Life of lust
$2,: 839’, ~13 l i "i Never fully benefiting from hanm<hhannqsduxm |q(;y P(n) HllHllX‘lS arn()n(; Anuwmakbefllowwlmxk HVronxnm.Phonuqfluw MKklhxkhunqouL smunmu1Hquqflermulhm vvayxvard SIO<XJOSIrilC372. llls [)1( s (il(‘ ll()\\/[)Lll)ll8ll(‘(l In fhivv Ft)VV(V‘((u)IurIn(; |()()3/ /\rr(l 'l‘li(> f31<)()(;(*s (ll thendeflnuhvebefl. Nowadays Mr Pop busws lmnuflxwflibmqo,hnnmq dil(llli(‘()((<l$l(fll<fl Visits 1() Huwnnksolfiwflnhnu(n h(\\vfll(l()\vluln h(>(u)rx‘ars atlurHH>Rnknith RdVV’PovverIS/n/bhshrv/{n/ L f(‘<)(/()l) [3()()l;s ()/i Q? fv4()}z I ll) (/r() %)/l\ /s Ill [§()L)(/<) ()1; 6i (i: K) /(//}/
Two's company in L’Ennui, Cédric Kahn's assured adaptation of Alberto Moravia’s post-war Italian novel about a romance between a philosophy professor and a teenage girl. Kahn himself is in good company with his screen version of a Moravia book: Jean-Luc Godard previously filmed Le Mepris and Bernardo Bertolucci shot The Conformist, both of which films were also highly rated.
Grocer Kevin Gould, see page 114.
‘$.Yfiw‘fll_THEUST3