festival music

CLASSICAL PREVIEW

Haydn String Quartets

It’s not going too tar to suggest that Haydn made the string quartet as we know it. Working tor the most part at the Austro-llungarian court of Prince Eszterhazy from the 1760s onwards, he wrote over 80 of them, creating an index of possibilities for this most trenchant of musical torms (two violins, viola and cello) which spurred on the efforts of Mozart, Beethoven and beyond. There’s pretty much a llaydn quartet for all occasions, for they can be by turns melodic, lyrical, sinewy, witty and galante. lnexhaustibly inventive, their perfectly crafted structures and balance make them an oasis of musical calm in

anyone’s listening experience, something that’s reflected in Festival director Brian McMaster’s spot-on programming idea ot spanning 46 of ‘Papa’ llaydn’s maior quartets in an eighteen-concert series at St Cuthbert’s Church.

Fine ensembles are taking part, with three concerts from the prize-winning Vellinger Quartet, two from the Orlando, and four from the Emperor; but the hottest tickets are the visceral drive of Manchester-based The lindsays (28-31 Aug) and the warmth and sheer class of Viennese period instrument specialists, the Quatuor Mosa'iques (17, 19—22 Aug), the latter performing the Op 20, 33 and 77 pieces of which they’ve already made classic recordings. As Benton probably wouldn’t say: ‘Choose lite. Choose a llaydn string quartet’. (Trevor Johnston) llaydn String Quartets (Festival) St Cuthbert’s Church, lothian Road, 225 5756. until 31 Aug, 6pm. £10.

m Battlefield Band

‘We’re going to do a live album over three nights, with a different guest artist for each show, and Eric Bigler is coming over for all three nights.’ Battlefield Band’s young fiddler John McCusker is more than a touch enthusiastic about their forthcoming series of Queen’s llall concerts.

Bigler is the Calitornian piper responsible for the uillean pipes on Braveheart, and once stepped in to till lain MacDonald’s shoes when the Battlefield’s piper damaged his lingers.

Irish tlute master Seamus Tansey is

life? 1 " i 5.

Flddler on the loose: John McCusker

here recording an album tor the Band’s Temple label, and joins the boys tor the opening night. llarpist and clarsair Alison Kinnaird takes the second evening, and the final night unites the band with McCusker’s pals in Glasgow’s Radio Sweethearts, rising stars of the country scene.

‘Some ol them are from my old band Parcel 0’ Rogues and others are from the BMX Bandits. I play with them when I can, when I’m back from touring,’ says McCusker, ‘and I’m on the new album, which we’ve just heard has been signed to a New Orleans label. (llorman Chalmers)

Battlefield Band (Fringe) 0ueen ’s llall ( Venue 72) 668 2019, 16-18 Aug, 7.30pm, £8.50 (£6.50).

INSTRUMENT SALES PA. + BACK-UNE HIRE

0131 0 667 0 82M

EDDIE SEVERN

'I‘runlpeler Iitlthe Se\ m n (IltI not take lung ll) C\I;II3II\II hunxell .l\ .1 regular ml the [an \eene \xhen he .u'med Ill Iithllhurgh III the We .‘x‘llx. He IItl\ tIL‘\tlIt‘tI .I Inl HI nme and energ} In \mik lll _|il//. edueunun. meludulg the tIll'L‘CIUl'\Ill[) ml the lithuhurgh Miners”) .|;l// ()lCIlt'\ll.l. and l\ .i lulur ur tIll'L‘L'lUl' nn .1 \urlel} nl' jun enui‘sex. Including Napier lTIli\'L‘I‘sIl_\"\ neu summer \L‘hnul.

