LISTINGS ART
HOOKED 0N FISH
New permanent Fish Gallery at the 1 Royal Museum of Scotland, Edinburgh. Museum exhibitions used to be dreary, cluttered affairs that kept the bewildered layman at arm’s length. Happily, curator Geoff Swinney is as fascinated by fish as he is keen to proselytise. With floor-space and boredom thresholds in mind, Swinney and his team have assembled 100 species (from a possible 20,000) as an introduction to the biological and behavioural permutations of the fish world. The end product is a lively and absorbing exhibition.
For a start, the displays are engaging to the eye. Moulds were cast from dead : specimens and then painstakingly worked up with rubber and other materials to create alarmingly
showcases flooded with shimmering light, the fish are freeze-framed not in bland, straight-backed rows but
actually spawning, feeding and
hunting. Even punters who skip by the short, jargon-free texts will walk away with a vivid picture of life underwater.
It is difficult, however, not to loiter longerthan planned. Short videos, a hands-on quiz and even the scratch 'n’ sniff shark skin are just too tempting to breeze by. There is bound to be something that will prick your curiosity. if it is not the slow-motion footage of flying fish gliding effortlessly above the waves it might be the recording of the motorcycle-like sounds emitted by the male haddock during mating.
Or it might be the sharks. Why does the
scientific consultant for the film Jaws now have second thoughts about his part in the scaremongering? In straightforward language, an animated computer database explains away the conventional perception of sharks as
i wanton manhunters. , authentic replicas. Suspended in glass
At some point in the exhibition, perhaps in that section exploring the role of fish in the human experience, memories of school biology teachers will come flooding back and with them a haunting question: Why did we wait for the 803 to invent the notion of user-friendly? (Carl Honoré)
Guy Taplin's Ten Curlews made from carved driftwood at the Scottish Gallery, Edinburgh
azteca
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The Collective Gallery
I66 HIGH STREET ° EDINBURGH EH1 IQS ° 03 l—ZZO I260
SUBSIDISED BY SCOTTISH ARTS COUNCIL AND EDIMURGH DISTRICT COUNCIL
ANTONIO BARREIRO and JAVIER CARPINTERO
WORK IN EDINBURGH
27 JUNE - 14 JULY Tues - Sat Noon - 6pm Sun 2pm - 6pm
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c’ .m w w .. ~ \ \
- u 4 g r’ , in, .. KAREN KNORR
Marks of Distinction 6 - 31 July
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POIYFOLIO g a l l e r _y Tuesday - Saturday 12.00 - 5.30 43 Candlemaker Row, Edinburgh 031 220 1911
The List 28Junc— l 1 July 199165