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THE LAST TEMPTATION OF CHRIST (18)
1.15 (not Sun), 4.30, 8.00pm From Fri 7th Godard’s BREATHLESS (15) 3.00 (not Sun), 5.00, 7.00, 9.00
I Late Nights
at11.15pm
Fri 30: PREDATOR (18) & INFERNO (18)
Sat 1 : CUTTER’S WAY (18) & VIOLENT STREETS (18) Fri7: REPO MAN (18) & SUBWAYUS)
Sat8zTHE HITCHER (18) & HIGHLANDER (15)
I SundayMats
20ctat2.30pm
THE GOALKEEPER’S FEAR OF THE PENALTY(15) 90ctat1.00pm
THE LAST EMPEROR (15)
From Fri 14 AWORLD APART (PG)
I Something Wild ( IS) (Jonathan Demmc. l'S. 108(1) .leff Danielx. MelanieUriffith. Ray l.iotta. 113 mins. chtofthe burgeoning _\ tippie-in-pcril genre ax buxtncxx e\ccttti\e Daniels ix \\ illingly led axtiay by thc irresistible charmsot (iritfith only to tmd htmxclt iityoly ed \yithgcnuinc on c and the frightening poxxcxxty encxxot a psychotice\-bcau. ls'ooky comedy and gcumc thrillsarc artfully blended “ith a non-stop soundtrack of eclectic treats. Not to be missed. l-dinburgh: f-ilmhouxe. I Stop Making Sense l l’( i l (Jonathan l)emme. l‘S. I‘M t ‘l‘alking l leads. NH mtnx. Dy namic concert moy ic \yith l)a\ id Byrne and(‘o.'xat't'cxtittg li\cslto\\ btottght to the screen itttact by Jonathan Demitth tltnd camcraysork. (’entral: Regal. I Stars And Barst l5) (Pat O'Connor. L'ls'. IUSS) Daniel Day I.c\\tx. Harry Dean Stanton. .loan (‘uxack. Spalding ( iray. lit} mmx Daniel Day 1 eyyisplaysa bumbling Brittxhcr xcut by an art dealershipto xearch deep tn the heart of (icorgia for eccentric millionaire Harry Dean Stanton and his t are Renoir. l ltm L'\ er. the Stanton houxchold xcemx populated by the cream of America'N tlrotcsques trotn xutly l'l\ixlookalike toanould-bc \‘ictnam \'ct to a time—\xarped hippy. Dan 'I he Man is xurprisingly cffectiye ax the silly axx protagonist in thislarcical adaptation of \Villiant lioyd'x ttoy cl. \\ hich in)cctx an element of slapstick into the rather more \y ry sensibility of the original btit comesout \\ ith more than a lc\\ Iaughx nc\crthc|cxx. Strathclyde: .v\.\l('(‘lydcbank l”. I A Strange Woman 1 l 5 t ( Yuri Rai/man. l'SSR.1"")lrinaKupchcnko. l5llminx. .-\n independent Sm iet \yoman rciects the com cntional role of \\ tie and mother to ditch hct husband for a lo\ er. and \\ hen that iclationxhip turns xour hasthc courage to pick up the piecesagain. \\ cII-obxcry ed xocial dtama from the Sm tel male! til the genre. (ilttsgttyyi
(if-'1'. I Subwayt l5) ( l.uc Bexxon. f-‘rancc. NSF) (‘hristophe Lambert. lsabcllc Adiani. Richard Bohringer. lll-l mitts. Would-be sty lish thriller set in the Paris Metro“ ith icyyel thief l.ambert courting the attractiye .\ls .-\diani while trying tostay ottt of the way of cop Bohringcr. l’at‘ toopleaxcd with itself.this ixplain irritating. lidinburgh: (‘amco I TigerWarsawt 15) (.-\min ( ‘houdrai. l'S. HMS) Patrick Sway/e. Piper l.aurie. Mary McDonnell. 05 minx. The early Sey entics. small to“ n America. Asthe family prepare for their teenage sister's \ycddittg. tensions erupt \\ hen eldest son is caught by father spy ing on her. The t\\o battle it out with the result that the patriarch suffers almost fatal gunshot wounds and his tnale offspring Ica\ex town. lloyycyet'. noys that fifteen years hay e passed. Patrick S“ ay 1c. the prodigal son makes the difficult journey home. .r\ngxt-infested domestic drama makes a change of direction for Dirty [Mining's hcartthrob Suay/e. not altogether conyincing in a moin that is desperater strainng to fall xhort of significance. Strathclydc; .