Art listings
Glasgow Museums
This section lists museums currently showing temporary exhibitions. For details of other permanent attractions, see Glasgow City Life, page 89.
ART GALLERY 8: MUSEUM, KELVINGROVE
Arg}le Street. Kel\ mgrme. 2S7 INN. Mon 'l'hu & Sat lllam 5pm; l-i'i & Sun llam 5pm. ('al'e. tree.
A Kelvingrove Centenary t'nitl Mon 3| l)ee. .'\ eoiiiirieirior‘atn e e\hihitioii marking the eentenai'} ol the Art (ialler') aritl .\lu\eiim. Kelx ingi‘m e. The well l()\C(l \antlxtorie huiltling houxex one or the linext eix ie art L‘ttllL'Cllth iii litirope l'eaturing \\t)l‘l\\ h} Bottieelli. Reiithrairtlt. \Vhixtler' and the (ilaxgou Bo}\ and (ill'lS and \\;t\ the venue l'ot' \ome ol the l'mext exhibitions \een in Britain iiielutling l’tL‘;t\\()-.\ltttt\\e t I‘Hm. Van (iogh
t I‘HS) and l)ali\ .-\it ill Jeu elx
tl‘)73 4).
Herzliche Grusse 'l'tiu 5 .lul Wed 5 Sep. A multimedia e\hihition about the (ierman language leaturing \tHIlltlS. pieturex and gadgets. muxie VltlL'US. elip from German lilmx. theatre and 'l‘\'. Edwardian Summer t'niil Sun 3 Sep. 'l‘o eomplemeirt the Kelx ingrox e ('eiitenary e\hihition. a tllSPhI} ol photograplh doeumentiiig the l‘)t)l International lixhihitioii “lllL‘ll took plaee at the galler}.
Power Of Humanity l'ntil Wed 25 Jul. Through perxonal aeeountx. photographx. arehiVe material and itt'telttctx. the role ol~ the Ht‘iltSh Red (‘i'oxs is highlighted in this e\hihition.
AULD KIRK MUSEUM
The (Tom. Kii'kintilloeh. 57S (ll-H. 'l'ue Sat ltlam lpm & 3 5pm. Looking In Wonderland t'nitl Sat ZS Jul. A (il’ilpltlL'lIS 'l‘ouring e\hihition featuring “Utltl engrmetl lllll\ll'ttlltttl\ l‘i'om .-l/r'ee In llhm/er/mri/ h} Sir .lolin 'l'uriniel.
BURRELL COLLECTION
2000 l’ollokshawx Road. 287 355”. Mon 'l‘hu & Sat ltlam 5pm; l‘ri & Sun llam 5pm.
Ancient Egypt: Digging For Dreams l'iitil Sun 3() Sep. ()\ er ltlt) rarely seen treasures from the eolleetioii of William Mattheu l"|iiitlt‘i\ l’eti‘ie. tlesei‘ihetl as the ‘\'ietorian Indiana Jones“. The exhibition lllL'llltlL'S a look at the originx ol' the mumm) 'x eurxez the idea ot‘ alien help in the building ot‘ the Pyramids at (ii/a; antl :\neient ligyptian \‘iewx ot‘ the al'tei'lit‘e. Daumier In The Burrell Collection A neu tlixpla} ol a group ol‘ oils and watei'eolourx h} one ol Sir‘ William Burrell's l‘ax‘ourite ar‘tixts. llonore Daumier t 1808 l.S‘7t)i.
82 THE LIST 5—19 Jul 200‘-
THE HILL HOUSE
l'pper' (‘oltiiihoirn Street. llelerrxhiirgii. l’l‘lzlth—‘A‘NJH. Hall} I iiipiri < Mimi New Perceptions: New Directions 2001 l rrtrl t )et \r: e\hrhitioir ot eoiiteriiporaij. tiiirritizre. lighting .llltl tleeor’atne L'la\\ trorii all o\ei' Britain.
