festival film
nocumamnv 1"".'°I;‘:':"."L‘I“I -- '::.t:'tt.':.':.:::3.‘f':tI l11"fl“f{”.-.'.'I§:lil'.‘.§".'i:‘, :‘llttz. . Ipllli... / Ug. ~ -- l . \‘kl ‘ g x ‘x I It... I. ' t. . the sun’jhe Moon And .. . pm. 1.60.4). “R xx t_x iL.I\|. ilL might distIIIct IIInchIIcIIIs that The Stars hlmhmlsc. '7 lI.Ix e teahsed that cnuld ll'llll us length and AW: 10.30pm: 0mm). 2' caIIIpIIIg near the spnnltx IIInxe xxtth tIInI'e A“; 6. “pm: {30 3“ ' IInttse uI Ihe xxnnds \\.I\ III\ tgnt'aIItIg suppleuess. All“; 8pm. £0 Hg.“- IInI .I gnnd Idea. llnxx ex eI (l’IIIII SIIItIh) ‘ * * * * , .X'III'I'I .luei’l .llI/II' leaxes I Ballet l‘lillllluttsc‘. In J the I'nugh \ltlll IIuttl the .-\ug. 4pm; 33 Aug. I |.tIII. The Film FC-‘livars end. npttIIg In build up in IN). documentary strand may pettimiugw.” mum,” J\ not be its most \'eIx humhle III (IIIIIIes Paul I\ dI'.txxtI ltI\\;tl't|\ the commercial. aIId l'nntage .lentu IIeI debut Ie.ItIue. nccttpaIIts nl tlte lInIIse (It the Dutch Indies cII'ca SIIIIlex llauett tinge geueinunm nl ‘k ‘k * l9l2—33 might IInt hnld cnIIIIIIetIII‘Il IlI.Il her I'IhII |I.II‘IIIx xxntIIeII. 'l'IIIs l\ Inn * * the SillllL‘ ilppCdi 315' it gillil \\II\II'l .I\ accessible .Is \l'ghl ‘1 mm [H can) lhc {Cilllll't‘ prllllc‘l'd. but this II'HIIxx ’\t|\ll‘|i|.||| llll\ l/n' huului “I \gvl‘ll T ' anthnlng)’ compiled h'nIII .li/I ('IIIIIII'\ (ll I’lla'tH II/u' nI' tept‘esstnn and I'eltgtnus ! the Netherlands Film ,l/Imt'l’x lli III/me. .\'nt 9 tIIhnlIsIu heaped nu II. 'l'hIs Innse-xxt‘tsted Museum cnmpt'ises the hue "he nttlteat iltlllltltll' hut xxntehed xx uh B-llltn'lt' W I ' ,x 3', ., most startling images Is tht‘tx‘. .l\ l\ Ilte kitxeh e\pt‘ctatlnu\ II pun-es . Sl'lltlivltilltfiwl.’:hllcllilfilin\ you'll see this year. \nIIIIdItaI'k ttInt Ahha. hut ._ , I teasnuahlx etuettatIIiIIg. There's IIInt‘e than a “M “I (I Rer” mum” Rivalliug the grandeur nl' ‘lut xelx' liaux \\'lIIIeI. ' tl-.ddie (,ilehI passing nnd In Rnald l)alIl mk- mttmmt \th (mam a l).W. GI'il'liIh epic III' the hints IuIIIltelx 3'9“ “093' "m I Sweet Angel Mine and Angela Carter III xx hat Int-n SIIIII-i I nu ;. III-timin- Ht‘vl‘ll’S'S I'VI’FHWVU/‘lv- sIIhIeeI llltlllt‘l' Is \tlltdl‘l} l-tlIIIhnuse. In .-\ttg. appears In he a simple “mun-x III timing-x, m th-W 39 '"illlllCS CilPlU'l‘ 4| left held: .I tntIIatIee Home" IIHIIpIII; (.il-T. IS .-\ug. children's lllt)\’lc. Mnthet‘ unnctl'ui lm hmh' lnst wnrld never In he tuxnlx mg .l IIIIIltl!e~.Igetl .\'.,‘~()pIII; (Inuen. 2| -\ug. nl' twn daughters. Mn ts _I).l|L‘||l.\._ «eentupnuied hx’ seen elsewhere: pt'nud Hi and .I pau- nI lxnied * * .‘i ISpm. [(x I U I, liuditIg single life dillicull his xx Ile, theu uexx -hnru ' cheil'tans. kids pulling \lslt‘l\ m dull nutlxnek alter separating I'I'nm ilL‘l‘ min “mt mk- MUN“... splil’l‘s. alligatnt' hailing. tn\\ ll Suzunx. (it-ni-ge unfaithful hue-hand. whcn "EMU -_\ w“ magnificent I'ix'eI'hnats. Slit-x [\II\ \ lhc “nu. “mm.” “In. R pf“Cll;)lngi\l',l.llm Kn”) "Wcmmc indusuml l‘h'l““‘l"“\”l.‘i- I.u ‘c’ill break at a seasIde I‘esnt't III I'l‘ea l.enm I. Mel sets nttt Ittachinet‘y. vast bridges Pl‘klhlll? l),l Ken SlIeIIx llased nu .t settpl by Tim snItIlIeI‘n ltelaud. lilillli)‘ I,” an “IN-“nu (“wet spanning irrigated valleys. IIIIe name \,|} t It uni .\ d” \\ Illnclxs. .IIulInI nl a tetIsinIIs cntIIe In a head. during my (mu-w “1‘ crane—lined gigantic Ahmiuh- I“). ‘l\ ,\ \t‘llt‘\ nl pIngIIxJL-k littlet‘ JasnII l)nIIn\’an's “ hid, hc p:an hie locomotives. A serene ,\lu.md.t ( )Itn'x ll.t\llt‘\. lill\ IInt'Int-IIIIged "CW age ll'RIVL‘HCI' JIM il;||".