if I' . " . ' I. ' . If ' ' 1 wt " I I " 1' ' I I“ . .1 O " ' ' ‘ u '1 I: "I, ' 'I I v t v w . 6 , ,0 ‘ n , , 0' 1 r I ‘t I . O K O 9' I' ‘r . 1 I I o ’I v I 'l y ' ’ t y 3", H t y 1 f1 1. ,. I a7, or», i r ' , . I ' ‘l f' "5 f I" K i ’ ' O 1' l‘ 1
I,/’,',,‘,/!I"i"'fl"/,'I" . 'i" I . .Ii,;I",?I,'tii'i 7'3. '/\|l.It= HI’I’ litti'
I’,[Iii.'r,'i* AIITTITIIII'J‘I «In; ‘i'Wif/"I
(11' ,tei‘. NH' " u,
ADAM BLOOM A litany of high-speed absurdities
Htt‘t oneept ol iliw/Iitiiiie l‘» iiittaiiiiliai to Ailam Hloom Alter l h i'itint; onutaite tl'lli .‘.’l\lt|lll() thioiiiih live llllllllIOT; or no ml liinii,; tiieiiilly, lilthy .iiizlieiiixi ll‘ll‘l.t"lli)ll. the (Ii t pillllt‘l liiiiiiiti; Withoiit [I “.'.’(l.‘;t(,‘(l I‘..inos‘.et,on(l_ Bloom hat. .i moit of snow, liiiy. the llllfillitllttll
0. r' :‘v. : . ' H. a Y . it ii”) ‘ \ u A a v ,IV 9‘ YV|.I 1 r. ‘r l v I I I It. ‘i'i'wtfl': l .:- MIT .-' v/tt‘ t‘ “I; I. ‘ I "I '1 r ‘t 1”?” ‘7 ‘r vi“! 1' r ' 1" 1 R I' ‘ 1 I 'o )l "' [u .’ : : ’ I IIAI I' p. u l )Il'l L“ l III. I . I o I
JOHN GORDILLO
TWItchy. tetchy show from comedy director 0.
AI ’,|.illYlt"t timl'it'l “"'th.’ iii Ilili't I'l Not tHH ‘.
\'.':th him "tiaiiitht ielgitiortahip'. with 'niu
olllllll ( in Iilillo ix I: .t ham“;
{M‘ll'hl"t"‘tl', ill iiiilt'ieiiii. III 'he l whit"? tiihe xylem. oi liaiipiiieii. let loosi- in liliiiiiiiiith. Hiit mi mt Mt all. her; not
ha; III. :twiiit; a tier uh Ir. ‘f3t .' Ihhiiriti
ahotitinthelierteutixailoitiii1lxall'flio
ISMVH in (tontiol ml anvthinit in my life ",
JASON COOK - BRUCE OEVLIN - GARRY OOBSON
BOB OOOLALLY- A.l.. KENNEDY DANIEL KITSON - LIMMY
SEYMOUR MACE . FRANCESCA MARTINEZ VLADIMIR McTAVISH - RAYMOND MEARNS
MRS BARBARA NICE -SIMON MUNNERY 59y STUART MURPHY -RIiii NICHOL
Elemekci
26 THE LIST FESTIVAL MAGAZINE ‘vn
MARTIN SOAN ~TOM STADE NICK WlLTY
ANDY ZALTZMAN thestand.co.uk
5 York Place and
16 North St Andrew Street Edinburgh
0131 558 7272
~ a,» I‘ I .« :lI‘tLl‘n'Vlll}
"Wt A" t 'f‘wtu' The“? .‘Wlx wt" In- 'Iw'ni-i‘tn It Hui} " I'llii', “Hilth 'Yl. 'it’ I' .: t F'lktrttllitl‘llli‘iltt‘ll 'i‘; ; " ' ~-' _(ioitlillimeeinv’onm-it? "Ier' t°" Till the kiitlx oh I .' .iw Iont;areeoiitiiinetlwhen
llfi, not no Iti‘,'i)ti<:alli,, that W.I- twee a hail aiiilienee when hit; ‘m m fall flat. he look) lllfillllt‘tt A ‘ Iiinlefu; iieiloimani e, and It t‘.-.iit:‘hI.. ’ I'nholir~ ileli\.iei‘\,' tail to moth In the utom taeet; titanin ha k I' ll» (liies‘toi otl (1(jll?|//<ll<1tillilHiwtllltlllll) lliintei has; loittotten that ii()lilt?°i|llll?f» a yiowrl llMKlf» a hit of Yllllllllt], HUM when they‘ve not naiteil With any (‘atsh Paving; oi not. an (illttlffllllt: ean Still leave feelint; Tipped oft, t()|aiie EBaweI‘u I [ (tug/Tint; Horxeiht/Ie Count/Iii; House, (56/ #333, iiiiti/ 2.") Aug; :iiot t” l I, Spin, flee.
