MAGIC REALISM

Shamrock Tea (Granta Books 214.99) 00000

It would be a great injustice to attempt to precis this stunning novel. Suffice to say. the narrative is strikingly original and centres around. among other things. a portrait by Jan van Eyck. time travel. a host of historical figures from Wittgenstein to Conan Doyle and detailed explorations into the lives of the saints.

All this is woven together with fiction, fantasy and philosophy. and a liberal dose of the eponymous hallucinogenic to create a fairy-tale. dream-like work of art which is flawlessly put together. The story is told in 101 chapters of two pages each. all named after and themed on a particular colour. some of which stand on their own. but all of which are relevant to the story as a whole.

Every word of this novel counts. so don‘t be tempted to rush through it: savour it. then go back to the beginning and start all over again.

(Kirsty Knaggs)

FUTURISTIC MEMOIB EMILY BARTON The Testament Of Yves Gundron (Canongate £9.99) 0...

Technology and its effects have long been

a popular subject for fiction. usually involvmg future worlds where human invention leads to destruction. In an impresswe flight of imagination. Emily Barton creates a myth- ical Village. sheltered from modern life. and shows us what happens when technology enters the frame.

At the tales heart is narrator Yves Gundron. A farmer. he kick-starts the whole process by inventing the harness. saving the village a lot of work, not to mention dead horses. His labour-saving creations develop and the community's lives change accordingly. Thrown into this scene is Ruth Blum, an anthropology student who discovers the village and tries to study the community without influencing them. That. of c0urse. proves impossible.

In Mandragora. Barton creates a village that seems true to life. with evocative language and a memorable narrator. As the stOry speeds along mixing humour with morality. we share Yves' joy at progress. but also the seeds of doubt sown alongside it. (Leuisa Pearson)

CRIME THRILLEB MARK POWELL Snap (Weidenfeld & Nicolson $39.99) 0..

Following the death of Girl Garner. East erstwhile member of the Stepney Berserkers - flees to escape the retribution of the Garner brothers. Unfortunately, he's accompanied onto the mean streets of Essex by his needy and conspicuously disfigured younger brother. West.

As an exploration of the shifting relationship between siblings. Mark Powell's debut is occasionally poignant. Where the book irritates is in its cl0ying fusion of cartoon violence and ‘he loves his old mum' sentimentality that has become familiar from recent British gangster films.

For all Powell's street

Credentials Ithe authpr dropped Out of am- verSity to run With a New York street gang) there's a teach at the Ali G's about the skinny white boy posturing of his gangsters. while miner characters are lifted from one of Guy Ritchie's two- dimenSional wet dreams. It's also hard not to reference DJ Tim Westwood when the author comes Out With lines like 'Dis one gan Out to da Stepney massive!‘

(Allan Radcliffe)

MUSIC HISTORY ASHLEY KAI-IN Kind Of Blue (Granta E20) 0...

Like Guinness. William Burroughs or Oxford United FC. jazz is often dismissed as ‘an acq- uired taste'. Not so with Kind Of Blue. Miles Davis' 1959 recording. Hugely influential on the worlds of jazz. rock. funk. film soundtracks and trance. the album continues to sell up to an incredible 7000 copies a week.

Kind Of Blue: The Making Of The Miles Davis Masterpiece is an erudite but accessible study. not over-dwelling on ‘dalliances with atonality' or ‘modal endeavour' nor skimping on context or detail. The best compliment you could give any music book is that it fires you to hear more of the subject and this is certainly true with Ashley Kahn's writing. The research is impressive and the input from those who worked with Davis insightful.

Quincy Jones saw the LP as both a Valentine to Charlie Parker and farewell to bebop. while pianist Bill Evans was more direct. merely calling it “the most beautiful. human music‘.

(Rodger Evans) F

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