Miegakari: Between Seen And Unseen t‘iiiil \\ett it (let ‘\tie~_:.et,.ri:‘ l\ the term uxetl iii Jal‘allex' _‘_.'.ll\i\'ll tlL'Sllel ninth eieate\ a \iig:_x'\tr‘.e atiiioxpheie lot a larulwape Japanew glaxx ar'tixt Keiko \lukaiile aritl lariilxt ape ai'ehiteettire 'lokiko l iiitiiiehi lla\e eollahoiatetl together to eieate a iiiritiiie inxtallatioii ol glaxx. light. \i'llllii aritl rimi loi‘ llill lloirxe \‘.lrieli e\[tlote\ the L‘ittlt'eltl til ltltegttkal’t, l’at'l til Jat‘atr .‘ll‘ll
HOUSE FOR AN ART LOVER Bellahoiixtoti Park. Ill l)iiiril\ieek lx’oail. 353-175;. l)ail_\ ltlarii Spin U St) tEZfiW.
The New Generation Sai " ltle <t .ltil. In ;l\\tk'l;tllttll \\ ith the ( 'orrip.i\\ (ialler'). a \eleetioii ol the l‘e\t ol lilt\ )eat'\ gratluatex hour the tour Seottixli ai't eollegex See (‘orripaxx ( iallei}
HUNTERIAN MUSEUM
l'iii\ei'\it_\ .'\\eriue. UH JIII, .\lori Sat 9.30am 5pm.
A View Of The Surface t'iiiil Sai -t .-\tig. Silt}llt‘ \on llalerii'x pi‘oieet liHlllS part ol Seotlantl'x tear ol the \t'lt\l r‘exitletre} pi'ogi‘aiiiiiie iii \I. hieh the .tlll\l eai'r'ietl otit rexeai'eh on the theme ot "methotlx ol pi‘exeiwatiorr', l'ttl the e\hihition. the at‘tixt \ho\\ \ \eiilptuie aritl photographie image»
Meet The Artist hi (i & Sim l5 Jul. 1 5pm. .-\ ehaiiee to meet Year ot the .v\r'ti\t Silulle \on llalem.
MUSEUM OF TRANSPORT
Keh in Hall. | Btii‘irhoiixe lx’oatl. IS ‘ 373“. Mon 'l'hti & Sat ltlaiii *pm: it! t\' Siiii llaiii 5pm.
Fire! l'iitil \lon 3| flee. the ill\lttt_\ ol lir‘elightiiig in the \\L‘\l ol Seotlatrtl ix tloeuiiientetl in thix e\hihitioii teatiiiiiig a l.e} lairtl I’ir'eiiiaxter~ erigirie giltetl to the muxeum h} the Strathelyle l'ire liiigatle aritl ohieetx li'orti the pa\t aiitl pr'exeiit,
PAISLEY MUSEUM 81 ART GALLERIES
llllel Slll‘k‘l. NH" 3J5 l. ltle Sat
ltlaiii 5pm; Sun 2 5pm. l‘i'ee.
The Shot In Photographs t'riiil Sun S Jul. l’hotogr‘aphie e\hihitiori \ho\\ ing pietui'ex hour the \ei'_\ \tieeexxlul millennium Shot l'extnal in 3000.
Graffiti Art l'ntil Stiii l‘) .‘\llf_‘. .\i‘t e\hihitioii h} Ioeal ttt'llSIS Sheila l-ahei' and Dunean lh'outi \\ith eoiiiiiiuriit} \\ot‘k\ltop\.
PEOPLE’S PALACE 8: WINTER
GARDEN
(ilaxgtm (ii'een. 55-1 “333. \lon 'l'htr & Sat ltlaiii 5pm: l’ri & Sun llarri 5pm.