FAT TONGUE
Eddies nominees with another sketch triumph 00..
fringe 01" WI“ not go down as one ol the \.’|lll£i(_)(} years; for the Sktéltjll :,iir loo many half hakeil or non e><iistent iilears are iglithennq their way Into too mam Ioiitiiiets ‘.‘.’lll(lll Ill\.’¢ll|£ll)|‘," enil WIN] a lldfitlld [lllll(llll|lltf or have too intirth reliance ’)H a recurring Toke to somehow give the show a coherent 'f;tiiii:tiire' Fortunately Fat longiie'i; Irleaf; are neither hailly (:oiieeiveil nor empty. Till\ germs; And while they, like their interior troupes. are not immiirie to the odd SIH‘,’ \.'()l(l(:. they are alx'xayts \.'./ielrle(l In Inst the right place for itist the right length of time.
Who would have thought that simply the name Billy Elliot could he given t;iir:h comedic purchase 61:; It If; In the rerttirrinr) (non, where "re he; ‘.‘.‘on<ler
1‘05; I" 3": l'Si." : ' nrl' " iii><laire t'l l? The <;li" :( ft- :' re 'TKIT‘I “pi; ill“ p' "iiiitc -‘ Iii: ' lit . .i
erat'
trifililfi"{} It'l’} 21' :" er weig. anima‘ ; a'vl IztidltlfltlS seem to he cropping up a lot
flame twine Alie"‘~.
' ,9 n ‘ t. ’ , o. ‘ ,0 I, it I, I, . . .
WILL ADAMSDALE
A highly technical technophobe's delight .00
Rick In .‘lli‘i-i, Wilt »\Il.ii'~wtii?v a on: .i uliole hit ‘mth ‘ .I theatre who}. that tzlllt‘tl‘, Hilt’JL‘t‘ti nt‘ ".‘.ltll the iiiaiii i‘oini-Il‘, that en otte' iii AHAJHTRI, It’tl‘Jllt) the liken wt iiituiiei ‘Jtllll’ tit) noiiiiiieem l ‘hiin !.\”l1l"u‘ll .intl Ht‘illllttll’ [l lliintei in lll‘}' it Mimi waki- Now, he". txii h .'.'itl‘ Iii I"..ItI.I:.hml l I In». t. " ii [Irwin-I ‘lI-ui'ie win e \.'.llll tin titi liwiii‘e lillml Milt M the letttiI-i l llht'f. tit [Mutt ()'[)oheit‘,, [Milli-l lxit‘mii .Iiiil hiiuleii Si‘haal l or Me ,‘iiinxs' Ailainrxlale hat; ielt heliinil Inoti. l°i n.il speaker (:llllh \litlll‘ .lai‘kuon ti The
.kherT’IH/‘Potv’
We "Milk, himtwll, .In t'ktfllll’ltilt‘li teizhiioiihohe '.‘.'hi liti‘. III.IiIiil.II lil't‘it an tlfiltlllllttlllttl‘, tm‘hiiital ttltflllldli’
world to explain hi my I;< Iiniiiiteit. w Til- Ioi_ Iathei, (lon'ti
Delivering; a genuinely lllllll‘,’ performance and ‘Jilpl in the ‘lwrllllllt segments; by explaining lll‘, main llf(?l()ll(} miseries; With F‘,()lt‘.‘.’;tli- til” hard (trivefs, he iietf; the aiiilu 'll(;l7 |llt(3r£t(;llll{] ‘Nllll hi1, cont (fill-’l desktop'ss syinholr, ot lllélltt‘J Ill:ll(,l’:
The SHOW iloei; ltlfit' ll‘I Hay aliqhtl, in the second half when he get trapperl iiiSItle his; Computer and I', tankeil with traekinq (town a unirlei ziriit, ill order to r()f3(;ll(,‘ (:iVili/atioii \‘J’ill Arlaiiiurlale may lielieve that modern lite l‘, i'il illl‘Jt, hiIt he's; I.-.iie|rlinr; itr; l()<)l.‘; in it" etleetixe an! Iientl, llllliltflflll‘; Wily
'E‘T' :II Donald‘soni
I lain 3." The Uri/versit; iIt Eri’Hhh'ri’r Dril/ Ha//, 228 7-10/1‘ i/rtii' (“I Aug} T.' 80/. VIM/0H7) timw E 7h
IP3- 5‘17).