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— DOWN BY LAW
Down By Law (15) (Jim Jarmusch. US. 1986) Tom Waits, John Lurie. Roberto Benigni.106 mins. It's the mark of a gifted film-makerthat his movies look like no one else‘s. Some mighttake a lifetime to achieve this. but Jim Jarmusch has taken a mere two pictures to establish his uniqueness. His debut effort. the hilariously cool ‘StrangerThan Paradise‘. and the current offering both fit in to their own little genre‘ best defined by Jarmusch himself as ‘neo-beat—noir-comedy'. Here we have an aesthetic mapped out by the sparse. peppery slang of 805‘ beatniks. who populate an American urban terrain half-remembered from the grainy monochrome images of 503' B-movies.
Yes, it all looks like a hip yankophile‘s wet-dream. but it's the dreamily amiable craziness that gets you. In 'Down By Law‘ three assorted. desperate characters Zack (Tom Waits). Jack (John Lurie) and Robert (Robert Benigni) are thrown together in prison. The former, a pair of abrasive hepcats with woman trouble. while the ltialian tourist is a hapless innocent abroad with an endearineg idisyncratic ragbag of English phrases (‘lam good egg. no?‘) and a penchant
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forAmerican poetryintranslationt‘You like Bob Frost7'). Togetherthis motley band miraculsouly escapefromtheir confinementand shambletheirway throughthe Louisiana swamps. Which is wheretheirmisfortunes are onlyjust beginning...
Despite stern competitionfrom Waits' raggedy-man cuteness and Lurie‘sicily psychotic moodiness. the unstoppablyoptimisticBenigni isthe outrightwinnerinthe charisma stakes. andjustaboutstealsthe picture.
He can hardly fail to do so though. when Jarmusch gives him all the best lines- his anecdote about his mother killing a rabbitisthestuffofcomic legend. Yet. evento single outone elementforparticularpraise beliesthe sheercinematic cohesiveness ofthe thing—thewaythe plotunfolds, the interaction betweenthethree heroes" the deliberately unfussytechnique— everything bindstogetherso effortlesslythatyou can‘timagine its singularlyseedyfairytale being done any otherway. Amilestone of Americanfilmcomedyifeverthere was one. and only the utterly humorless could resistits laid-backcharm. (TrevorJohnston)
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