-\.\l(‘ (’lydcbank lll. ITrack 29( lb’) (Nic Rocg. l'K. WSS) 'l‘liercsa Russell. (iary ()ldman. ('hristopher l.loyd. Sandra Bernhard. UH mins. See caption reyieyy. (ilasgms : (il’l. I The Unbearable Lightness of Being ( ta) (Philip Kaufman. IS. 1087) Daniel [)ay -l.e\\ix. .luliettc Binochc. I.cna()lin. lb? minx. Ambitious adaptation of Milan Kundcra'x elliptical. complex nos cl about a \yomanising ( "/ech brain surgeon \\ ho falls in lo\e for the first time \\ ith a doe-like beauty from a small spa toys 11. x\hilllLlUlllllg his lt'cewlicllittg former existence. he faces comtnitment and togetherness at the time of the Prague Spring and Russian imasion of HMS. A dayydling and rather austere narratiye
is given some spice and interest by an
oyeryy helming eroticism. a beautifully judged evocation of Prague and gorgeous photography. otherwise vastly overlong and unittyoly ing. Edinburgh: Filmhouse. I Vice Versa (PU) (Brian (iilbcrt. US. HHS) Judge Reinhold. l’red Savage. Syyoolie Kurtl. ()8 mins. A mystical eastern yase enables yuppie businessman Reinhold to change places with his precocious schoolboy sort for the day. with near disastrous consequences for his career and his onc life.
Modern variation on a well-worn comic theme that manages little but predictable farce and a resistible exercise in desperate mugging from Mr Reinhold. Perhapsif your mind had been taken over by an clcycn year-old this might be your kindot movie. (ilaxgow: ()deon Renfield Street. I Violent Streetst 18) (Michael Mann. L'S. Wh‘l )Jamex ('aan. 'l‘uesday Weld. 123 mins. Moroxe safccrackcr (‘aan seeks to better his life by starting a family. and taking on one last lucratiye job. but the mob hay c other plans in store for him. lixccllcnt psychological heist movie \y ith (‘aan cony incing as the thief “ith a heart and a brilliant setpicee robbery sequence. Director Mann “cut on to create .lli'umi' l'i’u’. lidinburgh: (‘ameo I Wings Of Desire ( IS) (Wim Wendet‘s. \y'. (icrmany. IVS?) Bruno (ianz. ()tto Sander. Solycig l)ommartin. Peter l’alk. 127 mins. Restless angel (ian‘z on duty oy er Berlin takes a tip froin American moyic star and former angel Peter l-‘alk on the possibilities of crossing over. and follows his mentor's path toconsummate his relationship with beautiful circus acrobat l)ommartin.
(iorgeotis black-and-yyhite. and an attractively sensitive feel for the people and places of Berlin grace this thematically rich and tincharacteristically optimistic slice of Wendcrs moin enchanttnent. Highly recommended. lidinburgh: liilmhouse.
IF YOU GOT CERT SEAT YOU 1, 1T WOULD MFORTABLE i MANCE.
But thanks to the Scottish Arts Council, local authorities and private sponsors, you can sit through the whole performance in comfort.
Arts subsidies aren’t just for artists. They’re for everyone.
Scottish Arts Council
The price of a seat at a concert isn’t half as expensive as it could be.
Because the money taken from ticket sales often pays for half or less of the total cost of staging a concert.
18'l'he list _‘~flSept 13 ( )ct I‘lh’h'