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date.
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ART & EXHIBITIONS LIST
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l Harry Callahan Retrospective: Collins Gallery. Glasgow.
From 1946 to 1961 Harry Callahan was, withAaron Siskind. jointdirectorot photography at the Institute of Design. Chicago. The Institute. known as the New Bauhaus. was committedto experimentation in photography. lt advocated ‘treedom lrom authoritarian indoctrination' and imitated the Bauhaus style in itslreedom otspirit ratherthan in its social intent. Callahan beganto take photographs alterhearing Ansel Adams lecture in 1941. His own work. very inlluential at the Institute. explores lorm and colour. multiple exposure. montage and collage. lo a very varied output his
style is direct. but unexpected. His approach is disciplined but inventive. stopping short of abstraction and he plays with the elements of space and composition to tease out something more than a pattern. In ‘Rome‘ (1968) where he juxtaposes planes and depth. a man. his so-called ‘casual humanity'. passes underan archway creating the proportions and balance of the picture. The man also creates the interest. the point of reference. Callahan masses shapes and space to discover. or as he put itto ‘intensify‘ the subject matter. to discoverwhat shape he has. what it is made 01 and how it relates to everything else around it. His pictures leel very complete. (Sally Kinnes)
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