He can he heard lending IIIL‘ I‘.I'.I() llC\l \\ L‘L'h ITI'HII .I.I// ('ellur [Venue ‘)|. 330 I55ll. 35 .-\ug- I Sept. 3pm or 7.30pm. L5 IUI). hul helnre Ihen has .i \xelemne uuling \\'lIIl Ill\ (“Hi Quurlel. leulurnlg Tristan Hams (pmnu). |.e\ Hunlh (huxsl. and drummer .luhn Rue. IZtItIIL' l'urnled lhe lmml .ix :1 means nl'tlewlnping Ill\ (m ll CUIIIIRHIIIUIIN lllllll;lII)' \ulh lhe \upme “I ll Senlllxll Alix ('ntlllell bursary l. \\ hieh lenlure pmuunenlly Ill lhe qtlill‘lL‘l'\ lL‘pL‘l’lUIlL‘. .I\ \\el| us prm uhng plenl) nl' nnprm l\;lllnll.lI \wee lul e\eI_\nhe III\UI\t‘tI. IKenn} Mullhewnl

Cheap but not cheery: Lucla

I Eddie Severn Quartet l‘riuge) Item) '\ (‘ellar liuerenue lnll Ill IZSX. l‘i- 3| Aug. 3— (mm. £4 (£3).

CLASSICALPIIEVIEW

OPERA ON A SHOESTRING

'I‘Iugeil) .uul l‘i.l\\l0ll reign elernul lll open and nn lllm't‘ \t) lIl.IIl Ill CIil\\IL'\ \ueh .l\ /.u liu/Ir'mt' .llltI I.” ll'r/l Irllrl. I‘UlIl tlI “Ineh lenluie lII ()pem ( )n A Shuexnlng'x dehul lithnhnigh per in: nmneex I‘m IIIt‘tI lll (ilnxgrm nnl} l\\n_\e.u\.rgnlm;1 [\ImIllL‘llull HI. /)HII (immmu. lhe emnpun} xllII ripe-rules on lhe \hnesnlng hudgel nl‘ lI\ name. hnl ne\ellhe|e\\ lCL't‘l\L‘\ lulxnnle praise l'mm ennes and lhe puhhe uhke. "lhe l'ringe perlmmuneexf \uxs

his. .‘ - dl lemmermulr

Auntie Dneelur .llltI singer (‘hrlxlnul I)llll\\()tltIIL‘. ‘me .1 I\IlltI ul' pmnmlmnul e\ereI\e The \II()\\ I\ UllI} nue huur .llltI presents many Immune npemne highhghlx lur Ihree \lllg'L’l'\ Ill enneell lnlllml.'

I))ll'.lllll(. \ ihmnl. wung .ne ‘JII \\nl‘(I.\ regular!) u~e«| in (lexel lhe lhe emnpuny '\ mnk and. says (‘hrlxlmu Dumvumhe. ’l‘rum lhe lew perl'm‘muueex we're «lune. \\ e hilt)“ \xe‘w ullrueled penple lu nperu whqu never been lwel'm'e. \\e're ahead) hulking uhuul tlmng .l \\ hnle \Iltl“ lll litluihurgh nexl year. It lhe nppmlullll} \ lhere. \\e.|| he lllel'e lim.‘ ((‘illul Mum)

I Opera On A Shoestring Highlights (I‘l'lllg'L‘l I‘mnnux (,imuxe Huuse (Venue 34) ()()I 5687. IU—ZS .-\ug. l2..‘~(lplu. £5 (£4).

Antonio Forcione & Niel Stacev

Acoustic Mania

'I‘IL'hL‘IS I-l'tilll

Btu ()I-IICL‘ mpenx 5lh \ugv

I-ringe ()l'liee

I-.\enl llnlline inln

Press and media llllu

THU 29th A” 7

(llfil (HS! ()I3l ()378

mobile SM) ()(ll

nus/in

at

Venue 90

Corner Broughton Street and

:73 2):, 9—‘53': z /““3" c. “22>.‘35Ec -’--—-C:mc.m :L~~ -;- :Ef':_v._ xyzcri.\$. Edi—Al’s 39:23:“ ::::_ ,— 3mg; "5 L": A... .cl‘xo—r" —=r-_.(\I(\I(fi Ill 9‘3 ._Octf‘.l\ 'r;:>‘._.—t\lt\l 5.31:0 5051):”) 41,51): :3: u=~:-<<<

557 N33” 550 lift)

()lfil >5" Nil)

THE BEST AND THE LATEST IN LATIN MUSIC

GRAFFITI

East tendon Street

23:30 - 3:00

£5 (£4)

2:0 I 33 L’l‘L‘LIll

7(rfslx Il('\

The List I632 Aug I996 81