Hair and Ihcnialic xulIxIancc. unlnlding: In a drcaIn-hkc. lial|»nl- iIIIrI'nrx \xnrld. [Icnplcd h} cnn-arlixtx. card- xharkx. and Imclcratc IIarx. l’i‘npcllcd h} ()ucn‘x iniprcxxixcl) \xatchtul and pnixcd ccnti‘al PL‘I‘ltH‘lIldllc‘C. II hnaxtx a dchcinux ()cdipal I\\IxI III Itx dcnnucincnt l'(}(‘ ('incniax. lzdinhurgh.
Dark Days I ISI 0... I.\lai'c Singcr. l‘S. 2001 I 82 Ininx. l'Ilincd n\ct' l\\n )L'tlh in tlic lah} rinthinc undcrgrnund tunnch nl NU“
ank (’II). uxing a crc“ cnInprixcd cnIIrcl} nt
hnniclcxx pcnplc xIruggling In um i\ c Ihcrc. )nung Brilixh dii'chnr Singcr‘x dchut Inarkx a nc\\ xtandard nI' c\ccllcncc and iIIIcgi'ii} in dncuincntar} liltninaking. \Vixc-axx huninur Ix _|Ii\tapnxcd \\ ith tragic anccdntcx In Iliix dccpl} huinan pni'ti‘aII nI‘ xuhtci'rancan pcnplc; iI gin-x dignit} In a xcctinn ni xncIcI} prc\ inuxl} dcnicd II. l-'iiIall_\. l)J Shadnu 'x xnundIi'ack Ix xupcrh. l’l‘ll ('incina. l'allxit‘k‘. .-\dain Siiiith ‘l‘hcati‘c. Kirkcald}.
Dark Victory I l’( i) 0.. Ilidinund (inulding. l'S. WWI Bcttc l)a\ix. lluinphrcy lingart. HIS ininx. l)a\ ix ling a high camp licld da} ax Ihc xpnilt l.nng lxland hcircxx \xhn lcarnx xlic hax nnI} hax Innnthx In lix c. 'l'hc l.uinicrc. iidinhurgh.
Digital Monsters: Digimon The Movie Il’( i) .0. I'l'akaaki Yainaxhita. llixhaxhi Nakatama. .\laxaxhirn :\i/a\\ a. Japan/l8. ZIXII I 38 ininx. Digiinnnx arc iint rclati\cx nl l’nlxcninnx hut dn xharc xninc IraiIx. hcing ndd-lnnking and fighting nhcn rcqucxtcd h} prc-Iccn Inaxtcix. lixxcntiall} [Her/nun nl'lcrx a hcginncrx guidc in Ihrcc partx. lI c\p|ainx hnu Iltc liIIIc innnxtcrx cainc ahnut Ithc} ‘i'c l‘rnni the digital wnrldI. dcxcrihcx a \xnrld- nr \xclI-Ihrcatcning adwnturc and Iinixhcx \\ iIlI Ihc pcrxnnal xtnr) nl' nnc hn} arid hix Digininn gnnc rnguc. All in glnrinux JapaiICxc animatian
\\ iIh Intid rnck Inuxic and a hattlc cxcr} liltccn Ininutcx. Adult hrain'x arc lx'L‘PI a|i\ c u ith axidcx likc. 'Mayhc \\ c xhnuld call Bill (iatcx'. and cinail accnunt-hnlding. innhilc phnnc-xx iclding undcr lIl'x \xill hc in their clcincnt. SL‘lL‘c‘lL‘tl I'L‘lcaxc.
The Dish I III C... IRnlI Sitch. .-\uxtralia. ZIIIIIII Sain .\'ci|l. KcVin llarringtnn. lull] l.nng_'. lill tninx. lt'x 196‘). x\pnlln Xl ix ahnut in land and Ncil
\rrtixtinng Ix duc In talcc Iltc Iiixt hunian xtcpx upnn Ihc Innnn -\ huinhhng tcani nt c‘UtIIIII‘} l‘n}\. .II l’al'leN RatltiI IliClkNL'UPL' l-aciht_\ In \cu Snuth \\alcx. arc i‘cxpnnxihlc Inr prm Iding Ihc iniagcx xchcdulcd In appcai nn (MI inilhnn tclc\ IxInn xcrccnx arnund Ihc \xnrld l'nIanunaIcl). Ihc} xccni In ha\ c lnxt :\rnixtrnng_' In xpacc 'l'hc icxulting Icnxinn Ix high. Ihc nptiinixni InIcctinux and Ilic nutcninc axtnunding \\Ith untailingh quirk} huntnur and xinccrc pcrtnrnianccx. Ilic i‘cxult hax In hc nnc nI Ilic Inan uphtting and cnlcrtaining hIxInr} lcxxnnx c\ct’ Iihncd l)ninininn. ladinhurgh