LEE
OVER, K TH E
The Man Who Wasn’t There \ttii
i.‘ \ll;‘ lx’ 'ee‘”, tiaii» .ztrii \ haremax 'm (rl.:\,:«'.-. .::'.i\' l 1.;i‘l. \l\ \.:i‘ i‘liwtim'ret‘lb~ amt trial e\ than. ll.:'\ of the
ST MUNGO MUSEUM OF RELIGIOUS LIFE AND ART taxlle Street. “W _‘\\' \lmi Jill A Sat l".till <prii. l ll A \til‘. ilar'. \rrrr; One Planet, One People t lllll Siiii .‘l ‘ltt \ri ll‘.\l:‘iti into the llahfir laitli. oiie ot the t.t\te\t :‘io‘Aiiiz‘ namiltl reliyroiix itli .: i‘eliet that l“..;ii.:'irllalr. a l"tli t Ullltlh‘. liaiiiair rrtrlrieiriaii. l\ the lllt‘\\\‘ll‘_‘t'l ol (toil tor liiirri.-.rirr_\
THE TALL SHIP AT GLASGOW HARBOUR lllll\[\l|\\lti\\I<‘i‘1\l_:SIJ(H|;1
ltlaiii ‘piii UNI". "*i..:t
llailt torripariieil ehililieii tree
Glasgow Harbour Art Exhibition l iitil lire ‘ \tl‘.‘ \ii e\liihitioii ot \peeiall} ei‘lllllll\\l~‘l|t‘ti [‘.tlllllll;'\ l\_\ \eitlll\il .tlll\l\ Illt illtilll‘.‘ l.iir l’attillo. \lar} liatt heloi .irril \liiiiel Haiela}.
Art At The Pumphouse t not \loii ill .ltil \ iiiiitliie e\hil\itioii ol loeal \t'itlll\i1.tlll\l\.\l‘t'elaii} \‘t‘lllllllSSIttllt‘ti tor tli\pl.i} .it the l.i\l lt‘tllallllllt' ill\litll\’ titlt'lx\ aiiil tlll.l_\ \ iii ( i|.i\;'o\\.
Five Thousand Days At Sea \ll t‘\llll‘lllitlt oii i‘tlilltl the oirl_\ ('lttlt'liiiilt \ailriig \llll‘ \llii alloat iii the l l\. iloeiiiiieiitiiie her .itl\eiitiiie\ on the illi‘lt Seax iM‘lU-x‘t‘ll i5” ‘ .tllti il’l"
Story In The Stones li’tlllll‘ilittlu‘ \laiii ( taller) I. \ii e\hil\itiori looking at the iriipaet ol the llltill\lll.ti .i;'e\ oii (ila\go\'. hai‘hotii;
Morse And More Il’iiriiplioii\e l,o\‘.ei’(ia|let_\ l,_\ haiitl\ oiie\litl\it1oii. .iiirietl at ehililreri. looking at the \xoilil ol eoriiiiiiiriieatiiiii ‘tt‘ll eaii operate a \tate ol the art optieal telegraph ii\eil iii the \apoleoriie \‘..tl\. tr_\ out the li\ e iieetlle telegraph .iiiil eiaiik tip \\oiltl War II lieltl telephone»
Edinburgh Galleries
AMSTERDAM
I‘) llraiitloii 'leriaee. 550 l 17*. \\etl i\ l‘l'l Stiii iiooii (rpm; 'l liti riooii “pm. John Fife l iitil Sun 3" Jul. \\ iltllite paiiitiiigx h} .loliii l'ile.
ART EDINBURGH
Ella l)lllltl(l\ Street. *5" Still). \lon l ii llam 5pm; Sat ltlairi lpiii. Summer Exhibition l'ritil lliti Io .ltrl. lltHIM‘tl m \rt l-tlirihiir‘gli and the Iztliirhtri'gh ( iallei}. a \tiiririiei' \eleetiori ol [titllllltlfJS iiieliitliiig \‘.Hli\\ IA Sheila \laeiiiillari. .loxephiiie ( ii'ahaiii. Hieiitlaii Kell}. .laile Stout. .laetlueliiie \lar‘i. (‘oliii l’aik aritl J.tlllt‘\ 'l\‘.eethe
ARTIZIN l‘lh l)lllltl.t\ Street. lti‘ ,i‘li". lire l'l'l llaiir "pm; Sat l lam .‘piri.