|\,\g‘tl spnuse NIIIIex ambient snuIIdtI’ack IIIIlIeaI‘ahix geekx suit-I1 _\.IIII I\ set III .I IeIIInIe As a mute nhset‘x'ei'. Fred Angie Dit‘klll‘lm.‘ tl’aII'icta .-\t‘t|ueIIeI. - combines snutid el'l'ects t’mlmlxlx the thinnest l'IlIII x'UI‘IIeI nI' .\'nx.t Senna Wiselllim Imltcnlly WWW“ "WNW" "Wl'u‘ neglects ills iul'ant sun. with pneti'y -- ‘Tales that at the l-esux .Il I,\iiles xx lIeIe the scenet'x l\ as lniltIWs the cnqulex biologist. the nutsidet's nit-Le mm it“. wm'uwd serve as examples. . . sn l-IeldeI'I i‘x‘atllllttl .l\ the names are making IIIachItIe III the “'h” PM!" lht‘ “'il)’ [0 Tina and ullt‘llulL‘s' Ills that yntu' snul may he I Love Serenade (il‘l'. l.\' iltl\ltit‘ -\IIIx mg III the .»\IIIet‘tcaII Ballet MO'S “ht‘l'illln'l 3W] “W cnttl'used adnpttx e patents Limit-heir. (Miles Figldcl') I“; 4 45pm. i'lllllilttusc_ .II‘ea nu the lt;t|l nl' lus (‘nmpaux III this IlIt'ee- daughlcrs‘ I'L‘CU'WlllilllU” tMat') 'l'x leI MIMIC and I Mother 080: the 2.‘ ,-\'Il:_'. llpm. In I U I. lnIIg-lnst lather. l’aui l.lli\ lInuI‘ dncttttIetItat‘y. With thiI’ Pill‘k‘lll‘\ (,ient'ge Sega! I. Despite dancers exhaustively bend leW'CL‘. AS “'lll‘ Dill” Mid snme sIIaI‘plx til)\t‘l\ Id and stretch their limbs Carter's xx't'ilillg- l'auultal humnm. lllls xx'hile IIIsIt'IIcInI's stretch Sul’CU'lClill “'l’cr'li‘ll'l'i‘l l'I‘eexxlIeeIIIIg 'Inatl uInx Ie‘ Enra Concert in the their llllL‘l'llttllUllitii}' . ' “"‘PP'l‘t—i "'1‘ “"‘lf"“‘“"‘"l l'tlll\ nIII ntigax ltt\\ttlxi\ accented tnIIgues. r\l‘ll\llL‘ by "MS *‘dull‘mk'm‘l the end. t.\Igel l-ltIxIlI Festival ofBritish haul \mrk cmnhincs with d”"‘C-‘“C l"'”‘"°'"~‘ “"‘h I Flirting With Disaster .IdtIIitIistI‘aIix'e teItIpeI‘s. the attendiu ' sexual (in-- I" "W‘s-5 3W”- Youth O’CheStras'I hut the UVCI‘itIllg Nexx drama and had lilllgtltlgc (‘atIIen. 23 Aug. 7.30pm. . “Wk \L‘L‘IICN \L‘L‘Hl (It a film for mine tuatiu‘e U‘ l U )- . claustI'nphnhic and give 3 thelIhII a certain dead weight. In cnnti‘ast. nu Summer for Intu' in Greece and _ l)L‘lllllill‘ix. the dancers ' I SHOWING Young Composers "w REVIEW star fatlflS an In relax. I'eheat‘se and IntrOleced lIet'l'nI'III like hil'tis * * * * * unmissable St M rfla d released l'I'nIII their cages. D B U I E eve a n Ltkexxise. the lIltII hnds * * * * Very 900d nexx eueI'gv. WiseIIIan - E D I N B U H Performances of pieces written frustratingly keeps his * * * won" seemg F I F E l L over the previous two weeks by distance tltmughnut with * * Below avefage ' ' l'ew Intimate s Ints nt , b"““"‘9 V°“"9 °°"‘P°s'"9 ‘3'“ "than nth * You ve been warned (16-18 year olds) -
music ‘hot on' the press' Featuring the ' , - i [or details Steve Martiand Band 1 , - - , s o L o P r e s e n t s
LIN—rims MondaytsAugust r GEOFFREY WILLIAMS
AUGUST 12-30Pm I ~ .. .. . CentralHall(Venue100) LOVE IT LIVE TOUR 96
Tollcross, Edinburgh ’ _. Sun Aug 18th
(.71 cc]: proé ra m m c
COMING SOON Ticketér Fringe Box Office " " The Venue, Edinburgh High Street (0131)226-5138
or at the door I Mon Au 19th FROM 26 AUGUST FREE admission for children. , 9 students. disabled & uemployed ,1 K1 ng Tut ' S Wah Wah Hut, G Lasgow
plus OAPs concession ‘ ' _____________________
Irtl Pin. tr” The Venue Ultimatum is. 0131 $57 6909
The Last Supper
National Association of Youth Orchestras
.I.t.I‘-‘..Ittlt- from .’Irqtti Records, Ripping RPCOl‘d'. 8
5;. 'mta Entictu. Cit-(lit raid Nu. tnr Kim; int". 3 i ' ‘.)"..l‘.').lh it. (I‘lai {>36 5555 'H flirt-ct from the venue nri “ , . ,x '~ 'IN.‘ 35‘. 32;") and firm ‘.Itqiri ltvtmtd‘. and Toner.
78 The List HI-ZZ Aug l‘)‘)6