Dolphins I l 'I IJIIIIIII 'l‘hc prnduccix nI Ihc Inan xucccxxlul l.\l:\.\ inn\ ic cxcr. lait II'\I. Iakc Iix undcrxca iiitn Ihc aquatic hniIIc nl dnlphinx. \Vith narratinn h} l’icicc Binxnan and inuxic h} Sting. lNl -\.\ 'l’hcatrc. (ilaxgnw
Don’t Look Noun IM .0000 I \Icnlax Rncg. l‘lx'. I‘)"3I l)nnald Suthcrland. .lulic (‘hrixtic. lH.i iiiiiix chtnraIInn C\[\ctl \xith xccnnd xight \ IxIIx \cnicc. \xhci‘c hc Incctx up \x Ith I\\n nld xixicrx \xhn claiin xpiiitual cIIininunicatinn \\ IIh hix t‘cccitll} drnuncd daughtcr. .'\:._';Illl\l a Mann‘hkc hackdtnp nI UIIL‘\pl;Ilnc‘tl dcalhx. ltc‘ ltt'c‘nlttcx nltxcxxcd
\\ ith a tin}. rcdcnatcd Iigurc hc xpicx
xcurr} in}: Ihrnugh Ihc cit} ‘x dark allc} xi Splcndid xupcrnatural xuxpcnxc lil(I\ ic. ax xuhll} Ic\turcd and hrilliantl} cditcd ax an} nI' ltncg'x unrk. \x Itli Ihc addcd admntagc that It‘x a rathcr gnnd )dl'li. (‘anicn. lidinhurgh
Double Jeopardy I IS» 00 IIIi-ucc licrcxl‘nrd. l'S. W‘NI ’l'ninin} l.cc Jniicx. ,-\xhlc} Judd. Annahcth (iixh HIS ininx. Daub/v .II'u/IIII'III ix I‘III' I'IIcIIII'I' \\ Hit a Icinalc lcad. Nnt nnl} dncx II rip nI‘l' Ihc carlicr lilIn'x haxic prcinixc Innnccnt hcrnInincI gctx urnngl} cnn\ ictcd Inr inurdcring a xpnuxc and gncx nn the run. purxucd h} a dnggcd nt'ticcr nl‘ thc la“ II CVCII ltnaxlx lhc xaittc cn-xlai' IJnncxI litil uhilc 'I'III' lawrtn-I' \x ax gripping and “cli- cral'tcd. I)nII/Ilc .II'n/Iunlr ix Inrinulaic pap. ()dcnn. Kilniarnnck.
Dr Dolittle 2 Il’( iI ... (Stu c (art. ['8. ZUIII I liddic Murph}. Ki‘ixtcn \Vilan. VIIICC nl' l.ixa Kudrnw. 87 ininx. .-\ Matinxn racnnn turnx up at Ihc dnc'x lininc and dcinandx that he \‘Ixil Bcavcr. (indl‘athcr ni Ihc l'nrcxt crcaturcx. Bca\'cr'x prnhlcin ix tliat Inn naxt_\ huinanx u ant In ‘dcwlnp' thcir hnInc. lt'nnl)‘ l)nlittlc can inatc cndangcrcd xpccicx hcar :\\'a I\'niccd h} l.Ixa Kudrnu I \\ iIh circux dudc hcar Archic. Ihcn h} lau Ilic I‘nrcxt Will he prnlcctcd. Simplc. L‘ltccx) and ccn-l‘ricndl). (icncral rclcaxc.
Dr T And The Women I IBI COO IRnhcrt Altman. [8. 2001 I Richard (icrc. llclcn llunI. liarrah l-‘aucctt. Ininx. 75-}car- nld \ctcran dircctnr Rnhcrl Altman. in tandem with (km/Irv} I'In'mm' xcrccimritcr Annc Rapp. dclix'crx an uncx cn. )cI l‘rcqucntl} cnjnyahlc xaIIrc nn l)a|lax xncict). and in particular itx cxpcnxivcl)‘ pampcrcd chnalcx. .»\ Innxc ril'ti nn Ihc biblical xlni'} nl' JnlI. thc patriarch \\l]IIxC paticncc \\ ax chtcd l‘) hi/arrc C\ cnlx. I)!‘ 714ml [Ii/H’ lliinu'n xcL‘x Altman IIxc hix Iradcrnark mcrlapping dialnguc and fluid tracking xhntx In cxprcxx nnc nl' hix I‘awuritc Ihcnicx him
Incaninglcxx chaIIcI hax IcI‘iaccd Incaningtul cntnniunicatInn In IIIndctn xncit-Is Hdcnn \I lhc Qua). (ilaxgnn. l'IlItIhnuxc. l dinl‘uigh Dracula 2001 IISI ... Il‘aIIIclx luxxici. l S. .‘INII (iciald lhIIlct. (‘hiixtnphci l’hiniinci. ,lnhnn} l cc \lIllai ‘l" IIIInx ln Ihix cnntcinpntaix Iakc nn lhani SInkci'x hnitni \ l.l\\l\ \hiahain \an llt‘l\lll_\_‘ Il’luinnici I hax kcpt Itiacula lnt kcd up III a \ault InI Ilic paxt IIIII tcaix lhc xcciccx \\llll \xhich \an llc‘l\lll_‘_‘ guaidx it. hnxxcxci. than x Ihc aIIcItIInn nI litl‘l‘c'h and IthI Ininh Iaiding xuccccdx in iclcaxinc lhc piincc nI tl.lll\llt'xx I(ilax;_'n\\ hnin actni Hulch dniny .IlI Itha} litl‘l lillk‘lk'dllCI lllk' .lLllUll ltaltxlt‘H In \c\\ ()Ilcanx lI uax nn|_\ a IttaIIci nI IIIIIc hctnic Ihc Inan IaIIInux hniinI \ Illain nI all