ILLER,
Green Fingers t tllti lite loltil \rt‘.‘.o:k\:7:all illx‘KlllJlli‘l\‘.1lllllll¥ll‘lllltll 3.;'1ii\.~.;‘e\.-aitl tlotal partitiiig\ I’ioeeetlx go Ziiet :.:i.-.e in t 'rrxix \r‘peal
Grey Art lite l‘ Siiii 7" Jul \ eelc‘Watrozi ot the mature allt\l teatiiiing rr‘.i\eil irietlia \\.o:k\ irit ltitliiig paiiitiirgx. etril‘roiileiy glam aritl \\ tlll‘ltllt‘S h_\
t lterirre“ \lortoii. \llSUll artil lx’hoiia t ~oiliii are among the line up ot .:tlt\l\
I\)\.i\i
BOURNE FINE ART
ti lttiiitl.:\ Street. “i ltN' \loit I it lttari. "l‘lll. \at llaiii 3pm
400 Years Of Scottish Portraits 1600-2000 l iitil 1 ii .‘ ‘ .liil Seotti\h t‘ittllatlS \l‘alllllll-j liiii _\eai\ lealtlllll‘.‘ \.\.oik\ l‘_\ llerri_\ lx’aehiirri. \laii l\).tlll\.t_\. \ii larrie\ ( iiithzie. Joari l .iitlley .lariiex \lt Hee loliii litiire aiiil ( ieorge lairiexoir
CALTON GALLERY
lH lx’otal lerraee. “ti ltlltt \lon lii lttaiii "l‘lli. Sat ht appointment Mixed Exhibition l iitil Itie ;| Jul l’airrtirigx trorri \tm k iiieliithiig' \kitth l\_\ (ieorg'e ilittISlHll. | l) lei-.‘iixxoir. \laelalk hlaii \lihre .tlltl l’\\ \tlam
CAMEO {S lloiiie Street. .‘IS llll Apple Schnapps t'iiiit lire {t .Jtli
loriio [‘ilitlitt'laltil} h} \iigela | eatlhettei
CANONGATE KIRK
Ii 4 ( '.iiioii_:'ate \loii Sat
Ill. illallt l. itlpiii
The Book Of Psalms l iitil Siiii l5 lul, ("oloiii .tlltl hlaek mk liill\ll;lllttll\ h) \liehael .le\\iri;'. illuxtratiiig the Hook ol l)\.tilll\.
THE CAULDRON
" ‘ ( iletk Street. ()3: "3 Vi, \lon Sal iiooii latit. Sun I). illpiri laiii Mixed Exhibition \ ehaiigiiig \'\illl‘lllttll ol gothie art iiielutliiig \eiilptiiie. than my. photograph} and |‘;tlllll|l_L'\ |\_\ loeal .tlll\l\.
CITY ART CENTRE
l.\laiket Street. 53." “Ni, \lon Sat ltlarii 5pm. Lil it__‘5tti lot all loui’ t'\illi‘lllttll\; tamil} tieket U). \eaxoii iiekei
Sebastiao Salgado: Migrations
l iitil Sun 3 Sep. l’hotographx taken o\er \e\eri _\eai\ h} one ol the \xoi‘ltl'x Ieatlirig [tilt‘lttlttllltl;til\l\. l‘ha/rhan horn Seliaxtiao Salgatlo. 'l he e\hihitrori tloeuriierih the pherioirierioii ol itiigi'atioii \i. hieh .tllll\ to ehalleiige our eoiieeptx ol riatiire. eiiltirie aritl eoriiiiiuiiitt. Australia Dreaming: Contemporary Aboriginal Art
l iitil Sat () ( )et. .\ eelehiatiorr ol the lite aritl ait ol .\ti\traliaii .\|mi'igtiial ettlllllltllllllt‘S III the \oi'thei‘ii 'lei'r'itoi‘iex. the (‘eiitial aritl \\e\terri l)e\ei‘t\ and the lx'iriiheile}. l’eiiri) l\‘.eetlie\ photographx ol the .\iiiherii l..tlltl (‘oiriiiriiiiit_\ aeeorripaii} the tlixpla}.
HE'lS ONE OF THE MOST IMPORTANT
FIGURES IN EUROPEAN ART IN THE 20th
TOGRAPH CENTURY