ART & EXHIBITIONS LIST
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I Art is listed by city tirst then byvenue, running in alphabetical order. Please send details to Alice Bain not later than todays belore publication date.
GLASGOW
I ANNAN GALLERY l_‘~tl \\ e\t ( .iitiphell Street. Ill Stlx“ .\‘. \ltiii l-i’i‘luiii 5pm. Siit‘l.3l|;iiii l_‘ .‘llpiii.
SdmmerExhibition H.|ii|_\ end .-\iig_' .\ tutti Ut Seiitlniid iii Ull\. \\.iteietiltitii\.iiid Pil\lcl\ Shun in}; .it the \llltL‘ tiiiie illL‘ iieu etiiitiiieiitul \eeiiex h} (ieiii'ee .-\j_'tiil.ii
I ART GALLERY & MUSEUM. KELVlNGROVE 35".?”3‘). \lnii Sat Ill.iiii Spiiihiin
l 5pm (kite |l)|\iiltiiit.iii l.‘ll|th\.llL‘ .i\ .‘iil.ili|e tree (‘I eh.ii ee In etiiidtiel piii IIL“ iii indi\ ltlll.tl\ ititiiid tlie llltllll enllei IC\ (.tlltltlk‘l lltL‘ L‘thtlll} Lle\l\
Sun Gardenst‘niiljiiluh ()tl\lL‘\\ lieie .‘llc tiiigiiinl llltl\tl.lllt\ll\ til \e.i\\eed\ li_\ .-\iiii.i .-\tkiii\ ( l‘t‘lll l"‘l‘ll .iii eat I\ piniieet
NEW GENERATION NINETEEN YEARS ON
Compass Gallery. Glasgow
For nineteen years. Cyril Gerber. ownerot the Compass Gallery, has been mounting a New Generation Show. Every yeararound this time. his selection at students‘ work lrom the tour Scottish art colleges lills the basement Compass to capacity.
In the early Eighties artists like Steven Campbell and Adrian Wizniewski moved lrom art school studio to immediate success on the art world circuit. Spotlights on the latest stars were lirst lit at exhibitions like New Generation which were popping up throughout Scottish galleries.
Throughout it all and now as the lever lor stardom settles into some kind at post-hype perspective, Gerber's show remains a constant. He simply otters the New Generation, without medals or prizes, a group launch trom school to the world at dealers and critics and public opinion. They are chosen because they show young promise at one kind or another, not because they have itall sewn up.
This year, that is particularly true at the group selected. There is an overall saleness about the work which seems to leave little room tor individuals to shine. There is an atmosphere of education at the price at spontaneity coupled with a tear ol experimentation. But perhaps too much is expected at students and it you take time to sitt through the exhibition there are glimmers of that promise which might make it past the high-pressure obstacles which this ‘enterprise
l heii dense liliie eiiliitii \tllltlllk‘llL‘\ iiiiide li} the e‘}.iiitit\ pe iiietliiid
tit plititiiginphx
ltlUlTl 'e_\ iiiiide' iiiie til the elieiiiienlx med ill the PltlL‘C\\ l “ere the lll\l plititiiginphie iiii;ig_'e\ ex er in he published iii hunk ltii'iii. predatiiie l'«i\ |.illitit\ liettei knim ii Plll‘lledtltilh
Flowers and Gardens 1 Hill September \liiie liiii'tieiiltiiiul tliiuei lllL'\ tliixtiiiie \\till\\tlll pnliei .iiid l‘ll\ liniiitlie
per iii.iiient etilleetitiii
Prints lrom the Visual Studio t 'niil :iilune l)llllt\ li_\ \tlltlL'ltl\ til the \ ixii.i| .'\ll\ Sttidiii
Mr Wood's Fossilsiilulx Fl August lhe \ltiii t‘l Stall \\ with iiiilel.itig.ili|e liiiiil tii lei'iet out lt‘\\ll\ iiieltidiiie llIH\C til the \\tii|tl\e.itlie\l elitiitilete l.itid :iiiipliiliidiix.