\\ ax pixcn Ihc \ N am IicatiIicrII. hut Ihix \\cx ('Ia\cn pinduccd Iiliii Iailx In dclnct. I)IIIIIIII1.‘IIU/ lcclxinnic hlxca llaIiiIIIcI cia li iIIn\ Ic ()dcnn \I lhc ()uax. ( iIax;_'n\\ DUCK Soup Il I .... Il cn \i\( iaic). ['38. l‘) i :I ( imuchn. ('hicn. llaipn. /cI\I\n. _\lai;.'arct l)uninIII. l niiixI'alhcin 'H inInx (‘Iaxxic \lai\ Hinx laic. ax Ihc InIiI nl lthII gn In “at n\ci an Inxull dIIchcd aI Ihcii l’icxidcnI I(iInuchnI Supth xigsht yayx and a hcalIh_\ II'ic\cicncc lnt all Ihc Icaxnnx pcnplc Iighl \\aIx l'ilnihnuxc. l‘Illlll‘lllt'li
Ed Gein I l5) .. I('huck l’aiclln.l \'. Illlll I Slc\c Railxhack. (.‘llllt' SlltltlgltW‘. l{_\an 'l'hninax liinckinggtnn III) Ininx llIc Ii‘uc xInI} nl ltd ( icin hax hccn Ilic Inundatinn Ini‘ Ihrcc nl Ihc Iincxt hnitni iiIn\ icx Iii Ihc cannii ('nininu at Ihc Ialc nl IhIx xiinplc than and xci‘Ial Lillci c\IIanidinaiic in diIIcicnI \xa}x. I’\\I lin \xcnt Int Ilic dninincciing' IIIIIiiI anglc. Illt' II'tm ('litunum Hunt/I II atlnptcd Ihc ixnlatcd nuIIcI appinach. \xhilc I'III‘ SI/I’III I’ (N [In [um/Ix llcxhcd nIII l-d‘x xkin Ii‘adc. In [2d (iv/II. Ilic'ic"x a l‘ll nI all Ilircc. hut Ihc} 'rc all Iilincd in a ham Iixtcd. camp} and lllllllialc'l} tlllt'll} hanal \xax Scc rcx 1c“, (‘aIiIcn. ltdinhuigh
Edge Of NightI IIx'I I.\':kn\ l’ana}nInpnulnx_ (ircccc. I‘N‘II ll" IIIinx l’aIIa}ptnpnulnx~ Iiinxt icccnl Iilni c\plnrcx Ihc dIIIicIIII} nl hung III nindcin da) (iicccc ax mpcrtcnccd h} tun _\nun;_' pcnplc Illllllllfl Ihrnugh Ilic cilicx and until“) \ltlt's 'l‘linughtlul c'UllllIIgwIl-afgt‘ talc l’ait nl IIIc (ircclx liilni l'L‘xll\;Il. l-ilnilinuxc. lzdiiiliuigh Ek RiShtaa ll)( ii lzllllll linll} “(Niki prcxcntatinn. ('incxxnrld, l-alkirk
The Emperor’s New Groove II I .0. I.\lark l)indal. l'S. ZIMII I l)a\Id Spadc. Jnltii (inndiIIaII. luartlia Kill. 7'8 InIiIx liinpcrnr KII/cn ix innnarch nI an unxpccilicd Snuth .-\iIIciIcan Iaiid uhn Ix Iurncd intn a llama h) hix xchcining axxixIaIII Y/Ina Ixniccd inan apprnpriatcl} h) linII during a hntclicd axxaxxinatinn aIIciinI. 'l'lIc llaiIIa cinpcrnr gncx nn Ihc run and Ix hclt'icndcd li} grind-M Illcd ltcl'dci‘ l’aclia ((inndniani. \Ihn liclpx i‘ctui'n hix lHlll' lcggcd rulci' In hix Ihrnnci 'l'hcrc arc Ihc nccaxinnal c|c\cr pnxtinndcrn InucIch KII/cn xtnpping Ihc Iilin rccl In talk In Ilic audicncc hut innxtl} IhIx ix priinc nld xchnnl l)i\lIL‘} quI'l. II lackx Ilic aniinatcd landxcapc iIiiIn\aIInIix nl [(II'L'IIII. nnr dncx iI Chin} Ihc charactcr dcxclnptncnl nl .‘l/(Il/Ul. \xhich Ix uh}. ultiinatcl}. Itx inixxinj: cducn
Sclcclcil I‘L'lcaxc.
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il Mililll JllSl BE Yflllll SCENE
40 THE LIST 13“ JIII ;’ Ant; Lida“