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FILM LIST
HOW TO GET AHEAD IN ADVERTISING
How To GetAhead In Advertising (15)
(Bruce Robinson. UK. 1989) Richard E. Grant. Rachel Ward. Richard Wilson. 94 mins. The Withnail team of writer director Robinson and goggle—eyed actor Richard E. Grant return with an even blacker exercise in comedicfrenzy. Grantplays Dennis Bagley. an advertising exec on the slow path to nervous breakdown. with a campaigntora boil deterrenthejust can't crack. 30 serious is his state of mental disarraythathe beginsto develop (gasp!) a conscience aboutthe destruction of our environment. but with the ominous growth of a huge pluke on the side of his neck. which has its ownthoroughlyThatcherite personality. his momentary lapse into reason is soon past.
Whilethe early stages ofthefilm. viciouslyparodyingwith snide accuracy the cynicism of the adman's life. managed a sharp and satirical tone. and the dialogue between one man and his zitremainsthe liveliest relationship inthe whole 94 minutes. there soon begins a slide into screaming incredulity. From the point wherethe boil metamorphosesintoa yuppie bastard second head. to the overblown visionaryfree market economyrantotthe extraordinary climax. the on-targetobservation otthe previous passages has fallen by the wayside infavourofa loosely-structured rant.
Actually. Robinson probably doesn‘t need to shout so long and so loud. Most of us are surely convinced otthe destructive potential of escalating consumerism. That becomes a problem here because nothing much is developed outside Grant's central tirade (Rachel Ward‘s spouse is the soul of dullness). so there's nowhere else forthe viewer to go except to wander into irritation with this self-righteous maniac. and one feels that Robinson has somewhat fumbled his opportunity.
All the same. the inarticulate anger of the thing generates a sense of involvement with the immediate problem‘s of today‘s society. precisely the sort of impulsive commitment that's sadly lacking in any number of immaculatelywhite-suited efforts decorously fretting about our colonial past. (TrevorJohnston)
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