ARightRoyal Reception titulx :imepi l he im .il ieeeptitin imiiii lHl the l\\\ (iliixetm liitei‘ii.ititiii.il l' \liiliititiii l\ ieetiiixti‘iteled .l\ the eeiitiepieee ltii tlll\
society‘ deals out with degrees. Maree Meahan‘s sheep hung with barbed wire is a deltly drawn statement while Angela Reid paints a glossy magpie with the size and strength at an eagle. Though most are involved in tigurative studies, Olivia Lloyd hones down her interest to lorm and line. It is her ditterence trom the rest, ratherthan the work itselt, which is striking. Simon Alexander is another artist who has broken tree at an art college stamp early on. His sophisticated ‘naive‘
L'L‘tttL‘llttl‘} eelehrgitiiin display IBARCLAY LENNIE FINE ART Ill.‘ Bath Sti'eet.33(i5~11.‘i. Mun I’i'i ltl.iiii 5piii;.\'.it llitlm lpiii.
lvorB. Coburn I 'iitil end .ltil\ Reeeiit paintings.
I BLYTHSWOOO GALLERY lhl \\ e‘xl (ietitge Sheet. :3“ 55:". Altill t‘t'l
llliiiii 5..‘~llpiii:S.it llltlltt lpiii,
Mixed Exhibition l tan end .ltili ( i|.i\g_m\\ ~Seliiiiil. Sk'tlllhlt(it‘lt‘llll\l\illlkl L‘tititetttpiit'ut} .tt‘tt\l\.
I THE BURRELL COLLECTION l’iilltikthxx RutidJi-VVIFI. \liiii Siit llhlltl SpiiizStiii 2 5pm Rest |l)|
Hanging Gardens at Central Asia 1 “mil _‘\ Septeiiiliei \tit w iiitieli fJAIILlL‘lh .l\ l\tli .iiid l‘)tli eeiitiiix eiiiliitiideied l‘\'\l\l‘le'.ltl\ lli‘llll '. i‘l' i‘ \\I.' \-. 1x. lllllllli:
iiiti tente llti: .il ti. \l.Ill\ .«iiiti'iiie tli. [iie\.i|eiit ltlllllx tiltiii.il tlieiiie lni the (igii'deti I'e\lt\.i|,
I COLLINS GALLERY I 'iiixeixitx Hl ~\'ti'.ithe|'\de. _‘_‘ RIL‘lllllUlltl Street. 5*: lllllleu 2M.” I-llti. \ltiii l'll lll;tllt 5pm. Sui l3 -lpiii
Shape and Form If .llll\ lll .\llt_‘tl\l \\ itli pziiiitiiie ii dtiiiiiiiiiiit ltii'ee iii ~Sentluiid it l\ lL‘llL‘\tllll_‘_'lU\L'L' illlt‘llllleh \etiliitiii‘dl \htm. Here. \i\ \Cllll‘ltlh liiiiii Seiitlniid h;i\ e lieeii ehmen tii lllttlu‘ up .i eimip \ltti“ tit )iiiiiig eiiiiteiiipiii'ni iex li.ie_\ \liielx'eiiiiu \\ lime tiiiight eieuttiie .it the (ittl'tlcll I'L‘\ll\.ll is one til the \ti'iiiieei L‘tillll ll‘llllttlh li’tiiii Seiitliiiids-Kii \ti
.\le( iliie \\ lime etiltitii ltil \etilptiiie ll.l\ lieeiiiiie iiiiii'e \lll‘tlk‘ in litith eiihiiii .iiid tiii'iii .iiid :\lltlle\\ \tillei \\ hii iiiiilxex .i iii;itti'e\\ Ulll Hi .I niiiielield itiiii \Veiidi ll;i|\te.id. l’hil l’tmei iitid \ .ilei‘ie l’i‘ueiiell. llie e\liiliitinii \\lll ti;i\el tuthe ('it_\ .-\i't ( ~eiitie. t'.tlllll‘tll}.1ll l It‘llll tii‘eiiiiiwn l lgi'tei iii the \Cill.
