CWMN I CYFRI TRI / GYRDD-DER ’86

A first Welsh language performance in the Fringe by one ofWales’ professional theatre companies. ‘. . . a lively and intriguing example ofthe theatre ofimagery . . . a visual triumph’. Fresh from the success at . the National Eisteddfod in Fishguard. Don’t miss it! Southside Centre, St Leonard’s Hill, The Pleasance, Edinburgh 25-30 August at 7.30pm £2.25 (£1.75)

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El Cambalache presents Scant Theatre’s Production of Samuel Beckett’s

KRAPP’S LAST TAPE

with Steven Rayworth and production by Dr Mary Ross following last year’s much acclaimed ‘Waiting for Godot’

Performing Fridays at l 1 pm and Saturdays at 8 and 1 1pm throughout the Festival £2.50 (£2).

Café Royal Venue 78

WHICH LEAVES THE AUDIENCE

I RECOMMENDED. Fest/val Times. SEASON

15TH ANNIVERSARY ' 9.730306.

9 ‘Im ; ASSEMBLY

I ROOMS Music Hall

12-30 AUG

(not Sundays)

3.45 m l

ASSEMBLY ROOMS Ballroom 5 : 3

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'\ “RIVETING” Sunday Telegraph

8-30 AUG

Ml‘DNIGI-IT

GEORGE SQUARE THEATRE

HULL TRUCK HAVE ONCE AGAIN PROVED THEIR WORTH AS ONE OF THF FAVOURITES THIS YEAR. SUPERB COMEDY ' ...S|MPLY CANNOT BE MISSED. Fest]

FRINGE

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...15TH ANNIVERSARY SEASON

15TH

(31mm

BY JOHN GODBER Original Mow leI Iym s In TOM ROBINSON and HEREWARD K

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‘WITTY CARING TOUGH TRUTHTUI AND TRAGIC' The Guardian

BLOOD SWEAT AND TEARS av

Inspired by Karen Briggs. twice World Judo Champion

"ANOTHER WINNER A triumph ol clever casting . They can not only throw each other around spectacularly but grab our emotions and give them a good shaking too" The Guardian

“SUPERB PRODUCTION Throws plenty of sharp punches THOROUGHLY ENTERTAINING” Yorkshire Post

BY JOHN (3008i, R

Mm h an Mum-(I 1986 protlm lion of John Godlwr s ‘.'.l( lil‘tll) lunn) {Mind} ()I a l)'l)l(.dl ('Vl‘lllllfl down at the dlSCO

DEVASTATINGI Y SLICK SCYTHINGl Y FUNNY

IIVING ill) CINEMA AT IAST lAM

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HIGHl Y RECOMMENDED City Limits

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SUN-ERGOS

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VENUE 23: CHAPLAINCY CENTRE BRISTO SOUARE

Week Three at 12:30 PM.

TICKETS AT FRINGE BOX OFFICE AND AT THE DOOR E? 50 I? 00»

‘Hibakusha Twilight starts from the premise that we are all survivors of Hiroshima-Nagasaki, living in a kind of twilight . . . To look at such things is a necessary task; the two members of Sun Ergos approach it with tremendous skill, exemplary mastery of technique, unflinching honesty and courage. It makes for a harrowing and profoundly moving performance.’

John Clifford, The Scotsman

i '12 The List 22 Aug—4Scpt