Julia McNairn
prints and paintings illustrate sharply observed Alrican scenes. The ‘View at Kampala' with its shadowy black cars and sleeping god, has texture in both colourand tale.
Julia McNairn‘s little charcoal study ot an industrial scape has a European touch and a tightness not as clear in her larger painting. In an unusual golden collage, Janice Gray also looks at a city, introducing humanity as a giant tied up against a chimney. (Alice Bain)
I COMPASS GALLERY 178 West Regent Street. III (iff'll. .\tiiii Szit llhllll 5.30pm. New Generation Artists: work lrom tour Scottish Art Schools t 'titil end at July. Spiittvit'ed by the Seiillhli l’ii\l ()tt'iee liiiiii'd. I COOPER HAY RARE BOOKS 3H3 Billlt Sheet, :30 Alla-1 Floral Engravings I lIl‘tlllletfllll \llllllttL‘l‘. .-\ii e\liihitinii til UllL'lllitl liiiiid-etiliiiii'ed lltii'ul Cllgl‘;l\lll}1\tltlllllgll'tlm 1‘5". I CYRIL GERBER FINE ART IJS \\ e\t Regent Street. III 3””? Huh l‘ll ‘l .‘llniii 5 .‘llpiii.S.it‘l.3ll.iiii l2 .illpllt. Festival Exhibition llll iitiehiitit \iiiiiiiiet Sllth eeiitiiix .tlll\l\ iiieliidiiielixiii l.iid|e_\ \lelllll\l\\ . \.t\ll.l li/.il‘etli ltl;l\'l\.ltltl\'l (illlle‘\. \iiiie Redputliniid llll1\‘\( i‘\\l I EXHlBlTlON CENTRE STATION l I« ll iiiei It liiiiiiexttiii .\t.itiiiii ll lllllli.‘\lt\ll. Scotrail Mural ( )iieii ntm lHl ( i,iideii l'exti\.i| li.illie (il.i\gim ;tlll\l \\ illie Rudeei tells the \tUl\ til l'iiiiiie\tiiii\ eli.iiieiiie ltlll‘llle\ iii .i huge iittii.i| etiiisistiiieul I‘leiigiiiiel [xiiielx ('uiiiiiiixsitiiied |i_\ Sent l{.ii| I FINE ART SOCIETY l.‘~ 1 ltlx tll\\\t‘l‘\l Street. 3324(le \ltiii t'll ‘l,3ll.iiii 5 .‘illpiiigfiiit lll.iiii lpiii Gardens I hit] I* .llll\ Si\ti p.iiiitei'\.iiid \Clllplt‘l\ \uii lxllltl iii Seiitlniid lL‘\PtllltlL‘tl tn the Sueiet} \ lll\ it;itiiiii ‘tii iii.ike .iii lllt.t§_‘L‘ (it \iitii l;i\tiiiiite unideii' In tlll\ eiiltitii llll hei'liueetiiix litii'dei iil \peeiiiieii\ llll‘\l \litm tlie guideii lillllCtl. ( )l the ten tli.it Like .i slightl} dilteient \ ie\\ til the guttleti. \\ ill \liiele.iti\ liii\ til gt‘;i\e\ t\ the iiimt \e.iieliiiig_'. (ieiiei.i| (ll\[‘l.|_\ «it thi :iiid Illtli eeiittii} Seiittixh p.iiiitiii_:! tiiitil iie\t e\liiliitiiiii Victoria Crowe-Corinth to Carlops \\ hieli l‘etlllh l_‘ ’\llt!tl\l. I GLASGOW ARTS CENTRE l2\\ .t\tllll}.!lllll Stieet..‘3!-1."_"i \ltiii l'll lll.iiii \piii;.\'.it Ill ‘piii SummerExhibition t ‘niit 3 Sepi \\ m t. In lllL‘ltll‘eH iil ( i|;i\§_'m\ '\ll\ ( 'eiitie el.i\\e\. l’lititiiginplit . [‘illlltllltltllltl\\\‘.t\lllu I GLASGOW GARDEN FESTlVAL l’i lllt‘L‘\ l )iiek. uppmite \U‘llhll l- \liiliititiii ('eiitie. -l_“l \555. l‘iitil 3h Sept “d.i\\ Ill;iiii “pm i l;I\I .ltlllll\\ltill l hmii heltiie L‘lti\lll_‘.! l. Hui llL’le‘h L5. I IN“. ( ).\l’S U. ehildien 5 In LISH. under 5\ liee. Sculpture llie ( il;i\§_'ti\\ (i.ittleii l min .il lllL'ltlth\ pleiiti (it \eiilpttii‘e ieeliiiiiig; .iiiiunext the llimei liedx. thtiiieh the “MRI ditlietilt Pilll l\ seeking it out. (let litild iitii li‘ee etip} til the .\.itiiiit.il ( i;i|lei'ie\' itseliil little |e.illet lieliite )iitt gii \\ litelt ltil\;l lllttl‘. iitiiiilieied ltiL‘illltllh illltl tlL“Cl'lPtlUll\. :\\ ziiliilile ll‘Hlll the \tttltilltll (iiillei'i . the NP“. the ( i.\l.-\ illltl iii;iiiii ;ii‘t L‘L‘lltl'L‘\. l'he lttlLWl .iiid llllitl edititiii tn the \eiilptiii'e iii the t’L‘\ll\ iil‘seiilleetiiiii is Setittixli ;iiti\t Riehiii’d ( ii'iitiiii’sgigiiit lliiaitin}; \etilpttii'e. Made (It British Slitplitiildet'x I igniting; l.td .iiid lii'iitight eet'eiiiiiiiiulh dmx ii the ( I} de .it the eiidiil l;l\l llltllllll. it iitm rests hiee up on the \\.itei Ul l'e\li\ .il l ltll'l‘llllt' Art in the Garden ll _\iiti \\;iiit \iiitiethiiie iiiiiie \lll‘\t.‘lllll.ll tii .ieeiiiiipiim ii \etilpttiiiil ttltll til the site. llll\ l\lllk‘ hunk to get. It eti\el\ the “in k til the lnitx -\l\ .ll'll\l\. iiieltidiiiu Rieli.iid l)e;ietiii. \lielieldtigelti t)l\l()lk‘ll(‘. lidti.iidii l’.iiilii//i. Slitiiiu Kiiihieh. (ieiiige \\ i llie ;iiid \Villmiii I [ll iilitill li.i\ e iii;ide llI\l.lll.lllHll\. tiiidetiiitiiliiitiii'siiieltide leeltiiei ;iiid phtittieinphei 'l liiiiiiiixltixliiiii (.(HIPL‘I tilitl L't'ilte Rtelldttl ( 'iit k l‘tlltetl ttlltl pi‘iidtieed lit (it‘dL'lllL‘ .\ltii in} Int the (il.i\gm\ (itlltlL‘ll l'L‘\ll\ .il. spiiiixiired h} the Rt)_\;ll Batik (it Senlluiid. tl’iililixhed 3“ June. £5.95 ll't‘lll the I'L‘\Il\ .il iiiid l‘tlt)l\'\ltt)[‘\. (H {0.05. ineltidiiiepostage :iiid [Tilt‘kllltl tlUltl (iigieiiie Miii'i'u} (i.itici_\.ii.‘~i 55lilill2ll iArtis't'he L‘Ulllltlclelttl tilt\_L'ltlllP.'\lll\ h;i\\eleeted 13 Setittixli .lltl\l\tiitiL'L'\lllt‘ltL'tl iiitlie Hillel]-Plll‘llel\L‘tl liiii'tiiiiul llltltltll lit \\ iiiipex lltllllL'\ .it the ( ileum“ ("widen le\ti\..il ,liiliii l.iiliii. l)tiiiiiiiie \iiidei. .lmepli l he. Sand} Mtillkit iiiid l )ei'ek Riilier'tx iii‘e :iiiitiiig tlime \ltU“ in}; in this
46Ihe List S’— Zl July 1988